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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BFE4BB it is the complementary color #401B44. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BFE4BB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BFE4BB shade: #C4E4B6, #D5F6C9, #E6FFDC, #F7FFEF and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BFE4BB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BFE4BB shade: #BFE4BB, #AED2A8, #9DC095, #8CAE82 and #7B9C6F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BFE4BB shade: #BEE3BA, #C9E3BA, #D4E3BA, #DFE3BA and #E3DCBA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BFE4BB shade: #BEE3BA, #BAE3C1, #BAE3CC, #BAE3D7 and #BAE3E3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BFE4BB shade matches the following richer shades: #BEE3BA, #B7EBB2, #B1F3AA and #ABFBA2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BFE4BB shade: #BEE3BA, #C4DCC2, #CAD4C9, #D1CCD1 and #D7C4D9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BFE4BB shade: #D4E3BA, #C9E3BA, #BEE3BA, #BAE3C1 and #BAE3CC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BFE4BB shade: #86CC7F, #A2D89C, #BEE3BA, #DAEFD7 and #F5FBF5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BFE4BB shade: #BFE4BB, #BADFE3 and #E3BACF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BFE4BB shade: #BFE4BB, #BABEE3 and #E3BABE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BFE4BB shade: #BFE4BB, #BADFE3, #DFBAE3 and #E3BEBA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BFE4BB shade: #BFE4BB, #BAD3E3, #DFBAE3 and #E3CABA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 0 / 18 / 11

HEX #BFE4BB

RGB 191 228 187

HSL 114.15, 0.43%, 0.81%

LAB 87.07, -19.69, 16.06

 

Complementary color

CMYK 6 / 60 / 0 / 73

HEX #401B44

RGB 64 27 68

HSL 294.15, 0.43%, 0.19%

LAB 16.95, 25.12, -18.12

 

CMYK 14 / 0 / 20 / 11

HEX #C4E4B6

RGB 196 228 182

HSL 101.74, 0.46%, 0.8%

LAB 87.29, -18.81, 19.02

 

CMYK 13 / 0 / 18 / 4

HEX #D5F6C9

RGB 213 246 201

HSL 104, 0.71%, 0.88%

LAB 93.57, -18.74, 18.14

 

CMYK 10 / 0 / 14 / 0

HEX #E6FFDC

RGB 230 255 220

HSL 102.86, 1%, 0.93%

LAB 97.43, -14.29, 14

 

CMYK 3 / 0 / 6 / 0

HEX #F7FFEF

RGB 247 255 239

HSL 90, 1%, 0.97%

LAB 99.04, -5.4, 6.72

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 16 / 0 / 18 / 11

HEX #BFE4BB

RGB 191 228 187

HSL 114.15, 0.43%, 0.81%

LAB 87.07, -19.69, 16.06

 

CMYK 17 / 0 / 20 / 18

HEX #AED2A8

RGB 174 210 168

HSL 111.43, 0.32%, 0.74%

LAB 80.69, -19.8, 16.95

 

CMYK 18 / 0 / 22 / 25

HEX #9DC095

RGB 157 192 149

HSL 108.84, 0.25%, 0.67%

LAB 74.21, -19.93, 17.89

 

CMYK 20 / 0 / 25 / 32

HEX #8CAE82

RGB 140 174 130

HSL 106.36, 0.21%, 0.6%

LAB 67.62, -20.07, 18.88

 

CMYK 21 / 0 / 29 / 39

HEX #7B9C6F

RGB 123 156 111

HSL 104, 0.19%, 0.52%

LAB 60.9, -20.23, 19.94

 

CMYK 16 / 0 / 18 / 11

HEX #BEE3BA

RGB 190 227 186

HSL 114.15, 0.42%, 0.81%

LAB 86.72, -19.7, 16.08

 

CMYK 11 / 0 / 18 / 11

HEX #C9E3BA

RGB 201 227 186

HSL 98.05, 0.42%, 0.81%

LAB 87.44, -15.93, 17.19

 

CMYK 7 / 0 / 18 / 11

HEX #D4E3BA

RGB 212 227 186

HSL 81.95, 0.42%, 0.81%

LAB 88.2, -12.07, 18.37

 

CMYK 2 / 0 / 18 / 11

HEX #DFE3BA

RGB 223 227 186

HSL 65.85, 0.42%, 0.81%

LAB 89, -8.14, 19.61

 

CMYK 0 / 3 / 18 / 11

HEX #E3DCBA

RGB 227 220 186

HSL 49.76, 0.42%, 0.81%

LAB 87.52, -3.12, 17.58

 

CMYK 16 / 0 / 18 / 11

HEX #BEE3BA

RGB 190 227 186

HSL 114.15, 0.42%, 0.81%

LAB 86.72, -19.7, 16.08

 

CMYK 18 / 0 / 15 / 11

HEX #BAE3C1

RGB 186 227 193

HSL 130.24, 0.42%, 0.81%

LAB 86.62, -19.82, 12.24

 

CMYK 18 / 0 / 10 / 11

HEX #BAE3CC

RGB 186 227 204

HSL 146.34, 0.42%, 0.81%

LAB 86.87, -17.8, 6.83

 

CMYK 18 / 0 / 5 / 11

HEX #BAE3D7

RGB 186 227 215

HSL 162.44, 0.42%, 0.81%

LAB 87.14, -15.67, 1.43

 

CMYK 18 / 0 / 0 / 11

HEX #BAE3E3

RGB 186 227 227

HSL 180, 0.42%, 0.81%

LAB 87.45, -13.24, -4.43

 

CMYK 16 / 0 / 18 / 11

HEX #BEE3BA

RGB 190 227 186

HSL 114.15, 0.42%, 0.81%

LAB 86.72, -19.7, 16.08

 

CMYK 22 / 0 / 24 / 8

HEX #B7EBB2

RGB 183 235 178

HSL 114.74, 0.59%, 0.81%

LAB 88.3, -27.27, 22.38

 

CMYK 27 / 0 / 30 / 5

HEX #B1F3AA

RGB 177 243 170

HSL 114.25, 0.75%, 0.81%

LAB 90.02, -34.27, 28.76

 

CMYK 32 / 0 / 35 / 2

HEX #ABFBA2

RGB 171 251 162

HSL 113.93, 0.92%, 0.81%

LAB 91.8, -41.02, 35.12

 

CMYK 16 / 0 / 18 / 11

HEX #BEE3BA

RGB 190 227 186

HSL 114.15, 0.42%, 0.81%

LAB 86.72, -19.7, 16.08

 

CMYK 11 / 0 / 12 / 14

HEX #C4DCC2

RGB 196 220 194

HSL 115.38, 0.27%, 0.81%

LAB 85.41, -12.79, 10.09

 

CMYK 5 / 0 / 5 / 17

HEX #CAD4C9

RGB 202 212 201

HSL 114.55, 0.11%, 0.81%

LAB 83.89, -5.4, 4.26

 

CMYK 0 / 2 / 0 / 18

HEX #D1CCD1

RGB 209 204 209

HSL 300, 0.05%, 0.81%

LAB 82.56, 2.63, -1.88

 

CMYK 1 / 10 / 0 / 15

HEX #D7C4D9

RGB 215 196 217

HSL 294.29, 0.22%, 0.81%

LAB 81.26, 10.39, -8.03

 

CMYK 7 / 0 / 18 / 11

HEX #D4E3BA

RGB 212 227 186

HSL 81.95, 0.42%, 0.81%

LAB 88.2, -12.07, 18.37

 

CMYK 11 / 0 / 18 / 11

HEX #C9E3BA

RGB 201 227 186

HSL 98.05, 0.42%, 0.81%

LAB 87.44, -15.93, 17.19

 

CMYK 16 / 0 / 18 / 11

HEX #BEE3BA

RGB 190 227 186

HSL 114.15, 0.42%, 0.81%

LAB 86.72, -19.7, 16.08

 

CMYK 18 / 0 / 15 / 11

HEX #BAE3C1

RGB 186 227 193

HSL 130.24, 0.42%, 0.81%

LAB 86.62, -19.82, 12.24

 

CMYK 18 / 0 / 10 / 11

HEX #BAE3CC

RGB 186 227 204

HSL 146.34, 0.42%, 0.81%

LAB 86.87, -17.8, 6.83

 

CMYK 34 / 0 / 38 / 20

HEX #86CC7F

RGB 134 204 127

HSL 114.55, 0.43%, 0.65%

LAB 75.94, -37.03, 31.59

 

CMYK 25 / 0 / 28 / 15

HEX #A2D89C

RGB 162 216 156

HSL 114, 0.43%, 0.73%

LAB 81.4, -28.81, 24.11

 

CMYK 16 / 0 / 18 / 11

HEX #BEE3BA

RGB 190 227 186

HSL 114.15, 0.42%, 0.81%

LAB 86.72, -19.7, 16.08

 

CMYK 9 / 0 / 10 / 6

HEX #DAEFD7

RGB 218 239 215

HSL 112.5, 0.43%, 0.89%

LAB 92.37, -11.24, 9.26

 

CMYK 2 / 0 / 2 / 2

HEX #F5FBF5

RGB 245 251 245

HSL 120, 0.43%, 0.97%

LAB 98.03, -3.03, 2.17

 

CMYK 16 / 0 / 18 / 11

HEX #BFE4BB

RGB 191 228 187

HSL 114.15, 0.43%, 0.81%

LAB 87.07, -19.69, 16.06

 

CMYK 18 / 2 / 0 / 11

HEX #BADFE3

RGB 186 223 227

HSL 185.85, 0.42%, 0.81%

LAB 86.39, -11.2, -5.99

 

CMYK 0 / 18 / 9 / 11

HEX #E3BACF

RGB 227 186 207

HSL 329.27, 0.42%, 0.81%

LAB 79.59, 18.09, -5

 

CMYK 16 / 0 / 18 / 11

HEX #BFE4BB

RGB 191 228 187

HSL 114.15, 0.43%, 0.81%

LAB 87.07, -19.69, 16.06

 

CMYK 18 / 16 / 0 / 11

HEX #BABEE3

RGB 186 190 227

HSL 234.15, 0.42%, 0.81%

LAB 77.76, 6.16, -18.88

 

CMYK 0 / 18 / 16 / 11

HEX #E3BABE

RGB 227 186 190

HSL 354.15, 0.42%, 0.81%

LAB 79.14, 15.32, 3.52

 

CMYK 16 / 0 / 18 / 11

HEX #BFE4BB

RGB 191 228 187

HSL 114.15, 0.43%, 0.81%

LAB 87.07, -19.69, 16.06

 

CMYK 18 / 2 / 0 / 11

HEX #BADFE3

RGB 186 223 227

HSL 185.85, 0.42%, 0.81%

LAB 86.39, -11.2, -5.99

 

CMYK 2 / 18 / 0 / 11

HEX #DFBAE3

RGB 223 186 227

HSL 294.15, 0.42%, 0.81%

LAB 79.81, 20.3, -15.49

 

CMYK 0 / 16 / 18 / 11

HEX #E3BEBA

RGB 227 190 186

HSL 5.85, 0.42%, 0.81%

LAB 80.01, 12.57, 6.94

 

CMYK 16 / 0 / 18 / 11

HEX #BFE4BB

RGB 191 228 187

HSL 114.15, 0.43%, 0.81%

LAB 87.07, -19.69, 16.06

 

CMYK 18 / 7 / 0 / 11

HEX #BAD3E3

RGB 186 211 227

HSL 203.41, 0.42%, 0.81%

LAB 83.22, -5.01, -10.69

 

CMYK 2 / 18 / 0 / 11

HEX #DFBAE3

RGB 223 186 227

HSL 294.15, 0.42%, 0.81%

LAB 79.81, 20.3, -15.49

 

CMYK 0 / 11 / 18 / 11

HEX #E3CABA

RGB 227 202 186

HSL 23.41, 0.42%, 0.81%

LAB 82.98, 6.22, 11.18

 

Description

Color code: HEX #BFE4BB | qconv.com Color code: HEX #BFE4BB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 228 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 228 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, none magenta, 18 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 0% 18% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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