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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BFC1C6 it is the complementary color #403E39. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BFC1C6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BFC1C6 shade: #C4C1C1, #D5D3D4, #E6E5E7, #F7F7FA and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BFC1C6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BFC1C6 shade: #BFC1C6, #AEAFB3, #9D9DA0, #8C8B8D and #7B797A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BFC1C6 shade: #BEC0C5, #BEBEC5, #C0BEC5, #C2BEC5 and #C4BEC5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BFC1C6 shade: #BEC0C5 and #BEBEC5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BFC1C6 shade matches the following richer shades: #BEC0C5, #B4BCCF, #AAB8D9, #A0B3E3 and #97AFED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BFC1C6 shade: #BEC0C5, #C8C4BC, #D2C9B2, #DCCDA8 and #E6D19E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BFC1C6 shade: #BEC4C5, #BEC2C5, #BEC0C5, #BEBEC5 and #C0BEC5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BFC1C6 shade: #92969F, #A8ABB2, #BEC0C5, #D4D5D9 and #EAEBEC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BFC1C6 shade: #BFC1C6, #C5BEC5 and #C3C5BE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BFC1C6 shade: #BFC1C6, #C5BEC0 and #C0C5BE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BFC1C6 shade: #BFC1C6, #C5BEC5, #C5C3BE and #BFC5BE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BFC1C6 shade: #BFC1C6, #C5BEC4, #C5C3BE and #BEC5C0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 3 / 0 / 22

HEX #BFC1C6

RGB 191 193 198

HSL 222.86, 0.06%, 0.76%

LAB 78.05, 0.25, -2.76

 

Complementary color

CMYK 0 / 3 / 11 / 75

HEX #403E39

RGB 64 62 57

HSL 42.86, 0.06%, 0.24%

LAB 26.25, -0.21, 3.37

 

CMYK 0 / 2 / 2 / 23

HEX #C4C1C1

RGB 196 193 193

HSL 0, 0.02%, 0.76%

LAB 78.3, 1.05, 0.36

 

CMYK 0 / 1 / 0 / 16

HEX #D5D3D4

RGB 213 211 212

HSL 330, 0.02%, 0.83%

LAB 84.73, 0.87, -0.26

 

CMYK 0 / 1 / 0 / 9

HEX #E6E5E7

RGB 230 229 231

HSL 270, 0.04%, 0.9%

LAB 91.07, 0.7, -0.86

 

CMYK 1 / 1 / 0 / 2

HEX #F7F7FA

RGB 247 247 250

HSL 240, 0.23%, 0.97%

LAB 97.31, 0.54, -1.45

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 4 / 3 / 0 / 22

HEX #BFC1C6

RGB 191 193 198

HSL 222.86, 0.06%, 0.76%

LAB 78.05, 0.25, -2.76

 

CMYK 3 / 2 / 0 / 30

HEX #AEAFB3

RGB 174 175 179

HSL 228, 0.03%, 0.69%

LAB 71.5, 0.41, -2.17

 

CMYK 2 / 2 / 0 / 37

HEX #9D9DA0

RGB 157 157 160

HSL 240, 0.02%, 0.62%

LAB 64.82, 0.58, -1.57

 

CMYK 1 / 1 / 0 / 45

HEX #8C8B8D

RGB 140 139 141

HSL 270, 0.01%, 0.55%

LAB 58, 0.76, -0.94

 

CMYK 0 / 2 / 1 / 52

HEX #7B797A

RGB 123 121 122

HSL 330, 0.01%, 0.48%

LAB 51.03, 0.96, -0.28

 

CMYK 4 / 3 / 0 / 23

HEX #BEC0C5

RGB 190 192 197

HSL 222.86, 0.06%, 0.76%

LAB 77.68, 0.25, -2.76

 

CMYK 4 / 4 / 0 / 23

HEX #BEBEC5

RGB 190 190 197

HSL 240, 0.06%, 0.76%

LAB 77.16, 1.32, -3.52

 

CMYK 3 / 4 / 0 / 23

HEX #C0BEC5

RGB 192 190 197

HSL 257.14, 0.06%, 0.76%

LAB 77.32, 2.01, -3.28

 

CMYK 2 / 4 / 0 / 23

HEX #C2BEC5

RGB 194 190 197

HSL 274.29, 0.06%, 0.76%

LAB 77.48, 2.69, -3.03

 

CMYK 1 / 4 / 0 / 23

HEX #C4BEC5

RGB 196 190 197

HSL 291.43, 0.06%, 0.76%

LAB 77.63, 3.38, -2.78

 

CMYK 4 / 3 / 0 / 23

HEX #BEC0C5

RGB 190 192 197

HSL 222.86, 0.06%, 0.76%

LAB 77.68, 0.25, -2.76

 

CMYK 4 / 4 / 0 / 23

HEX #BEBEC5

RGB 190 190 197

HSL 240, 0.06%, 0.76%

LAB 77.16, 1.32, -3.52

 

CMYK 4 / 3 / 0 / 23

HEX #BEC0C5

RGB 190 192 197

HSL 222.86, 0.06%, 0.76%

LAB 77.68, 0.25, -2.76

 

CMYK 13 / 9 / 0 / 19

HEX #B4BCCF

RGB 180 188 207

HSL 222.22, 0.22%, 0.76%

LAB 76.18, 1.05, -10.49

 

CMYK 22 / 15 / 0 / 15

HEX #AAB8D9

RGB 170 184 217

HSL 222.13, 0.38%, 0.76%

LAB 74.72, 2.21, -18.18

 

CMYK 30 / 21 / 0 / 11

HEX #A0B3E3

RGB 160 179 227

HSL 222.99, 0.54%, 0.76%

LAB 73.06, 4.31, -26.21

 

CMYK 36 / 26 / 0 / 7

HEX #97AFED

RGB 151 175 237

HSL 223.26, 0.7%, 0.76%

LAB 71.79, 6.54, -33.65

 

CMYK 4 / 3 / 0 / 23

HEX #BEC0C5

RGB 190 192 197

HSL 222.86, 0.06%, 0.76%

LAB 77.68, 0.25, -2.76

 

CMYK 0 / 2 / 6 / 22

HEX #C8C4BC

RGB 200 196 188

HSL 40, 0.1%, 0.76%

LAB 79.27, -0.03, 4.49

 

CMYK 0 / 4 / 15 / 18

HEX #D2C9B2

RGB 210 201 178

HSL 43.13, 0.26%, 0.76%

LAB 81.12, -0.71, 12.61

 

CMYK 0 / 7 / 24 / 14

HEX #DCCDA8

RGB 220 205 168

HSL 42.69, 0.43%, 0.76%

LAB 82.76, -0.57, 20.33

 

CMYK 0 / 9 / 31 / 10

HEX #E6D19E

RGB 230 209 158

HSL 42.5, 0.59%, 0.76%

LAB 84.43, -0.17, 28

 

CMYK 4 / 1 / 0 / 23

HEX #BEC4C5

RGB 190 196 197

HSL 188.57, 0.06%, 0.76%

LAB 78.73, -1.87, -1.23

 

CMYK 4 / 2 / 0 / 23

HEX #BEC2C5

RGB 190 194 197

HSL 205.71, 0.06%, 0.76%

LAB 78.21, -0.81, -1.99

 

CMYK 4 / 3 / 0 / 23

HEX #BEC0C5

RGB 190 192 197

HSL 222.86, 0.06%, 0.76%

LAB 77.68, 0.25, -2.76

 

CMYK 4 / 4 / 0 / 23

HEX #BEBEC5

RGB 190 190 197

HSL 240, 0.06%, 0.76%

LAB 77.16, 1.32, -3.52

 

CMYK 3 / 4 / 0 / 23

HEX #C0BEC5

RGB 192 190 197

HSL 257.14, 0.06%, 0.76%

LAB 77.32, 2.01, -3.28

 

CMYK 8 / 6 / 0 / 38

HEX #92969F

RGB 146 150 159

HSL 221.54, 0.06%, 0.6%

LAB 62.02, 0.38, -5.23

 

CMYK 6 / 4 / 0 / 30

HEX #A8ABB2

RGB 168 171 178

HSL 222, 0.06%, 0.68%

LAB 69.94, 0.31, -3.96

 

CMYK 4 / 3 / 0 / 23

HEX #BEC0C5

RGB 190 192 197

HSL 222.86, 0.06%, 0.76%

LAB 77.68, 0.25, -2.76

 

CMYK 2 / 2 / 0 / 15

HEX #D4D5D9

RGB 212 213 217

HSL 228, 0.06%, 0.84%

LAB 85.3, 0.4, -2.1

 

CMYK 1 / 0 / 0 / 7

HEX #EAEBEC

RGB 234 235 236

HSL 210, 0.05%, 0.92%

LAB 93, -0.15, -0.61

 

CMYK 4 / 3 / 0 / 22

HEX #BFC1C6

RGB 191 193 198

HSL 222.86, 0.06%, 0.76%

LAB 78.05, 0.25, -2.76

 

CMYK 0 / 4 / 0 / 23

HEX #C5BEC5

RGB 197 190 197

HSL 300, 0.06%, 0.76%

LAB 77.71, 3.73, -2.65

 

CMYK 1 / 0 / 4 / 23

HEX #C3C5BE

RGB 195 197 190

HSL 77.14, 0.06%, 0.76%

LAB 79.19, -1.96, 3.25

 

CMYK 4 / 3 / 0 / 22

HEX #BFC1C6

RGB 191 193 198

HSL 222.86, 0.06%, 0.76%

LAB 78.05, 0.25, -2.76

 

CMYK 0 / 4 / 3 / 23

HEX #C5BEC0

RGB 197 190 192

HSL 342.86, 0.06%, 0.76%

LAB 77.58, 2.81, -0.14

 

CMYK 3 / 0 / 4 / 23

HEX #C0C5BE

RGB 192 197 190

HSL 102.86, 0.06%, 0.76%

LAB 78.96, -3.01, 2.9

 

CMYK 4 / 3 / 0 / 22

HEX #BFC1C6

RGB 191 193 198

HSL 222.86, 0.06%, 0.76%

LAB 78.05, 0.25, -2.76

 

CMYK 0 / 4 / 0 / 23

HEX #C5BEC5

RGB 197 190 197

HSL 300, 0.06%, 0.76%

LAB 77.71, 3.73, -2.65

 

CMYK 0 / 1 / 4 / 23

HEX #C5C3BE

RGB 197 195 190

HSL 42.86, 0.06%, 0.76%

LAB 78.82, -0.2, 2.74

 

CMYK 3 / 0 / 4 / 23

HEX #BFC5BE

RGB 191 197 190

HSL 111.43, 0.06%, 0.76%

LAB 78.88, -3.35, 2.78

 

CMYK 4 / 3 / 0 / 22

HEX #BFC1C6

RGB 191 193 198

HSL 222.86, 0.06%, 0.76%

LAB 78.05, 0.25, -2.76

 

CMYK 0 / 4 / 1 / 23

HEX #C5BEC4

RGB 197 190 196

HSL 308.57, 0.06%, 0.76%

LAB 77.69, 3.54, -2.15

 

CMYK 0 / 1 / 4 / 23

HEX #C5C3BE

RGB 197 195 190

HSL 42.86, 0.06%, 0.76%

LAB 78.82, -0.2, 2.74

 

CMYK 4 / 0 / 3 / 23

HEX #BEC5C0

RGB 190 197 192

HSL 137.14, 0.06%, 0.76%

LAB 78.86, -3.33, 1.66

 

Description

Color code: HEX #BFC1C6 | qconv.com Color code: HEX #BFC1C6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 193 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 193 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 3 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 3% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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