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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BFDC27 it is the complementary color #4023D8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BFDC27. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BFDC27 shade: #C4DC22, #D5EE35, #E6FF48, #F7FF5B and #FFFF6E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BFDC27. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BFDC27 shade: #BFDC27, #AECA14, #9DB801, #8CA600 and #7B9400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BFDC27 shade: #BFDC28, #DCC828, #DC9828, #DC6728 and #DC3728

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BFDC27 shade: #BFDC28, #8FDC28, #5EDC28, #2EDC28 and #28DC53

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BFDC27 shade matches the following richer shades: #BFDC28 and #CDF014

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BFDC27 shade: #BFDC28, #B1C83C, #A4B451, #969F65 and #888B79

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BFDC27 shade: #DC9728, #DCC728, #C1DC28, #91DC28 and #61DC28

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BFDC27 shade: #849919, #A3BC1F, #BFDC28, #CAE24C and #D4E86F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BFDC27 shade: #BFDC27, #28DC67 and #AF28DC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BFDC27 shade: #BFDC27, #28C1DC and #DC28C1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BFDC27 shade: #BFDC27, #28DC67, #4328DC and #DC289D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BFDC27 shade: #BFDC27, #28DC9D, #4328DC and #DC2867

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 82 / 14

HEX #BFDC27

RGB 191 220 39

HSL 69.61, 0.72%, 0.51%

LAB 83.13, -30.65, 76.47

 

Complementary color

CMYK 70 / 84 / 0 / 15

HEX #4023D8

RGB 64 35 216

HSL 249.61, 0.72%, 0.49%

LAB 32.37, 62.37, -85.5

 

CMYK 11 / 0 / 85 / 14

HEX #C4DC22

RGB 196 220 34

HSL 67.74, 0.73%, 0.5%

LAB 83.46, -28.76, 78.01

 

CMYK 11 / 0 / 78 / 7

HEX #D5EE35

RGB 213 238 53

HSL 68.11, 0.84%, 0.57%

LAB 89.65, -29.7, 79.19

 

CMYK 10 / 0 / 72 / 0

HEX #E6FF48

RGB 230 255 72

HSL 68.2, 1%, 0.64%

LAB 95.5, -30.02, 79.3

 

CMYK 3 / 0 / 64 / 0

HEX #F7FF5B

RGB 247 255 91

HSL 62.93, 1%, 0.68%

LAB 96.84, -22.29, 74.31

 

CMYK 0 / 0 / 57 / 0

HEX #FFFF6E

RGB 255 255 110

HSL 60, 1%, 0.72%

LAB 97.59, -17.91, 67.66

 

CMYK 13 / 0 / 82 / 14

HEX #BFDC27

RGB 191 220 39

HSL 69.61, 0.72%, 0.51%

LAB 83.13, -30.65, 76.47

 

CMYK 14 / 0 / 90 / 21

HEX #AECA14

RGB 174 202 20

HSL 69.23, 0.82%, 0.44%

LAB 76.85, -29.64, 74.54

 

CMYK 15 / 0 / 99 / 28

HEX #9DB801

RGB 157 184 1

HSL 68.85, 0.99%, 0.36%

LAB 70.49, -28.44, 71.39

 

CMYK 16 / 0 / 100 / 35

HEX #8CA600

RGB 140 166 0

HSL 69.4, 1%, 0.33%

LAB 64.04, -26.99, 66.13

 

CMYK 17 / 0 / 100 / 42

HEX #7B9400

RGB 123 148 0

HSL 70.14, 1%, 0.29%

LAB 57.45, -25.5, 60.65

 

CMYK 13 / 0 / 82 / 14

HEX #BFDC28

RGB 191 220 40

HSL 69.67, 0.72%, 0.51%

LAB 83.13, -30.62, 76.24

 

CMYK 0 / 9 / 82 / 14

HEX #DCC828

RGB 220 200 40

HSL 53.33, 0.72%, 0.51%

LAB 80, -8.68, 74.44

 

CMYK 0 / 31 / 82 / 14

HEX #DC9828

RGB 220 152 40

HSL 37.33, 0.72%, 0.51%

LAB 67.89, 16.58, 63.99

 

CMYK 0 / 53 / 82 / 14

HEX #DC6728

RGB 220 103 40

HSL 21, 0.72%, 0.51%

LAB 57.14, 42.25, 54.42

 

CMYK 0 / 75 / 82 / 14

HEX #DC3728

RGB 220 55 40

HSL 5, 0.72%, 0.51%

LAB 49.62, 62.31, 47.47

 

CMYK 13 / 0 / 82 / 14

HEX #BFDC28

RGB 191 220 40

HSL 69.67, 0.72%, 0.51%

LAB 83.13, -30.62, 76.24

 

CMYK 35 / 0 / 82 / 14

HEX #8FDC28

RGB 143 220 40

HSL 85.67, 0.72%, 0.51%

LAB 80.28, -48.92, 72.63

 

CMYK 57 / 0 / 82 / 14

HEX #5EDC28

RGB 94 220 40

HSL 102, 0.72%, 0.51%

LAB 78.3, -63.8, 70.11

 

CMYK 79 / 0 / 82 / 14

HEX #2EDC28

RGB 46 220 40

HSL 118, 0.72%, 0.51%

LAB 77.23, -72.77, 68.74

 

CMYK 82 / 0 / 62 / 14

HEX #28DC53

RGB 40 220 83

HSL 134.33, 0.72%, 0.51%

LAB 77.44, -69.94, 53.84

 

CMYK 13 / 0 / 82 / 14

HEX #BFDC28

RGB 191 220 40

HSL 69.67, 0.72%, 0.51%

LAB 83.13, -30.62, 76.24

 

CMYK 15 / 0 / 92 / 6

HEX #CDF014

RGB 205 240 20

HSL 69.55, 0.88%, 0.51%

LAB 89.56, -34.67, 85.5

 

CMYK 13 / 0 / 82 / 14

HEX #BFDC28

RGB 191 220 40

HSL 69.67, 0.72%, 0.51%

LAB 83.13, -30.62, 76.24

 

CMYK 12 / 0 / 70 / 22

HEX #B1C83C

RGB 177 200 60

HSL 69.86, 0.56%, 0.51%

LAB 76.67, -25.99, 63.81

 

CMYK 9 / 0 / 55 / 29

HEX #A4B451

RGB 164 180 81

HSL 69.7, 0.4%, 0.51%

LAB 70.27, -20, 47.84

 

CMYK 6 / 0 / 36 / 38

HEX #969F65

RGB 150 159 101

HSL 69.31, 0.23%, 0.51%

LAB 63.52, -12.78, 29.22

 

CMYK 2 / 0 / 13 / 45

HEX #888B79

RGB 136 139 121

HSL 70, 0.07%, 0.51%

LAB 57.15, -4.48, 9.26

 

CMYK 0 / 31 / 82 / 14

HEX #DC9728

RGB 220 151 40

HSL 37, 0.72%, 0.51%

LAB 67.65, 17.11, 63.78

 

CMYK 0 / 10 / 82 / 14

HEX #DCC728

RGB 220 199 40

HSL 53, 0.72%, 0.51%

LAB 79.74, -8.17, 74.21

 

CMYK 12 / 0 / 82 / 14

HEX #C1DC28

RGB 193 220 40

HSL 69, 0.72%, 0.51%

LAB 83.27, -29.81, 76.41

 

CMYK 34 / 0 / 82 / 14

HEX #91DC28

RGB 145 220 40

HSL 85, 0.72%, 0.51%

LAB 80.38, -48.22, 72.76

 

CMYK 56 / 0 / 82 / 14

HEX #61DC28

RGB 97 220 40

HSL 101, 0.72%, 0.51%

LAB 78.39, -63.04, 70.23

 

CMYK 14 / 0 / 84 / 40

HEX #849919

RGB 132 153 25

HSL 69.84, 0.72%, 0.35%

LAB 59.67, -23.5, 58.06

 

CMYK 13 / 0 / 84 / 26

HEX #A3BC1F

RGB 163 188 31

HSL 69.55, 0.72%, 0.43%

LAB 72.13, -27.26, 68.17

 

CMYK 13 / 0 / 82 / 14

HEX #BFDC28

RGB 191 220 40

HSL 69.67, 0.72%, 0.51%

LAB 83.13, -30.62, 76.24

 

CMYK 11 / 0 / 66 / 11

HEX #CAE24C

RGB 202 226 76

HSL 69.6, 0.72%, 0.59%

LAB 85.74, -27.36, 67.56

 

CMYK 9 / 0 / 52 / 9

HEX #D4E86F

RGB 212 232 111

HSL 69.92, 0.72%, 0.67%

LAB 88.38, -23.69, 55.89

 

CMYK 13 / 0 / 82 / 14

HEX #BFDC27

RGB 191 220 39

HSL 69.61, 0.72%, 0.51%

LAB 83.13, -30.65, 76.47

 

CMYK 82 / 0 / 53 / 14

HEX #28DC67

RGB 40 220 103

HSL 141, 0.72%, 0.51%

LAB 77.65, -67.37, 45.06

 

CMYK 20 / 82 / 0 / 14

HEX #AF28DC

RGB 175 40 220

HSL 285, 0.72%, 0.51%

LAB 46.71, 75.19, -63.76

 

CMYK 13 / 0 / 82 / 14

HEX #BFDC27

RGB 191 220 39

HSL 69.61, 0.72%, 0.51%

LAB 83.13, -30.65, 76.47

 

CMYK 82 / 12 / 0 / 14

HEX #28C1DC

RGB 40 193 220

HSL 189, 0.72%, 0.51%

LAB 72.07, -28.66, -24.34

 

CMYK 0 / 82 / 12 / 14

HEX #DC28C1

RGB 220 40 193

HSL 309, 0.72%, 0.51%

LAB 52.49, 79.16, -38.57

 

CMYK 13 / 0 / 82 / 14

HEX #BFDC27

RGB 191 220 39

HSL 69.61, 0.72%, 0.51%

LAB 83.13, -30.65, 76.47

 

CMYK 82 / 0 / 53 / 14

HEX #28DC67

RGB 40 220 103

HSL 141, 0.72%, 0.51%

LAB 77.65, -67.37, 45.06

 

CMYK 70 / 82 / 0 / 14

HEX #4328DC

RGB 67 40 220

HSL 249, 0.72%, 0.51%

LAB 33.73, 61.69, -85.54

 

CMYK 0 / 82 / 29 / 14

HEX #DC289D

RGB 220 40 157

HSL 321, 0.72%, 0.51%

LAB 50.88, 74.68, -19.95

 

CMYK 13 / 0 / 82 / 14

HEX #BFDC27

RGB 191 220 39

HSL 69.61, 0.72%, 0.51%

LAB 83.13, -30.65, 76.47

 

CMYK 82 / 0 / 29 / 14

HEX #28DC9D

RGB 40 220 157

HSL 159, 0.72%, 0.51%

LAB 78.5, -57.51, 18.96

 

CMYK 70 / 82 / 0 / 14

HEX #4328DC

RGB 67 40 220

HSL 249, 0.72%, 0.51%

LAB 33.73, 61.69, -85.54

 

CMYK 0 / 82 / 53 / 14

HEX #DC2867

RGB 220 40 103

HSL 339, 0.72%, 0.51%

LAB 49.15, 69.63, 10.13

 

Description

Color code: HEX #BFDC27 | qconv.com Color code: HEX #BFDC27 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 220 green and 39 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 220 39 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 82 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 82% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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