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Color name
HEX #BFEA1D

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BFEA1D it is the complementary color #4015E2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BFEA1D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BFEA1D shade: #C4EA18, #D5FC2B, #E6FF3E, #F7FF51 and #FFFF64

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BFEA1D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BFEA1D shade: #BFEA1D, #AED80A, #9DC600, #8CB400 and #7BA200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BFEA1D shade: #C0EA1F, #EADE1F, #EAA71F, #EA701F and #EA3A1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BFEA1D shade: #C0EA1F, #89EA1F, #52EA1F, #1FEA23 and #1FEA5A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BFEA1D shade matches the following richer shades: #C0EA1F and #CBFE0B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BFEA1D shade: #C0EA1F, #B4D633, #A9C347, #9DAF5A and #929B6E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BFEA1D shade: #EAA61F, #EADD1F, #C2EA1F, #8BEA1F and #55EA1F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BFEA1D shade: #87A710, #A6CD13, #C0EA1F, #CAEE45 and #D5F16B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BFEA1D shade: #BFEA1D, #1FEA70 and #C21FEA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BFEA1D shade: #BFEA1D, #1FC2EA and #EA1FC2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BFEA1D shade: #BFEA1D, #1FEA70, #481FEA and #EA1F99

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BFEA1D shade: #BFEA1D, #1FEAAD, #481FEA and #EA1F5C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 88 / 8

HEX #BFEA1D

RGB 191 234 29

HSL 72.59, 0.83%, 0.52%

LAB 87, -37.33, 81.75

 

Complementary color

CMYK 72 / 91 / 0 / 11

HEX #4015E2

RGB 64 21 226

HSL 252.59, 0.83%, 0.48%

LAB 32.07, 69.5, -91.74

 

CMYK 16 / 0 / 90 / 8

HEX #C4EA18

RGB 196 234 24

HSL 70.86, 0.83%, 0.51%

LAB 87.31, -35.46, 82.93

 

CMYK 15 / 0 / 83 / 1

HEX #D5FC2B

RGB 213 252 43

HSL 71.2, 0.97%, 0.58%

LAB 93.43, -36.43, 84.95

 

CMYK 10 / 0 / 76 / 0

HEX #E6FF3E

RGB 230 255 62

HSL 67.77, 1%, 0.62%

LAB 95.45, -30.45, 82.34

 

CMYK 3 / 0 / 68 / 0

HEX #F7FF51

RGB 247 255 81

HSL 62.76, 1%, 0.66%

LAB 96.77, -22.82, 77.91

 

CMYK 0 / 0 / 61 / 0

HEX #FFFF64

RGB 255 255 100

HSL 60, 1%, 0.7%

LAB 97.51, -18.57, 71.69

 

CMYK 18 / 0 / 88 / 8

HEX #BFEA1D

RGB 191 234 29

HSL 72.59, 0.83%, 0.52%

LAB 87, -37.33, 81.75

 

CMYK 19 / 0 / 95 / 15

HEX #AED80A

RGB 174 216 10

HSL 72.23, 0.91%, 0.44%

LAB 80.81, -36.26, 78.87

 

CMYK 21 / 0 / 100 / 22

HEX #9DC600

RGB 157 198 0

HSL 72.42, 1%, 0.39%

LAB 74.54, -35, 74.56

 

CMYK 22 / 0 / 100 / 29

HEX #8CB400

RGB 140 180 0

HSL 73.33, 1%, 0.35%

LAB 68.18, -33.61, 69.26

 

CMYK 24 / 0 / 100 / 36

HEX #7BA200

RGB 123 162 0

HSL 74.44, 1%, 0.32%

LAB 61.7, -32.21, 63.86

 

CMYK 18 / 0 / 87 / 8

HEX #C0EA1F

RGB 192 234 31

HSL 72.41, 0.83%, 0.52%

LAB 87.07, -36.89, 81.48

 

CMYK 0 / 5 / 87 / 8

HEX #EADE1F

RGB 234 222 31

HSL 56.45, 0.83%, 0.52%

LAB 86.92, -13.97, 82.64

 

CMYK 0 / 29 / 87 / 8

HEX #EAA71F

RGB 234 167 31

HSL 40.2, 0.83%, 0.52%

LAB 73.04, 14.36, 71.55

 

CMYK 0 / 52 / 87 / 8

HEX #EA701F

RGB 234 112 31

HSL 23.94, 0.83%, 0.52%

LAB 60.94, 42.97, 61.9

 

CMYK 0 / 75 / 87 / 8

HEX #EA3A1F

RGB 234 58 31

HSL 7.98, 0.83%, 0.52%

LAB 52.53, 65.35, 55.2

 

CMYK 18 / 0 / 87 / 8

HEX #C0EA1F

RGB 192 234 31

HSL 72.41, 0.83%, 0.52%

LAB 87.07, -36.89, 81.48

 

CMYK 41 / 0 / 87 / 8

HEX #89EA1F

RGB 137 234 31

HSL 88.67, 0.83%, 0.52%

LAB 84.1, -56.82, 77.8

 

CMYK 65 / 0 / 87 / 8

HEX #52EA1F

RGB 82 234 31

HSL 104.93, 0.83%, 0.52%

LAB 82.24, -71.49, 75.46

 

CMYK 87 / 0 / 85 / 8

HEX #1FEA23

RGB 31 234 35

HSL 121.18, 0.83%, 0.52%

LAB 81.43, -78.44, 73.64

 

CMYK 87 / 0 / 62 / 8

HEX #1FEA5A

RGB 31 234 90

HSL 137.44, 0.83%, 0.52%

LAB 81.77, -74.19, 55.74

 

CMYK 18 / 0 / 87 / 8

HEX #C0EA1F

RGB 192 234 31

HSL 72.41, 0.83%, 0.52%

LAB 87.07, -36.89, 81.48

 

CMYK 20 / 0 / 96 / 0

HEX #CBFE0B

RGB 203 254 11

HSL 72.59, 0.99%, 0.52%

LAB 93.28, -41.8, 89.22

 

CMYK 18 / 0 / 87 / 8

HEX #C0EA1F

RGB 192 234 31

HSL 72.41, 0.83%, 0.52%

LAB 87.07, -36.89, 81.48

 

CMYK 16 / 0 / 76 / 16

HEX #B4D633

RGB 180 214 51

HSL 72.52, 0.67%, 0.52%

LAB 80.76, -31.84, 70.82

 

CMYK 13 / 0 / 64 / 24

HEX #A9C347

RGB 169 195 71

HSL 72.58, 0.51%, 0.52%

LAB 74.77, -26.14, 57.37

 

CMYK 10 / 0 / 49 / 31

HEX #9DAF5A

RGB 157 175 90

HSL 72.71, 0.35%, 0.52%

LAB 68.44, -19.48, 41.2

 

CMYK 6 / 0 / 29 / 39

HEX #929B6E

RGB 146 155 110

HSL 72, 0.18%, 0.52%

LAB 62.24, -11.04, 22.58

 

CMYK 0 / 29 / 87 / 8

HEX #EAA61F

RGB 234 166 31

HSL 39.9, 0.83%, 0.52%

LAB 72.8, 14.89, 71.36

 

CMYK 0 / 6 / 87 / 8

HEX #EADD1F

RGB 234 221 31

HSL 56.16, 0.83%, 0.52%

LAB 86.65, -13.47, 82.43

 

CMYK 17 / 0 / 87 / 8

HEX #C2EA1F

RGB 194 234 31

HSL 71.82, 0.83%, 0.52%

LAB 87.2, -36.1, 81.64

 

CMYK 41 / 0 / 87 / 8

HEX #8BEA1F

RGB 139 234 31

HSL 88.08, 0.83%, 0.52%

LAB 84.19, -56.17, 77.91

 

CMYK 64 / 0 / 87 / 8

HEX #55EA1F

RGB 85 234 31

HSL 104.04, 0.83%, 0.52%

LAB 82.31, -70.86, 75.56

 

CMYK 19 / 0 / 90 / 35

HEX #87A710

RGB 135 167 16

HSL 72.72, 0.83%, 0.36%

LAB 64.02, -29.3, 63.74

 

CMYK 19 / 0 / 91 / 20

HEX #A6CD13

RGB 166 205 19

HSL 72.58, 0.83%, 0.44%

LAB 77.17, -34.31, 74.72

 

CMYK 18 / 0 / 87 / 8

HEX #C0EA1F

RGB 192 234 31

HSL 72.41, 0.83%, 0.52%

LAB 87.07, -36.89, 81.48

 

CMYK 15 / 0 / 71 / 7

HEX #CAEE45

RGB 202 238 69

HSL 72.78, 0.83%, 0.6%

LAB 88.99, -33.35, 73.34

 

CMYK 12 / 0 / 56 / 5

HEX #D5F16B

RGB 213 241 107

HSL 72.54, 0.83%, 0.68%

LAB 90.83, -27.91, 60.52

 

CMYK 18 / 0 / 88 / 8

HEX #BFEA1D

RGB 191 234 29

HSL 72.59, 0.83%, 0.52%

LAB 87, -37.33, 81.75

 

CMYK 87 / 0 / 52 / 8

HEX #1FEA70

RGB 31 234 112

HSL 143.94, 0.83%, 0.52%

LAB 82, -71.32, 46.12

 

CMYK 17 / 87 / 0 / 8

HEX #C21FEA

RGB 194 31 234

HSL 288.18, 0.83%, 0.52%

LAB 49.97, 82.68, -66.29

 

CMYK 18 / 0 / 88 / 8

HEX #BFEA1D

RGB 191 234 29

HSL 72.59, 0.83%, 0.52%

LAB 87, -37.33, 81.75

 

CMYK 87 / 17 / 0 / 8

HEX #1FC2EA

RGB 31 194 234

HSL 191.82, 0.83%, 0.52%

LAB 72.77, -25.25, -30.86

 

CMYK 0 / 87 / 17 / 8

HEX #EA1FC2

RGB 234 31 194

HSL 311.82, 0.83%, 0.52%

LAB 54.41, 83.74, -35.95

 

CMYK 18 / 0 / 88 / 8

HEX #BFEA1D

RGB 191 234 29

HSL 72.59, 0.83%, 0.52%

LAB 87, -37.33, 81.75

 

CMYK 87 / 0 / 52 / 8

HEX #1FEA70

RGB 31 234 112

HSL 143.94, 0.83%, 0.52%

LAB 82, -71.32, 46.12

 

CMYK 69 / 87 / 0 / 8

HEX #481FEA

RGB 72 31 234

HSL 252.12, 0.83%, 0.52%

LAB 34.6, 69.12, -92.1

 

CMYK 0 / 87 / 35 / 8

HEX #EA1F99

RGB 234 31 153

HSL 323.94, 0.83%, 0.52%

LAB 52.7, 79.11, -14.57

 

CMYK 18 / 0 / 88 / 8

HEX #BFEA1D

RGB 191 234 29

HSL 72.59, 0.83%, 0.52%

LAB 87, -37.33, 81.75

 

CMYK 87 / 0 / 26 / 8

HEX #1FEAAD

RGB 31 234 173

HSL 161.97, 0.83%, 0.52%

LAB 83, -59.88, 16.84

 

CMYK 69 / 87 / 0 / 8

HEX #481FEA

RGB 72 31 234

HSL 252.12, 0.83%, 0.52%

LAB 34.6, 69.12, -92.1

 

CMYK 0 / 87 / 61 / 8

HEX #EA1F5C

RGB 234 31 92

HSL 341.97, 0.83%, 0.52%

LAB 50.97, 74.27, 19.78

 

Description

Color code: HEX #BFEA1D | qconv.com Color code: HEX #BFEA1D | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 234 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 234 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 88 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 88% 8% C M Y K

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Provide designers and agencies with accurate color values.

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