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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C01382 it is the complementary color #3FEC7D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C01382. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C01382 shade: #C5137D, #D62590, #E737A3, #F849B6 and #FF5BC9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C01382. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C01382 shade: #C01382, #AF016F, #9E005C, #8D0049 and #7C0036

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C01382 shade: #BE1381, #BE1353, #BE1324 and #BE1313

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C01382 shade: #BE1381, #BE13AF, #9F13BE, #7113BE and #4313BE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C01382 shade matches the following richer shades: #BE1381 and #CF0286

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C01382 shade: #BE1381, #AD247C, #9C3577, #8C4672 and #7B566E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C01382 shade: #9F13BE, #BE13B0, #BE1382, #BE1355 and #BE1327

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C01382 shade: #730B4E, #990F67, #BE1381, #E4179A and #EB38AB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C01382 shade: #C01382, #BE7113 and #13BEB6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C01382 shade: #C01382, #82BE13 and #1382BE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C01382 shade: #C01382, #BE7113, #13BE4F and #1360BE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C01382 shade: #C01382, #BEA513, #13BE4F and #132DBE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 90 / 32 / 25

HEX #C01382

RGB 192 19 130

HSL 321.5, 0.82%, 0.41%

LAB 43.19, 69.46, -15.86

 

Complementary color

CMYK 73 / 0 / 47 / 7

HEX #3FEC7D

RGB 63 236 125

HSL 141.5, 0.82%, 0.59%

LAB 83.19, -66.64, 41.48

 

CMYK 0 / 90 / 37 / 23

HEX #C5137D

RGB 197 19 125

HSL 324.27, 0.82%, 0.42%

LAB 43.97, 70.04, -11.51

 

CMYK 0 / 83 / 33 / 16

HEX #D62590

RGB 214 37 144

HSL 323.73, 0.71%, 0.49%

LAB 49.05, 72.55, -15.07

 

CMYK 0 / 76 / 29 / 9

HEX #E737A3

RGB 231 55 163

HSL 323.18, 0.79%, 0.56%

LAB 54.41, 74.08, -17.92

 

CMYK 0 / 71 / 27 / 3

HEX #F849B6

RGB 248 73 182

HSL 322.63, 0.93%, 0.63%

LAB 59.98, 74.89, -20.23

 

CMYK 0 / 64 / 21 / 0

HEX #FF5BC9

RGB 255 91 201

HSL 319.76, 1%, 0.68%

LAB 64.13, 72.6, -24.62

 

CMYK 0 / 90 / 32 / 25

HEX #C01382

RGB 192 19 130

HSL 321.5, 0.82%, 0.41%

LAB 43.19, 69.46, -15.86

 

CMYK 0 / 99 / 37 / 31

HEX #AF016F

RGB 175 1 111

HSL 322.07, 0.99%, 0.35%

LAB 38.35, 65.89, -11.71

 

CMYK 0 / 100 / 42 / 38

HEX #9E005C

RGB 158 0 92

HSL 325.06, 1%, 0.31%

LAB 34.07, 60.44, -6.35

 

CMYK 0 / 100 / 48 / 45

HEX #8D0049

RGB 141 0 73

HSL 328.94, 1%, 0.28%

LAB 29.77, 54.84, -0.61

 

CMYK 0 / 100 / 56 / 51

HEX #7C0036

RGB 124 0 54

HSL 333.87, 1%, 0.24%

LAB 25.42, 49.19, 5.51

 

CMYK 0 / 90 / 32 / 25

HEX #BE1381

RGB 190 19 129

HSL 321.4, 0.82%, 0.41%

LAB 42.76, 68.91, -15.94

 

CMYK 0 / 90 / 56 / 25

HEX #BE1353

RGB 190 19 83

HSL 337.54, 0.82%, 0.41%

LAB 41.28, 64.83, 10.69

 

CMYK 0 / 90 / 81 / 25

HEX #BE1324

RGB 190 19 36

HSL 354.04, 0.82%, 0.41%

LAB 40.48, 62.57, 38.7

 

CMYK 0 / 90 / 90 / 25

HEX #BE1313

RGB 190 19 19

HSL 0, 0.82%, 0.41%

LAB 40.34, 62.19, 47.25

 

CMYK 0 / 90 / 32 / 25

HEX #BE1381

RGB 190 19 129

HSL 321.4, 0.82%, 0.41%

LAB 42.76, 68.91, -15.94

 

CMYK 0 / 90 / 8 / 25

HEX #BE13AF

RGB 190 19 175

HSL 305.26, 0.82%, 0.41%

LAB 44.95, 74.67, -40.29

 

CMYK 16 / 90 / 0 / 25

HEX #9F13BE

RGB 159 19 190

HSL 289.12, 0.82%, 0.41%

LAB 40.5, 71.73, -56.57

 

CMYK 41 / 90 / 0 / 25

HEX #7113BE

RGB 113 19 190

HSL 272.98, 0.82%, 0.41%

LAB 33.34, 65.34, -68.55

 

CMYK 65 / 90 / 0 / 25

HEX #4313BE

RGB 67 19 190

HSL 256.84, 0.82%, 0.41%

LAB 27.78, 61.01, -77.91

 

CMYK 0 / 90 / 32 / 25

HEX #BE1381

RGB 190 19 129

HSL 321.4, 0.82%, 0.41%

LAB 42.76, 68.91, -15.94

 

CMYK 0 / 99 / 35 / 19

HEX #CF0286

RGB 207 2 134

HSL 321.37, 0.98%, 0.41%

LAB 45.68, 74.81, -14.26

 

CMYK 0 / 90 / 32 / 25

HEX #BE1381

RGB 190 19 129

HSL 321.4, 0.82%, 0.41%

LAB 42.76, 68.91, -15.94

 

CMYK 0 / 79 / 28 / 32

HEX #AD247C

RGB 173 36 124

HSL 321.46, 0.66%, 0.41%

LAB 40.58, 60.81, -16.48

 

CMYK 0 / 66 / 24 / 39

HEX #9C3577

RGB 156 53 119

HSL 321.55, 0.49%, 0.41%

LAB 39.49, 49.61, -15.3

 

CMYK 0 / 50 / 19 / 45

HEX #8C4672

RGB 140 70 114

HSL 322.29, 0.33%, 0.41%

LAB 39.87, 35.52, -11.86

 

CMYK 0 / 30 / 11 / 52

HEX #7B566E

RGB 123 86 110

HSL 321.08, 0.18%, 0.41%

LAB 41.2, 19.43, -7.59

 

CMYK 16 / 90 / 0 / 25

HEX #9F13BE

RGB 159 19 190

HSL 289.12, 0.82%, 0.41%

LAB 40.5, 71.73, -56.57

 

CMYK 0 / 90 / 7 / 25

HEX #BE13B0

RGB 190 19 176

HSL 304.91, 0.82%, 0.41%

LAB 45.01, 74.82, -40.79

 

CMYK 0 / 90 / 32 / 25

HEX #BE1382

RGB 190 19 130

HSL 321.05, 0.82%, 0.41%

LAB 42.8, 69.02, -16.49

 

CMYK 0 / 90 / 55 / 25

HEX #BE1355

RGB 190 19 85

HSL 336.84, 0.82%, 0.41%

LAB 41.33, 64.97, 9.49

 

CMYK 0 / 90 / 79 / 25

HEX #BE1327

RGB 190 19 39

HSL 352.98, 0.82%, 0.41%

LAB 40.51, 62.66, 37.02

 

CMYK 0 / 90 / 32 / 55

HEX #730B4E

RGB 115 11 78

HSL 321.35, 0.83%, 0.25%

LAB 25.06, 47.19, -11.6

 

CMYK 0 / 90 / 33 / 40

HEX #990F67

RGB 153 15 103

HSL 321.74, 0.82%, 0.33%

LAB 34.18, 58.39, -13.37

 

CMYK 0 / 90 / 32 / 25

HEX #BE1381

RGB 190 19 129

HSL 321.4, 0.82%, 0.41%

LAB 42.76, 68.91, -15.94

 

CMYK 0 / 90 / 32 / 11

HEX #E4179A

RGB 228 23 154

HSL 321.66, 0.82%, 0.49%

LAB 51.2, 79.13, -17.55

 

CMYK 0 / 76 / 27 / 8

HEX #EB38AB

RGB 235 56 171

HSL 321.45, 0.82%, 0.57%

LAB 55.51, 75.67, -20.87

 

CMYK 0 / 90 / 32 / 25

HEX #C01382

RGB 192 19 130

HSL 321.5, 0.82%, 0.41%

LAB 43.19, 69.46, -15.86

 

CMYK 0 / 41 / 90 / 25

HEX #BE7113

RGB 190 113 19

HSL 32.98, 0.82%, 0.41%

LAB 54.87, 24.25, 58.11

 

CMYK 90 / 0 / 4 / 25

HEX #13BEB6

RGB 19 190 182

HSL 177.19, 0.82%, 0.41%

LAB 69.71, -40.26, -7.15

 

CMYK 0 / 90 / 32 / 25

HEX #C01382

RGB 192 19 130

HSL 321.5, 0.82%, 0.41%

LAB 43.19, 69.46, -15.86

 

CMYK 32 / 0 / 90 / 25

HEX #82BE13

RGB 130 190 19

HSL 81.05, 0.82%, 0.41%

LAB 70.61, -41.66, 68.49

 

CMYK 90 / 32 / 0 / 25

HEX #1382BE

RGB 19 130 190

HSL 201.05, 0.82%, 0.41%

LAB 51.63, -6.83, -39.33

 

CMYK 0 / 90 / 32 / 25

HEX #C01382

RGB 192 19 130

HSL 321.5, 0.82%, 0.41%

LAB 43.19, 69.46, -15.86

 

CMYK 0 / 41 / 90 / 25

HEX #BE7113

RGB 190 113 19

HSL 32.98, 0.82%, 0.41%

LAB 54.87, 24.25, 58.11

 

CMYK 90 / 0 / 58 / 25

HEX #13BE4F

RGB 19 190 79

HSL 141.05, 0.82%, 0.41%

LAB 67.67, -62.8, 44.33

 

CMYK 90 / 49 / 0 / 25

HEX #1360BE

RGB 19 96 190

HSL 212.98, 0.82%, 0.41%

LAB 41.57, 14.32, -55.41

 

CMYK 0 / 90 / 32 / 25

HEX #C01382

RGB 192 19 130

HSL 321.5, 0.82%, 0.41%

LAB 43.19, 69.46, -15.86

 

CMYK 0 / 13 / 90 / 25

HEX #BEA513

RGB 190 165 19

HSL 51.23, 0.82%, 0.41%

LAB 67.95, -4.13, 68.22

 

CMYK 90 / 0 / 58 / 25

HEX #13BE4F

RGB 19 190 79

HSL 141.05, 0.82%, 0.41%

LAB 67.67, -62.8, 44.33

 

CMYK 90 / 76 / 0 / 25

HEX #132DBE

RGB 19 45 190

HSL 230.88, 0.82%, 0.41%

LAB 28.73, 47.13, -76.43

 

Description

Color code: HEX #C01382 | qconv.com Color code: HEX #C01382 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 19 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 19 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 90 magenta, 32 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 90% 32% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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