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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BFA7C4 it is the complementary color #40583B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BFA7C4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BFA7C4 shade: #C4A7BF, #D5B9D2, #E6CBE5, #F7DDF8 and #FFEFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BFA7C4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BFA7C4 shade: #BFA7C4, #AE95B1, #9D839E, #8C718B and #7B5F78

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BFA7C4 shade: #BFA6C4, #C4A6C1, #C4A6B9, #C4A6B1 and #C4A6A9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BFA7C4 shade: #BFA6C4, #B7A6C4, #AFA6C4, #A7A6C4 and #A6A6C4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BFA7C4 shade matches the following richer shades: #BFA6C4, #C79AD0, #CE8EDC, #D682E8 and #DE76F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BFA7C4 shade: #BFA6C4, #B7B2B8, #AFBEAC, #A7CAA0 and #9FD694

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BFA7C4 shade: #AFA6C4, #B7A6C4, #BEA6C4, #C4A6C1 and #C4A6B9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BFA7C4 shade: #9B75A3, #AD8EB3, #BFA6C4, #D1BFD4 and #E3D8E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BFA7C4 shade: #BFA7C4, #C4A7A6 and #A6C4B3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BFA7C4 shade: #BFA7C4, #C4BEA6 and #A6C4BE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BFA7C4 shade: #BFA7C4, #C4A7A6, #ACC4A6 and #A6C3C4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BFA7C4 shade: #BFA7C4, #C4B0A6, #ACC4A6 and #A6BAC4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 15 / 0 / 23

HEX #BFA7C4

RGB 191 167 196

HSL 289.66, 0.2%, 0.71%

LAB 71.35, 13.96, -11.6

 

Complementary color

CMYK 27 / 0 / 33 / 65

HEX #40583B

RGB 64 88 59

HSL 109.66, 0.2%, 0.29%

LAB 34.77, -15.5, 13.97

 

CMYK 0 / 15 / 3 / 23

HEX #C4A7BF

RGB 196 167 191

HSL 310.34, 0.2%, 0.71%

LAB 71.65, 14.74, -8.35

 

CMYK 0 / 13 / 1 / 16

HEX #D5B9D2

RGB 213 185 210

HSL 306.43, 0.25%, 0.78%

LAB 78.17, 14.32, -8.87

 

CMYK 0 / 12 / 0 / 10

HEX #E6CBE5

RGB 230 203 229

HSL 302.22, 0.35%, 0.85%

LAB 84.58, 13.93, -9.37

 

CMYK 0 / 11 / 0 / 3

HEX #F7DDF8

RGB 247 221 248

HSL 297.78, 0.66%, 0.92%

LAB 90.9, 13.57, -9.86

 

CMYK 0 / 6 / 0 / 0

HEX #FFEFFF

RGB 255 239 255

HSL 300, 1%, 0.97%

LAB 96.09, 8.15, -5.76

 

CMYK 3 / 15 / 0 / 23

HEX #BFA7C4

RGB 191 167 196

HSL 289.66, 0.2%, 0.71%

LAB 71.35, 13.96, -11.6

 

CMYK 2 / 16 / 0 / 31

HEX #AE95B1

RGB 174 149 177

HSL 293.57, 0.15%, 0.64%

LAB 64.7, 14.39, -11.14

 

CMYK 1 / 17 / 0 / 38

HEX #9D839E

RGB 157 131 158

HSL 297.78, 0.12%, 0.57%

LAB 57.91, 14.86, -10.67

 

CMYK 0 / 19 / 1 / 45

HEX #8C718B

RGB 140 113 139

HSL 302.22, 0.11%, 0.5%

LAB 50.98, 15.39, -10.19

 

CMYK 0 / 23 / 2 / 52

HEX #7B5F78

RGB 123 95 120

HSL 306.43, 0.13%, 0.43%

LAB 43.87, 15.97, -9.69

 

CMYK 3 / 15 / 0 / 23

HEX #BFA6C4

RGB 191 166 196

HSL 290, 0.2%, 0.71%

LAB 71.1, 14.51, -11.97

 

CMYK 0 / 15 / 2 / 23

HEX #C4A6C1

RGB 196 166 193

HSL 306, 0.2%, 0.71%

LAB 71.46, 15.66, -9.73

 

CMYK 0 / 15 / 6 / 23

HEX #C4A6B9

RGB 196 166 185

HSL 322, 0.2%, 0.71%

LAB 71.22, 14.2, -5.67

 

CMYK 0 / 15 / 10 / 23

HEX #C4A6B1

RGB 196 166 177

HSL 338, 0.2%, 0.71%

LAB 71, 12.79, -1.58

 

CMYK 0 / 15 / 14 / 23

HEX #C4A6A9

RGB 196 166 169

HSL 354, 0.2%, 0.71%

LAB 70.78, 11.44, 2.53

 

CMYK 3 / 15 / 0 / 23

HEX #BFA6C4

RGB 191 166 196

HSL 290, 0.2%, 0.71%

LAB 71.1, 14.51, -11.97

 

CMYK 7 / 15 / 0 / 23

HEX #B7A6C4

RGB 183 166 196

HSL 274, 0.2%, 0.71%

LAB 70.4, 11.79, -13.09

 

CMYK 11 / 15 / 0 / 23

HEX #AFA6C4

RGB 175 166 196

HSL 258, 0.2%, 0.71%

LAB 69.73, 9.11, -14.16

 

CMYK 15 / 15 / 0 / 23

HEX #A7A6C4

RGB 167 166 196

HSL 242, 0.2%, 0.71%

LAB 69.09, 6.46, -15.19

 

CMYK 15 / 15 / 0 / 23

HEX #A6A6C4

RGB 166 166 196

HSL 240, 0.2%, 0.71%

LAB 69.01, 6.13, -15.32

 

CMYK 3 / 15 / 0 / 23

HEX #BFA6C4

RGB 191 166 196

HSL 290, 0.2%, 0.71%

LAB 71.1, 14.51, -11.97

 

CMYK 4 / 26 / 0 / 18

HEX #C79AD0

RGB 199 154 208

HSL 290, 0.36%, 0.71%

LAB 69.33, 26.15, -21.2

 

CMYK 6 / 35 / 0 / 14

HEX #CE8EDC

RGB 206 142 220

HSL 289.23, 0.53%, 0.71%

LAB 67.75, 37.3, -30.2

 

CMYK 8 / 44 / 0 / 9

HEX #D682E8

RGB 214 130 232

HSL 289.41, 0.69%, 0.71%

LAB 66.59, 48.4, -38.57

 

CMYK 9 / 52 / 0 / 4

HEX #DE76F4

RGB 222 118 244

HSL 289.52, 0.85%, 0.71%

LAB 65.76, 58.94, -46.42

 

CMYK 3 / 15 / 0 / 23

HEX #BFA6C4

RGB 191 166 196

HSL 290, 0.2%, 0.71%

LAB 71.1, 14.51, -11.97

 

CMYK 1 / 3 / 0 / 28

HEX #B7B2B8

RGB 183 178 184

HSL 290, 0.04%, 0.71%

LAB 73.13, 2.89, -2.43

 

CMYK 8 / 0 / 9 / 25

HEX #AFBEAC

RGB 175 190 172

HSL 110, 0.12%, 0.71%

LAB 75.4, -8.54, 7.32

 

CMYK 17 / 0 / 21 / 21

HEX #A7CAA0

RGB 167 202 160

HSL 110, 0.28%, 0.71%

LAB 77.87, -19.59, 17.19

 

CMYK 26 / 0 / 31 / 16

HEX #9FD694

RGB 159 214 148

HSL 110, 0.45%, 0.71%

LAB 80.52, -30.14, 27.05

 

CMYK 11 / 15 / 0 / 23

HEX #AFA6C4

RGB 175 166 196

HSL 258, 0.2%, 0.71%

LAB 69.73, 9.11, -14.16

 

CMYK 7 / 15 / 0 / 23

HEX #B7A6C4

RGB 183 166 196

HSL 274, 0.2%, 0.71%

LAB 70.4, 11.79, -13.09

 

CMYK 3 / 15 / 0 / 23

HEX #BEA6C4

RGB 190 166 196

HSL 288, 0.2%, 0.71%

LAB 71.01, 14.17, -12.11

 

CMYK 0 / 15 / 2 / 23

HEX #C4A6C1

RGB 196 166 193

HSL 306, 0.2%, 0.71%

LAB 71.46, 15.66, -9.73

 

CMYK 0 / 15 / 6 / 23

HEX #C4A6B9

RGB 196 166 185

HSL 322, 0.2%, 0.71%

LAB 71.22, 14.2, -5.67

 

CMYK 5 / 28 / 0 / 36

HEX #9B75A3

RGB 155 117 163

HSL 289.57, 0.2%, 0.55%

LAB 54.38, 23.23, -18.93

 

CMYK 3 / 21 / 0 / 30

HEX #AD8EB3

RGB 173 142 179

HSL 290.27, 0.2%, 0.63%

LAB 62.91, 18.38, -14.96

 

CMYK 3 / 15 / 0 / 23

HEX #BFA6C4

RGB 191 166 196

HSL 290, 0.2%, 0.71%

LAB 71.1, 14.51, -11.97

 

CMYK 1 / 10 / 0 / 17

HEX #D1BFD4

RGB 209 191 212

HSL 291.43, 0.2%, 0.79%

LAB 79.37, 10.1, -8.2

 

CMYK 1 / 6 / 0 / 10

HEX #E3D8E5

RGB 227 216 229

HSL 290.77, 0.2%, 0.87%

LAB 87.53, 6.08, -5.03

 

CMYK 3 / 15 / 0 / 23

HEX #BFA7C4

RGB 191 167 196

HSL 289.66, 0.2%, 0.71%

LAB 71.35, 13.96, -11.6

 

CMYK 0 / 15 / 15 / 23

HEX #C4A7A6

RGB 196 167 166

HSL 2, 0.2%, 0.71%

LAB 70.96, 10.4, 4.44

 

CMYK 15 / 0 / 9 / 23

HEX #A6C4B3

RGB 166 196 179

HSL 146, 0.2%, 0.71%

LAB 76.58, -13.44, 5.16

 

CMYK 3 / 15 / 0 / 23

HEX #BFA7C4

RGB 191 167 196

HSL 289.66, 0.2%, 0.71%

LAB 71.35, 13.96, -11.6

 

CMYK 0 / 3 / 15 / 23

HEX #C4BEA6

RGB 196 190 166

HSL 48, 0.2%, 0.71%

LAB 76.87, -1.96, 12.88

 

CMYK 15 / 0 / 3 / 23

HEX #A6C4BE

RGB 166 196 190

HSL 168, 0.2%, 0.71%

LAB 76.86, -11.27, -0.38

 

CMYK 3 / 15 / 0 / 23

HEX #BFA7C4

RGB 191 167 196

HSL 289.66, 0.2%, 0.71%

LAB 71.35, 13.96, -11.6

 

CMYK 0 / 15 / 15 / 23

HEX #C4A7A6

RGB 196 167 166

HSL 2, 0.2%, 0.71%

LAB 70.96, 10.4, 4.44

 

CMYK 12 / 0 / 15 / 23

HEX #ACC4A6

RGB 172 196 166

HSL 108, 0.2%, 0.71%

LAB 76.68, -13.77, 12.36

 

CMYK 15 / 1 / 0 / 23

HEX #A6C3C4

RGB 166 195 196

HSL 182, 0.2%, 0.71%

LAB 76.75, -9.51, -3.78

 

CMYK 3 / 15 / 0 / 23

HEX #BFA7C4

RGB 191 167 196

HSL 289.66, 0.2%, 0.71%

LAB 71.35, 13.96, -11.6

 

CMYK 0 / 10 / 15 / 23

HEX #C4B0A6

RGB 196 176 166

HSL 20, 0.2%, 0.71%

LAB 73.25, 5.52, 7.72

 

CMYK 12 / 0 / 15 / 23

HEX #ACC4A6

RGB 172 196 166

HSL 108, 0.2%, 0.71%

LAB 76.68, -13.77, 12.36

 

CMYK 15 / 5 / 0 / 23

HEX #A6BAC4

RGB 166 186 196

HSL 200, 0.2%, 0.71%

LAB 74.32, -4.75, -7.37

 

Description

Color code: HEX #BFA7C4 | qconv.com Color code: HEX #BFA7C4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 167 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 167 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 15 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 15% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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