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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BFDF40 it is the complementary color #4020BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BFDF40. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BFDF40 shade: #C4DF3B, #D5F14E, #E6FF61, #F7FF74 and #FFFF87

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BFDF40. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BFDF40 shade: #BFDF40, #AECD2D, #9DBB1A, #8CA907 and #7B9700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BFDF40 shade: #BEDE3F, #DED43F, #DEA93F, #DE7E3F and #DE533F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BFDF40 shade: #BEDE3F, #93DE3F, #68DE3F, #3FDE41 and #3FDE6C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BFDF40 shade matches the following richer shades: #BEDE3F and #C9F12D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BFDF40 shade: #BEDE3F, #B4CC51, #A9BA63, #9EA876 and #939688

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BFDF40 shade: #DEA93F, #DED43F, #BFDE3F, #94DE3F and #6ADE3F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BFDF40 shade: #91AE1D, #AED123, #BEDE3F, #CAE462 and #D6EA86

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BFDF40 shade: #BFDF40, #3FDE7F and #BF3FDE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BFDF40 shade: #BFDF40, #3FBFDE and #DE3FBF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BFDF40 shade: #BFDF40, #3FDE7F, #5F3FDE and #DE3F9F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BFDF40 shade: #BFDF40, #3FDEAF, #5F3FDE and #DE3F6F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 0 / 71 / 13

HEX #BFDF40

RGB 191 223 64

HSL 72.08, 0.71%, 0.56%

LAB 84.08, -31.02, 70.01

 

Complementary color

CMYK 66 / 83 / 0 / 25

HEX #4020BF

RGB 64 32 191

HSL 252.08, 0.71%, 0.44%

LAB 29.12, 56.59, -76.29

 

CMYK 12 / 0 / 74 / 13

HEX #C4DF3B

RGB 196 223 59

HSL 69.88, 0.72%, 0.55%

LAB 84.39, -29.26, 72.1

 

CMYK 12 / 0 / 68 / 5

HEX #D5F14E

RGB 213 241 78

HSL 70.31, 0.85%, 0.63%

LAB 90.6, -29.92, 72.01

 

CMYK 10 / 0 / 62 / 0

HEX #E6FF61

RGB 230 255 97

HSL 69.49, 1%, 0.69%

LAB 95.67, -28.61, 70.37

 

CMYK 3 / 0 / 55 / 0

HEX #F7FF74

RGB 247 255 116

HSL 63.45, 1%, 0.73%

LAB 97.05, -20.62, 64.31

 

CMYK 0 / 0 / 47 / 0

HEX #FFFF87

RGB 255 255 135

HSL 60, 1%, 0.76%

LAB 97.84, -15.94, 56.87

 

CMYK 14 / 0 / 71 / 13

HEX #BFDF40

RGB 191 223 64

HSL 72.08, 0.71%, 0.56%

LAB 84.08, -31.02, 70.01

 

CMYK 15 / 0 / 78 / 20

HEX #AECD2D

RGB 174 205 45

HSL 71.63, 0.64%, 0.49%

LAB 77.79, -30.31, 69.73

 

CMYK 16 / 0 / 86 / 27

HEX #9DBB1A

RGB 157 187 26

HSL 71.18, 0.76%, 0.42%

LAB 71.41, -29.42, 68.52

 

CMYK 17 / 0 / 96 / 34

HEX #8CA907

RGB 140 169 7

HSL 70.74, 0.92%, 0.35%

LAB 64.94, -28.33, 65.89

 

CMYK 19 / 0 / 100 / 41

HEX #7B9700

RGB 123 151 0

HSL 71.13, 1%, 0.3%

LAB 58.36, -26.97, 61.33

 

CMYK 14 / 0 / 72 / 13

HEX #BEDE3F

RGB 190 222 63

HSL 72.08, 0.71%, 0.56%

LAB 83.73, -31, 69.99

 

CMYK 0 / 5 / 72 / 13

HEX #DED43F

RGB 222 212 63

HSL 56.23, 0.71%, 0.56%

LAB 83.43, -13.02, 70.53

 

CMYK 0 / 24 / 72 / 13

HEX #DEA93F

RGB 222 169 63

HSL 40, 0.71%, 0.56%

LAB 72.4, 9.25, 59.66

 

CMYK 0 / 43 / 72 / 13

HEX #DE7E3F

RGB 222 126 63

HSL 23.77, 0.71%, 0.56%

LAB 62.35, 32.19, 49.2

 

CMYK 0 / 63 / 72 / 13

HEX #DE533F

RGB 222 83 63

HSL 7.55, 0.71%, 0.56%

LAB 54.11, 53.15, 40.13

 

CMYK 14 / 0 / 72 / 13

HEX #BEDE3F

RGB 190 222 63

HSL 72.08, 0.71%, 0.56%

LAB 83.73, -31, 69.99

 

CMYK 34 / 0 / 72 / 13

HEX #93DE3F

RGB 147 222 63

HSL 88.3, 0.71%, 0.56%

LAB 81.18, -47.19, 66.63

 

CMYK 53 / 0 / 72 / 13

HEX #68DE3F

RGB 104 222 63

HSL 104.53, 0.71%, 0.56%

LAB 79.35, -60.56, 64.19

 

CMYK 72 / 0 / 71 / 13

HEX #3FDE41

RGB 63 222 65

HSL 120.75, 0.71%, 0.56%

LAB 78.28, -69.27, 62.01

 

CMYK 72 / 0 / 51 / 13

HEX #3FDE6C

RGB 63 222 108

HSL 136.98, 0.71%, 0.56%

LAB 78.68, -64.4, 44.04

 

CMYK 14 / 0 / 72 / 13

HEX #BEDE3F

RGB 190 222 63

HSL 72.08, 0.71%, 0.56%

LAB 83.73, -31, 69.99

 

CMYK 17 / 0 / 81 / 5

HEX #C9F12D

RGB 201 241 45

HSL 72.24, 0.88%, 0.56%

LAB 89.63, -36.12, 80.93

 

CMYK 14 / 0 / 72 / 13

HEX #BEDE3F

RGB 190 222 63

HSL 72.08, 0.71%, 0.56%

LAB 83.73, -31, 69.99

 

CMYK 12 / 0 / 60 / 20

HEX #B4CC51

RGB 180 204 81

HSL 71.71, 0.55%, 0.56%

LAB 78.16, -25.32, 57.03

 

CMYK 9 / 0 / 47 / 27

HEX #A9BA63

RGB 169 186 99

HSL 71.72, 0.39%, 0.56%

LAB 72.53, -19.26, 41.91

 

CMYK 6 / 0 / 30 / 34

HEX #9EA876

RGB 158 168 118

HSL 72, 0.22%, 0.56%

LAB 66.96, -12.05, 24.71

 

CMYK 2 / 0 / 9 / 41

HEX #939688

RGB 147 150 136

HSL 72.86, 0.06%, 0.56%

LAB 61.48, -3.72, 7

 

CMYK 0 / 24 / 72 / 13

HEX #DEA93F

RGB 222 169 63

HSL 40, 0.71%, 0.56%

LAB 72.4, 9.25, 59.66

 

CMYK 0 / 5 / 72 / 13

HEX #DED43F

RGB 222 212 63

HSL 56.23, 0.71%, 0.56%

LAB 83.43, -13.02, 70.53

 

CMYK 14 / 0 / 72 / 13

HEX #BFDE3F

RGB 191 222 63

HSL 71.7, 0.71%, 0.56%

LAB 83.8, -30.6, 70.08

 

CMYK 33 / 0 / 72 / 13

HEX #94DE3F

RGB 148 222 63

HSL 87.92, 0.71%, 0.56%

LAB 81.24, -46.84, 66.69

 

CMYK 52 / 0 / 72 / 13

HEX #6ADE3F

RGB 106 222 63

HSL 103.77, 0.71%, 0.56%

LAB 79.42, -60.02, 64.28

 

CMYK 17 / 0 / 83 / 32

HEX #91AE1D

RGB 145 174 29

HSL 72, 0.71%, 0.4%

LAB 66.81, -28.11, 63.58

 

CMYK 17 / 0 / 83 / 18

HEX #AED123

RGB 174 209 35

HSL 72.07, 0.71%, 0.48%

LAB 78.88, -32.53, 73.31

 

CMYK 14 / 0 / 72 / 13

HEX #BEDE3F

RGB 190 222 63

HSL 72.08, 0.71%, 0.56%

LAB 83.73, -31, 69.99

 

CMYK 11 / 0 / 57 / 11

HEX #CAE462

RGB 202 228 98

HSL 72, 0.71%, 0.64%

LAB 86.47, -26.77, 59.31

 

CMYK 9 / 0 / 43 / 8

HEX #D6EA86

RGB 214 234 134

HSL 72, 0.7%, 0.72%

LAB 89.33, -21.64, 46.23

 

CMYK 14 / 0 / 71 / 13

HEX #BFDF40

RGB 191 223 64

HSL 72.08, 0.71%, 0.56%

LAB 84.08, -31.02, 70.01

 

CMYK 72 / 0 / 43 / 13

HEX #3FDE7F

RGB 63 222 127

HSL 144.15, 0.71%, 0.56%

LAB 78.94, -61.4, 35.05

 

CMYK 14 / 72 / 0 / 13

HEX #BF3FDE

RGB 191 63 222

HSL 288.3, 0.71%, 0.56%

LAB 51.73, 71.32, -56.68

 

CMYK 14 / 0 / 71 / 13

HEX #BFDF40

RGB 191 223 64

HSL 72.08, 0.71%, 0.56%

LAB 84.08, -31.02, 70.01

 

CMYK 72 / 14 / 0 / 13

HEX #3FBFDE

RGB 63 191 222

HSL 191.7, 0.71%, 0.56%

LAB 71.96, -24.65, -25.56

 

CMYK 0 / 72 / 14 / 13

HEX #DE3FBF

RGB 222 63 191

HSL 311.7, 0.71%, 0.56%

LAB 54.91, 73.07, -33.59

 

CMYK 14 / 0 / 71 / 13

HEX #BFDF40

RGB 191 223 64

HSL 72.08, 0.71%, 0.56%

LAB 84.08, -31.02, 70.01

 

CMYK 72 / 0 / 43 / 13

HEX #3FDE7F

RGB 63 222 127

HSL 144.15, 0.71%, 0.56%

LAB 78.94, -61.4, 35.05

 

CMYK 57 / 72 / 0 / 13

HEX #5F3FDE

RGB 95 63 222

HSL 252.08, 0.71%, 0.56%

LAB 40.02, 54.35, -76.23

 

CMYK 0 / 72 / 28 / 13

HEX #DE3F9F

RGB 222 63 159

HSL 323.77, 0.71%, 0.56%

LAB 53.59, 68.91, -16.97

 

CMYK 14 / 0 / 71 / 13

HEX #BFDF40

RGB 191 223 64

HSL 72.08, 0.71%, 0.56%

LAB 84.08, -31.02, 70.01

 

CMYK 72 / 0 / 21 / 13

HEX #3FDEAF

RGB 63 222 175

HSL 162.26, 0.71%, 0.56%

LAB 79.84, -51.64, 11.4

 

CMYK 57 / 72 / 0 / 13

HEX #5F3FDE

RGB 95 63 222

HSL 252.08, 0.71%, 0.56%

LAB 40.02, 54.35, -76.23

 

CMYK 0 / 72 / 50 / 13

HEX #DE3F6F

RGB 222 63 111

HSL 341.89, 0.71%, 0.56%

LAB 52.1, 64.07, 9.48

 

Description

Color code: HEX #BFDF40 | qconv.com Color code: HEX #BFDF40 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 223 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 223 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, none magenta, 71 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 0% 71% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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