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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BFDB12CE it is the complementary color #4024EDCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BFDB12CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BFDB12CE shade: #C4DB0DCE, #D5ED20CE, #E6FF33CE, #F7FF46CE and #FFFF59CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BFDB12CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BFDB12CE shade: #BFDB12CE, #AEC900CE, #9DB700CE, #8CA500CE and #7B9300CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BFDB12CE shade: #BDD912, #D9BF12, #D98912, #D95312 and #D91E12

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BFDB12CE shade: #BDD912, #87D912, #52D912, #1CD912 and #12D93D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BFDB12CE shade matches the following richer shades: #BDD912

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BFDB12CE shade: #BDD912, #B0C625, #A2B338, #94A04B and #868D5E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BFDB12CE shade: #D98912, #D9BE12, #BED912, #89D912 and #54D912

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BFDB12CE shade: #7B8D0B, #9CB30F, #BDD912, #D2ED26 and #DAF14D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BFDB12CE shade: #BFDB12, #12D954 and #A412D9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BFDB12CE shade: #BFDB12, #12BED9 and #D912BE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BFDB12CE shade: #BFDB12, #12D954, #2C12D9 and #D91297

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BFDB12CE shade: #BFDB12, #12D990, #2C12D9 and #D9125B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 0 / 74 / 11

HEX #BFDB12CE

RGBA 191 219 18 0.81

HSLA 68.36, 0.85%, 0.46%, 0.81

LABA 82.8, -30.67, 80.03, 0.81

 

Complementary color

CMYK 59 / 69 / 0 / 6

HEX #4024EDCE

RGBA 64 36 237 0.81

HSLA 248.36, 0.85%, 0.54%, 0.81

LABA 34.94, 67.75, -93.25, 0.81

 

CMYK 9 / 0 / 76 / 11

HEX #C4DB0DCE

RGBA 196 219 13 0.81

HSLA 66.7, 0.89%, 0.45%, 0.81

LABA 83.14, -28.69, 81.02, 0.81

 

CMYK 8 / 0 / 70 / 6

HEX #D5ED20CE

RGBA 213 237 32 0.81

HSLA 67.02, 0.85%, 0.53%, 0.81

LABA 89.31, -29.85, 83.71, 0.81

 

CMYK 8 / 0 / 65 / 0

HEX #E6FF33CE

RGBA 230 255 51 0.81

HSLA 67.35, 1%, 0.6%, 0.81

LABA 95.41, -30.84, 85.25, 0.81

 

CMYK 3 / 0 / 59 / 0

HEX #F7FF46CE

RGBA 247 255 70 0.81

HSLA 62.59, 1%, 0.64%, 0.81

LABA 96.71, -23.33, 81.53, 0.81

 

CMYK 0 / 0 / 53 / 0

HEX #FFFF59CE

RGBA 255 255 89 0.81

HSLA 60, 1%, 0.67%, 0.81

LABA 97.43, -19.21, 75.87, 0.81

 

CMYK 10 / 0 / 74 / 11

HEX #BFDB12CE

RGBA 191 219 18 0.81

HSLA 68.36, 0.85%, 0.46%, 0.81

LABA 82.8, -30.67, 80.03, 0.81

 

CMYK 11 / 0 / 81 / 17

HEX #AEC900CE

RGBA 174 201 0 0.81

HSLA 68.06, 1%, 0.39%, 0.81

LABA 76.54, -29.44, 76.56, 0.81

 

CMYK 12 / 0 / 81 / 23

HEX #9DB700CE

RGBA 157 183 0 0.81

HSLA 68.52, 1%, 0.36%, 0.81

LABA 70.2, -27.98, 71.29, 0.81

 

CMYK 12 / 0 / 81 / 29

HEX #8CA500CE

RGBA 140 165 0 0.81

HSLA 69.09, 1%, 0.32%, 0.81

LABA 63.74, -26.51, 65.91, 0.81

 

CMYK 13 / 0 / 81 / 34

HEX #7B9300CE

RGBA 123 147 0 0.81

HSLA 69.8, 1%, 0.29%, 0.81

LABA 57.15, -25.01, 60.42, 0.81

 

CMYK 13 / 0 / 92 / 15

HEX #BDD912

RGB 189 217 18

HSL 68.44, 0.85%, 0.46%

LAB 82.1, -30.55, 79.43

 

CMYK 0 / 12 / 92 / 15

HEX #D9BF12

RGB 217 191 18

HSL 52.16, 0.85%, 0.46%

LAB 77.31, -5.84, 76.69

 

CMYK 0 / 37 / 92 / 15

HEX #D98912

RGB 217 137 18

HSL 35.88, 0.85%, 0.46%

LAB 63.91, 22.85, 66.65

 

CMYK 0 / 62 / 92 / 15

HEX #D95312

RGB 217 83 18

HSL 19.6, 0.85%, 0.46%

LAB 52.93, 50.06, 58.81

 

CMYK 0 / 86 / 92 / 15

HEX #D91E12

RGB 217 30 18

HSL 3.62, 0.85%, 0.46%

LAB 46.61, 67.46, 54.58

 

CMYK 13 / 0 / 92 / 15

HEX #BDD912

RGB 189 217 18

HSL 68.44, 0.85%, 0.46%

LAB 82.1, -30.55, 79.43

 

CMYK 38 / 0 / 92 / 15

HEX #87D912

RGB 135 217 18

HSL 84.72, 0.85%, 0.46%

LAB 78.94, -51.13, 75.56

 

CMYK 62 / 0 / 92 / 15

HEX #52D912

RGB 82 217 18

HSL 100.7, 0.85%, 0.46%

LAB 76.96, -66.41, 73.12

 

CMYK 87 / 0 / 92 / 15

HEX #1CD912

RGB 28 217 18

HSL 116.98, 0.85%, 0.46%

LAB 76.02, -74.57, 71.96

 

CMYK 92 / 0 / 72 / 15

HEX #12D93D

RGB 18 217 61

HSL 132.96, 0.85%, 0.46%

LAB 76.13, -72.91, 61.07

 

CMYK 13 / 0 / 92 / 15

HEX #BDD912

RGB 189 217 18

HSL 68.44, 0.85%, 0.46%

LAB 82.1, -30.55, 79.43

 

CMYK 13 / 0 / 92 / 15

HEX #BDD912

RGB 189 217 18

HSL 68.44, 0.85%, 0.46%

LAB 82.1, -30.55, 79.43

 

CMYK 11 / 0 / 81 / 22

HEX #B0C625

RGB 176 198 37

HSL 68.2, 0.69%, 0.46%

LAB 75.92, -26.46, 70.31

 

CMYK 9 / 0 / 69 / 30

HEX #A2B338

RGB 162 179 56

HSL 68.29, 0.52%, 0.46%

LAB 69.62, -22.17, 57.9

 

CMYK 7 / 0 / 53 / 37

HEX #94A04B

RGB 148 160 75

HSL 68.47, 0.36%, 0.46%

LAB 63.3, -17, 42.32

 

CMYK 5 / 0 / 33 / 45

HEX #868D5E

RGB 134 141 94

HSL 68.94, 0.2%, 0.46%

LAB 57, -10.6, 24.27

 

CMYK 0 / 37 / 92 / 15

HEX #D98912

RGB 217 137 18

HSL 35.88, 0.85%, 0.46%

LAB 63.91, 22.85, 66.65

 

CMYK 0 / 12 / 92 / 15

HEX #D9BE12

RGB 217 190 18

HSL 51.86, 0.85%, 0.46%

LAB 77.05, -5.32, 76.49

 

CMYK 12 / 0 / 92 / 15

HEX #BED912

RGB 190 217 18

HSL 68.14, 0.85%, 0.46%

LAB 82.17, -30.15, 79.51

 

CMYK 37 / 0 / 92 / 15

HEX #89D912

RGB 137 217 18

HSL 84.12, 0.85%, 0.46%

LAB 79.03, -50.44, 75.68

 

CMYK 61 / 0 / 92 / 15

HEX #54D912

RGB 84 217 18

HSL 100.1, 0.85%, 0.46%

LAB 77.01, -65.95, 73.19

 

CMYK 13 / 0 / 92 / 45

HEX #7B8D0B

RGB 123 141 11

HSL 68.31, 0.86%, 0.3%

LAB 55.36, -21.79, 57.25

HEX #7B8D0B

CMYK 13 / 0 / 92 / 30

HEX #9CB30F

RGB 156 179 15

HSL 68.41, 0.85%, 0.38%

LAB 69, -26.26, 68.51

HEX #9CB30F

CMYK 13 / 0 / 92 / 15

HEX #BDD912

RGB 189 217 18

HSL 68.44, 0.85%, 0.46%

LAB 82.1, -30.55, 79.43

HEX #BDD912

CMYK 11 / 0 / 84 / 7

HEX #D2ED26

RGB 210 237 38

HSL 68.14, 0.85%, 0.54%

LAB 89.12, -30.92, 82.3

HEX #D2ED26

CMYK 10 / 0 / 68 / 5

HEX #DAF14D

RGB 218 241 77

HSL 68.41, 0.85%, 0.62%

LAB 90.94, -28, 72.83

HEX #DAF14D

CMYK 13 / 0 / 92 / 14

HEX #BFDB12

RGB 191 219 18

HSL 68.36, 0.85%, 0.46%

LAB 82.8, -30.67, 80.03

 

CMYK 92 / 0 / 61 / 15

HEX #12D954

RGB 18 217 84

HSL 139.9, 0.85%, 0.46%

LAB 76.31, -70.58, 52.08

 

CMYK 24 / 92 / 0 / 15

HEX #A412D9

RGB 164 18 217

HSL 284.02, 0.85%, 0.46%

LAB 43.26, 77.45, -67.71

 

CMYK 13 / 0 / 92 / 14

HEX #BFDB12

RGB 191 219 18

HSL 68.36, 0.85%, 0.46%

LAB 82.8, -30.67, 80.03

 

CMYK 92 / 12 / 0 / 15

HEX #12BED9

RGB 18 190 217

HSL 188.14, 0.85%, 0.46%

LAB 70.85, -29.47, -24.59

 

CMYK 0 / 92 / 12 / 15

HEX #D912BE

RGB 217 18 190

HSL 308.14, 0.85%, 0.46%

LAB 50.57, 81.8, -39.88

 

CMYK 13 / 0 / 92 / 14

HEX #BFDB12

RGB 191 219 18

HSL 68.36, 0.85%, 0.46%

LAB 82.8, -30.67, 80.03

 

CMYK 92 / 0 / 61 / 15

HEX #12D954

RGB 18 217 84

HSL 139.9, 0.85%, 0.46%

LAB 76.31, -70.58, 52.08

 

CMYK 80 / 92 / 0 / 15

HEX #2C12D9

RGB 44 18 217

HSL 247.84, 0.85%, 0.46%

LAB 29.36, 67.16, -91.12

 

CMYK 0 / 92 / 30 / 15

HEX #D91297

RGB 217 18 151

HSL 319.9, 0.85%, 0.46%

LAB 48.78, 77.14, -19.63

 

CMYK 13 / 0 / 92 / 14

HEX #BFDB12

RGB 191 219 18

HSL 68.36, 0.85%, 0.46%

LAB 82.8, -30.67, 80.03

 

CMYK 92 / 0 / 34 / 15

HEX #12D990

RGB 18 217 144

HSL 157.99, 0.85%, 0.46%

LAB 77.14, -60.68, 23.86

 

CMYK 80 / 92 / 0 / 15

HEX #2C12D9

RGB 44 18 217

HSL 247.84, 0.85%, 0.46%

LAB 29.36, 67.16, -91.12

 

CMYK 0 / 92 / 58 / 15

HEX #D9125B

RGB 217 18 91

HSL 337.99, 0.85%, 0.46%

LAB 46.9, 72.03, 14.3

 

Description

Color code: HEX #BFDB12CE | qconv.com Color code: HEX #BFDB12CE | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 219 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 219 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, none magenta, 74 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 0% 74% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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