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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C01823 it is the complementary color #3FE7DC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C01823. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C01823 shade: #C5181E, #D62A31, #E73C44, #F84E57 and #FF606A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C01823. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C01823 shade: #C01823, #AF0610, #9E0000, #8D0000 and #7C0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C01823 shade: #BF1823 and #BF1818

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C01823 shade: #BF1823, #BF1850, #BF187D, #BF18AA and #A718BF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C01823 shade matches the following richer shades: #BF1823 and #D00613

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C01823 shade: #BF1823, #AD2932, #9C3A41, #8B4C50 and #795D5F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C01823 shade: #BF187C, #BF184F, #BF1823, #BF3918 and #BF6618

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C01823 shade: #750E15, #9A131C, #BF1823, #E31C29 and #E8414C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C01823 shade: #C01823, #A8BF18 and #1866BF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C01823 shade: #C01823, #23BF18 and #1823BF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C01823 shade: #C01823, #A8BF18, #18BFB3 and #2E18BF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C01823 shade: #C01823, #76BF18, #18BFB3 and #6018BF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 88 / 82 / 25

HEX #C01823

RGB 192 24 35

HSL 356.07, 0.78%, 0.42%

LAB 41.19, 62.21, 40.1

 

Complementary color

CMYK 73 / 0 / 5 / 9

HEX #3FE7DC

RGB 63 231 220

HSL 176.07, 0.78%, 0.58%

LAB 83.64, -44.03, -6.89

 

CMYK 0 / 88 / 85 / 23

HEX #C5181E

RGB 197 24 30

HSL 357.92, 0.78%, 0.43%

LAB 42.18, 63.43, 44.08

 

CMYK 0 / 80 / 77 / 16

HEX #D62A31

RGB 214 42 49

HSL 357.56, 0.68%, 0.5%

LAB 47.2, 64.63, 39.86

 

CMYK 0 / 74 / 71 / 9

HEX #E73C44

RGB 231 60 68

HSL 357.19, 0.78%, 0.57%

LAB 52.55, 64.99, 35.93

 

CMYK 0 / 69 / 65 / 3

HEX #F84E57

RGB 248 78 87

HSL 356.82, 0.92%, 0.64%

LAB 58.13, 64.79, 32.51

 

CMYK 0 / 62 / 58 / 0

HEX #FF606A

RGB 255 96 106

HSL 356.23, 1%, 0.69%

LAB 62.22, 61.06, 27.13

 

CMYK 0 / 88 / 82 / 25

HEX #C01823

RGB 192 24 35

HSL 356.07, 0.78%, 0.42%

LAB 41.19, 62.21, 40.1

 

CMYK 0 / 97 / 91 / 31

HEX #AF0610

RGB 175 6 16

HSL 356.45, 0.93%, 0.35%

LAB 36.52, 59.88, 44.36

 

CMYK 0 / 100 / 100 / 38

HEX #9E0000

RGB 158 0 0

HSL 0, 1%, 0.31%

LAB 32.41, 56.02, 46.44

 

CMYK 0 / 100 / 100 / 45

HEX #8D0000

RGB 141 0 0

HSL 0, 1%, 0.28%

LAB 28.55, 51.54, 41.86

 

CMYK 0 / 100 / 100 / 51

HEX #7C0000

RGB 124 0 0

HSL 0, 1%, 0.24%

LAB 24.59, 46.97, 36.84

 

CMYK 0 / 87 / 82 / 25

HEX #BF1823

RGB 191 24 35

HSL 356.05, 0.78%, 0.42%

LAB 40.98, 61.94, 39.83

 

CMYK 0 / 87 / 87 / 25

HEX #BF1818

RGB 191 24 24

HSL 0, 0.78%, 0.42%

LAB 40.89, 61.68, 45.47

 

CMYK 0 / 87 / 82 / 25

HEX #BF1823

RGB 191 24 35

HSL 356.05, 0.78%, 0.42%

LAB 40.98, 61.94, 39.83

 

CMYK 0 / 87 / 58 / 25

HEX #BF1850

RGB 191 24 80

HSL 339.88, 0.78%, 0.42%

LAB 41.7, 64.03, 13.22

 

CMYK 0 / 87 / 35 / 25

HEX #BF187D

RGB 191 24 125

HSL 323.71, 0.78%, 0.42%

LAB 43.08, 67.89, -12.97

 

CMYK 0 / 87 / 11 / 25

HEX #BF18AA

RGB 191 24 170

HSL 307.54, 0.78%, 0.42%

LAB 45.13, 73.4, -37.04

 

CMYK 13 / 87 / 0 / 25

HEX #A718BF

RGB 167 24 191

HSL 291.38, 0.78%, 0.42%

LAB 42.2, 72.32, -54.34

 

CMYK 0 / 87 / 82 / 25

HEX #BF1823

RGB 191 24 35

HSL 356.05, 0.78%, 0.42%

LAB 40.98, 61.94, 39.83

 

CMYK 0 / 97 / 91 / 18

HEX #D00613

RGB 208 6 19

HSL 356.14, 0.94%, 0.42%

LAB 43.63, 68.34, 51.33

 

CMYK 0 / 87 / 82 / 25

HEX #BF1823

RGB 191 24 35

HSL 356.05, 0.78%, 0.42%

LAB 40.98, 61.94, 39.83

 

CMYK 0 / 76 / 71 / 32

HEX #AD2932

RGB 173 41 50

HSL 355.91, 0.62%, 0.42%

LAB 39.07, 52.92, 27.9

 

CMYK 0 / 63 / 58 / 39

HEX #9C3A41

RGB 156 58 65

HSL 355.71, 0.46%, 0.42%

LAB 38.68, 41.39, 17.46

 

CMYK 0 / 45 / 42 / 45

HEX #8B4C50

RGB 139 76 80

HSL 356.19, 0.29%, 0.42%

LAB 39.98, 26.99, 9.44

 

CMYK 0 / 23 / 21 / 53

HEX #795D5F

RGB 121 93 95

HSL 355.71, 0.13%, 0.42%

LAB 42.34, 11.75, 3.25

 

CMYK 0 / 87 / 35 / 25

HEX #BF187C

RGB 191 24 124

HSL 324.07, 0.78%, 0.42%

LAB 43.04, 67.79, -12.41

 

CMYK 0 / 87 / 59 / 25

HEX #BF184F

RGB 191 24 79

HSL 340.24, 0.78%, 0.42%

LAB 41.68, 63.96, 13.82

 

CMYK 0 / 87 / 82 / 25

HEX #BF1823

RGB 191 24 35

HSL 356.05, 0.78%, 0.42%

LAB 40.98, 61.94, 39.83

 

CMYK 0 / 70 / 87 / 25

HEX #BF3918

RGB 191 57 24

HSL 11.86, 0.78%, 0.42%

LAB 44.33, 52.04, 48.24

 

CMYK 0 / 47 / 87 / 25

HEX #BF6618

RGB 191 102 24

HSL 28.02, 0.78%, 0.42%

LAB 52.56, 30.73, 54.87

 

CMYK 0 / 88 / 82 / 54

HEX #750E15

RGB 117 14 21

HSL 355.92, 0.79%, 0.26%

LAB 24.16, 42.57, 25.9

 

CMYK 0 / 88 / 82 / 40

HEX #9A131C

RGB 154 19 28

HSL 356, 0.78%, 0.34%

LAB 32.74, 52.5, 33.04

 

CMYK 0 / 87 / 82 / 25

HEX #BF1823

RGB 191 24 35

HSL 356.05, 0.78%, 0.42%

LAB 40.98, 61.94, 39.83

 

CMYK 0 / 88 / 82 / 11

HEX #E31C29

RGB 227 28 41

HSL 356.08, 0.78%, 0.5%

LAB 48.66, 70.9, 46.54

 

CMYK 0 / 72 / 67 / 9

HEX #E8414C

RGB 232 65 76

HSL 356.05, 0.78%, 0.58%

LAB 53.45, 64, 32.43

 

CMYK 0 / 88 / 82 / 25

HEX #C01823

RGB 192 24 35

HSL 356.07, 0.78%, 0.42%

LAB 41.19, 62.21, 40.1

 

CMYK 12 / 0 / 87 / 25

HEX #A8BF18

RGB 168 191 24

HSL 68.26, 0.78%, 0.42%

LAB 73.32, -26.81, 70.81

 

CMYK 87 / 47 / 0 / 25

HEX #1866BF

RGB 24 102 191

HSL 211.98, 0.78%, 0.42%

LAB 43.45, 11.13, -52.95

 

CMYK 0 / 88 / 82 / 25

HEX #C01823

RGB 192 24 35

HSL 356.07, 0.78%, 0.42%

LAB 41.19, 62.21, 40.1

 

CMYK 82 / 0 / 87 / 25

HEX #23BF18

RGB 35 191 24

HSL 116.05, 0.78%, 0.42%

LAB 67.79, -66.31, 63.92

 

CMYK 87 / 82 / 0 / 25

HEX #1823BF

RGB 24 35 191

HSL 236.05, 0.78%, 0.42%

LAB 27.18, 52.89, -79.58

 

CMYK 0 / 88 / 82 / 25

HEX #C01823

RGB 192 24 35

HSL 356.07, 0.78%, 0.42%

LAB 41.19, 62.21, 40.1

 

CMYK 12 / 0 / 87 / 25

HEX #A8BF18

RGB 168 191 24

HSL 68.26, 0.78%, 0.42%

LAB 73.32, -26.81, 70.81

 

CMYK 87 / 0 / 6 / 25

HEX #18BFB3

RGB 24 191 179

HSL 175.69, 0.78%, 0.42%

LAB 69.97, -41.3, -5.11

 

CMYK 76 / 87 / 0 / 25

HEX #2E18BF

RGB 46 24 191

HSL 247.9, 0.78%, 0.42%

LAB 26.72, 58.46, -80.31

 

CMYK 0 / 88 / 82 / 25

HEX #C01823

RGB 192 24 35

HSL 356.07, 0.78%, 0.42%

LAB 41.19, 62.21, 40.1

 

CMYK 38 / 0 / 87 / 25

HEX #76BF18

RGB 118 191 24

HSL 86.23, 0.78%, 0.42%

LAB 70.3, -46.31, 67.07

 

CMYK 87 / 0 / 6 / 25

HEX #18BFB3

RGB 24 191 179

HSL 175.69, 0.78%, 0.42%

LAB 69.97, -41.3, -5.11

 

CMYK 50 / 87 / 0 / 25

HEX #6018BF

RGB 96 24 191

HSL 265.87, 0.78%, 0.42%

LAB 31.58, 62.4, -72.11

 

Description

Color code: HEX #C01823 | qconv.com Color code: HEX #C01823 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 24 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 24 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 88 magenta, 82 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 88% 82% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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