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Color name
HEX #C01276

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C01276 it is the complementary color #3FED89. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C01276. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C01276 shade: #C51271, #D62484, #E73697, #F848AA and #FF5ABD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C01276. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C01276 shade: #C01276, #AF0063, #9E0050, #8D003D and #7C002A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C01276 shade: #BF1276, #BF1247, #BF1218 and #BF1212

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C01276 shade: #BF1276, #BF12A4, #AC12BF, #7D12BF and #4E12BF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C01276 shade matches the following richer shades: #BF1276 and #D00178

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C01276 shade: #BF1276, #AE2373, #9D3470, #8D456E and #7C556B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C01276 shade: #AB12BF, #BF12A5, #BF1277, #BF1249 and #BF121A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C01276 shade: #740B47, #9A0E5E, #BF1276, #E5158D and #EC379F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C01276 shade: #C01276, #BF7D12 and #12BCBF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C01276 shade: #C01276, #77BF12 and #1277BF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C01276 shade: #C01276, #BF7D12, #12BF5A and #1254BF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C01276 shade: #C01276, #BFB112, #12BF5A and #1220BF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 91 / 39 / 25

HEX #C01276

RGB 192 18 118

HSL 325.52, 0.83%, 0.41%

LAB 42.68, 68.37, -9.21

 

Complementary color

CMYK 73 / 0 / 42 / 7

HEX #3FED89

RGB 63 237 137

HSL 145.52, 0.83%, 0.59%

LAB 83.67, -65.02, 36.2

 

CMYK 0 / 91 / 43 / 23

HEX #C51271

RGB 197 18 113

HSL 328.16, 0.83%, 0.42%

LAB 43.5, 69.03, -4.78

 

CMYK 0 / 83 / 38 / 16

HEX #D62484

RGB 214 36 132

HSL 327.64, 0.71%, 0.49%

LAB 48.54, 71.54, -8.59

 

CMYK 0 / 77 / 35 / 9

HEX #E73697

RGB 231 54 151

HSL 327.12, 0.79%, 0.56%

LAB 53.88, 73.05, -11.65

 

CMYK 0 / 71 / 31 / 3

HEX #F848AA

RGB 248 72 170

HSL 326.59, 0.93%, 0.63%

LAB 59.43, 73.84, -14.13

 

CMYK 0 / 65 / 26 / 0

HEX #FF5ABD

RGB 255 90 189

HSL 324, 1%, 0.68%

LAB 63.55, 71.45, -18.7

 

CMYK 0 / 91 / 39 / 25

HEX #C01276

RGB 192 18 118

HSL 325.52, 0.83%, 0.41%

LAB 42.68, 68.37, -9.21

 

CMYK 0 / 100 / 43 / 31

HEX #AF0063

RGB 175 0 99

HSL 326.06, 1%, 0.34%

LAB 37.87, 64.86, -4.81

 

CMYK 0 / 100 / 49 / 38

HEX #9E0050

RGB 158 0 80

HSL 329.62, 1%, 0.31%

LAB 33.66, 59.38, 0.88

 

CMYK 0 / 100 / 57 / 45

HEX #8D003D

RGB 141 0 61

HSL 334.04, 1%, 0.28%

LAB 29.41, 53.88, 6.92

 

CMYK 0 / 100 / 66 / 51

HEX #7C002A

RGB 124 0 42

HSL 339.68, 1%, 0.24%

LAB 25.11, 48.38, 13.37

 

CMYK 0 / 91 / 38 / 25

HEX #BF1276

RGB 191 18 118

HSL 325.32, 0.83%, 0.41%

LAB 42.49, 68.14, -9.53

 

CMYK 0 / 91 / 63 / 25

HEX #BF1247

RGB 191 18 71

HSL 341.62, 0.83%, 0.41%

LAB 41.16, 64.48, 18.18

 

CMYK 0 / 91 / 87 / 25

HEX #BF1218

RGB 191 18 24

HSL 357.92, 0.83%, 0.41%

LAB 40.53, 62.7, 45.18

 

CMYK 0 / 91 / 91 / 25

HEX #BF1212

RGB 191 18 18

HSL 0, 0.83%, 0.41%

LAB 40.5, 62.6, 47.89

 

CMYK 0 / 91 / 38 / 25

HEX #BF1276

RGB 191 18 118

HSL 325.32, 0.83%, 0.41%

LAB 42.49, 68.14, -9.53

 

CMYK 0 / 91 / 14 / 25

HEX #BF12A4

RGB 191 18 164

HSL 309.36, 0.83%, 0.41%

LAB 44.5, 73.49, -34.44

 

CMYK 10 / 91 / 0 / 25

HEX #AC12BF

RGB 172 18 191

HSL 293.41, 0.83%, 0.41%

LAB 42.71, 74.13, -53.47

 

CMYK 35 / 91 / 0 / 25

HEX #7D12BF

RGB 125 18 191

HSL 277.11, 0.83%, 0.41%

LAB 35.11, 67.24, -66.17

 

CMYK 59 / 91 / 0 / 25

HEX #4E12BF

RGB 78 18 191

HSL 260.81, 0.83%, 0.41%

LAB 28.94, 62.34, -76.55

 

CMYK 0 / 91 / 38 / 25

HEX #BF1276

RGB 191 18 118

HSL 325.32, 0.83%, 0.41%

LAB 42.49, 68.14, -9.53

 

CMYK 0 / 100 / 42 / 18

HEX #D00178

RGB 208 1 120

HSL 325.51, 0.99%, 0.41%

LAB 45.34, 73.79, -6.14

 

CMYK 0 / 91 / 38 / 25

HEX #BF1276

RGB 191 18 118

HSL 325.32, 0.83%, 0.41%

LAB 42.49, 68.14, -9.53

 

CMYK 0 / 80 / 34 / 32

HEX #AE2373

RGB 174 35 115

HSL 325.47, 0.67%, 0.41%

LAB 40.31, 60.28, -11.27

 

CMYK 0 / 67 / 29 / 38

HEX #9D3470

RGB 157 52 112

HSL 325.71, 0.5%, 0.41%

LAB 39.23, 49.37, -11.32

 

CMYK 0 / 51 / 22 / 45

HEX #8D456E

RGB 141 69 110

HSL 325.83, 0.34%, 0.41%

LAB 39.66, 35.76, -9.68

 

CMYK 0 / 31 / 14 / 51

HEX #7C556B

RGB 124 85 107

HSL 326.15, 0.19%, 0.41%

LAB 40.97, 19.85, -6.09

 

CMYK 10 / 91 / 0 / 25

HEX #AB12BF

RGB 171 18 191

HSL 293.06, 0.83%, 0.41%

LAB 42.54, 73.97, -53.76

 

CMYK 0 / 91 / 14 / 25

HEX #BF12A5

RGB 191 18 165

HSL 309.02, 0.83%, 0.41%

LAB 44.55, 73.62, -34.96

 

CMYK 0 / 91 / 38 / 25

HEX #BF1277

RGB 191 18 119

HSL 324.97, 0.83%, 0.41%

LAB 42.52, 68.24, -10.1

 

CMYK 0 / 91 / 62 / 25

HEX #BF1249

RGB 191 18 73

HSL 340.92, 0.83%, 0.41%

LAB 41.2, 64.59, 16.96

 

CMYK 0 / 91 / 86 / 25

HEX #BF121A

RGB 191 18 26

HSL 357.23, 0.83%, 0.41%

LAB 40.55, 62.74, 44.21

 

CMYK 0 / 91 / 39 / 55

HEX #740B47

RGB 116 11 71

HSL 325.71, 0.83%, 0.25%

LAB 24.97, 46.62, -6.98

 

CMYK 0 / 91 / 39 / 40

HEX #9A0E5E

RGB 154 14 94

HSL 325.71, 0.83%, 0.33%

LAB 33.97, 57.82, -7.88

 

CMYK 0 / 91 / 38 / 25

HEX #BF1276

RGB 191 18 118

HSL 325.32, 0.83%, 0.41%

LAB 42.49, 68.14, -9.53

 

CMYK 0 / 91 / 38 / 10

HEX #E5158D

RGB 229 21 141

HSL 325.38, 0.83%, 0.49%

LAB 50.82, 78.32, -10.31

 

CMYK 0 / 77 / 33 / 7

HEX #EC379F

RGB 236 55 159

HSL 325.52, 0.83%, 0.57%

LAB 55.14, 74.84, -14.38

 

CMYK 0 / 91 / 39 / 25

HEX #C01276

RGB 192 18 118

HSL 325.52, 0.83%, 0.41%

LAB 42.68, 68.37, -9.21

 

CMYK 0 / 35 / 91 / 25

HEX #BF7D12

RGB 191 125 18

HSL 37.11, 0.83%, 0.41%

LAB 57.83, 18.08, 60.68

 

CMYK 91 / 2 / 0 / 25

HEX #12BCBF

RGB 18 188 191

HSL 181.04, 0.83%, 0.41%

LAB 69.37, -36.72, -12.6

 

CMYK 0 / 91 / 39 / 25

HEX #C01276

RGB 192 18 118

HSL 325.52, 0.83%, 0.41%

LAB 42.68, 68.37, -9.21

 

CMYK 38 / 0 / 91 / 25

HEX #77BF12

RGB 119 191 18

HSL 84.97, 0.83%, 0.41%

LAB 70.33, -46.12, 68.2

 

CMYK 91 / 38 / 0 / 25

HEX #1277BF

RGB 18 119 191

HSL 204.97, 0.83%, 0.41%

LAB 48.37, 0.07, -45.09

 

CMYK 0 / 91 / 39 / 25

HEX #C01276

RGB 192 18 118

HSL 325.52, 0.83%, 0.41%

LAB 42.68, 68.37, -9.21

 

CMYK 0 / 35 / 91 / 25

HEX #BF7D12

RGB 191 125 18

HSL 37.11, 0.83%, 0.41%

LAB 57.83, 18.08, 60.68

 

CMYK 91 / 0 / 53 / 25

HEX #12BF5A

RGB 18 191 90

HSL 144.97, 0.83%, 0.41%

LAB 68.12, -61.62, 39.62

 

CMYK 91 / 56 / 0 / 25

HEX #1254BF

RGB 18 84 191

HSL 217.11, 0.83%, 0.41%

LAB 38.25, 22.59, -61.36

 

CMYK 0 / 91 / 39 / 25

HEX #C01276

RGB 192 18 118

HSL 325.52, 0.83%, 0.41%

LAB 42.68, 68.37, -9.21

 

CMYK 0 / 7 / 91 / 25

HEX #BFB112

RGB 191 177 18

HSL 55.14, 0.83%, 0.41%

LAB 71.26, -9.99, 71.01

 

CMYK 91 / 0 / 53 / 25

HEX #12BF5A

RGB 18 191 90

HSL 144.97, 0.83%, 0.41%

LAB 68.12, -61.62, 39.62

 

CMYK 91 / 83 / 0 / 25

HEX #1220BF

RGB 18 32 191

HSL 235.14, 0.83%, 0.41%

LAB 26.51, 54.12, -80.69

 

Description

Color code: HEX #C01276 | qconv.com Color code: HEX #C01276 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 18 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 18 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 91 magenta, 39 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 91% 39% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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