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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BFC69ACE it is the complementary color #403965CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BFC69ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BFC69ACE shade: #C4C695CE, #D5D8A8CE, #E6EABBCE, #F7FCCECE and #FFFFE1CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BFC69ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BFC69ACE shade: #BFC69ACE, #AEB487CE, #9DA274CE, #8C9061CE and #7B7E4ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BFC69ACE shade: #BFC69A, #C6C19A, #C6B59A, #C6A99A and #C69D9A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BFC69ACE shade: #BFC69A, #B3C69A, #A7C69A, #9BC69A and #9AC6A4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BFC69ACE shade matches the following richer shades: #BFC69A, #C8D38D, #D0E080, #D9EC73 and #E2F967

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BFC69ACE shade: #BFC69A, #B6B9A7, #AEADB3, #A5A0C0 and #9C93CD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BFC69ACE shade: #C6B59A, #C6C19A, #BFC69A, #B4C69A and #A8C69A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BFC69ACE shade: #9EA865, #AEB77F, #BFC69A, #D0D5B4 and #E0E4CF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BFC69ACE shade: #BFC69A, #9AC6A9 and #BB9AC6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BFC69ACE shade: #BFC69A, #9ABFC6 and #C69ABF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BFC69ACE shade: #BFC69A, #9AC6A9, #A09AC6 and #C69AB7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BFC69ACE shade: #BFC69A, #9AC6B7, #A09AC6 and #C69AA9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 0 / 18 / 18

HEX #BFC69ACE

RGBA 191 198 154 0.81

HSLA 69.55, 0.28%, 0.69%, 0.81

LABA 78.34, -9.83, 21.29, 0.81

 

Complementary color

CMYK 30 / 35 / 0 / 49

HEX #403965CE

RGBA 64 57 101 0.81

HSLA 249.55, 0.28%, 0.31%, 0.81

LABA 26.61, 14.61, -24.91, 0.81

 

CMYK 1 / 0 / 20 / 18

HEX #C4C695CE

RGBA 196 198 149 0.81

HSLA 62.45, 0.3%, 0.68%, 0.81

LABA 78.63, -8.67, 24.4, 0.81

 

CMYK 1 / 0 / 18 / 12

HEX #D5D8A8CE

RGBA 213 216 168 0.81

HSLA 63.75, 0.38%, 0.75%, 0.81

LABA 85.04, -8.84, 23.39, 0.81

 

CMYK 1 / 0 / 16 / 7

HEX #E6EABBCE

RGBA 230 234 187 0.81

HSLA 65.11, 0.53%, 0.83%, 0.81

LABA 91.35, -8.99, 22.43, 0.81

 

CMYK 2 / 0 / 15 / 1

HEX #F7FCCECE

RGBA 247 252 206 0.81

HSLA 66.52, 0.88%, 0.9%, 0.81

LABA 97.57, -9.12, 21.52, 0.81

 

CMYK 0 / 0 / 10 / 0

HEX #FFFFE1CE

RGBA 255 255 225 0.81

HSLA 60, 1%, 0.94%, 0.81

LABA 99.31, -4.95, 14.35, 0.81

 

CMYK 3 / 0 / 18 / 18

HEX #BFC69ACE

RGBA 191 198 154 0.81

HSLA 69.55, 0.28%, 0.69%, 0.81

LABA 78.34, -9.83, 21.29, 0.81

 

CMYK 3 / 0 / 20 / 24

HEX #AEB487CE

RGBA 174 180 135 0.81

HSLA 68, 0.23%, 0.62%, 0.81

LABA 71.82, -9.7, 22.31, 0.81

 

CMYK 2 / 0 / 23 / 30

HEX #9DA274CE

RGBA 157 162 116 0.81

HSLA 66.52, 0.2%, 0.55%, 0.81

LABA 65.18, -9.55, 23.39, 0.81

 

CMYK 2 / 0 / 26 / 35

HEX #8C9061CE

RGBA 140 144 97 0.81

HSLA 65.11, 0.2%, 0.47%, 0.81

LABA 58.4, -9.36, 24.54, 0.81

 

CMYK 2 / 0 / 31 / 41

HEX #7B7E4ECE

RGBA 123 126 78 0.81

HSLA 63.75, 0.24%, 0.4%, 0.81

LABA 51.48, -9.11, 25.77, 0.81

 

CMYK 4 / 0 / 22 / 22

HEX #BFC69A

RGB 191 198 154

HSL 69.55, 0.28%, 0.69%

LAB 78.34, -9.83, 21.29

 

CMYK 0 / 3 / 22 / 22

HEX #C6C19A

RGB 198 193 154

HSL 53.18, 0.28%, 0.69%

LAB 77.57, -4.6, 20.31

 

CMYK 0 / 9 / 22 / 22

HEX #C6B59A

RGB 198 181 154

HSL 36.82, 0.28%, 0.69%

LAB 74.44, 1.74, 15.97

 

CMYK 0 / 15 / 22 / 22

HEX #C6A99A

RGB 198 169 154

HSL 20.45, 0.28%, 0.69%

LAB 71.36, 8.2, 11.65

 

CMYK 0 / 21 / 22 / 22

HEX #C69D9A

RGB 198 157 154

HSL 4.09, 0.28%, 0.69%

LAB 68.35, 14.75, 7.37

 

CMYK 4 / 0 / 22 / 22

HEX #BFC69A

RGB 191 198 154

HSL 69.55, 0.28%, 0.69%

LAB 78.34, -9.83, 21.29

 

CMYK 10 / 0 / 22 / 22

HEX #B3C69A

RGB 179 198 154

HSL 85.91, 0.28%, 0.69%

LAB 77.46, -14.27, 19.94

 

CMYK 16 / 0 / 22 / 22

HEX #A7C69A

RGB 167 198 154

HSL 102.27, 0.28%, 0.69%

LAB 76.64, -18.59, 18.68

 

CMYK 22 / 0 / 22 / 22

HEX #9BC69A

RGB 155 198 154

HSL 118.64, 0.28%, 0.69%

LAB 75.88, -22.76, 17.5

 

CMYK 22 / 0 / 17 / 22

HEX #9AC6A4

RGB 154 198 164

HSL 133.64, 0.28%, 0.69%

LAB 76.03, -21.3, 12.35

 

CMYK 4 / 0 / 22 / 22

HEX #BFC69A

RGB 191 198 154

HSL 69.55, 0.28%, 0.69%

LAB 78.34, -9.83, 21.29

 

CMYK 5 / 0 / 33 / 17

HEX #C8D38D

RGB 200 211 141

HSL 69.43, 0.44%, 0.69%

LAB 82.27, -14.83, 33.48

 

CMYK 7 / 0 / 43 / 12

HEX #D0E080

RGB 208 224 128

HSL 70, 0.61%, 0.69%

LAB 86.15, -19.72, 45.08

 

CMYK 8 / 0 / 51 / 7

HEX #D9EC73

RGB 217 236 115

HSL 69.42, 0.76%, 0.69%

LAB 89.85, -23.31, 55.88

 

CMYK 9 / 0 / 59 / 2

HEX #E2F967

RGB 226 249 103

HSL 69.45, 0.92%, 0.69%

LAB 93.84, -26.94, 65.86

 

CMYK 4 / 0 / 22 / 22

HEX #BFC69A

RGB 191 198 154

HSL 69.55, 0.28%, 0.69%

LAB 78.34, -9.83, 21.29

 

CMYK 2 / 0 / 10 / 27

HEX #B6B9A7

RGB 182 185 167

HSL 70, 0.11%, 0.69%

LAB 74.47, -4.28, 8.77

 

CMYK 3 / 3 / 0 / 30

HEX #AEADB3

RGB 174 173 179

HSL 250, 0.04%, 0.69%

LAB 70.97, 1.5, -2.95

 

CMYK 14 / 17 / 0 / 25

HEX #A5A0C0

RGB 165 160 192

HSL 249.38, 0.2%, 0.69%

LAB 67.24, 8.27, -15.79

 

CMYK 24 / 28 / 0 / 20

HEX #9C93CD

RGB 156 147 205

HSL 249.31, 0.37%, 0.69%

LAB 63.63, 15.73, -28.62

 

CMYK 0 / 9 / 22 / 22

HEX #C6B59A

RGB 198 181 154

HSL 36.82, 0.28%, 0.69%

LAB 74.44, 1.74, 15.97

 

CMYK 0 / 3 / 22 / 22

HEX #C6C19A

RGB 198 193 154

HSL 53.18, 0.28%, 0.69%

LAB 77.57, -4.6, 20.31

 

CMYK 4 / 0 / 22 / 22

HEX #BFC69A

RGB 191 198 154

HSL 69.55, 0.28%, 0.69%

LAB 78.34, -9.83, 21.29

 

CMYK 9 / 0 / 22 / 22

HEX #B4C69A

RGB 180 198 154

HSL 84.55, 0.28%, 0.69%

LAB 77.53, -13.9, 20.05

 

CMYK 15 / 0 / 22 / 22

HEX #A8C69A

RGB 168 198 154

HSL 100.91, 0.28%, 0.69%

LAB 76.71, -18.23, 18.78

 

CMYK 6 / 0 / 40 / 34

HEX #9EA865

RGB 158 168 101

HSL 68.96, 0.28%, 0.53%

LAB 66.68, -14.26, 33.41

 

CMYK 5 / 0 / 31 / 28

HEX #AEB77F

RGB 174 183 127

HSL 69.64, 0.28%, 0.61%

LAB 72.49, -12.39, 27.5

 

CMYK 4 / 0 / 22 / 22

HEX #BFC69A

RGB 191 198 154

HSL 69.55, 0.28%, 0.69%

LAB 78.34, -9.83, 21.29

 

CMYK 2 / 0 / 15 / 16

HEX #D0D5B4

RGB 208 213 180

HSL 69.09, 0.28%, 0.77%

LAB 84.12, -7.34, 15.76

 

CMYK 2 / 0 / 9 / 11

HEX #E0E4CF

RGB 224 228 207

HSL 71.43, 0.28%, 0.85%

LAB 89.78, -4.98, 9.78

 

CMYK 4 / 0 / 22 / 22

HEX #BFC69A

RGB 191 198 154

HSL 69.55, 0.28%, 0.69%

LAB 78.34, -9.83, 21.29

 

CMYK 22 / 0 / 15 / 22

HEX #9AC6A9

RGB 154 198 169

HSL 140.45, 0.28%, 0.69%

LAB 76.14, -20.36, 9.82

 

CMYK 6 / 22 / 0 / 22

HEX #BB9AC6

RGB 187 154 198

HSL 285, 0.28%, 0.69%

LAB 67.84, 20.2, -18.03

 

CMYK 4 / 0 / 22 / 22

HEX #BFC69A

RGB 191 198 154

HSL 69.55, 0.28%, 0.69%

LAB 78.34, -9.83, 21.29

 

CMYK 22 / 4 / 0 / 22

HEX #9ABFC6

RGB 154 191 198

HSL 189.55, 0.28%, 0.69%

LAB 74.96, -10.76, -7.61

 

CMYK 0 / 22 / 4 / 22

HEX #C69ABF

RGB 198 154 191

HSL 309.55, 0.28%, 0.69%

LAB 68.66, 22.59, -12.79

 

CMYK 4 / 0 / 22 / 22

HEX #BFC69A

RGB 191 198 154

HSL 69.55, 0.28%, 0.69%

LAB 78.34, -9.83, 21.29

 

CMYK 22 / 0 / 15 / 22

HEX #9AC6A9

RGB 154 198 169

HSL 140.45, 0.28%, 0.69%

LAB 76.14, -20.36, 9.82

 

CMYK 19 / 22 / 0 / 22

HEX #A09AC6

RGB 160 154 198

HSL 248.18, 0.28%, 0.69%

LAB 65.48, 11.36, -21.83

 

CMYK 0 / 22 / 8 / 22

HEX #C69AB7

RGB 198 154 183

HSL 320.45, 0.28%, 0.69%

LAB 68.41, 21.15, -8.71

 

CMYK 4 / 0 / 22 / 22

HEX #BFC69A

RGB 191 198 154

HSL 69.55, 0.28%, 0.69%

LAB 78.34, -9.83, 21.29

 

CMYK 22 / 0 / 8 / 22

HEX #9AC6B7

RGB 154 198 183

HSL 159.55, 0.28%, 0.69%

LAB 76.48, -17.59, 2.76

 

CMYK 19 / 22 / 0 / 22

HEX #A09AC6

RGB 160 154 198

HSL 248.18, 0.28%, 0.69%

LAB 65.48, 11.36, -21.83

 

CMYK 0 / 22 / 15 / 22

HEX #C69AA9

RGB 198 154 169

HSL 339.55, 0.28%, 0.69%

LAB 68.01, 18.76, -1.5

 

Description

Color code: HEX #BFC69ACE | qconv.com Color code: HEX #BFC69ACE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 198 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 198 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, none magenta, 18 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 0% 18% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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