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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C0067F it is the complementary color #3FF980. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C0067F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C0067F shade: #C5067A, #D6188D, #E72AA0, #F83CB3 and #FF4EC6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C0067F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C0067F shade: #C0067F, #AF006C, #9E0059, #8D0046 and #7C0033

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C0067F shade: #C10680, #C1064D, #C1061B and #C10606

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C0067F shade: #C10680, #C106B2, #9D06C1, #6B06C1 and #3906C1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C0067F shade matches the following richer shades: #C10680

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C0067F shade: #C10680, #B1167B, #A12676, #913671 and #81466C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C0067F shade: #9C06C1, #C106B4, #C10683, #C10651 and #C1061F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C0067F shade: #71034B, #990565, #C10680, #E9079A and #F821AD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C0067F shade: #C0067F, #C16A06 and #06C1B4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C0067F shade: #C0067F, #83C106 and #0683C1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C0067F shade: #C0067F, #C16A06, #06C144 and #065DC1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C0067F shade: #C0067F, #C1A206, #06C144 and #0625C1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 97 / 34 / 25

HEX #C0067F

RGB 192 6 127

HSL 320.97, 0.94%, 0.39%

LAB 42.57, 70.61, -14.97

 

Complementary color

CMYK 75 / 0 / 49 / 2

HEX #3FF980

RGB 63 249 128

HSL 140.97, 0.94%, 0.61%

LAB 87.18, -70.59, 45.05

 

CMYK 0 / 97 / 38 / 23

HEX #C5067A

RGB 197 6 122

HSL 323.56, 0.94%, 0.4%

LAB 43.37, 71.17, -10.56

 

CMYK 0 / 89 / 34 / 16

HEX #D6188D

RGB 214 24 141

HSL 323.05, 0.8%, 0.47%

LAB 48.1, 74.66, -14.71

 

CMYK 0 / 82 / 31 / 9

HEX #E72AA0

RGB 231 42 160

HSL 322.54, 0.8%, 0.54%

LAB 53.15, 77.04, -18.08

 

CMYK 0 / 76 / 28 / 3

HEX #F83CB3

RGB 248 60 179

HSL 322.02, 0.93%, 0.6%

LAB 58.46, 78.52, -20.82

 

CMYK 0 / 69 / 22 / 0

HEX #FF4EC6

RGB 255 78 198

HSL 319.32, 1%, 0.65%

LAB 62.33, 76.9, -25.68

 

CMYK 0 / 97 / 34 / 25

HEX #C0067F

RGB 192 6 127

HSL 320.97, 0.94%, 0.39%

LAB 42.57, 70.61, -14.97

 

CMYK 0 / 100 / 38 / 31

HEX #AF006C

RGB 175 0 108

HSL 322.97, 1%, 0.34%

LAB 38.19, 65.71, -10.04

 

CMYK 0 / 100 / 44 / 38

HEX #9E0059

RGB 158 0 89

HSL 326.2, 1%, 0.31%

LAB 33.96, 60.17, -4.56

 

CMYK 0 / 100 / 50 / 45

HEX #8D0046

RGB 141 0 70

HSL 330.21, 1%, 0.28%

LAB 29.68, 54.58, 1.25

 

CMYK 0 / 100 / 59 / 51

HEX #7C0033

RGB 124 0 51

HSL 335.32, 1%, 0.24%

LAB 25.33, 48.97, 7.46

 

CMYK 0 / 97 / 34 / 24

HEX #C10680

RGB 193 6 128

HSL 320.86, 0.94%, 0.39%

LAB 42.8, 70.92, -15.2

 

CMYK 0 / 97 / 60 / 24

HEX #C1064D

RGB 193 6 77

HSL 337.22, 0.94%, 0.39%

LAB 41.22, 66.71, 14.53

 

CMYK 0 / 97 / 86 / 24

HEX #C1061B

RGB 193 6 27

HSL 353.26, 0.94%, 0.39%

LAB 40.49, 64.7, 43.82

 

CMYK 0 / 97 / 97 / 24

HEX #C10606

RGB 193 6 6

HSL 0, 0.94%, 0.39%

LAB 40.38, 64.4, 52.4

 

CMYK 0 / 97 / 34 / 24

HEX #C10680

RGB 193 6 128

HSL 320.86, 0.94%, 0.39%

LAB 42.8, 70.92, -15.2

 

CMYK 0 / 97 / 8 / 24

HEX #C106B2

RGB 193 6 178

HSL 304.81, 0.94%, 0.39%

LAB 45.2, 77.01, -41.64

 

CMYK 19 / 97 / 0 / 24

HEX #9D06C1

RGB 157 6 193

HSL 288.45, 0.94%, 0.39%

LAB 39.83, 73.6, -59.43

 

CMYK 45 / 97 / 0 / 24

HEX #6B06C1

RGB 107 6 193

HSL 272.41, 0.94%, 0.39%

LAB 32.05, 67.55, -72.47

 

CMYK 70 / 97 / 0 / 24

HEX #3906C1

RGB 57 6 193

HSL 256.36, 0.94%, 0.39%

LAB 26.3, 64.08, -82.17

 

CMYK 0 / 97 / 34 / 24

HEX #C10680

RGB 193 6 128

HSL 320.86, 0.94%, 0.39%

LAB 42.8, 70.92, -15.2

 

CMYK 0 / 97 / 34 / 24

HEX #C10680

RGB 193 6 128

HSL 320.86, 0.94%, 0.39%

LAB 42.8, 70.92, -15.2

 

CMYK 0 / 88 / 31 / 31

HEX #B1167B

RGB 177 22 123

HSL 320.9, 0.78%, 0.39%

LAB 40.17, 64.87, -16.42

 

CMYK 0 / 76 / 27 / 37

HEX #A12676

RGB 161 38 118

HSL 320.98, 0.62%, 0.39%

LAB 38.33, 56.45, -16.38

 

CMYK 0 / 63 / 22 / 43

HEX #913671

RGB 145 54 113

HSL 321.1, 0.46%, 0.39%

LAB 37.57, 45.03, -14.65

 

CMYK 0 / 46 / 16 / 49

HEX #81466C

RGB 129 70 108

HSL 321.36, 0.3%, 0.39%

LAB 38.08, 30.66, -10.99

 

CMYK 19 / 97 / 0 / 24

HEX #9C06C1

RGB 156 6 193

HSL 288.13, 0.94%, 0.39%

LAB 39.66, 73.46, -59.71

 

CMYK 0 / 97 / 7 / 24

HEX #C106B4

RGB 193 6 180

HSL 304.17, 0.94%, 0.39%

LAB 45.31, 77.29, -42.64

 

CMYK 0 / 97 / 32 / 24

HEX #C10683

RGB 193 6 131

HSL 319.89, 0.94%, 0.39%

LAB 42.92, 71.24, -16.87

 

CMYK 0 / 97 / 58 / 24

HEX #C10651

RGB 193 6 81

HSL 335.94, 0.94%, 0.39%

LAB 41.31, 66.97, 12.11

 

CMYK 0 / 97 / 84 / 24

HEX #C1061F

RGB 193 6 31

HSL 351.98, 0.94%, 0.39%

LAB 40.52, 64.79, 41.74

 

CMYK 0 / 97 / 34 / 56

HEX #71034B

RGB 113 3 75

HSL 320.73, 0.95%, 0.23%

LAB 23.95, 47.96, -11.31

 

CMYK 0 / 97 / 34 / 40

HEX #990565

RGB 153 5 101

HSL 321.08, 0.94%, 0.31%

LAB 33.61, 59.59, -12.96

 

CMYK 0 / 97 / 34 / 24

HEX #C10680

RGB 193 6 128

HSL 320.86, 0.94%, 0.39%

LAB 42.8, 70.92, -15.2

 

CMYK 0 / 97 / 34 / 9

HEX #E9079A

RGB 233 7 154

HSL 320.97, 0.94%, 0.47%

LAB 51.62, 81.7, -16.82

 

CMYK 0 / 87 / 30 / 3

HEX #F821AD

RGB 248 33 173

HSL 320.93, 0.94%, 0.55%

LAB 56.15, 83.83, -20.86

 

CMYK 0 / 97 / 34 / 25

HEX #C0067F

RGB 192 6 127

HSL 320.97, 0.94%, 0.39%

LAB 42.57, 70.61, -14.97

 

CMYK 0 / 45 / 97 / 24

HEX #C16A06

RGB 193 106 6

HSL 32.09, 0.94%, 0.39%

LAB 53.66, 29.14, 60.24

 

CMYK 97 / 0 / 7 / 24

HEX #06C1B4

RGB 6 193 180

HSL 175.83, 0.94%, 0.39%

LAB 70.51, -42.64, -4.88

 

CMYK 0 / 97 / 34 / 25

HEX #C0067F

RGB 192 6 127

HSL 320.97, 0.94%, 0.39%

LAB 42.57, 70.61, -14.97

 

CMYK 32 / 0 / 97 / 24

HEX #83C106

RGB 131 193 6

HSL 79.89, 0.94%, 0.39%

LAB 71.54, -42.81, 70.93

 

CMYK 97 / 32 / 0 / 24

HEX #0683C1

RGB 6 131 193

HSL 199.89, 0.94%, 0.39%

LAB 51.97, -6.84, -40.52

 

CMYK 0 / 97 / 34 / 25

HEX #C0067F

RGB 192 6 127

HSL 320.97, 0.94%, 0.39%

LAB 42.57, 70.61, -14.97

 

CMYK 0 / 45 / 97 / 24

HEX #C16A06

RGB 193 106 6

HSL 32.09, 0.94%, 0.39%

LAB 53.66, 29.14, 60.24

 

CMYK 97 / 0 / 65 / 24

HEX #06C144

RGB 6 193 68

HSL 139.89, 0.94%, 0.39%

LAB 68.46, -65.72, 50.12

 

CMYK 97 / 52 / 0 / 24

HEX #065DC1

RGB 6 93 193

HSL 212.09, 0.94%, 0.39%

LAB 40.76, 16.94, -58.46

 

CMYK 0 / 97 / 34 / 25

HEX #C0067F

RGB 192 6 127

HSL 320.97, 0.94%, 0.39%

LAB 42.57, 70.61, -14.97

 

CMYK 0 / 16 / 97 / 24

HEX #C1A206

RGB 193 162 6

HSL 50.05, 0.94%, 0.39%

LAB 67.42, -1.37, 69.86

 

CMYK 97 / 0 / 65 / 24

HEX #06C144

RGB 6 193 68

HSL 139.89, 0.94%, 0.39%

LAB 68.46, -65.72, 50.12

 

CMYK 97 / 81 / 0 / 24

HEX #0625C1

RGB 6 37 193

HSL 230.05, 0.94%, 0.39%

LAB 27.33, 52.09, -80.52

 

Description

Color code: HEX #C0067F | qconv.com Color code: HEX #C0067F | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 6 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 6 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 97 magenta, 34 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 97% 34% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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