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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BFB31E it is the complementary color #404CE1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BFB31E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BFB31E shade: #C4B319, #D5C52C, #E6D73F, #F7E952 and #FFFB65

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BFB31E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BFB31E shade: #BFB31E, #AEA10B, #9D8F00, #8C7D00 and #7B6B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BFB31E shade: #BEB21E, #BE871E, #BE5B1E, #BE301E and #BE1E1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BFB31E shade: #BEB21E, #9EBE1E, #73BE1E, #48BE1E and #1EBE1E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BFB31E shade matches the following richer shades: #BEB21E and #CFC10C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BFB31E shade: #BEB21E, #ACA32F, #9A9441, #888453 and #777565

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BFB31E shade: #BE5B1E, #BE861E, #BEB01E, #A0BE1E and #76BE1E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BFB31E shade: #766F12, #9A9018, #BEB21E, #DDD027 and #E3D84B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BFB31E shade: #BFB31E, #1EBE30 and #701EBE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BFB31E shade: #BFB31E, #1EBEB0 and #B01EBE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BFB31E shade: #BFB31E, #1EBE30, #1E2BBE and #BE1EAB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BFB31E shade: #BFB31E, #1EBE60, #1E2BBE and #BE1E7B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 84 / 25

HEX #BFB31E

RGB 191 179 30

HSL 55.53, 0.73%, 0.43%

LAB 71.83, -10.76, 69.04

 

Complementary color

CMYK 72 / 66 / 0 / 12

HEX #404CE1

RGB 64 76 225

HSL 235.53, 0.73%, 0.57%

LAB 40.73, 44.15, -76.86

 

CMYK 0 / 9 / 87 / 23

HEX #C4B319

RGB 196 179 25

HSL 54.04, 0.77%, 0.43%

LAB 72.26, -8.69, 70.69

 

CMYK 0 / 8 / 79 / 16

HEX #D5C52C

RGB 213 197 44

HSL 54.32, 0.67%, 0.5%

LAB 78.61, -10.03, 71.9

 

CMYK 0 / 7 / 73 / 10

HEX #E6D73F

RGB 230 215 63

HSL 54.61, 0.77%, 0.57%

LAB 84.89, -11.17, 72.16

 

CMYK 0 / 6 / 67 / 3

HEX #F7E952

RGB 247 233 82

HSL 54.91, 0.91%, 0.65%

LAB 91.08, -12.14, 71.83

 

CMYK 0 / 2 / 60 / 0

HEX #FFFB65

RGB 255 251 101

HSL 58.44, 1%, 0.7%

LAB 96.49, -16.58, 70.19

 

CMYK 0 / 6 / 84 / 25

HEX #BFB31E

RGB 191 179 30

HSL 55.53, 0.73%, 0.43%

LAB 71.83, -10.76, 69.04

 

CMYK 0 / 7 / 94 / 32

HEX #AEA10B

RGB 174 161 11

HSL 55.21, 0.88%, 0.36%

LAB 65.37, -9.31, 66.88

 

CMYK 0 / 9 / 100 / 38

HEX #9D8F00

RGB 157 143 0

HSL 54.65, 1%, 0.31%

LAB 58.8, -7.59, 62.9

 

CMYK 0 / 11 / 100 / 45

HEX #8C7D00

RGB 140 125 0

HSL 53.57, 1%, 0.27%

LAB 52.11, -5.66, 57.36

 

CMYK 0 / 13 / 100 / 52

HEX #7B6B00

RGB 123 107 0

HSL 52.2, 1%, 0.24%

LAB 45.26, -3.64, 51.69

 

CMYK 0 / 6 / 84 / 25

HEX #BEB21E

RGB 190 178 30

HSL 55.5, 0.73%, 0.43%

LAB 71.47, -10.69, 68.71

 

CMYK 0 / 29 / 84 / 25

HEX #BE871E

RGB 190 135 30

HSL 39.38, 0.73%, 0.43%

LAB 60.22, 12.4, 59.25

 

CMYK 0 / 52 / 84 / 25

HEX #BE5B1E

RGB 190 91 30

HSL 22.88, 0.73%, 0.43%

LAB 50.12, 36.24, 50.57

 

CMYK 0 / 75 / 84 / 25

HEX #BE301E

RGB 190 48 30

HSL 6.75, 0.73%, 0.43%

LAB 43, 55.13, 44.27

 

CMYK 0 / 84 / 84 / 25

HEX #BE1E1E

RGB 190 30 30

HSL 0, 0.73%, 0.43%

LAB 41.17, 60.28, 42.62

 

CMYK 0 / 6 / 84 / 25

HEX #BEB21E

RGB 190 178 30

HSL 55.5, 0.73%, 0.43%

LAB 71.47, -10.69, 68.71

 

CMYK 17 / 0 / 84 / 25

HEX #9EBE1E

RGB 158 190 30

HSL 72, 0.73%, 0.43%

LAB 72.36, -30.32, 68.46

 

CMYK 39 / 0 / 84 / 25

HEX #73BE1E

RGB 115 190 30

HSL 88.13, 0.73%, 0.43%

LAB 69.87, -46.73, 65.34

 

CMYK 62 / 0 / 84 / 25

HEX #48BE1E

RGB 72 190 30

HSL 104.25, 0.73%, 0.43%

LAB 68.24, -59.3, 63.27

 

CMYK 84 / 0 / 84 / 25

HEX #1EBE1E

RGB 30 190 30

HSL 120, 0.73%, 0.43%

LAB 67.42, -66.3, 62.23

 

CMYK 0 / 6 / 84 / 25

HEX #BEB21E

RGB 190 178 30

HSL 55.5, 0.73%, 0.43%

LAB 71.47, -10.69, 68.71

 

CMYK 0 / 7 / 94 / 19

HEX #CFC10C

RGB 207 193 12

HSL 55.69, 0.89%, 0.43%

LAB 76.94, -11.29, 76.79

 

CMYK 0 / 6 / 84 / 25

HEX #BEB21E

RGB 190 178 30

HSL 55.5, 0.73%, 0.43%

LAB 71.47, -10.69, 68.71

 

CMYK 0 / 5 / 73 / 33

HEX #ACA32F

RGB 172 163 47

HSL 55.68, 0.57%, 0.43%

LAB 65.88, -10.16, 57.89

 

CMYK 0 / 4 / 58 / 40

HEX #9A9441

RGB 154 148 65

HSL 55.96, 0.41%, 0.43%

LAB 60.28, -8.97, 43.82

 

CMYK 0 / 3 / 39 / 47

HEX #888453

RGB 136 132 83

HSL 55.47, 0.24%, 0.43%

LAB 54.41, -6.26, 27

 

CMYK 0 / 2 / 15 / 53

HEX #777565

RGB 119 117 101

HSL 53.33, 0.08%, 0.43%

LAB 48.99, -2.23, 9.11

 

CMYK 0 / 52 / 84 / 25

HEX #BE5B1E

RGB 190 91 30

HSL 22.88, 0.73%, 0.43%

LAB 50.12, 36.24, 50.57

 

CMYK 0 / 29 / 84 / 25

HEX #BE861E

RGB 190 134 30

HSL 39, 0.73%, 0.43%

LAB 59.97, 12.95, 59.03

 

CMYK 0 / 7 / 84 / 25

HEX #BEB01E

RGB 190 176 30

HSL 54.75, 0.73%, 0.43%

LAB 70.93, -9.65, 68.26

 

CMYK 16 / 0 / 84 / 25

HEX #A0BE1E

RGB 160 190 30

HSL 71.25, 0.73%, 0.43%

LAB 72.49, -29.49, 68.63

 

CMYK 38 / 0 / 84 / 25

HEX #76BE1E

RGB 118 190 30

HSL 87, 0.73%, 0.43%

LAB 70.02, -45.69, 65.52

 

CMYK 0 / 6 / 85 / 54

HEX #766F12

RGB 118 111 18

HSL 55.8, 0.74%, 0.27%

LAB 45.99, -7.86, 47.72

 

CMYK 0 / 6 / 84 / 40

HEX #9A9018

RGB 154 144 24

HSL 55.38, 0.73%, 0.35%

LAB 58.87, -9.03, 58.35

 

CMYK 0 / 6 / 84 / 25

HEX #BEB21E

RGB 190 178 30

HSL 55.5, 0.73%, 0.43%

LAB 71.47, -10.69, 68.71

 

CMYK 0 / 6 / 82 / 13

HEX #DDD027

RGB 221 208 39

HSL 55.71, 0.73%, 0.51%

LAB 82.18, -12.32, 76.57

 

CMYK 0 / 5 / 67 / 11

HEX #E3D84B

RGB 227 216 75

HSL 55.66, 0.73%, 0.59%

LAB 84.97, -12.33, 67.77

 

CMYK 0 / 6 / 84 / 25

HEX #BFB31E

RGB 191 179 30

HSL 55.53, 0.73%, 0.43%

LAB 71.83, -10.76, 69.04

 

CMYK 84 / 0 / 75 / 25

HEX #1EBE30

RGB 30 190 48

HSL 126.75, 0.73%, 0.43%

LAB 67.51, -65.17, 56.96

 

CMYK 41 / 84 / 0 / 25

HEX #701EBE

RGB 112 30 190

HSL 270.75, 0.73%, 0.43%

LAB 34.17, 62.33, -67.19

 

CMYK 0 / 6 / 84 / 25

HEX #BFB31E

RGB 191 179 30

HSL 55.53, 0.73%, 0.43%

LAB 71.83, -10.76, 69.04

 

CMYK 84 / 0 / 7 / 25

HEX #1EBEB0

RGB 30 190 176

HSL 174.75, 0.73%, 0.43%

LAB 69.64, -41.32, -3.96

 

CMYK 7 / 84 / 0 / 25

HEX #B01EBE

RGB 176 30 190

HSL 294.75, 0.73%, 0.43%

LAB 44.06, 72.49, -50.69

 

CMYK 0 / 6 / 84 / 25

HEX #BFB31E

RGB 191 179 30

HSL 55.53, 0.73%, 0.43%

LAB 71.83, -10.76, 69.04

 

CMYK 84 / 0 / 75 / 25

HEX #1EBE30

RGB 30 190 48

HSL 126.75, 0.73%, 0.43%

LAB 67.51, -65.17, 56.96

 

CMYK 84 / 77 / 0 / 25

HEX #1E2BBE

RGB 30 43 190

HSL 235.13, 0.73%, 0.43%

LAB 28.7, 48.71, -76.46

 

CMYK 0 / 84 / 10 / 25

HEX #BE1EAB

RGB 190 30 171

HSL 307.13, 0.73%, 0.43%

LAB 45.38, 72.23, -37.24

 

CMYK 0 / 6 / 84 / 25

HEX #BFB31E

RGB 191 179 30

HSL 55.53, 0.73%, 0.43%

LAB 71.83, -10.76, 69.04

 

CMYK 84 / 0 / 49 / 25

HEX #1EBE60

RGB 30 190 96

HSL 144.75, 0.73%, 0.43%

LAB 67.98, -59.43, 36.51

 

CMYK 84 / 77 / 0 / 25

HEX #1E2BBE

RGB 30 43 190

HSL 235.13, 0.73%, 0.43%

LAB 28.7, 48.71, -76.46

 

CMYK 0 / 84 / 35 / 25

HEX #BE1E7B

RGB 190 30 123

HSL 325.13, 0.73%, 0.43%

LAB 43.22, 66.27, -11.54

 

Description

Color code: HEX #BFB31E | qconv.com Color code: HEX #BFB31E | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 179 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 179 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 84 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 84% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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