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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BFA2CB it is the complementary color #405D34. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BFA2CB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BFA2CB shade: #C4A2C6, #D5B4D9, #E6C6EC, #F7D8FF and #FFEAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BFA2CB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BFA2CB shade: #BFA2CB, #AE90B8, #9D7EA5, #8C6C92 and #7B5A7F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BFA2CB shade: #C0A4CC, #CBA4CC, #CCA4C2, #CCA4B7 and #CCA4AC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BFA2CB shade: #C0A4CC, #B5A4CC, #AAA4CC and #A4A4CC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BFA2CB shade matches the following richer shades: #C0A4CC, #C598D7, #C98DE3, #CE81EE and #D375FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BFA2CB shade: #C0A4CC, #BBAFC0, #B6BBB4, #B2C6A9 and #ADD29D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BFA2CB shade: #AAA4CC, #B5A4CC, #C0A4CC, #CAA4CC and #CCA4C2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BFA2CB shade: #9B6FAE, #AE89BD, #C0A4CC, #D2BEDA and #E4D8E9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BFA2CB shade: #BFA2CB, #CCA4A8 and #A4CCB0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BFA2CB shade: #BFA2CB, #CCC0A4 and #A4CCC0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BFA2CB shade: #BFA2CB, #CCA4A8, #B0CCA4 and #A4CCC8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BFA2CB shade: #BFA2CB, #CCACA4, #B0CCA4 and #A4C4CC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 20 / 0 / 20

HEX #BFA2CB

RGB 191 162 203

HSL 282.44, 0.28%, 0.72%

LAB 70.34, 18.1, -16.98

 

Complementary color

CMYK 31 / 0 / 44 / 64

HEX #405D34

RGB 64 93 52

HSL 102.44, 0.28%, 0.28%

LAB 36.3, -19.43, 20.18

 

CMYK 1 / 18 / 0 / 22

HEX #C4A2C6

RGB 196 162 198

HSL 296.67, 0.24%, 0.71%

LAB 70.63, 18.81, -13.73

 

CMYK 2 / 17 / 0 / 15

HEX #D5B4D9

RGB 213 180 217

HSL 293.51, 0.33%, 0.78%

LAB 77.16, 18.33, -14.17

 

CMYK 3 / 16 / 0 / 7

HEX #E6C6EC

RGB 230 198 236

HSL 290.53, 0.5%, 0.85%

LAB 83.58, 17.88, -14.59

 

CMYK 3 / 15 / 0 / 0

HEX #F7D8FF

RGB 247 216 255

HSL 287.69, 1%, 0.92%

LAB 89.91, 17.47, -15.01

 

CMYK 0 / 8 / 0 / 0

HEX #FFEAFF

RGB 255 234 255

HSL 300, 1%, 0.96%

LAB 94.88, 10.72, -7.54

 

CMYK 6 / 20 / 0 / 20

HEX #BFA2CB

RGB 191 162 203

HSL 282.44, 0.28%, 0.72%

LAB 70.34, 18.1, -16.98

 

CMYK 5 / 22 / 0 / 28

HEX #AE90B8

RGB 174 144 184

HSL 285, 0.22%, 0.64%

LAB 63.68, 18.6, -16.62

 

CMYK 5 / 24 / 0 / 35

HEX #9D7EA5

RGB 157 126 165

HSL 287.69, 0.18%, 0.57%

LAB 56.89, 19.15, -16.25

 

CMYK 4 / 26 / 0 / 43

HEX #8C6C92

RGB 140 108 146

HSL 290.53, 0.15%, 0.5%

LAB 49.95, 19.76, -15.88

 

CMYK 3 / 29 / 0 / 50

HEX #7B5A7F

RGB 123 90 127

HSL 293.51, 0.17%, 0.43%

LAB 42.85, 20.43, -15.5

 

CMYK 6 / 20 / 0 / 20

HEX #C0A4CC

RGB 192 164 204

HSL 282, 0.28%, 0.72%

LAB 70.95, 17.52, -16.6

 

CMYK 0 / 20 / 0 / 20

HEX #CBA4CC

RGB 203 164 204

HSL 298.5, 0.28%, 0.72%

LAB 71.97, 21.22, -14.97

 

CMYK 0 / 20 / 5 / 20

HEX #CCA4C2

RGB 204 164 194

HSL 315, 0.28%, 0.72%

LAB 71.75, 19.72, -9.78

 

CMYK 0 / 20 / 10 / 20

HEX #CCA4B7

RGB 204 164 183

HSL 331.5, 0.28%, 0.72%

LAB 71.42, 17.79, -4.18

 

CMYK 0 / 20 / 16 / 20

HEX #CCA4AC

RGB 204 164 172

HSL 348, 0.28%, 0.72%

LAB 71.12, 15.96, 1.46

 

CMYK 6 / 20 / 0 / 20

HEX #C0A4CC

RGB 192 164 204

HSL 282, 0.28%, 0.72%

LAB 70.95, 17.52, -16.6

 

CMYK 11 / 20 / 0 / 20

HEX #B5A4CC

RGB 181 164 204

HSL 265.5, 0.28%, 0.72%

LAB 69.99, 13.88, -18.14

 

CMYK 17 / 20 / 0 / 20

HEX #AAA4CC

RGB 170 164 204

HSL 249, 0.28%, 0.72%

LAB 69.08, 10.3, -19.61

 

CMYK 20 / 20 / 0 / 20

HEX #A4A4CC

RGB 164 164 204

HSL 240, 0.28%, 0.72%

LAB 68.61, 8.39, -20.37

 

CMYK 6 / 20 / 0 / 20

HEX #C0A4CC

RGB 192 164 204

HSL 282, 0.28%, 0.72%

LAB 70.95, 17.52, -16.6

 

CMYK 8 / 29 / 0 / 16

HEX #C598D7

RGB 197 152 215

HSL 282.86, 0.44%, 0.72%

LAB 68.92, 28, -25.71

 

CMYK 11 / 38 / 0 / 11

HEX #C98DE3

RGB 201 141 227

HSL 281.86, 0.61%, 0.72%

LAB 67.29, 37.73, -34.83

 

CMYK 13 / 46 / 0 / 7

HEX #CE81EE

RGB 206 129 238

HSL 282.39, 0.76%, 0.72%

LAB 65.75, 47.85, -43.27

 

CMYK 16 / 53 / 0 / 2

HEX #D375FA

RGB 211 117 250

HSL 282.41, 0.93%, 0.72%

LAB 64.54, 57.75, -51.73

 

CMYK 6 / 20 / 0 / 20

HEX #C0A4CC

RGB 192 164 204

HSL 282, 0.28%, 0.72%

LAB 70.95, 17.52, -16.6

 

CMYK 3 / 9 / 0 / 25

HEX #BBAFC0

RGB 187 175 192

HSL 282.35, 0.12%, 0.72%

LAB 72.91, 7.43, -7.11

 

CMYK 3 / 0 / 4 / 27

HEX #B6BBB4

RGB 182 187 180

HSL 102.86, 0.05%, 0.72%

LAB 75.31, -3.04, 2.93

 

CMYK 10 / 0 / 15 / 22

HEX #B2C6A9

RGB 178 198 169

HSL 101.38, 0.2%, 0.72%

LAB 77.71, -12.16, 12.26

 

CMYK 18 / 0 / 25 / 18

HEX #ADD29D

RGB 173 210 157

HSL 101.89, 0.37%, 0.72%

LAB 80.41, -21.96, 22.35

 

CMYK 17 / 20 / 0 / 20

HEX #AAA4CC

RGB 170 164 204

HSL 249, 0.28%, 0.72%

LAB 69.08, 10.3, -19.61

 

CMYK 11 / 20 / 0 / 20

HEX #B5A4CC

RGB 181 164 204

HSL 265.5, 0.28%, 0.72%

LAB 69.99, 13.88, -18.14

 

CMYK 6 / 20 / 0 / 20

HEX #C0A4CC

RGB 192 164 204

HSL 282, 0.28%, 0.72%

LAB 70.95, 17.52, -16.6

 

CMYK 1 / 20 / 0 / 20

HEX #CAA4CC

RGB 202 164 204

HSL 297, 0.28%, 0.72%

LAB 71.87, 20.88, -15.12

 

CMYK 0 / 20 / 5 / 20

HEX #CCA4C2

RGB 204 164 194

HSL 315, 0.28%, 0.72%

LAB 71.75, 19.72, -9.78

 

CMYK 11 / 36 / 0 / 32

HEX #9B6FAE

RGB 155 111 174

HSL 281.9, 0.28%, 0.56%

LAB 53.38, 29, -26.84

 

CMYK 8 / 28 / 0 / 26

HEX #AE89BD

RGB 174 137 189

HSL 282.69, 0.28%, 0.64%

LAB 62.14, 23.57, -21.78

 

CMYK 6 / 20 / 0 / 20

HEX #C0A4CC

RGB 192 164 204

HSL 282, 0.28%, 0.72%

LAB 70.95, 17.52, -16.6

 

CMYK 4 / 13 / 0 / 15

HEX #D2BEDA

RGB 210 190 218

HSL 282.86, 0.27%, 0.8%

LAB 79.38, 12.11, -11.41

 

CMYK 2 / 7 / 0 / 9

HEX #E4D8E9

RGB 228 216 233

HSL 282.35, 0.28%, 0.88%

LAB 87.72, 7.15, -6.85

 

CMYK 6 / 20 / 0 / 20

HEX #BFA2CB

RGB 191 162 203

HSL 282.44, 0.28%, 0.72%

LAB 70.34, 18.1, -16.98

 

CMYK 0 / 20 / 18 / 20

HEX #CCA4A8

RGB 204 164 168

HSL 354, 0.28%, 0.72%

LAB 71.02, 15.32, 3.52

 

CMYK 20 / 0 / 14 / 20

HEX #A4CCB0

RGB 164 204 176

HSL 138, 0.28%, 0.72%

LAB 78.59, -18.75, 9.63

 

CMYK 6 / 20 / 0 / 20

HEX #BFA2CB

RGB 191 162 203

HSL 282.44, 0.28%, 0.72%

LAB 70.34, 18.1, -16.98

 

CMYK 0 / 6 / 20 / 20

HEX #CCC0A4

RGB 204 192 164

HSL 42, 0.28%, 0.72%

LAB 78, -0.34, 15.64

 

CMYK 20 / 0 / 6 / 20

HEX #A4CCC0

RGB 164 204 192

HSL 162, 0.28%, 0.72%

LAB 78.97, -15.63, 1.61

 

CMYK 6 / 20 / 0 / 20

HEX #BFA2CB

RGB 191 162 203

HSL 282.44, 0.28%, 0.72%

LAB 70.34, 18.1, -16.98

 

CMYK 0 / 20 / 18 / 20

HEX #CCA4A8

RGB 204 164 168

HSL 354, 0.28%, 0.72%

LAB 71.02, 15.32, 3.52

 

CMYK 14 / 0 / 20 / 20

HEX #B0CCA4

RGB 176 204 164

HSL 102, 0.28%, 0.72%

LAB 79.1, -16.77, 16.86

 

CMYK 20 / 0 / 2 / 20

HEX #A4CCC8

RGB 164 204 200

HSL 174, 0.28%, 0.72%

LAB 79.18, -13.97, -2.38

 

CMYK 6 / 20 / 0 / 20

HEX #BFA2CB

RGB 191 162 203

HSL 282.44, 0.28%, 0.72%

LAB 70.34, 18.1, -16.98

 

CMYK 0 / 16 / 20 / 20

HEX #CCACA4

RGB 204 172 164

HSL 12, 0.28%, 0.72%

LAB 72.91, 10.35, 8.43

 

CMYK 14 / 0 / 20 / 20

HEX #B0CCA4

RGB 176 204 164

HSL 102, 0.28%, 0.72%

LAB 79.1, -16.77, 16.86

 

CMYK 20 / 4 / 0 / 20

HEX #A4C4CC

RGB 164 196 204

HSL 192, 0.28%, 0.72%

LAB 77.12, -8.96, -7.58

 

Description

Color code: HEX #BFA2CB | qconv.com Color code: HEX #BFA2CB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 162 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 162 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 20 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 20% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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