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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BFD183 it is the complementary color #402E7C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BFD183. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BFD183 shade: #C4D17E, #D5E391, #E6F5A4, #F7FFB7 and #FFFFCA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BFD183. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BFD183 shade: #BFD183, #AEBF70, #9DAD5D, #8C9B4A and #7B8937

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BFD183 shade: #C0D284, #D2CF84, #D2BA84, #D2A584 and #D29084

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BFD183 shade: #C0D284, #ABD284, #96D284, #84D287 and #84D29C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BFD183 shade matches the following richer shades: #C0D284, #C7DF77, #CEED69 and #D6FA5B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BFD183 shade: #C0D284, #B8C492, #B1B69F, #AAA9AD and #A29BBB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BFD183 shade: #D2B984, #D2CE84, #C1D284, #ACD284 and #97D284

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BFD183 shade: #A1BB48, #B0C666, #C0D284, #CFDDA2 and #DFE8C0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BFD183 shade: #BFD183, #84D2A4 and #C384D2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BFD183 shade: #BFD183, #84C1D2 and #D284C1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BFD183 shade: #BFD183, #84D2A4, #9584D2 and #D284B1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BFD183 shade: #BFD183, #84D2BC, #9584D2 and #D2849A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 37 / 18

HEX #BFD183

RGB 191 209 131

HSL 73.85, 0.46%, 0.67%

LAB 80.91, -18.5, 36.69

 

Complementary color

CMYK 48 / 63 / 0 / 51

HEX #402E7C

RGB 64 46 124

HSL 253.85, 0.46%, 0.33%

LAB 25.26, 29.01, -41.76

 

CMYK 6 / 0 / 40 / 18

HEX #C4D17E

RGB 196 209 126

HSL 69.4, 0.47%, 0.66%

LAB 81.21, -17.17, 39.66

 

CMYK 6 / 0 / 36 / 11

HEX #D5E391

RGB 213 227 145

HSL 70.24, 0.59%, 0.73%

LAB 87.55, -17.36, 38.52

 

CMYK 6 / 0 / 33 / 4

HEX #E6F5A4

RGB 230 245 164

HSL 71.11, 0.8%, 0.8%

LAB 93.8, -17.51, 37.42

 

CMYK 3 / 0 / 28 / 0

HEX #F7FFB7

RGB 247 255 183

HSL 66.67, 1%, 0.86%

LAB 97.92, -13.76, 33.61

 

CMYK 0 / 0 / 21 / 0

HEX #FFFFCA

RGB 255 255 202

HSL 60, 1%, 0.9%

LAB 98.85, -8.33, 25.41

 

CMYK 9 / 0 / 37 / 18

HEX #BFD183

RGB 191 209 131

HSL 73.85, 0.46%, 0.67%

LAB 80.91, -18.5, 36.69

 

CMYK 9 / 0 / 41 / 25

HEX #AEBF70

RGB 174 191 112

HSL 72.91, 0.38%, 0.59%

LAB 74.46, -18.35, 37.86

 

CMYK 9 / 0 / 46 / 32

HEX #9DAD5D

RGB 157 173 93

HSL 72, 0.33%, 0.52%

LAB 67.91, -18.15, 39.05

 

CMYK 10 / 0 / 52 / 39

HEX #8C9B4A

RGB 140 155 74

HSL 71.11, 0.35%, 0.45%

LAB 61.23, -17.87, 40.23

 

CMYK 10 / 0 / 60 / 46

HEX #7B8937

RGB 123 137 55

HSL 70.24, 0.43%, 0.38%

LAB 54.43, -17.48, 41.32

 

CMYK 9 / 0 / 37 / 18

HEX #C0D284

RGB 192 210 132

HSL 73.85, 0.46%, 0.67%

LAB 81.27, -18.5, 36.66

 

CMYK 0 / 1 / 37 / 18

HEX #D2CF84

RGB 210 207 132

HSL 57.69, 0.46%, 0.67%

LAB 81.83, -10.01, 37.66

 

CMYK 0 / 11 / 37 / 18

HEX #D2BA84

RGB 210 186 132

HSL 41.54, 0.46%, 0.67%

LAB 76.37, 0.88, 30.53

 

CMYK 0 / 21 / 37 / 18

HEX #D2A584

RGB 210 165 132

HSL 25.38, 0.46%, 0.67%

LAB 71.06, 12.1, 23.44

 

CMYK 0 / 31 / 37 / 18

HEX #D29084

RGB 210 144 132

HSL 9.23, 0.46%, 0.67%

LAB 65.99, 23.5, 16.5

 

CMYK 9 / 0 / 37 / 18

HEX #C0D284

RGB 192 210 132

HSL 73.85, 0.46%, 0.67%

LAB 81.27, -18.5, 36.66

 

CMYK 19 / 0 / 37 / 18

HEX #ABD284

RGB 171 210 132

HSL 90, 0.46%, 0.67%

LAB 79.85, -26.34, 34.54

 

CMYK 29 / 0 / 37 / 18

HEX #96D284

RGB 150 210 132

HSL 106.15, 0.46%, 0.67%

LAB 78.6, -33.74, 32.67

 

CMYK 37 / 0 / 36 / 18

HEX #84D287

RGB 132 210 135

HSL 122.31, 0.46%, 0.67%

LAB 77.73, -39.12, 29.8

 

CMYK 37 / 0 / 26 / 18

HEX #84D29C

RGB 132 210 156

HSL 138.46, 0.46%, 0.67%

LAB 78.11, -35.49, 19.35

 

CMYK 9 / 0 / 37 / 18

HEX #C0D284

RGB 192 210 132

HSL 73.85, 0.46%, 0.67%

LAB 81.27, -18.5, 36.66

 

CMYK 11 / 0 / 47 / 13

HEX #C7DF77

RGB 199 223 119

HSL 73.85, 0.62%, 0.67%

LAB 85.12, -23.63, 48.03

 

CMYK 13 / 0 / 56 / 7

HEX #CEED69

RGB 206 237 105

HSL 74.09, 0.79%, 0.67%

LAB 89.26, -28.9, 59.48

 

CMYK 14 / 0 / 64 / 2

HEX #D6FA5B

RGB 214 250 91

HSL 73.58, 0.94%, 0.67%

LAB 93.2, -32.89, 69.79

 

CMYK 9 / 0 / 37 / 18

HEX #C0D284

RGB 192 210 132

HSL 73.85, 0.46%, 0.67%

LAB 81.27, -18.5, 36.66

 

CMYK 6 / 0 / 26 / 23

HEX #B8C492

RGB 184 196 146

HSL 74.4, 0.3%, 0.67%

LAB 77.13, -12.6, 23.79

 

CMYK 3 / 0 / 13 / 29

HEX #B1B69F

RGB 177 182 159

HSL 73.04, 0.14%, 0.67%

LAB 73.09, -5.87, 11.11

 

CMYK 2 / 2 / 0 / 32

HEX #AAA9AD

RGB 170 169 173

HSL 255, 0.02%, 0.67%

LAB 69.43, 1.12, -1.94

 

CMYK 13 / 17 / 0 / 27

HEX #A29BBB

RGB 162 155 187

HSL 253.13, 0.19%, 0.67%

LAB 65.52, 8.99, -15.61

 

CMYK 0 / 12 / 37 / 18

HEX #D2B984

RGB 210 185 132

HSL 40.77, 0.46%, 0.67%

LAB 76.11, 1.4, 30.19

 

CMYK 0 / 2 / 37 / 18

HEX #D2CE84

RGB 210 206 132

HSL 56.92, 0.46%, 0.67%

LAB 81.57, -9.5, 37.32

 

CMYK 8 / 0 / 37 / 18

HEX #C1D284

RGB 193 210 132

HSL 73.08, 0.46%, 0.67%

LAB 81.34, -18.12, 36.77

 

CMYK 18 / 0 / 37 / 18

HEX #ACD284

RGB 172 210 132

HSL 89.23, 0.46%, 0.67%

LAB 79.91, -25.98, 34.64

 

CMYK 28 / 0 / 37 / 18

HEX #97D284

RGB 151 210 132

HSL 105.38, 0.46%, 0.67%

LAB 78.66, -33.4, 32.76

 

CMYK 14 / 0 / 61 / 27

HEX #A1BB48

RGB 161 187 72

HSL 73.57, 0.46%, 0.51%

LAB 71.95, -25.43, 53.74

 

CMYK 11 / 0 / 48 / 22

HEX #B0C666

RGB 176 198 102

HSL 73.75, 0.46%, 0.59%

LAB 76.42, -22.13, 45.28

 

CMYK 9 / 0 / 37 / 18

HEX #C0D284

RGB 192 210 132

HSL 73.85, 0.46%, 0.67%

LAB 81.27, -18.5, 36.66

 

CMYK 6 / 0 / 27 / 13

HEX #CFDDA2

RGB 207 221 162

HSL 74.24, 0.46%, 0.75%

LAB 85.8, -14.42, 27.47

 

CMYK 4 / 0 / 17 / 9

HEX #DFE8C0

RGB 223 232 192

HSL 73.5, 0.47%, 0.83%

LAB 90.42, -9.75, 18.47

 

CMYK 9 / 0 / 37 / 18

HEX #BFD183

RGB 191 209 131

HSL 73.85, 0.46%, 0.67%

LAB 80.91, -18.5, 36.69

 

CMYK 37 / 0 / 22 / 18

HEX #84D2A4

RGB 132 210 164

HSL 144.62, 0.46%, 0.67%

LAB 78.27, -33.98, 15.34

 

CMYK 7 / 37 / 0 / 18

HEX #C384D2

RGB 195 132 210

HSL 288.46, 0.46%, 0.67%

LAB 63.96, 37.34, -30.59

 

CMYK 9 / 0 / 37 / 18

HEX #BFD183

RGB 191 209 131

HSL 73.85, 0.46%, 0.67%

LAB 80.91, -18.5, 36.69

 

CMYK 37 / 8 / 0 / 18

HEX #84C1D2

RGB 132 193 210

HSL 193.08, 0.46%, 0.67%

LAB 74.63, -15.29, -14.74

 

CMYK 0 / 37 / 8 / 18

HEX #D284C1

RGB 210 132 193

HSL 313.08, 0.46%, 0.67%

LAB 65.01, 38.96, -19.31

 

CMYK 9 / 0 / 37 / 18

HEX #BFD183

RGB 191 209 131

HSL 73.85, 0.46%, 0.67%

LAB 80.91, -18.5, 36.69

 

CMYK 37 / 0 / 22 / 18

HEX #84D2A4

RGB 132 210 164

HSL 144.62, 0.46%, 0.67%

LAB 78.27, -33.98, 15.34

 

CMYK 29 / 37 / 0 / 18

HEX #9584D2

RGB 149 132 210

HSL 253.08, 0.46%, 0.67%

LAB 59.48, 23.52, -37.92

 

CMYK 0 / 37 / 16 / 18

HEX #D284B1

RGB 210 132 177

HSL 325.38, 0.46%, 0.67%

LAB 64.47, 36.3, -11.1

 

CMYK 9 / 0 / 37 / 18

HEX #BFD183

RGB 191 209 131

HSL 73.85, 0.46%, 0.67%

LAB 80.91, -18.5, 36.69

 

CMYK 37 / 0 / 10 / 18

HEX #84D2BC

RGB 132 210 188

HSL 163.08, 0.46%, 0.67%

LAB 78.83, -28.99, 3.32

 

CMYK 29 / 37 / 0 / 18

HEX #9584D2

RGB 149 132 210

HSL 253.08, 0.46%, 0.67%

LAB 59.48, 23.52, -37.92

 

CMYK 0 / 37 / 27 / 18

HEX #D2849A

RGB 210 132 154

HSL 343.08, 0.46%, 0.67%

LAB 63.78, 32.85, 0.94

 

Description

Color code: HEX #BFD183 | qconv.com Color code: HEX #BFD183 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 209 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 209 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 37 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 37% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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