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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BFB4FECE it is the complementary color #404B01CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BFB4FECE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BFB4FECE shade: #C4B4F9CE, #D5C6FFCE, #E6D8FFCE, #F7EAFFCE and #FFFCFFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BFB4FECE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BFB4FECE shade: #BFB4FECE, #AEA2EBCE, #9D90D8CE, #8C7EC5CE and #7B6CB2CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BFB4FECE shade: #BFB4FE, #D3B4FE, #E7B4FE, #FBB4FE and #FEB4ED

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BFB4FECE shade: #BFB4FE and #B4B4FE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BFB4FECE shade matches the following richer shades: #BFB4FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BFB4FECE shade: #BFB4FE, #C3BAF8, #C7C0F1, #CCC6EB and #D0CCE5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BFB4FECE shade: #B4D1FE, #B4BEFE, #BEB4FE, #D1B4FE and #E5B4FE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BFB4FECE shade: #7962FD, #9C8BFD, #BFB4FE, #E1DCFE and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BFB4FECE shade: #BFB4FE, #FEB4E5 and #C7FEB4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BFB4FECE shade: #BFB4FE, #FEBEB4 and #B4FEBE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BFB4FECE shade: #BFB4FE, #FEB4E5, #F4FEB4 and #B4FECC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BFB4FECE shade: #BFB4FE, #FEB4CF, #F4FEB4 and #B4FEE3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 24 / 0 / 0

HEX #BFB4FECE

RGBA 191 180 254 0.81

HSLA 248.92, 0.97%, 0.85%, 0.81

LABA 76.6, 19.26, -35.17, 0.81

 

Complementary color

CMYK 12 / 0 / 80 / 57

HEX #404B01CE

RGBA 64 75 1 0.81

HSLA 68.92, 0.97%, 0.15%, 0.81

LABA 29.72, -14.4, 37.42, 0.81

 

CMYK 17 / 22 / 0 / 2

HEX #C4B4F9CE

RGBA 196 180 249 0.81

HSLA 253.91, 0.85%, 0.84%, 0.81

LABA 76.81, 19.58, -32.12, 0.81

 

CMYK 13 / 18 / 0 / 0

HEX #D5C6FFCE

RGBA 213 198 255 0.81

HSLA 255.79, 1%, 0.89%, 0.81

LABA 82.78, 16.27, -26.06, 0.81

 

CMYK 8 / 12 / 0 / 0

HEX #E6D8FFCE

RGBA 230 216 255 0.81

HSLA 261.54, 1%, 0.92%, 0.81

LABA 88.52, 12, -17.24, 0.81

 

CMYK 3 / 7 / 0 / 0

HEX #F7EAFFCE

RGBA 247 234 255 0.81

HSLA 277.14, 1%, 0.96%, 0.81

LABA 94.24, 8.1, -8.55, 0.81

 

CMYK 0 / 1 / 0 / 0

HEX #FFFCFFCE

RGBA 255 252 255 0.81

HSLA 300, 1%, 0.99%, 0.81

LABA 99.26, 1.52, -1.09, 0.81

 

CMYK 20 / 24 / 0 / 0

HEX #BFB4FECE

RGBA 191 180 254 0.81

HSLA 248.92, 0.97%, 0.85%, 0.81

LABA 76.6, 19.26, -35.17, 0.81

 

CMYK 21 / 25 / 0 / 6

HEX #AEA2EBCE

RGBA 174 162 235 0.81

HSLA 249.86, 0.65%, 0.78%, 0.81

LABA 70.06, 19.81, -35.11, 0.81

 

CMYK 22 / 27 / 0 / 12

HEX #9D90D8CE

RGBA 157 144 216 0.81

HSLA 250.83, 0.48%, 0.71%, 0.81

LABA 63.4, 20.42, -35.09, 0.81

 

CMYK 23 / 29 / 0 / 18

HEX #8C7EC5CE

RGBA 140 126 197 0.81

HSLA 251.83, 0.38%, 0.63%, 0.81

LABA 56.61, 21.1, -35.11, 0.81

 

CMYK 25 / 32 / 0 / 24

HEX #7B6CB2CE

RGBA 123 108 178 0.81

HSLA 252.86, 0.31%, 0.56%, 0.81

LABA 49.68, 21.87, -35.17, 0.81

 

CMYK 25 / 29 / 0 / 0

HEX #BFB4FE

RGB 191 180 254

HSL 248.92, 0.97%, 0.85%

LAB 76.6, 19.26, -35.17

 

CMYK 17 / 29 / 0 / 0

HEX #D3B4FE

RGB 211 180 254

HSL 265.14, 0.97%, 0.85%

LAB 78.26, 25.19, -32.48

 

CMYK 9 / 29 / 0 / 0

HEX #E7B4FE

RGB 231 180 254

HSL 281.35, 0.97%, 0.85%

LAB 80.06, 31.3, -29.55

 

CMYK 1 / 29 / 0 / 0

HEX #FBB4FE

RGB 251 180 254

HSL 297.57, 0.97%, 0.85%

LAB 82.01, 37.53, -26.4

 

CMYK 0 / 29 / 7 / 0

HEX #FEB4ED

RGB 254 180 237

HSL 313.78, 0.97%, 0.85%

LAB 81.74, 35.49, -17.66

 

CMYK 25 / 29 / 0 / 0

HEX #BFB4FE

RGB 191 180 254

HSL 248.92, 0.97%, 0.85%

LAB 76.6, 19.26, -35.17

 

CMYK 29 / 29 / 0 / 0

HEX #B4B4FE

RGB 180 180 254

HSL 240, 0.97%, 0.85%

LAB 75.76, 16.1, -36.54

 

CMYK 25 / 29 / 0 / 0

HEX #BFB4FE

RGB 191 180 254

HSL 248.92, 0.97%, 0.85%

LAB 76.6, 19.26, -35.17

 

CMYK 25 / 29 / 0 / 0

HEX #BFB4FE

RGB 191 180 254

HSL 248.92, 0.97%, 0.85%

LAB 76.6, 19.26, -35.17

 

CMYK 21 / 25 / 0 / 3

HEX #C3BAF8

RGB 195 186 248

HSL 248.71, 0.82%, 0.85%

LAB 78.17, 15.77, -29.51

 

CMYK 17 / 20 / 0 / 5

HEX #C7C0F1

RGB 199 192 241

HSL 248.57, 0.64%, 0.85%

LAB 79.72, 12.18, -23.35

 

CMYK 13 / 16 / 0 / 8

HEX #CCC6EB

RGB 204 198 235

HSL 249.73, 0.48%, 0.85%

LAB 81.41, 9.25, -17.53

 

CMYK 9 / 11 / 0 / 10

HEX #D0CCE5

RGB 208 204 229

HSL 249.6, 0.32%, 0.85%

LAB 83.05, 6.11, -11.85

 

CMYK 29 / 18 / 0 / 0

HEX #B4D1FE

RGB 180 209 254

HSL 216.49, 0.97%, 0.85%

LAB 83.16, 0.35, -25.17

 

CMYK 29 / 25 / 0 / 0

HEX #B4BEFE

RGB 180 190 254

HSL 231.89, 0.97%, 0.85%

LAB 78.28, 10.6, -32.65

 

CMYK 25 / 29 / 0 / 0

HEX #BEB4FE

RGB 190 180 254

HSL 248.11, 0.97%, 0.85%

LAB 76.52, 18.97, -35.29

 

CMYK 18 / 29 / 0 / 0

HEX #D1B4FE

RGB 209 180 254

HSL 263.51, 0.97%, 0.85%

LAB 78.08, 24.59, -32.76

 

CMYK 10 / 29 / 0 / 0

HEX #E5B4FE

RGB 229 180 254

HSL 279.73, 0.97%, 0.85%

LAB 79.87, 30.69, -29.86

 

CMYK 52 / 61 / 0 / 1

HEX #7962FD

RGB 121 98 253

HSL 248.9, 0.97%, 0.69%

LAB 51.72, 48.49, -74.49

 

CMYK 38 / 45 / 0 / 1

HEX #9C8BFD

RGB 156 139 253

HSL 248.95, 0.97%, 0.77%

LAB 63.86, 32.58, -54.81

 

CMYK 25 / 29 / 0 / 0

HEX #BFB4FE

RGB 191 180 254

HSL 248.92, 0.97%, 0.85%

LAB 76.6, 19.26, -35.17

 

CMYK 11 / 13 / 0 / 0

HEX #E1DCFE

RGB 225 220 254

HSL 248.82, 0.94%, 0.93%

LAB 89.09, 8.12, -15.9

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 25 / 29 / 0 / 0

HEX #BFB4FE

RGB 191 180 254

HSL 248.92, 0.97%, 0.85%

LAB 76.6, 19.26, -35.17

 

CMYK 0 / 29 / 10 / 0

HEX #FEB4E5

RGB 254 180 229

HSL 320.27, 0.97%, 0.85%

LAB 81.49, 34.15, -13.74

 

CMYK 22 / 0 / 29 / 0

HEX #C7FEB4

RGB 199 254 180

HSL 104.59, 0.97%, 0.85%

LAB 94.45, -30.57, 29.91

 

CMYK 25 / 29 / 0 / 0

HEX #BFB4FE

RGB 191 180 254

HSL 248.92, 0.97%, 0.85%

LAB 76.6, 19.26, -35.17

 

CMYK 0 / 25 / 29 / 0

HEX #FEBEB4

RGB 254 190 180

HSL 8.11, 0.97%, 0.85%

LAB 82.48, 21.65, 14.04

 

CMYK 29 / 0 / 25 / 0

HEX #B4FEBE

RGB 180 254 190

HSL 128.11, 0.97%, 0.85%

LAB 93.58, -35.1, 23.49

 

CMYK 25 / 29 / 0 / 0

HEX #BFB4FE

RGB 191 180 254

HSL 248.92, 0.97%, 0.85%

LAB 76.6, 19.26, -35.17

 

CMYK 0 / 29 / 10 / 0

HEX #FEB4E5

RGB 254 180 229

HSL 320.27, 0.97%, 0.85%

LAB 81.49, 34.15, -13.74

 

CMYK 4 / 0 / 29 / 0

HEX #F4FEB4

RGB 244 254 180

HSL 68.11, 0.97%, 0.85%

LAB 97.39, -14.75, 34.37

 

CMYK 29 / 0 / 20 / 0

HEX #B4FECC

RGB 180 254 204

HSL 139.46, 0.97%, 0.85%

LAB 93.86, -32.65, 16.73

 

CMYK 25 / 29 / 0 / 0

HEX #BFB4FE

RGB 191 180 254

HSL 248.92, 0.97%, 0.85%

LAB 76.6, 19.26, -35.17

 

CMYK 0 / 29 / 19 / 0

HEX #FEB4CF

RGB 254 180 207

HSL 338.11, 0.97%, 0.85%

LAB 80.86, 30.69, -2.82

 

CMYK 4 / 0 / 29 / 0

HEX #F4FEB4

RGB 244 254 180

HSL 68.11, 0.97%, 0.85%

LAB 97.39, -14.75, 34.37

 

CMYK 29 / 0 / 11 / 0

HEX #B4FEE3

RGB 180 254 227

HSL 158.11, 0.97%, 0.85%

LAB 94.37, -28.25, 5.63

 

Description

Color code: HEX #BFB4FECE | qconv.com Color code: HEX #BFB4FECE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 180 green and 254 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 180 254 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 24 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 24% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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