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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BFD2233F it is the complementary color #402DDC3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BFD2233F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BFD2233F shade: #C4D21E3F, #D5E4313F, #E6F6443F, #F7FF573F and #FFFF6A3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BFD2233F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BFD2233F shade: #BFD2233F, #AEC0103F, #9DAE003F, #8C9C003F and #7B8A003F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BFD2233F shade: #BED123, #D1B523, #D18623, #D15823 and #D12923

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BFD2233F shade: #BED123, #90D123, #61D123, #32D123 and #23D144

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BFD2233F shade matches the following richer shades: #BED123 and #CEE510

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BFD2233F shade: #BED123, #AFBD37, #9FAA4B, #90965F and #808273

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BFD2233F shade: #D18623, #D1B423, #C0D123, #92D123 and #63D123

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BFD2233F shade: #7E8B18, #9EAE1E, #BED123, #CDDF40 and #D6E563

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BFD2233F shade: #BFD223, #23D158 and #9D23D1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BFD2233F shade: #BFD223, #23C0D1 and #D123C0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BFD2233F shade: #BFD223, #23D158, #3523D1 and #D1239D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BFD2233F shade: #BFD223, #23D18C, #3523D1 and #D12369

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 21 / 4

HEX #BFD2233F

RGBA 191 210 35 0.25

HSLA 66.51, 0.71%, 0.48%, 0.25

LABA 80.34, -26.05, 75.02, 0.25

 

Complementary color

CMYK 18 / 20 / 0 / 3

HEX #402DDC3F

RGBA 64 45 220 0.25

HSLA 246.51, 0.71%, 0.52%, 0.25

LABA 34.26, 59.27, -84.66, 0.25

 

CMYK 2 / 0 / 21 / 4

HEX #C4D21E3F

RGBA 196 210 30 0.25

HSLA 64.67, 0.75%, 0.47%, 0.25

LABA 80.7, -24.1, 76.54, 0.25

 

CMYK 2 / 0 / 20 / 3

HEX #D5E4313F

RGBA 213 228 49 0.25

HSLA 65.03, 0.77%, 0.54%, 0.25

LABA 86.93, -25.13, 77.85, 0.25

 

CMYK 2 / 0 / 18 / 1

HEX #E6F6443F

RGBA 230 246 68 0.25

HSLA 65.39, 0.91%, 0.62%, 0.25

LABA 93.08, -26, 78.29, 0.25

 

CMYK 1 / 0 / 16 / 0

HEX #F7FF573F

RGBA 247 255 87 0.25

HSLA 62.86, 1%, 0.67%, 0.25

LABA 96.81, -22.51, 75.79, 0.25

 

CMYK 0 / 0 / 15 / 0

HEX #FFFF6A3F

RGBA 255 255 106 0.25

HSLA 60, 1%, 0.71%, 0.25

LABA 97.56, -18.18, 69.3, 0.25

 

CMYK 2 / 0 / 21 / 4

HEX #BFD2233F

RGBA 191 210 35 0.25

HSLA 66.51, 0.71%, 0.48%, 0.25

LABA 80.34, -26.05, 75.02, 0.25

 

CMYK 2 / 0 / 23 / 6

HEX #AEC0103F

RGBA 174 192 16 0.25

HSLA 66.14, 0.85%, 0.41%, 0.25

LABA 74.02, -24.92, 72.89, 0.25

 

CMYK 2 / 0 / 25 / 8

HEX #9DAE003F

RGBA 157 174 0 0.25

HSLA 65.86, 1%, 0.34%, 0.25

LABA 67.61, -23.61, 69.35, 0.25

 

CMYK 3 / 0 / 25 / 10

HEX #8C9C003F

RGBA 140 156 0 0.25

HSLA 66.15, 1%, 0.31%, 0.25

LABA 61.09, -22.06, 63.93, 0.25

 

CMYK 3 / 0 / 25 / 11

HEX #7B8A003F

RGBA 123 138 0 0.25

HSLA 66.52, 1%, 0.27%, 0.25

LABA 54.44, -20.48, 58.39, 0.25

 

CMYK 9 / 0 / 83 / 18

HEX #BED123

RGB 190 209 35

HSL 66.55, 0.71%, 0.48%

LAB 79.99, -25.98, 74.7

 

CMYK 0 / 13 / 83 / 18

HEX #D1B523

RGB 209 181 35

HSL 50.34, 0.71%, 0.48%

LAB 74.01, -3.79, 70.27

 

CMYK 0 / 36 / 83 / 18

HEX #D18623

RGB 209 134 35

HSL 34.14, 0.71%, 0.48%

LAB 62.28, 21.4, 60.27

 

CMYK 0 / 58 / 83 / 18

HEX #D15823

RGB 209 88 35

HSL 18.28, 0.71%, 0.48%

LAB 52.57, 45.2, 51.79

 

CMYK 0 / 80 / 83 / 18

HEX #D12923

RGB 209 41 35

HSL 2.07, 0.71%, 0.48%

LAB 45.99, 63.06, 45.86

 

CMYK 9 / 0 / 83 / 18

HEX #BED123

RGB 190 209 35

HSL 66.55, 0.71%, 0.48%

LAB 79.99, -25.98, 74.7

 

CMYK 31 / 0 / 83 / 18

HEX #90D123

RGB 144 209 35

HSL 82.41, 0.71%, 0.48%

LAB 77.07, -44.14, 71.03

 

CMYK 54 / 0 / 83 / 18

HEX #61D123

RGB 97 209 35

HSL 98.62, 0.71%, 0.48%

LAB 74.99, -59.38, 68.4

 

CMYK 76 / 0 / 83 / 18

HEX #32D123

RGB 50 209 35

HSL 114.83, 0.71%, 0.48%

LAB 73.8, -69.23, 66.89

 

CMYK 83 / 0 / 67 / 18

HEX #23D144

RGB 35 209 68

HSL 131.38, 0.71%, 0.48%

LAB 73.79, -68.65, 56.01

 

CMYK 9 / 0 / 83 / 18

HEX #BED123

RGB 190 209 35

HSL 66.55, 0.71%, 0.48%

LAB 79.99, -25.98, 74.7

 

CMYK 10 / 0 / 93 / 10

HEX #CEE510

RGB 206 229 16

HSL 66.48, 0.87%, 0.48%

LAB 86.6, -29.25, 83.69

 

CMYK 9 / 0 / 83 / 18

HEX #BED123

RGB 190 209 35

HSL 66.55, 0.71%, 0.48%

LAB 79.99, -25.98, 74.7

 

CMYK 7 / 0 / 71 / 26

HEX #AFBD37

RGB 175 189 55

HSL 66.27, 0.55%, 0.48%

LAB 73.41, -21.72, 62.36

 

CMYK 6 / 0 / 56 / 33

HEX #9FAA4B

RGB 159 170 75

HSL 66.95, 0.39%, 0.48%

LAB 67, -17.53, 46.82

 

CMYK 4 / 0 / 37 / 41

HEX #90965F

RGB 144 150 95

HSL 66.55, 0.22%, 0.48%

LAB 60.4, -11.21, 28.31

 

CMYK 2 / 0 / 12 / 49

HEX #808273

RGB 128 130 115

HSL 68, 0.06%, 0.48%

LAB 53.81, -3.6, 7.87

 

CMYK 0 / 36 / 83 / 18

HEX #D18623

RGB 209 134 35

HSL 34.14, 0.71%, 0.48%

LAB 62.28, 21.4, 60.27

 

CMYK 0 / 14 / 83 / 18

HEX #D1B423

RGB 209 180 35

HSL 50, 0.71%, 0.48%

LAB 73.75, -3.27, 70.05

 

CMYK 8 / 0 / 83 / 18

HEX #C0D123

RGB 192 209 35

HSL 65.86, 0.71%, 0.48%

LAB 80.14, -25.15, 74.88

 

CMYK 30 / 0 / 83 / 18

HEX #92D123

RGB 146 209 35

HSL 81.72, 0.71%, 0.48%

LAB 77.18, -43.4, 71.17

 

CMYK 53 / 0 / 83 / 18

HEX #63D123

RGB 99 209 35

HSL 97.93, 0.71%, 0.48%

LAB 75.06, -58.83, 68.49

 

CMYK 9 / 0 / 83 / 45

HEX #7E8B18

RGB 126 139 24

HSL 66.78, 0.71%, 0.32%

LAB 55.04, -19.06, 54.12

 

CMYK 9 / 0 / 83 / 32

HEX #9EAE1E

RGB 158 174 30

HSL 66.67, 0.71%, 0.4%

LAB 67.75, -22.57, 64.51

 

CMYK 9 / 0 / 83 / 18

HEX #BED123

RGB 190 209 35

HSL 66.55, 0.71%, 0.48%

LAB 79.99, -25.98, 74.7

 

CMYK 8 / 0 / 71 / 13

HEX #CDDF40

RGB 205 223 64

HSL 66.79, 0.71%, 0.56%

LAB 85.06, -25.38, 71.3

 

CMYK 7 / 0 / 57 / 10

HEX #D6E563

RGB 214 229 99

HSL 66.92, 0.71%, 0.64%

LAB 87.6, -22.44, 60.38

 

CMYK 9 / 0 / 83 / 18

HEX #BFD223

RGB 191 210 35

HSL 66.51, 0.71%, 0.48%

LAB 80.34, -26.05, 75.02

 

CMYK 83 / 0 / 58 / 18

HEX #23D158

RGB 35 209 88

HSL 138.28, 0.71%, 0.48%

LAB 73.97, -66.37, 47.63

 

CMYK 25 / 83 / 0 / 18

HEX #9D23D1

RGB 157 35 209

HSL 282.07, 0.71%, 0.48%

LAB 42.72, 71.52, -64.04

 

CMYK 9 / 0 / 83 / 18

HEX #BFD223

RGB 191 210 35

HSL 66.51, 0.71%, 0.48%

LAB 80.34, -26.05, 75.02

 

CMYK 83 / 8 / 0 / 18

HEX #23C0D1

RGB 35 192 209

HSL 185.86, 0.71%, 0.48%

LAB 71.32, -32.03, -19.49

 

CMYK 0 / 83 / 8 / 18

HEX #D123C0

RGB 209 35 192

HSL 305.86, 0.71%, 0.48%

LAB 50.17, 77.91, -41.77

 

CMYK 9 / 0 / 83 / 18

HEX #BFD223

RGB 191 210 35

HSL 66.51, 0.71%, 0.48%

LAB 80.34, -26.05, 75.02

 

CMYK 83 / 0 / 58 / 18

HEX #23D158

RGB 35 209 88

HSL 138.28, 0.71%, 0.48%

LAB 73.97, -66.37, 47.63

 

CMYK 75 / 83 / 0 / 18

HEX #3523D1

RGB 53 35 209

HSL 246.21, 0.71%, 0.48%

LAB 30.79, 59.7, -84.09

 

CMYK 0 / 83 / 25 / 18

HEX #D1239D

RGB 209 35 157

HSL 317.93, 0.71%, 0.48%

LAB 48.5, 73.34, -23.78

 

CMYK 9 / 0 / 83 / 18

HEX #BFD223

RGB 191 210 35

HSL 66.51, 0.71%, 0.48%

LAB 80.34, -26.05, 75.02

 

CMYK 83 / 0 / 33 / 18

HEX #23D18C

RGB 35 209 140

HSL 156.21, 0.71%, 0.48%

LAB 74.73, -57.49, 22.69

 

CMYK 75 / 83 / 0 / 18

HEX #3523D1

RGB 53 35 209

HSL 246.21, 0.71%, 0.48%

LAB 30.79, 59.7, -84.09

 

CMYK 0 / 83 / 50 / 18

HEX #D12369

RGB 209 35 105

HSL 335.86, 0.71%, 0.48%

LAB 46.68, 68.14, 5.1

 

Description

Color code: HEX #BFD2233F | qconv.com Color code: HEX #BFD2233F | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 210 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 210 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 21 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 21% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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