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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BFFCE5 it is the complementary color #40031A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BFFCE5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BFFCE5 shade: #C4FCE0, #D5FFF3, #E6FFFF, #F7FFFF and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BFFCE5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BFFCE5 shade: #BFFCE5, #AEEAD2, #9DD8BF, #8CC6AC and #7BB499

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BFFCE5 shade: #C0FCE5, #C0FCD5, #C0FCC5, #CBFCC0 and #DBFCC0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BFFCE5 shade: #C0FCE5, #C0FCF6, #C0F2FC, #C0E2FC and #C0D2FC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BFFCE5 shade matches the following richer shades: #C0FCE5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BFFCE5 shade: #C0FCE5, #C5F7E4, #CAF1E3, #D0ECE1 and #D5E7E0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BFFCE5 shade: #C0FCC5, #C0FCD5, #C0FCE5, #C0FCF5 and #C0F3FC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BFFCE5 shade: #71F8C5, #98FAD5, #C0FCE5, #E7FEF5 and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BFFCE5 shade: #BFFCE5, #C0CBFC and #FCCDC0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BFFCE5 shade: #BFFCE5, #E5C0FC and #FCE5C0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BFFCE5 shade: #BFFCE5, #C0CBFC, #FCC0D7 and #FCF1C0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BFFCE5 shade: #BFFCE5, #C7C0FC, #FCC0D7 and #F5FCC0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 0 / 9 / 1

HEX #BFFCE5

RGB 191 252 229

HSL 157.38, 0.91%, 0.87%

LAB 94.46, -23.66, 4.81

 

Complementary color

CMYK 0 / 95 / 59 / 75

HEX #40031A

RGB 64 3 26

HSL 337.38, 0.91%, 0.13%

LAB 10.77, 29.91, 3.04

 

CMYK 22 / 0 / 11 / 1

HEX #C4FCE0

RGB 196 252 224

HSL 150, 0.9%, 0.88%

LAB 94.63, -23.1, 7.66

 

CMYK 16 / 0 / 5 / 0

HEX #D5FFF3

RGB 213 255 243

HSL 162.86, 1%, 0.92%

LAB 96.88, -15.68, 1.25

 

CMYK 10 / 0 / 0 / 0

HEX #E6FFFF

RGB 230 255 255

HSL 180, 1%, 0.95%

LAB 98.26, -8.06, -2.77

 

CMYK 3 / 0 / 0 / 0

HEX #F7FFFF

RGB 247 255 255

HSL 180, 1%, 0.98%

LAB 99.42, -2.61, -0.92

 

CMYK 24 / 0 / 9 / 1

HEX #BFFCE5

RGB 191 252 229

HSL 157.38, 0.91%, 0.87%

LAB 94.46, -23.66, 4.81

 

CMYK 26 / 0 / 10 / 8

HEX #AEEAD2

RGB 174 234 210

HSL 156, 0.59%, 0.8%

LAB 88.21, -23.83, 5.52

 

CMYK 27 / 0 / 12 / 15

HEX #9DD8BF

RGB 157 216 191

HSL 154.58, 0.43%, 0.73%

LAB 81.86, -24.02, 6.27

 

CMYK 29 / 0 / 13 / 22

HEX #8CC6AC

RGB 140 198 172

HSL 153.1, 0.34%, 0.66%

LAB 75.42, -24.22, 7.05

 

CMYK 32 / 0 / 15 / 29

HEX #7BB499

RGB 123 180 153

HSL 151.58, 0.28%, 0.59%

LAB 68.86, -24.45, 7.89

 

CMYK 24 / 0 / 9 / 1

HEX #C0FCE5

RGB 192 252 229

HSL 157, 0.91%, 0.87%

LAB 94.52, -23.36, 4.89

 

CMYK 24 / 0 / 15 / 1

HEX #C0FCD5

RGB 192 252 213

HSL 141, 0.91%, 0.87%

LAB 94.15, -26.39, 12.61

 

CMYK 24 / 0 / 22 / 1

HEX #C0FCC5

RGB 192 252 197

HSL 125, 0.91%, 0.87%

LAB 93.82, -29.21, 20.35

 

CMYK 19 / 0 / 24 / 1

HEX #CBFCC0

RGB 203 252 192

HSL 109, 0.91%, 0.87%

LAB 94.36, -26.44, 23.75

 

CMYK 13 / 0 / 24 / 1

HEX #DBFCC0

RGB 219 252 192

HSL 93, 0.91%, 0.87%

LAB 95.37, -21.01, 25.29

 

CMYK 24 / 0 / 9 / 1

HEX #C0FCE5

RGB 192 252 229

HSL 157, 0.91%, 0.87%

LAB 94.52, -23.36, 4.89

 

CMYK 24 / 0 / 2 / 1

HEX #C0FCF6

RGB 192 252 246

HSL 174, 0.91%, 0.87%

LAB 94.94, -19.92, -3.27

 

CMYK 24 / 4 / 0 / 1

HEX #C0F2FC

RGB 192 242 252

HSL 190, 0.91%, 0.87%

LAB 92.46, -13.69, -10.05

 

CMYK 24 / 10 / 0 / 1

HEX #C0E2FC

RGB 192 226 252

HSL 206, 0.91%, 0.87%

LAB 88.27, -5.55, -16.31

 

CMYK 24 / 17 / 0 / 1

HEX #C0D2FC

RGB 192 210 252

HSL 222, 0.91%, 0.87%

LAB 84.14, 2.84, -22.55

 

CMYK 24 / 0 / 9 / 1

HEX #C0FCE5

RGB 192 252 229

HSL 157, 0.91%, 0.87%

LAB 94.52, -23.36, 4.89

 

CMYK 24 / 0 / 9 / 1

HEX #C0FCE5

RGB 192 252 229

HSL 157, 0.91%, 0.87%

LAB 94.52, -23.36, 4.89

 

CMYK 20 / 0 / 8 / 3

HEX #C5F7E4

RGB 197 247 228

HSL 157.2, 0.76%, 0.87%

LAB 93.45, -19.6, 3.9

 

CMYK 16 / 0 / 6 / 5

HEX #CAF1E3

RGB 202 241 227

HSL 158.46, 0.58%, 0.87%

LAB 92.14, -15.27, 2.55

 

CMYK 12 / 0 / 5 / 7

HEX #D0ECE1

RGB 208 236 225

HSL 156.43, 0.42%, 0.87%

LAB 91.16, -11.23, 2.22

 

CMYK 8 / 0 / 3 / 9

HEX #D5E7E0

RGB 213 231 224

HSL 156.67, 0.27%, 0.87%

LAB 90.17, -7.25, 1.35

 

CMYK 24 / 0 / 22 / 1

HEX #C0FCC5

RGB 192 252 197

HSL 125, 0.91%, 0.87%

LAB 93.82, -29.21, 20.35

 

CMYK 24 / 0 / 15 / 1

HEX #C0FCD5

RGB 192 252 213

HSL 141, 0.91%, 0.87%

LAB 94.15, -26.39, 12.61

 

CMYK 24 / 0 / 9 / 1

HEX #C0FCE5

RGB 192 252 229

HSL 157, 0.91%, 0.87%

LAB 94.52, -23.36, 4.89

 

CMYK 24 / 0 / 3 / 1

HEX #C0FCF5

RGB 192 252 245

HSL 173, 0.91%, 0.87%

LAB 94.92, -20.13, -2.79

 

CMYK 24 / 4 / 0 / 1

HEX #C0F3FC

RGB 192 243 252

HSL 189, 0.91%, 0.87%

LAB 92.72, -14.2, -9.65

 

CMYK 54 / 0 / 21 / 3

HEX #71F8C5

RGB 113 248 197

HSL 157.33, 0.91%, 0.71%

LAB 89.24, -48.78, 13.41

 

CMYK 39 / 0 / 15 / 2

HEX #98FAD5

RGB 152 250 213

HSL 157.35, 0.91%, 0.79%

LAB 91.62, -37, 8.73

 

CMYK 24 / 0 / 9 / 1

HEX #C0FCE5

RGB 192 252 229

HSL 157, 0.91%, 0.87%

LAB 94.52, -23.36, 4.89

 

CMYK 9 / 0 / 4 / 0

HEX #E7FEF5

RGB 231 254 245

HSL 156.52, 0.92%, 0.95%

LAB 97.82, -9.11, 1.74

 

CMYK 24 / 0 / 9 / 1

HEX #BFFCE5

RGB 191 252 229

HSL 157.38, 0.91%, 0.87%

LAB 94.46, -23.66, 4.81

 

CMYK 24 / 19 / 0 / 1

HEX #C0CBFC

RGB 192 203 252

HSL 229, 0.91%, 0.87%

LAB 82.35, 6.57, -25.27

 

CMYK 0 / 19 / 24 / 1

HEX #FCCDC0

RGB 252 205 192

HSL 13, 0.91%, 0.87%

LAB 86.09, 14.68, 12.72

 

CMYK 24 / 0 / 9 / 1

HEX #BFFCE5

RGB 191 252 229

HSL 157.38, 0.91%, 0.87%

LAB 94.46, -23.66, 4.81

 

CMYK 9 / 24 / 0 / 1

HEX #E5C0FC

RGB 229 192 252

HSL 277, 0.91%, 0.87%

LAB 82.59, 23.86, -24.64

 

CMYK 0 / 9 / 24 / 1

HEX #FCE5C0

RGB 252 229 192

HSL 37, 0.91%, 0.87%

LAB 91.93, 2.27, 20.92

 

CMYK 24 / 0 / 9 / 1

HEX #BFFCE5

RGB 191 252 229

HSL 157.38, 0.91%, 0.87%

LAB 94.46, -23.66, 4.81

 

CMYK 24 / 19 / 0 / 1

HEX #C0CBFC

RGB 192 203 252

HSL 229, 0.91%, 0.87%

LAB 82.35, 6.57, -25.27

 

CMYK 0 / 24 / 15 / 1

HEX #FCC0D7

RGB 252 192 215

HSL 337, 0.91%, 0.87%

LAB 83.6, 24.91, -3.12

 

CMYK 0 / 4 / 24 / 1

HEX #FCF1C0

RGB 252 241 192

HSL 49, 0.91%, 0.87%

LAB 94.91, -3.8, 25.04

 

CMYK 24 / 0 / 9 / 1

HEX #BFFCE5

RGB 191 252 229

HSL 157.38, 0.91%, 0.87%

LAB 94.46, -23.66, 4.81

 

CMYK 21 / 24 / 0 / 1

HEX #C7C0FC

RGB 199 192 252

HSL 247, 0.91%, 0.87%

LAB 80.11, 14.6, -28.65

 

CMYK 0 / 24 / 15 / 1

HEX #FCC0D7

RGB 252 192 215

HSL 337, 0.91%, 0.87%

LAB 83.6, 24.91, -3.12

 

CMYK 3 / 0 / 24 / 1

HEX #F5FCC0

RGB 245 252 192

HSL 67, 0.91%, 0.87%

LAB 97.16, -11.82, 28.04

 

Description

Color code: HEX #BFFCE5 | qconv.com Color code: HEX #BFFCE5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 252 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 252 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, none magenta, 9 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 0% 9% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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