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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BFD519 it is the complementary color #402AE6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BFD519. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BFD519 shade: #C4D514, #D5E727, #E6F93A, #F7FF4D and #FFFF60

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BFD519. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BFD519 shade: #BFD519, #AEC306, #9DB100, #8C9F00 and #7B8D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BFD519 shade: #C0D719, #D7BA19, #D78719, #D75319 and #D72019

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BFD519 shade: #C0D719, #8DD719, #5AD719, #27D719 and #19D73E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BFD519 shade matches the following richer shades: #C0D719 and #CFEA06

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BFD519 shade: #C0D719, #B2C32D, #A3B040, #949C53 and #858967

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BFD519 shade: #D78819, #D7BA19, #C0D719, #8ED719 and #5BD719

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BFD519 shade: #7E8D11, #9FB215, #C0D719, #D2E732 and #DAEB57

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BFD519 shade: #BFD519, #19D755 and #A119D7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BFD519 shade: #BFD519, #19C0D7 and #D719C0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BFD519 shade: #BFD519, #19D755, #2F19D7 and #D7199B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BFD519 shade: #BFD519, #19D78E, #2F19D7 and #D71962

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 0 / 88 / 16

HEX #BFD519

RGB 191 213 25

HSL 67.02, 0.79%, 0.47%

LAB 81.15, -27.72, 77.68

 

Complementary color

CMYK 72 / 82 / 0 / 10

HEX #402AE6

RGB 64 42 230

HSL 247.02, 0.79%, 0.53%

LAB 34.92, 63.46, -89.29

 

CMYK 8 / 0 / 91 / 16

HEX #C4D514

RGB 196 213 20

HSL 65.28, 0.83%, 0.46%

LAB 81.5, -25.74, 78.89

 

CMYK 8 / 0 / 83 / 9

HEX #D5E727

RGB 213 231 39

HSL 65.63, 0.8%, 0.53%

LAB 87.7, -26.87, 80.98

 

CMYK 8 / 0 / 77 / 2

HEX #E6F93A

RGB 230 249 58

HSL 65.97, 0.94%, 0.6%

LAB 93.83, -27.82, 82.01

 

CMYK 3 / 0 / 70 / 0

HEX #F7FF4D

RGB 247 255 77

HSL 62.7, 1%, 0.65%

LAB 96.75, -23.02, 79.27

 

CMYK 0 / 0 / 62 / 0

HEX #FFFF60

RGB 255 255 96

HSL 60, 1%, 0.69%

LAB 97.48, -18.81, 73.24

 

CMYK 10 / 0 / 88 / 16

HEX #BFD519

RGB 191 213 25

HSL 67.02, 0.79%, 0.47%

LAB 81.15, -27.72, 77.68

 

CMYK 11 / 0 / 97 / 24

HEX #AEC306

RGB 174 195 6

HSL 66.67, 0.94%, 0.39%

LAB 74.85, -26.51, 74.67

 

CMYK 11 / 0 / 100 / 31

HEX #9DB100

RGB 157 177 0

HSL 66.78, 1%, 0.35%

LAB 68.47, -25.08, 69.99

 

CMYK 12 / 0 / 100 / 38

HEX #8C9F00

RGB 140 159 0

HSL 67.17, 1%, 0.31%

LAB 61.97, -23.56, 64.59

 

CMYK 13 / 0 / 100 / 45

HEX #7B8D00

RGB 123 141 0

HSL 67.66, 1%, 0.28%

LAB 55.34, -22.01, 59.06

 

CMYK 11 / 0 / 88 / 16

HEX #C0D719

RGB 192 215 25

HSL 67.26, 0.79%, 0.47%

LAB 81.77, -28.26, 78.21

 

CMYK 0 / 13 / 88 / 16

HEX #D7BA19

RGB 215 186 25

HSL 50.84, 0.79%, 0.47%

LAB 75.84, -4.01, 74.28

 

CMYK 0 / 37 / 88 / 16

HEX #D78719

RGB 215 135 25

HSL 34.74, 0.79%, 0.47%

LAB 63.21, 23.19, 64.37

 

CMYK 0 / 61 / 88 / 16

HEX #D75319

RGB 215 83 25

HSL 18.32, 0.79%, 0.47%

LAB 52.62, 49.46, 56.17

 

CMYK 0 / 85 / 88 / 16

HEX #D72019

RGB 215 32 25

HSL 2.21, 0.79%, 0.47%

LAB 46.38, 66.63, 51.41

 

CMYK 11 / 0 / 88 / 16

HEX #C0D719

RGB 192 215 25

HSL 67.26, 0.79%, 0.47%

LAB 81.77, -28.26, 78.21

 

CMYK 34 / 0 / 88 / 16

HEX #8DD719

RGB 141 215 25

HSL 83.37, 0.79%, 0.47%

LAB 78.66, -48.05, 74.38

 

CMYK 58 / 0 / 88 / 16

HEX #5AD719

RGB 90 215 25

HSL 99.47, 0.79%, 0.47%

LAB 76.58, -63.66, 71.8

 

CMYK 82 / 0 / 88 / 16

HEX #27D719

RGB 39 215 25

HSL 115.58, 0.79%, 0.47%

LAB 75.51, -72.77, 70.46

 

CMYK 88 / 0 / 71 / 16

HEX #19D73E

RGB 25 215 62

HSL 131.68, 0.79%, 0.47%

LAB 75.55, -71.82, 60.13

 

CMYK 11 / 0 / 88 / 16

HEX #C0D719

RGB 192 215 25

HSL 67.26, 0.79%, 0.47%

LAB 81.77, -28.26, 78.21

 

CMYK 12 / 0 / 97 / 8

HEX #CFEA06

RGB 207 234 6

HSL 67.11, 0.95%, 0.47%

LAB 88.03, -31.27, 85.69

 

CMYK 11 / 0 / 88 / 16

HEX #C0D719

RGB 192 215 25

HSL 67.26, 0.79%, 0.47%

LAB 81.77, -28.26, 78.21

 

CMYK 9 / 0 / 77 / 24

HEX #B2C32D

RGB 178 195 45

HSL 66.8, 0.63%, 0.47%

LAB 75.25, -23.87, 67.53

 

CMYK 7 / 0 / 64 / 31

HEX #A3B040

RGB 163 176 64

HSL 66.96, 0.47%, 0.47%

LAB 68.9, -19.74, 53.93

 

CMYK 5 / 0 / 47 / 39

HEX #949C53

RGB 148 156 83

HSL 66.58, 0.31%, 0.47%

LAB 62.25, -14.13, 37.05

 

CMYK 3 / 0 / 25 / 46

HEX #858967

RGB 133 137 103

HSL 67.06, 0.14%, 0.47%

LAB 55.94, -7.51, 17.79

 

CMYK 0 / 37 / 88 / 16

HEX #D78819

RGB 215 136 25

HSL 35.05, 0.79%, 0.47%

LAB 63.45, 22.65, 64.55

 

CMYK 0 / 13 / 88 / 16

HEX #D7BA19

RGB 215 186 25

HSL 50.84, 0.79%, 0.47%

LAB 75.84, -4.01, 74.28

 

CMYK 11 / 0 / 88 / 16

HEX #C0D719

RGB 192 215 25

HSL 67.26, 0.79%, 0.47%

LAB 81.77, -28.26, 78.21

 

CMYK 34 / 0 / 88 / 16

HEX #8ED719

RGB 142 215 25

HSL 83.05, 0.79%, 0.47%

LAB 78.71, -47.7, 74.44

 

CMYK 58 / 0 / 88 / 16

HEX #5BD719

RGB 91 215 25

HSL 99.16, 0.79%, 0.47%

LAB 76.62, -63.41, 71.84

 

CMYK 11 / 0 / 88 / 45

HEX #7E8D11

RGB 126 141 17

HSL 67.26, 0.78%, 0.31%

LAB 55.61, -20.31, 56.37

 

CMYK 11 / 0 / 88 / 30

HEX #9FB215

RGB 159 178 21

HSL 67.26, 0.79%, 0.39%

LAB 68.94, -24.37, 67.54

 

CMYK 11 / 0 / 88 / 16

HEX #C0D719

RGB 192 215 25

HSL 67.26, 0.79%, 0.47%

LAB 81.77, -28.26, 78.21

 

CMYK 9 / 0 / 78 / 9

HEX #D2E732

RGB 210 231 50

HSL 66.96, 0.79%, 0.55%

LAB 87.53, -27.74, 78.03

 

CMYK 7 / 0 / 63 / 8

HEX #DAEB57

RGB 218 235 87

HSL 66.89, 0.79%, 0.63%

LAB 89.4, -24.57, 67.44

 

CMYK 10 / 0 / 88 / 16

HEX #BFD519

RGB 191 213 25

HSL 67.02, 0.79%, 0.47%

LAB 81.15, -27.72, 77.68

 

CMYK 88 / 0 / 60 / 16

HEX #19D755

RGB 25 215 85

HSL 138.95, 0.79%, 0.47%

LAB 75.74, -69.44, 51

 

CMYK 25 / 88 / 0 / 16

HEX #A119D7

RGB 161 25 215

HSL 282.95, 0.79%, 0.47%

LAB 43.03, 75.5, -66.96

 

CMYK 10 / 0 / 88 / 16

HEX #BFD519

RGB 191 213 25

HSL 67.02, 0.79%, 0.47%

LAB 81.15, -27.72, 77.68

 

CMYK 88 / 11 / 0 / 16

HEX #19C0D7

RGB 25 192 215

HSL 187.26, 0.79%, 0.47%

LAB 71.43, -30.77, -22.61

 

CMYK 0 / 88 / 11 / 16

HEX #D719C0

RGB 215 25 192

HSL 307.26, 0.79%, 0.47%

LAB 50.63, 80.79, -40.98

 

CMYK 10 / 0 / 88 / 16

HEX #BFD519

RGB 191 213 25

HSL 67.02, 0.79%, 0.47%

LAB 81.15, -27.72, 77.68

 

CMYK 88 / 0 / 60 / 16

HEX #19D755

RGB 25 215 85

HSL 138.95, 0.79%, 0.47%

LAB 75.74, -69.44, 51

 

CMYK 78 / 88 / 0 / 16

HEX #2F19D7

RGB 47 25 215

HSL 246.95, 0.79%, 0.47%

LAB 29.93, 64.75, -89.01

 

CMYK 0 / 88 / 28 / 16

HEX #D7199B

RGB 215 25 155

HSL 318.95, 0.79%, 0.47%

LAB 48.89, 76.22, -21.89

 

CMYK 10 / 0 / 88 / 16

HEX #BFD519

RGB 191 213 25

HSL 67.02, 0.79%, 0.47%

LAB 81.15, -27.72, 77.68

 

CMYK 88 / 0 / 34 / 16

HEX #19D78E

RGB 25 215 142

HSL 156.95, 0.79%, 0.47%

LAB 76.53, -60, 24.08

 

CMYK 78 / 88 / 0 / 16

HEX #2F19D7

RGB 47 25 215

HSL 246.95, 0.79%, 0.47%

LAB 29.93, 64.75, -89.01

 

CMYK 0 / 88 / 54 / 16

HEX #D71962

RGB 215 25 98

HSL 336.95, 0.79%, 0.47%

LAB 47.01, 71.02, 10.06

 

Description

Color code: HEX #BFD519 | qconv.com Color code: HEX #BFD519 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 213 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 213 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, none magenta, 88 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 0% 88% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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