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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BFD36B it is the complementary color #402C94. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BFD36B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BFD36B shade: #C4D366, #D5E579, #E6F78C, #F7FF9F and #FFFFB2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BFD36B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BFD36B shade: #BFD36B, #AEC158, #9DAF45, #8C9D32 and #7B8B1F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BFD36B shade: #BED26A, #D2CA6A, #D2AE6A, #D2926A and #D2766A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BFD36B shade: #BED26A, #A2D26A, #86D26A, #6AD26A and #6AD286

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BFD36B shade matches the following richer shades: #BED26A, #C8E25A and #D2F24A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BFD36B shade: #BED26A, #B5C379, #ABB389, #A1A399 and #9894A8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BFD36B shade: #D2AE6A, #D2CA6A, #BFD26A, #A3D26A and #87D26A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BFD36B shade: #9CB436, #B1C94A, #BED26A, #CCDC8A and #DAE5A9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BFD36B shade: #BFD36B, #6AD292 and #BC6AD2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BFD36B shade: #BFD36B, #6ABFD2 and #D26ABF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BFD36B shade: #BFD36B, #6AD292, #7D6AD2 and #D26AAA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BFD36B shade: #BFD36B, #6AD2B1, #7D6AD2 and #D26A8B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 49 / 17

HEX #BFD36B

RGB 191 211 107

HSL 71.54, 0.54%, 0.62%

LAB 81.14, -22.11, 48.81

 

Complementary color

CMYK 57 / 70 / 0 / 42

HEX #402C94

RGB 64 44 148

HSL 251.54, 0.54%, 0.38%

LAB 26.82, 37.8, -54.18

 

CMYK 7 / 0 / 52 / 17

HEX #C4D366

RGB 196 211 102

HSL 68.26, 0.55%, 0.61%

LAB 81.45, -20.6, 51.62

 

CMYK 7 / 0 / 47 / 10

HEX #D5E579

RGB 213 229 121

HSL 68.89, 0.68%, 0.69%

LAB 87.76, -20.93, 50.52

 

CMYK 7 / 0 / 43 / 3

HEX #E6F78C

RGB 230 247 140

HSL 69.53, 0.87%, 0.76%

LAB 93.99, -21.2, 49.39

 

CMYK 3 / 0 / 38 / 0

HEX #F7FF9F

RGB 247 255 159

HSL 65, 1%, 0.81%

LAB 97.55, -16.62, 44.98

 

CMYK 0 / 0 / 30 / 0

HEX #FFFFB2

RGB 255 255 178

HSL 60, 1%, 0.85%

LAB 98.43, -11.44, 36.89

 

CMYK 9 / 0 / 49 / 17

HEX #BFD36B

RGB 191 211 107

HSL 71.54, 0.54%, 0.62%

LAB 81.14, -22.11, 48.81

 

CMYK 10 / 0 / 54 / 24

HEX #AEC158

RGB 174 193 88

HSL 70.86, 0.46%, 0.55%

LAB 74.73, -21.79, 49.91

 

CMYK 10 / 0 / 61 / 31

HEX #9DAF45

RGB 157 175 69

HSL 70.19, 0.43%, 0.48%

LAB 68.21, -21.38, 50.88

 

CMYK 11 / 0 / 68 / 38

HEX #8C9D32

RGB 140 157 50

HSL 69.53, 0.52%, 0.41%

LAB 61.58, -20.83, 51.58

 

CMYK 12 / 0 / 78 / 45

HEX #7B8B1F

RGB 123 139 31

HSL 68.89, 0.64%, 0.33%

LAB 54.84, -20.1, 51.67

 

CMYK 10 / 0 / 50 / 18

HEX #BED26A

RGB 190 210 106

HSL 71.54, 0.54%, 0.62%

LAB 80.78, -22.11, 48.85

 

CMYK 0 / 4 / 50 / 18

HEX #D2CA6A

RGB 210 202 106

HSL 55.38, 0.54%, 0.62%

LAB 80.17, -10.09, 48.48

 

CMYK 0 / 17 / 50 / 18

HEX #D2AE6A

RGB 210 174 106

HSL 39.23, 0.54%, 0.62%

LAB 72.9, 4.52, 39.61

 

CMYK 0 / 30 / 50 / 18

HEX #D2926A

RGB 210 146 106

HSL 23.08, 0.54%, 0.62%

LAB 65.98, 19.63, 30.84

 

CMYK 0 / 44 / 50 / 18

HEX #D2766A

RGB 210 118 106

HSL 6.92, 0.54%, 0.62%

LAB 59.62, 34.68, 22.46

 

CMYK 10 / 0 / 50 / 18

HEX #BED26A

RGB 190 210 106

HSL 71.54, 0.54%, 0.62%

LAB 80.78, -22.11, 48.85

 

CMYK 23 / 0 / 50 / 18

HEX #A2D26A

RGB 162 210 106

HSL 87.69, 0.54%, 0.62%

LAB 78.93, -32.8, 46.18

 

CMYK 36 / 0 / 50 / 18

HEX #86D26A

RGB 134 210 106

HSL 103.85, 0.54%, 0.62%

LAB 77.4, -42.58, 43.96

 

CMYK 50 / 0 / 50 / 18

HEX #6AD26A

RGB 106 210 106

HSL 120, 0.54%, 0.62%

LAB 76.19, -51.02, 42.2

 

CMYK 50 / 0 / 36 / 18

HEX #6AD286

RGB 106 210 134

HSL 136.15, 0.54%, 0.62%

LAB 76.61, -46.7, 28.63

 

CMYK 10 / 0 / 50 / 18

HEX #BED26A

RGB 190 210 106

HSL 71.54, 0.54%, 0.62%

LAB 80.78, -22.11, 48.85

 

CMYK 12 / 0 / 60 / 11

HEX #C8E25A

RGB 200 226 90

HSL 71.47, 0.7%, 0.62%

LAB 85.71, -27.22, 61.87

 

CMYK 13 / 0 / 69 / 5

HEX #D2F24A

RGB 210 242 74

HSL 71.43, 0.87%, 0.62%

LAB 90.64, -31.79, 73.42

 

CMYK 10 / 0 / 50 / 18

HEX #BED26A

RGB 190 210 106

HSL 71.54, 0.54%, 0.62%

LAB 80.78, -22.11, 48.85

 

CMYK 7 / 0 / 38 / 24

HEX #B5C379

RGB 181 195 121

HSL 71.35, 0.38%, 0.62%

LAB 76.21, -16.56, 35.59

 

CMYK 4 / 0 / 23 / 30

HEX #ABB389

RGB 171 179 137

HSL 71.43, 0.22%, 0.62%

LAB 71.35, -10.03, 20.56

 

CMYK 1 / 0 / 6 / 36

HEX #A1A399

RGB 161 163 153

HSL 72, 0.05%, 0.62%

LAB 66.57, -2.58, 4.93

 

CMYK 10 / 12 / 0 / 34

HEX #9894A8

RGB 152 148 168

HSL 252, 0.1%, 0.62%

LAB 62.24, 5.48, -9.94

 

CMYK 0 / 17 / 50 / 18

HEX #D2AE6A

RGB 210 174 106

HSL 39.23, 0.54%, 0.62%

LAB 72.9, 4.52, 39.61

 

CMYK 0 / 4 / 50 / 18

HEX #D2CA6A

RGB 210 202 106

HSL 55.38, 0.54%, 0.62%

LAB 80.17, -10.09, 48.48

 

CMYK 9 / 0 / 50 / 18

HEX #BFD26A

RGB 191 210 106

HSL 70.96, 0.54%, 0.62%

LAB 80.86, -21.72, 48.95

 

CMYK 22 / 0 / 50 / 18

HEX #A3D26A

RGB 163 210 106

HSL 87.12, 0.54%, 0.62%

LAB 79, -32.43, 46.27

 

CMYK 36 / 0 / 50 / 18

HEX #87D26A

RGB 135 210 106

HSL 103.27, 0.54%, 0.62%

LAB 77.45, -42.25, 44.03

 

CMYK 13 / 0 / 70 / 29

HEX #9CB436

RGB 156 180 54

HSL 71.43, 0.54%, 0.46%

LAB 69.45, -25.28, 58.35

 

CMYK 12 / 0 / 63 / 21

HEX #B1C94A

RGB 177 201 74

HSL 71.34, 0.54%, 0.54%

LAB 77.05, -25.59, 58.72

 

CMYK 10 / 0 / 50 / 18

HEX #BED26A

RGB 190 210 106

HSL 71.54, 0.54%, 0.62%

LAB 80.78, -22.11, 48.85

 

CMYK 7 / 0 / 37 / 14

HEX #CCDC8A

RGB 204 220 138

HSL 71.71, 0.54%, 0.7%

LAB 84.92, -18.15, 38.52

 

CMYK 5 / 0 / 26 / 10

HEX #DAE5A9

RGB 218 229 169

HSL 71, 0.54%, 0.78%

LAB 88.83, -13.4, 28.1

 

CMYK 9 / 0 / 49 / 17

HEX #BFD36B

RGB 191 211 107

HSL 71.54, 0.54%, 0.62%

LAB 81.14, -22.11, 48.81

 

CMYK 50 / 0 / 30 / 18

HEX #6AD292

RGB 106 210 146

HSL 143.08, 0.54%, 0.62%

LAB 76.82, -44.53, 22.66

 

CMYK 10 / 50 / 0 / 18

HEX #BC6AD2

RGB 188 106 210

HSL 287.31, 0.54%, 0.62%

LAB 57.71, 49.11, -40.41

 

CMYK 9 / 0 / 49 / 17

HEX #BFD36B

RGB 191 211 107

HSL 71.54, 0.54%, 0.62%

LAB 81.14, -22.11, 48.81

 

CMYK 50 / 9 / 0 / 18

HEX #6ABFD2

RGB 106 191 210

HSL 190.96, 0.54%, 0.62%

LAB 72.88, -20.64, -17.5

 

CMYK 0 / 50 / 9 / 18

HEX #D26ABF

RGB 210 106 191

HSL 310.96, 0.54%, 0.62%

LAB 59.68, 52, -26.33

 

CMYK 9 / 0 / 49 / 17

HEX #BFD36B

RGB 191 211 107

HSL 71.54, 0.54%, 0.62%

LAB 81.14, -22.11, 48.81

 

CMYK 50 / 0 / 30 / 18

HEX #6AD292

RGB 106 210 146

HSL 143.08, 0.54%, 0.62%

LAB 76.82, -44.53, 22.66

 

CMYK 40 / 50 / 0 / 18

HEX #7D6AD2

RGB 125 106 210

HSL 250.96, 0.54%, 0.62%

LAB 51.06, 32.34, -51.36

 

CMYK 0 / 50 / 19 / 18

HEX #D26AAA

RGB 210 106 170

HSL 323.08, 0.54%, 0.62%

LAB 58.89, 48.69, -15.5

 

CMYK 9 / 0 / 49 / 17

HEX #BFD36B

RGB 191 211 107

HSL 71.54, 0.54%, 0.62%

LAB 81.14, -22.11, 48.81

 

CMYK 50 / 0 / 16 / 18

HEX #6AD2B1

RGB 106 210 177

HSL 160.96, 0.54%, 0.62%

LAB 77.48, -38.09, 7.13

 

CMYK 40 / 50 / 0 / 18

HEX #7D6AD2

RGB 125 106 210

HSL 250.96, 0.54%, 0.62%

LAB 51.06, 32.34, -51.36

 

CMYK 0 / 50 / 34 / 18

HEX #D26A8B

RGB 210 106 139

HSL 340.96, 0.54%, 0.62%

LAB 57.92, 44.47, 1.02

 

Description

Color code: HEX #BFD36B | qconv.com Color code: HEX #BFD36B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 211 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 211 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 49 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 49% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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