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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BFD445 it is the complementary color #402BBA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BFD445. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BFD445 shade: #C4D440, #D5E653, #E6F866, #F7FF79 and #FFFF8C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BFD445. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BFD445 shade: #BFD445, #AEC232, #9DB01F, #8C9E0C and #7B8C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BFD445 shade: #BFD345, #D3C245, #D39C45, #D37545 and #D34F45

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BFD445 shade: #BFD345, #98D345, #72D345, #4BD345 and #45D365

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BFD445 shade matches the following richer shades: #BFD345, #CCE633 and #D9F920

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BFD445 shade: #BFD345, #B1C158, #A4AE6A, #979C7D and #8A898F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BFD445 shade: #D39A45, #D3C045, #C0D345, #9AD345 and #75D345

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BFD445 shade: #8EA026, #ACC22D, #BFD345, #CADB67 and #D6E388

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BFD445 shade: #BFD445, #45D375 and #AD45D3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BFD445 shade: #BFD445, #45C0D3 and #D345C0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BFD445 shade: #BFD445, #45D375, #5845D3 and #D345A4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BFD445 shade: #BFD445, #45D39F, #5845D3 and #D34579

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 0 / 67 / 17

HEX #BFD445

RGB 191 212 69

HSL 68.81, 0.62%, 0.55%

LAB 81.07, -25.54, 65.2

 

Complementary color

CMYK 66 / 77 / 0 / 27

HEX #402BBA

RGB 64 43 186

HSL 248.81, 0.62%, 0.45%

LAB 30.31, 50.11, -71.37

 

CMYK 8 / 0 / 70 / 17

HEX #C4D440

RGB 196 212 64

HSL 66.49, 0.63%, 0.54%

LAB 81.4, -23.77, 67.5

 

CMYK 7 / 0 / 64 / 10

HEX #D5E653

RGB 213 230 83

HSL 66.94, 0.75%, 0.61%

LAB 87.66, -24.44, 67.09

 

CMYK 7 / 0 / 59 / 3

HEX #E6F866

RGB 230 248 102

HSL 67.4, 0.91%, 0.69%

LAB 93.85, -24.98, 66.36

 

CMYK 3 / 0 / 53 / 0

HEX #F7FF79

RGB 247 255 121

HSL 63.58, 1%, 0.74%

LAB 97.1, -20.23, 62.17

 

CMYK 0 / 0 / 45 / 0

HEX #FFFF8C

RGB 255 255 140

HSL 60, 1%, 0.77%

LAB 97.9, -15.49, 54.62

 

CMYK 10 / 0 / 67 / 17

HEX #BFD445

RGB 191 212 69

HSL 68.81, 0.62%, 0.55%

LAB 81.07, -25.54, 65.2

 

CMYK 10 / 0 / 74 / 24

HEX #AEC232

RGB 174 194 50

HSL 68.33, 0.59%, 0.48%

LAB 74.71, -24.83, 65.32

 

CMYK 11 / 0 / 82 / 31

HEX #9DB01F

RGB 157 176 31

HSL 67.86, 0.7%, 0.41%

LAB 68.25, -23.96, 64.66

 

CMYK 11 / 0 / 92 / 38

HEX #8C9E0C

RGB 140 158 12

HSL 67.4, 0.86%, 0.33%

LAB 61.7, -22.86, 62.68

 

CMYK 12 / 0 / 100 / 45

HEX #7B8C00

RGB 123 140 0

HSL 67.29, 1%, 0.27%

LAB 55.04, -21.5, 58.84

 

CMYK 9 / 0 / 67 / 17

HEX #BFD345

RGB 191 211 69

HSL 68.45, 0.62%, 0.55%

LAB 80.79, -25.06, 64.92

 

CMYK 0 / 8 / 67 / 17

HEX #D3C245

RGB 211 194 69

HSL 52.82, 0.62%, 0.55%

LAB 77.79, -8.25, 62.37

 

CMYK 0 / 26 / 67 / 17

HEX #D39C45

RGB 211 156 69

HSL 36.76, 0.62%, 0.55%

LAB 68.06, 11.82, 52.14

 

CMYK 0 / 45 / 67 / 17

HEX #D37545

RGB 211 117 69

HSL 20.28, 0.62%, 0.55%

LAB 58.98, 32.81, 42.04

 

CMYK 0 / 63 / 67 / 17

HEX #D34F45

RGB 211 79 69

HSL 4.23, 0.62%, 0.55%

LAB 51.69, 51.42, 33.48

 

CMYK 9 / 0 / 67 / 17

HEX #BFD345

RGB 191 211 69

HSL 68.45, 0.62%, 0.55%

LAB 80.79, -25.06, 64.92

 

CMYK 28 / 0 / 67 / 17

HEX #98D345

RGB 152 211 69

HSL 84.93, 0.62%, 0.55%

LAB 78.28, -40.27, 61.55

 

CMYK 46 / 0 / 67 / 17

HEX #72D345

RGB 114 211 69

HSL 100.99, 0.62%, 0.55%

LAB 76.43, -53.11, 59.04

 

CMYK 64 / 0 / 67 / 17

HEX #4BD345

RGB 75 211 69

HSL 117.46, 0.62%, 0.55%

LAB 75.15, -63.1, 57.28

 

CMYK 67 / 0 / 52 / 17

HEX #45D365

RGB 69 211 101

HSL 133.52, 0.62%, 0.55%

LAB 75.32, -60.55, 43.29

 

CMYK 9 / 0 / 67 / 17

HEX #BFD345

RGB 191 211 69

HSL 68.45, 0.62%, 0.55%

LAB 80.79, -25.06, 64.92

 

CMYK 11 / 0 / 78 / 10

HEX #CCE633

RGB 204 230 51

HSL 68.72, 0.78%, 0.55%

LAB 86.83, -29.66, 76.97

 

CMYK 13 / 0 / 87 / 2

HEX #D9F920

RGB 217 249 32

HSL 68.85, 0.95%, 0.55%

LAB 92.84, -33.77, 86.7

 

CMYK 9 / 0 / 67 / 17

HEX #BFD345

RGB 191 211 69

HSL 68.45, 0.62%, 0.55%

LAB 80.79, -25.06, 64.92

 

CMYK 8 / 0 / 54 / 24

HEX #B1C158

RGB 177 193 88

HSL 69.14, 0.46%, 0.55%

LAB 74.95, -20.58, 50.22

 

CMYK 6 / 0 / 39 / 32

HEX #A4AE6A

RGB 164 174 106

HSL 68.82, 0.3%, 0.55%

LAB 68.9, -14.36, 33.72

 

CMYK 3 / 0 / 20 / 39

HEX #979C7D

RGB 151 156 125

HSL 69.68, 0.14%, 0.55%

LAB 63.21, -7.33, 15.66

 

CMYK 3 / 4 / 0 / 44

HEX #8A898F

RGB 138 137 143

HSL 250, 0.03%, 0.55%

LAB 57.35, 1.57, -3.08

 

CMYK 0 / 27 / 67 / 17

HEX #D39A45

RGB 211 154 69

HSL 35.92, 0.62%, 0.55%

LAB 67.57, 12.9, 51.6

 

CMYK 0 / 9 / 67 / 17

HEX #D3C045

RGB 211 192 69

HSL 51.97, 0.62%, 0.55%

LAB 77.27, -7.22, 61.83

 

CMYK 9 / 0 / 67 / 17

HEX #C0D345

RGB 192 211 69

HSL 68.03, 0.62%, 0.55%

LAB 80.86, -24.65, 65.02

 

CMYK 27 / 0 / 67 / 17

HEX #9AD345

RGB 154 211 69

HSL 84.08, 0.62%, 0.55%

LAB 78.4, -39.53, 61.7

 

CMYK 45 / 0 / 67 / 17

HEX #75D345

RGB 117 211 69

HSL 99.72, 0.62%, 0.55%

LAB 76.56, -52.19, 59.21

 

CMYK 11 / 0 / 76 / 37

HEX #8EA026

RGB 142 160 38

HSL 68.85, 0.62%, 0.39%

LAB 62.53, -22.15, 57.02

 

CMYK 11 / 0 / 77 / 24

HEX #ACC22D

RGB 172 194 45

HSL 68.86, 0.62%, 0.47%

LAB 74.54, -25.89, 66.71

 

CMYK 9 / 0 / 67 / 17

HEX #BFD345

RGB 191 211 69

HSL 68.45, 0.62%, 0.55%

LAB 80.79, -25.06, 64.92

 

CMYK 8 / 0 / 53 / 14

HEX #CADB67

RGB 202 219 103

HSL 68.79, 0.62%, 0.63%

LAB 84.07, -22.04, 54.33

 

CMYK 6 / 0 / 40 / 11

HEX #D6E388

RGB 214 227 136

HSL 68.57, 0.62%, 0.71%

LAB 87.49, -18.01, 42.94

 

CMYK 10 / 0 / 67 / 17

HEX #BFD445

RGB 191 212 69

HSL 68.81, 0.62%, 0.55%

LAB 81.07, -25.54, 65.2

 

CMYK 67 / 0 / 45 / 17

HEX #45D375

RGB 69 211 117

HSL 140.28, 0.62%, 0.55%

LAB 75.54, -58.11, 35.7

 

CMYK 18 / 67 / 0 / 17

HEX #AD45D3

RGB 173 69 211

HSL 283.94, 0.62%, 0.55%

LAB 49.31, 63.12, -54.44

 

CMYK 10 / 0 / 67 / 17

HEX #BFD445

RGB 191 212 69

HSL 68.81, 0.62%, 0.55%

LAB 81.07, -25.54, 65.2

 

CMYK 67 / 9 / 0 / 17

HEX #45C0D3

RGB 69 192 211

HSL 188.03, 0.62%, 0.55%

LAB 72.01, -27.69, -19.48

 

CMYK 0 / 67 / 9 / 17

HEX #D345C0

RGB 211 69 192

HSL 308.03, 0.62%, 0.55%

LAB 53.93, 68.54, -35.83

 

CMYK 10 / 0 / 67 / 17

HEX #BFD445

RGB 191 212 69

HSL 68.81, 0.62%, 0.55%

LAB 81.07, -25.54, 65.2

 

CMYK 67 / 0 / 45 / 17

HEX #45D375

RGB 69 211 117

HSL 140.28, 0.62%, 0.55%

LAB 75.54, -58.11, 35.7

 

CMYK 58 / 67 / 0 / 17

HEX #5845D3

RGB 88 69 211

HSL 248.03, 0.62%, 0.55%

LAB 39.64, 46.84, -70.57

 

CMYK 0 / 67 / 22 / 17

HEX #D345A4

RGB 211 69 164

HSL 319.86, 0.62%, 0.55%

LAB 52.71, 64.55, -21.41

 

CMYK 10 / 0 / 67 / 17

HEX #BFD445

RGB 191 212 69

HSL 68.81, 0.62%, 0.55%

LAB 81.07, -25.54, 65.2

 

CMYK 67 / 0 / 25 / 17

HEX #45D39F

RGB 69 211 159

HSL 158.03, 0.62%, 0.55%

LAB 76.29, -49.93, 14.89

 

CMYK 58 / 67 / 0 / 17

HEX #5845D3

RGB 88 69 211

HSL 248.03, 0.62%, 0.55%

LAB 39.64, 46.84, -70.57

 

CMYK 0 / 67 / 43 / 17

HEX #D34579

RGB 211 69 121

HSL 338.03, 0.62%, 0.55%

LAB 51.25, 59.56, 1.99

 

Description

Color code: HEX #BFD445 | qconv.com Color code: HEX #BFD445 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 212 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 212 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, none magenta, 67 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 0% 67% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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