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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BFF79D it is the complementary color #400862. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BFF79D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BFF79D shade: #C4F798, #D5FFAB, #E6FFBE, #F7FFD1 and #FFFFE4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BFF79D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BFF79D shade: #BFF79D, #AEE58A, #9DD377, #8CC164 and #7BAF51

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BFF79D shade: #BEF69B, #D6F69B, #EFF69B, #F6E59B and #F6CD9B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BFF79D shade: #BEF69B, #A5F69B, #9BF6AA, #9BF6C3 and #9BF6DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BFF79D shade matches the following richer shades: #BEF69B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BFF79D shade: #BEF69B, #C0EEA4, #C2E5AD, #C4DCB5 and #C6D4BE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BFF79D shade: #EFF69B, #D7F69B, #BEF69B, #A6F69B and #9BF6A9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BFF79D shade: #8CF04F, #A5F375, #BEF69B, #D7FAC2 and #F0FDE8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BFF79D shade: #BFF79D, #9BF6E6 and #F69BE3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BFF79D shade: #BFF79D, #9BBEF6 and #F69BBE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BFF79D shade: #BFF79D, #9BF6E6, #D49BF6 and #F69BAC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BFF79D shade: #BFF79D, #9BECF6, #D49BF6 and #F6A69B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 0 / 36 / 3

HEX #BFF79D

RGB 191 247 157

HSL 97.33, 0.85%, 0.79%

LAB 91.7, -33.33, 37.67

 

Complementary color

CMYK 35 / 92 / 0 / 62

HEX #400862

RGB 64 8 98

HSL 277.33, 0.85%, 0.21%

LAB 16.23, 40.68, -39.61

 

CMYK 21 / 0 / 38 / 3

HEX #C4F798

RGB 196 247 152

HSL 92.21, 0.86%, 0.78%

LAB 91.92, -32.26, 40.48

 

CMYK 16 / 0 / 33 / 0

HEX #D5FFAB

RGB 213 255 171

HSL 90, 1%, 0.84%

LAB 95.42, -27.52, 35.85

 

CMYK 10 / 0 / 25 / 0

HEX #E6FFBE

RGB 230 255 190

HSL 83.08, 1%, 0.87%

LAB 96.85, -18.91, 28.44

 

CMYK 3 / 0 / 18 / 0

HEX #F7FFD1

RGB 247 255 209

HSL 70.43, 1%, 0.91%

LAB 98.39, -10.16, 21.13

 

CMYK 0 / 0 / 11 / 0

HEX #FFFFE4

RGB 255 255 228

HSL 60, 1%, 0.95%

LAB 99.37, -4.48, 12.91

 

CMYK 23 / 0 / 36 / 3

HEX #BFF79D

RGB 191 247 157

HSL 97.33, 0.85%, 0.79%

LAB 91.7, -33.33, 37.67

 

CMYK 24 / 0 / 40 / 10

HEX #AEE58A

RGB 174 229 138

HSL 96.26, 0.64%, 0.72%

LAB 85.44, -33.44, 38.79

 

CMYK 26 / 0 / 44 / 17

HEX #9DD377

RGB 157 211 119

HSL 95.22, 0.51%, 0.65%

LAB 79.09, -33.54, 39.95

 

CMYK 27 / 0 / 48 / 24

HEX #8CC164

RGB 140 193 100

HSL 94.19, 0.43%, 0.57%

LAB 72.65, -33.61, 41.13

 

CMYK 30 / 0 / 54 / 31

HEX #7BAF51

RGB 123 175 81

HSL 93.19, 0.37%, 0.5%

LAB 66.11, -33.63, 42.3

 

CMYK 23 / 0 / 37 / 4

HEX #BEF69B

RGB 190 246 155

HSL 96.92, 0.83%, 0.79%

LAB 91.34, -33.48, 38.17

 

CMYK 13 / 0 / 37 / 4

HEX #D6F69B

RGB 214 246 155

HSL 81.1, 0.83%, 0.79%

LAB 92.83, -24.98, 40.4

 

CMYK 3 / 0 / 37 / 4

HEX #EFF69B

RGB 239 246 155

HSL 64.62, 0.83%, 0.79%

LAB 94.58, -15.7, 43.01

 

CMYK 0 / 7 / 37 / 4

HEX #F6E59B

RGB 246 229 155

HSL 48.79, 0.83%, 0.79%

LAB 90.78, -4.58, 38.2

 

CMYK 0 / 17 / 37 / 4

HEX #F6CD9B

RGB 246 205 155

HSL 32.97, 0.83%, 0.79%

LAB 84.8, 7.72, 30.31

 

CMYK 23 / 0 / 37 / 4

HEX #BEF69B

RGB 190 246 155

HSL 96.92, 0.83%, 0.79%

LAB 91.34, -33.48, 38.17

 

CMYK 33 / 0 / 37 / 4

HEX #A5F69B

RGB 165 246 155

HSL 113.41, 0.83%, 0.79%

LAB 89.99, -41.74, 36.15

 

CMYK 37 / 0 / 31 / 4

HEX #9BF6AA

RGB 155 246 170

HSL 129.89, 0.83%, 0.79%

LAB 89.76, -42.43, 28.22

 

CMYK 37 / 0 / 21 / 4

HEX #9BF6C3

RGB 155 246 195

HSL 146.37, 0.83%, 0.79%

LAB 90.24, -37.95, 16.08

 

CMYK 37 / 0 / 11 / 4

HEX #9BF6DB

RGB 155 246 219

HSL 162.2, 0.83%, 0.79%

LAB 90.78, -33.1, 4.42

 

CMYK 23 / 0 / 37 / 4

HEX #BEF69B

RGB 190 246 155

HSL 96.92, 0.83%, 0.79%

LAB 91.34, -33.48, 38.17

 

CMYK 23 / 0 / 37 / 4

HEX #BEF69B

RGB 190 246 155

HSL 96.92, 0.83%, 0.79%

LAB 91.34, -33.48, 38.17

 

CMYK 19 / 0 / 31 / 7

HEX #C0EEA4

RGB 192 238 164

HSL 97.3, 0.69%, 0.79%

LAB 89.41, -27.8, 31.13

 

CMYK 15 / 0 / 24 / 10

HEX #C2E5AD

RGB 194 229 173

HSL 97.5, 0.52%, 0.79%

LAB 87.25, -21.42, 23.62

 

CMYK 11 / 0 / 18 / 14

HEX #C4DCB5

RGB 196 220 181

HSL 96.92, 0.36%, 0.79%

LAB 85.13, -14.99, 16.52

 

CMYK 7 / 0 / 10 / 17

HEX #C6D4BE

RGB 198 212 190

HSL 98.18, 0.2%, 0.79%

LAB 83.34, -8.72, 9.27

 

CMYK 3 / 0 / 37 / 4

HEX #EFF69B

RGB 239 246 155

HSL 64.62, 0.83%, 0.79%

LAB 94.58, -15.7, 43.01

 

CMYK 13 / 0 / 37 / 4

HEX #D7F69B

RGB 215 246 155

HSL 80.44, 0.83%, 0.79%

LAB 92.89, -24.61, 40.5

 

CMYK 23 / 0 / 37 / 4

HEX #BEF69B

RGB 190 246 155

HSL 96.92, 0.83%, 0.79%

LAB 91.34, -33.48, 38.17

 

CMYK 33 / 0 / 37 / 4

HEX #A6F69B

RGB 166 246 155

HSL 112.75, 0.83%, 0.79%

LAB 90.04, -41.42, 36.23

 

CMYK 37 / 0 / 31 / 4

HEX #9BF6A9

RGB 155 246 169

HSL 129.23, 0.83%, 0.79%

LAB 89.74, -42.6, 28.7

 

CMYK 42 / 0 / 67 / 6

HEX #8CF04F

RGB 140 240 79

HSL 97.27, 0.84%, 0.63%

LAB 86.24, -55.69, 65.85

 

CMYK 32 / 0 / 52 / 5

HEX #A5F375

RGB 165 243 117

HSL 97.14, 0.84%, 0.71%

LAB 88.63, -45.28, 52.74

 

CMYK 23 / 0 / 37 / 4

HEX #BEF69B

RGB 190 246 155

HSL 96.92, 0.83%, 0.79%

LAB 91.34, -33.48, 38.17

 

CMYK 14 / 0 / 22 / 2

HEX #D7FAC2

RGB 215 250 194

HSL 97.5, 0.85%, 0.87%

LAB 94.62, -21.11, 23.2

 

CMYK 5 / 0 / 8 / 1

HEX #F0FDE8

RGB 240 253 232

HSL 97.14, 0.84%, 0.95%

LAB 97.87, -7.93, 8.57

 

CMYK 23 / 0 / 36 / 3

HEX #BFF79D

RGB 191 247 157

HSL 97.33, 0.85%, 0.79%

LAB 91.7, -33.33, 37.67

 

CMYK 37 / 0 / 7 / 4

HEX #9BF6E6

RGB 155 246 230

HSL 169.45, 0.83%, 0.79%

LAB 91.05, -30.71, -0.9

 

CMYK 0 / 37 / 8 / 4

HEX #F69BE3

RGB 246 155 227

HSL 312.53, 0.83%, 0.79%

LAB 75.19, 44.25, -22.26

 

CMYK 23 / 0 / 36 / 3

HEX #BFF79D

RGB 191 247 157

HSL 97.33, 0.85%, 0.79%

LAB 91.7, -33.33, 37.67

 

CMYK 37 / 23 / 0 / 4

HEX #9BBEF6

RGB 155 190 246

HSL 216.92, 0.83%, 0.79%

LAB 76.34, 1.69, -31.47

 

CMYK 0 / 37 / 23 / 4

HEX #F69BBE

RGB 246 155 190

HSL 336.92, 0.83%, 0.79%

LAB 74.03, 38.51, -3.69

 

CMYK 23 / 0 / 36 / 3

HEX #BFF79D

RGB 191 247 157

HSL 97.33, 0.85%, 0.79%

LAB 91.7, -33.33, 37.67

 

CMYK 37 / 0 / 7 / 4

HEX #9BF6E6

RGB 155 246 230

HSL 169.45, 0.83%, 0.79%

LAB 91.05, -30.71, -0.9

 

CMYK 14 / 37 / 0 / 4

HEX #D49BF6

RGB 212 155 246

HSL 277.58, 0.83%, 0.79%

LAB 72.29, 37.37, -37.38

 

CMYK 0 / 37 / 30 / 4

HEX #F69BAC

RGB 246 155 172

HSL 348.79, 0.83%, 0.79%

LAB 73.55, 36.06, 5.54

 

CMYK 23 / 0 / 36 / 3

HEX #BFF79D

RGB 191 247 157

HSL 97.33, 0.85%, 0.79%

LAB 91.7, -33.33, 37.67

 

CMYK 37 / 4 / 0 / 4

HEX #9BECF6

RGB 155 236 246

HSL 186.59, 0.83%, 0.79%

LAB 88.74, -22.19, -12.67

 

CMYK 14 / 37 / 0 / 4

HEX #D49BF6

RGB 212 155 246

HSL 277.58, 0.83%, 0.79%

LAB 72.29, 37.37, -37.38

 

CMYK 0 / 33 / 37 / 4

HEX #F6A69B

RGB 246 166 155

HSL 7.25, 0.83%, 0.79%

LAB 75.6, 28.21, 17.76

 

Description

Color code: HEX #BFF79D | qconv.com Color code: HEX #BFF79D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 247 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 247 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, none magenta, 36 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 0% 36% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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