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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C011CA it is the complementary color #3FEE35. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C011CA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C011CA shade: #C511C5, #D623D8, #E735EB, #F847FE and #FF59FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C011CA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C011CA shade: #C011CA, #AF00B7, #9E00A4, #8D0091 and #7C007E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C011CA shade: #C012CA, #CA12A2, #CA1270, #CA123F and #CA1212

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C011CA shade: #C012CA, #8E12CA, #5C12CA, #2B12CA and #1212CA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C011CA shade matches the following richer shades: #C012CA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C011CA shade: #C012CA, #B023B8, #A035A6, #904795 and #815983

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C011CA shade: #5B12CA, #8C12CA, #BD12CA, #CA12A5 and #CA1274

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C011CA shade: #780B7E, #9C0EA4, #C012CA, #E01AEB and #E53FEE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C011CA shade: #C011CA, #CA2A12 and #12CA74

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C011CA shade: #C011CA, #CABD12 and #12CABD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C011CA shade: #C011CA, #CA2A12, #1ECA12 and #12B1CA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C011CA shade: #C011CA, #CA6112, #1ECA12 and #127ACA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 92 / 0 / 21

HEX #C011CA

RGB 192 17 202

HSL 296.76, 0.84%, 0.43%

LAB 46.81, 79.28, -53.11

 

Complementary color

CMYK 74 / 0 / 78 / 7

HEX #3FEE35

RGB 63 238 53

HSL 116.76, 0.84%, 0.57%

LAB 83.16, -75.04, 70.81

 

CMYK 0 / 91 / 0 / 23

HEX #C511C5

RGB 197 17 197

HSL 300, 0.84%, 0.42%

LAB 47.37, 79.36, -49.26

 

CMYK 1 / 84 / 0 / 15

HEX #D623D8

RGB 214 35 216

HSL 299.34, 0.72%, 0.49%

LAB 52.35, 82.34, -52.07

 

CMYK 2 / 77 / 0 / 8

HEX #E735EB

RGB 231 53 235

HSL 298.68, 0.82%, 0.56%

LAB 57.59, 84.32, -54.29

 

CMYK 2 / 72 / 0 / 0

HEX #F847FE

RGB 248 71 254

HSL 298.03, 0.99%, 0.64%

LAB 63.03, 85.54, -56.04

 

CMYK 0 / 65 / 0 / 0

HEX #FF59FF

RGB 255 89 255

HSL 300, 1%, 0.67%

LAB 66.23, 81.18, -51.43

 

CMYK 5 / 92 / 0 / 21

HEX #C011CA

RGB 192 17 202

HSL 296.76, 0.84%, 0.43%

LAB 46.81, 79.28, -53.11

 

CMYK 4 / 100 / 0 / 28

HEX #AF00B7

RGB 175 0 183

HSL 297.38, 1%, 0.36%

LAB 42.05, 75.3, -49.81

 

CMYK 4 / 100 / 0 / 36

HEX #9E00A4

RGB 158 0 164

HSL 297.8, 1%, 0.32%

LAB 37.75, 69.63, -45.55

 

CMYK 3 / 100 / 0 / 43

HEX #8D0091

RGB 141 0 145

HSL 298.34, 1%, 0.28%

LAB 33.37, 63.84, -41.2

 

CMYK 2 / 100 / 0 / 51

HEX #7C007E

RGB 124 0 126

HSL 299.05, 1%, 0.25%

LAB 28.88, 57.93, -36.73

 

CMYK 5 / 91 / 0 / 21

HEX #C012CA

RGB 192 18 202

HSL 296.74, 0.84%, 0.43%

LAB 46.85, 79.16, -53.05

 

CMYK 0 / 91 / 20 / 21

HEX #CA12A2

RGB 202 18 162

HSL 313.04, 0.84%, 0.43%

LAB 46.44, 75.38, -30.06

 

CMYK 0 / 91 / 45 / 21

HEX #CA1270

RGB 202 18 112

HSL 329.35, 0.84%, 0.43%

LAB 44.46, 70.09, -2.63

 

CMYK 0 / 91 / 69 / 21

HEX #CA123F

RGB 202 18 63

HSL 345.33, 0.84%, 0.43%

LAB 43.28, 66.83, 26.37

 

CMYK 0 / 91 / 91 / 21

HEX #CA1212

RGB 202 18 18

HSL 0, 0.84%, 0.43%

LAB 42.81, 65.49, 50.58

 

CMYK 5 / 91 / 0 / 21

HEX #C012CA

RGB 192 18 202

HSL 296.74, 0.84%, 0.43%

LAB 46.85, 79.16, -53.05

 

CMYK 30 / 91 / 0 / 21

HEX #8E12CA

RGB 142 18 202

HSL 280.43, 0.84%, 0.43%

LAB 38.63, 71.65, -66.74

 

CMYK 54 / 91 / 0 / 21

HEX #5C12CA

RGB 92 18 202

HSL 264.13, 0.84%, 0.43%

LAB 31.74, 66.14, -78.32

 

CMYK 79 / 91 / 0 / 21

HEX #2B12CA

RGB 43 18 202

HSL 248.15, 0.84%, 0.43%

LAB 27.33, 63.2, -85.79

 

CMYK 91 / 91 / 0 / 21

HEX #1212CA

RGB 18 18 202

HSL 240, 0.84%, 0.43%

LAB 26.23, 62.56, -87.64

 

CMYK 5 / 91 / 0 / 21

HEX #C012CA

RGB 192 18 202

HSL 296.74, 0.84%, 0.43%

LAB 46.85, 79.16, -53.05

 

CMYK 5 / 91 / 0 / 21

HEX #C012CA

RGB 192 18 202

HSL 296.74, 0.84%, 0.43%

LAB 46.85, 79.16, -53.05

 

CMYK 4 / 81 / 0 / 28

HEX #B023B8

RGB 176 35 184

HSL 296.78, 0.68%, 0.43%

LAB 44.08, 70.36, -47.13

 

CMYK 4 / 68 / 0 / 35

HEX #A035A6

RGB 160 53 166

HSL 296.81, 0.52%, 0.43%

LAB 42.42, 58.2, -39.28

 

CMYK 3 / 52 / 0 / 42

HEX #904795

RGB 144 71 149

HSL 296.15, 0.35%, 0.43%

LAB 42.16, 42.57, -29.65

 

CMYK 2 / 32 / 0 / 49

HEX #815983

RGB 129 89 131

HSL 297.14, 0.19%, 0.43%

LAB 43.43, 23.99, -16.96

 

CMYK 55 / 91 / 0 / 21

HEX #5B12CA

RGB 91 18 202

HSL 263.8, 0.84%, 0.43%

LAB 31.63, 66.06, -78.52

 

CMYK 31 / 91 / 0 / 21

HEX #8C12CA

RGB 140 18 202

HSL 279.78, 0.84%, 0.43%

LAB 38.33, 71.39, -67.25

 

CMYK 6 / 91 / 0 / 21

HEX #BD12CA

RGB 189 18 202

HSL 295.76, 0.84%, 0.43%

LAB 46.33, 78.66, -53.9

 

CMYK 0 / 91 / 18 / 21

HEX #CA12A5

RGB 202 18 165

HSL 312.07, 0.84%, 0.43%

LAB 46.59, 75.75, -31.63

 

CMYK 0 / 91 / 43 / 21

HEX #CA1274

RGB 202 18 116

HSL 328.04, 0.84%, 0.43%

LAB 44.59, 70.44, -4.92

 

CMYK 5 / 91 / 0 / 51

HEX #780B7E

RGB 120 11 126

HSL 296.87, 0.84%, 0.27%

LAB 28.74, 55.38, -36.99

 

CMYK 5 / 91 / 0 / 36

HEX #9C0EA4

RGB 156 14 164

HSL 296.8, 0.84%, 0.35%

LAB 37.95, 67.62, -45.25

 

CMYK 5 / 91 / 0 / 21

HEX #C012CA

RGB 192 18 202

HSL 296.74, 0.84%, 0.43%

LAB 46.85, 79.16, -53.05

 

CMYK 5 / 89 / 0 / 8

HEX #E01AEB

RGB 224 26 235

HSL 296.84, 0.84%, 0.51%

LAB 54.64, 88.37, -59.07

 

CMYK 4 / 74 / 0 / 7

HEX #E53FEE

RGB 229 63 238

HSL 296.91, 0.84%, 0.59%

LAB 58.4, 81.64, -54.69

 

CMYK 5 / 92 / 0 / 21

HEX #C011CA

RGB 192 17 202

HSL 296.76, 0.84%, 0.43%

LAB 46.81, 79.28, -53.11

 

CMYK 0 / 79 / 91 / 21

HEX #CA2A12

RGB 202 42 18

HSL 7.83, 0.84%, 0.43%

LAB 44.6, 60.41, 51.79

 

CMYK 91 / 0 / 43 / 21

HEX #12CA74

RGB 18 202 116

HSL 151.96, 0.84%, 0.43%

LAB 71.98, -60.92, 31.46

 

CMYK 5 / 92 / 0 / 21

HEX #C011CA

RGB 192 17 202

HSL 296.76, 0.84%, 0.43%

LAB 46.81, 79.28, -53.11

 

CMYK 0 / 6 / 91 / 21

HEX #CABD12

RGB 202 189 18

HSL 55.76, 0.84%, 0.43%

LAB 75.45, -11.34, 74.68

 

CMYK 91 / 0 / 6 / 21

HEX #12CABD

RGB 18 202 189

HSL 175.76, 0.84%, 0.43%

LAB 73.57, -43.57, -5.25

 

CMYK 5 / 92 / 0 / 21

HEX #C011CA

RGB 192 17 202

HSL 296.76, 0.84%, 0.43%

LAB 46.81, 79.28, -53.11

 

CMYK 0 / 79 / 91 / 21

HEX #CA2A12

RGB 202 42 18

HSL 7.83, 0.84%, 0.43%

LAB 44.6, 60.41, 51.79

 

CMYK 85 / 0 / 91 / 21

HEX #1ECA12

RGB 30 202 18

HSL 116.09, 0.84%, 0.43%

LAB 71.26, -70.2, 67.95

 

CMYK 91 / 12 / 0 / 21

HEX #12B1CA

RGB 18 177 202

HSL 188.15, 0.84%, 0.43%

LAB 66.4, -27.97, -23.16

 

CMYK 5 / 92 / 0 / 21

HEX #C011CA

RGB 192 17 202

HSL 296.76, 0.84%, 0.43%

LAB 46.81, 79.28, -53.11

 

CMYK 0 / 52 / 91 / 21

HEX #CA6112

RGB 202 97 18

HSL 25.76, 0.84%, 0.43%

LAB 53.11, 37.7, 57.83

 

CMYK 85 / 0 / 91 / 21

HEX #1ECA12

RGB 30 202 18

HSL 116.09, 0.84%, 0.43%

LAB 71.26, -70.2, 67.95

 

CMYK 91 / 40 / 0 / 21

HEX #127ACA

RGB 18 122 202

HSL 206.09, 0.84%, 0.43%

LAB 49.87, 2.5, -48.99

 

Description

Color code: HEX #C011CA | qconv.com Color code: HEX #C011CA | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 17 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 17 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 92 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 92% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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