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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BFC30B it is the complementary color #403CF4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BFC30B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BFC30B shade: #C4C306, #D5D519, #E6E72C, #F7F93F and #FFFF52

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BFC30B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BFC30B shade: #BFC30B, #AEB100, #9D9F00, #8C8D00 and #7B7B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BFC30B shade: #BDC10B, #C1940B, #C1630B, #C1320B and #C10B0B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BFC30B shade: #BDC10B, #8CC10B, #5BC10B, #2AC10B and #0BC11D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BFC30B shade matches the following richer shades: #BDC10B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BFC30B shade: #BDC10B, #ADB01C, #9DA02C, #8D8F3D and #7E7F4D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BFC30B shade: #C1630B, #C1930B, #BEC10B, #8DC10B and #5DC10B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BFC30B shade: #707307, #979A09, #BDC10B, #E3E80D and #EEF32C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BFC30B shade: #BFC30B, #0BC133 and #7B0BC1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BFC30B shade: #BFC30B, #0BBEC1 and #C10BBE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BFC30B shade: #BFC30B, #0BC133, #0E0BC1 and #C10B99

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BFC30B shade: #BFC30B, #0BC169, #0E0BC1 and #C10B63

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 94 / 24

HEX #BFC30B

RGB 191 195 11

HSL 61.3, 0.89%, 0.4%

LAB 76.15, -19.22, 75.71

 

Complementary color

CMYK 74 / 75 / 0 / 4

HEX #403CF4

RGB 64 60 244

HSL 241.3, 0.89%, 0.6%

LAB 39.33, 59.19, -89.92

 

CMYK 0 / 1 / 97 / 23

HEX #C4C306

RGB 196 195 6

HSL 59.68, 0.94%, 0.4%

LAB 76.55, -17.12, 76.7

 

CMYK 0 / 0 / 88 / 16

HEX #D5D519

RGB 213 213 25

HSL 60, 0.79%, 0.47%

LAB 82.81, -18.52, 79.71

 

CMYK 0 / 0 / 81 / 9

HEX #E6E72C

RGB 230 231 44

HSL 60.32, 0.8%, 0.54%

LAB 89, -19.72, 81.43

 

CMYK 1 / 0 / 75 / 2

HEX #F7F93F

RGB 247 249 63

HSL 60.65, 0.94%, 0.61%

LAB 95.11, -20.77, 82.19

 

CMYK 0 / 0 / 68 / 0

HEX #FFFF52

RGB 255 255 82

HSL 60, 1%, 0.66%

LAB 97.39, -19.57, 78.36

 

CMYK 2 / 0 / 94 / 24

HEX #BFC30B

RGB 191 195 11

HSL 61.3, 0.89%, 0.4%

LAB 76.15, -19.22, 75.71

 

CMYK 2 / 0 / 100 / 31

HEX #AEB100

RGB 174 177 0

HSL 61.02, 1%, 0.35%

LAB 69.78, -17.71, 71.55

 

CMYK 1 / 0 / 100 / 38

HEX #9D9F00

RGB 157 159 0

HSL 60.75, 1%, 0.31%

LAB 63.31, -16.04, 66.18

 

CMYK 1 / 0 / 100 / 45

HEX #8C8D00

RGB 140 141 0

HSL 60.43, 1%, 0.28%

LAB 56.71, -14.33, 60.69

 

CMYK 0 / 0 / 100 / 52

HEX #7B7B00

RGB 123 123 0

HSL 60, 1%, 0.24%

LAB 49.95, -12.57, 55.08

 

CMYK 2 / 0 / 94 / 24

HEX #BDC10B

RGB 189 193 11

HSL 61.32, 0.89%, 0.4%

LAB 75.44, -19.08, 75.1

 

CMYK 0 / 23 / 94 / 24

HEX #C1940B

RGB 193 148 11

HSL 45.16, 0.89%, 0.4%

LAB 63.79, 6.24, 66.54

 

CMYK 0 / 49 / 94 / 24

HEX #C1630B

RGB 193 99 11

HSL 29.01, 0.89%, 0.4%

LAB 52.16, 32.92, 58.24

 

CMYK 0 / 74 / 94 / 24

HEX #C1320B

RGB 193 50 11

HSL 12.86, 0.89%, 0.4%

LAB 43.72, 55.05, 52.7

 

CMYK 0 / 94 / 94 / 24

HEX #C10B0B

RGB 193 11 11

HSL 0, 0.89%, 0.4%

LAB 40.57, 63.94, 50.83

 

CMYK 2 / 0 / 94 / 24

HEX #BDC10B

RGB 189 193 11

HSL 61.32, 0.89%, 0.4%

LAB 75.44, -19.08, 75.1

 

CMYK 27 / 0 / 94 / 24

HEX #8CC10B

RGB 140 193 11

HSL 77.47, 0.89%, 0.4%

LAB 72.05, -39.32, 71.01

 

CMYK 53 / 0 / 94 / 24

HEX #5BC10B

RGB 91 193 11

HSL 93.63, 0.89%, 0.4%

LAB 69.75, -56.02, 68.19

 

CMYK 78 / 0 / 94 / 24

HEX #2AC10B

RGB 42 193 11

HSL 109.78, 0.89%, 0.4%

LAB 68.5, -66.41, 66.66

 

CMYK 94 / 0 / 85 / 24

HEX #0BC11D

RGB 11 193 29

HSL 125.93, 0.89%, 0.4%

LAB 68.24, -68.57, 63.15

 

CMYK 2 / 0 / 94 / 24

HEX #BDC10B

RGB 189 193 11

HSL 61.32, 0.89%, 0.4%

LAB 75.44, -19.08, 75.1

 

CMYK 2 / 0 / 94 / 24

HEX #BDC10B

RGB 189 193 11

HSL 61.32, 0.89%, 0.4%

LAB 75.44, -19.08, 75.1

 

CMYK 2 / 0 / 84 / 31

HEX #ADB01C

RGB 173 176 28

HSL 61.22, 0.73%, 0.4%

LAB 69.48, -17.15, 66.94

 

CMYK 2 / 0 / 73 / 37

HEX #9DA02C

RGB 157 160 44

HSL 61.55, 0.57%, 0.4%

LAB 63.75, -15.34, 56.49

 

CMYK 1 / 0 / 57 / 44

HEX #8D8F3D

RGB 141 143 61

HSL 61.46, 0.4%, 0.4%

LAB 57.7, -12.31, 42.52

 

CMYK 1 / 0 / 39 / 50

HEX #7E7F4D

RGB 126 127 77

HSL 61.2, 0.25%, 0.4%

LAB 52.01, -8.5, 27.06

 

CMYK 0 / 49 / 94 / 24

HEX #C1630B

RGB 193 99 11

HSL 29.01, 0.89%, 0.4%

LAB 52.16, 32.92, 58.24

 

CMYK 0 / 24 / 94 / 24

HEX #C1930B

RGB 193 147 11

HSL 44.84, 0.89%, 0.4%

LAB 63.53, 6.78, 66.35

 

CMYK 2 / 0 / 94 / 24

HEX #BEC10B

RGB 190 193 11

HSL 60.99, 0.89%, 0.4%

LAB 75.52, -18.65, 75.2

 

CMYK 27 / 0 / 94 / 24

HEX #8DC10B

RGB 141 193 11

HSL 77.14, 0.89%, 0.4%

LAB 72.11, -38.93, 71.08

 

CMYK 52 / 0 / 94 / 24

HEX #5DC10B

RGB 93 193 11

HSL 92.97, 0.89%, 0.4%

LAB 69.82, -55.44, 68.28

 

CMYK 3 / 0 / 94 / 55

HEX #707307

RGB 112 115 7

HSL 61.67, 0.89%, 0.24%

LAB 46.61, -13.23, 50.66

HEX #707307

CMYK 2 / 0 / 94 / 40

HEX #979A09

RGB 151 154 9

HSL 61.24, 0.89%, 0.32%

LAB 61.4, -16, 63.25

HEX #979A09

CMYK 2 / 0 / 94 / 24

HEX #BDC10B

RGB 189 193 11

HSL 61.32, 0.89%, 0.4%

LAB 75.44, -19.08, 75.1

HEX #BDC10B

CMYK 2 / 0 / 94 / 9

HEX #E3E80D

RGB 227 232 13

HSL 61.37, 0.89%, 0.48%

LAB 88.96, -22.04, 86.47

HEX #E3E80D

CMYK 2 / 0 / 82 / 5

HEX #EEF32C

RGB 238 243 44

HSL 61.51, 0.89%, 0.56%

LAB 92.78, -22.19, 84.88

HEX #EEF32C

CMYK 2 / 0 / 94 / 24

HEX #BFC30B

RGB 191 195 11

HSL 61.3, 0.89%, 0.4%

LAB 76.15, -19.22, 75.71

 

CMYK 94 / 0 / 74 / 24

HEX #0BC133

RGB 11 193 51

HSL 133.19, 0.89%, 0.4%

LAB 68.35, -67.15, 56.7

 

CMYK 36 / 94 / 0 / 24

HEX #7B0BC1

RGB 123 11 193

HSL 276.92, 0.89%, 0.4%

LAB 34.6, 68.56, -68.19

 

CMYK 2 / 0 / 94 / 24

HEX #BFC30B

RGB 191 195 11

HSL 61.3, 0.89%, 0.4%

LAB 76.15, -19.22, 75.71

 

CMYK 94 / 2 / 0 / 24

HEX #0BBEC1

RGB 11 190 193

HSL 180.99, 0.89%, 0.4%

LAB 70, -37.29, -12.76

 

CMYK 0 / 94 / 2 / 24

HEX #C10BBE

RGB 193 11 190

HSL 300.99, 0.89%, 0.4%

LAB 46.03, 78.28, -47.36

 

CMYK 2 / 0 / 94 / 24

HEX #BFC30B

RGB 191 195 11

HSL 61.3, 0.89%, 0.4%

LAB 76.15, -19.22, 75.71

 

CMYK 94 / 0 / 74 / 24

HEX #0BC133

RGB 11 193 51

HSL 133.19, 0.89%, 0.4%

LAB 68.35, -67.15, 56.7

 

CMYK 93 / 94 / 0 / 24

HEX #0E0BC1

RGB 14 11 193

HSL 240.99, 0.89%, 0.4%

LAB 24.27, 61.9, -85.63

 

CMYK 0 / 94 / 21 / 24

HEX #C10B99

RGB 193 11 153

HSL 313.19, 0.89%, 0.4%

LAB 44.06, 73.28, -28.52

 

CMYK 2 / 0 / 94 / 24

HEX #BFC30B

RGB 191 195 11

HSL 61.3, 0.89%, 0.4%

LAB 76.15, -19.22, 75.71

 

CMYK 94 / 0 / 46 / 24

HEX #0BC169

RGB 11 193 105

HSL 150.99, 0.89%, 0.4%

LAB 68.92, -60.16, 33.12

 

CMYK 93 / 94 / 0 / 24

HEX #0E0BC1

RGB 14 11 193

HSL 240.99, 0.89%, 0.4%

LAB 24.27, 61.9, -85.63

 

CMYK 0 / 94 / 49 / 24

HEX #C10B63

RGB 193 11 99

HSL 330.99, 0.89%, 0.4%

LAB 41.97, 67.77, 1.64

 

Description

Color code: HEX #BFC30B | qconv.com Color code: HEX #BFC30B | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 195 green and 11 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 195 11 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 94 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 94% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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