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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BF9FDB it is the complementary color #406024. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BF9FDB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BF9FDB shade: #C49FD6, #D5B1E9, #E6C3FC, #F7D5FF and #FFE7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BF9FDB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BF9FDB shade: #BF9FDB, #AE8DC8, #9D7BB5, #8C69A2 and #7B578F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BF9FDB shade: #BF9FDB, #CF9FDB, #DB9FD6, #DB9FC6 and #DB9FB6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BF9FDB shade: #BF9FDB, #AF9FDB and #9F9FDB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BF9FDB shade matches the following richer shades: #BF9FDB, #BF94E5, #C089F0 and #C17FFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BF9FDB shade: #BF9FDB, #BEAAD0, #BDB4C5, #BDBFBA and #BCCAB0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BF9FDB shade: #9F9FDB, #AF9FDB, #BF9FDB, #CF9FDB and #DB9FD7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BF9FDB shade: #9763C4, #AB81CF, #BF9FDB, #D3BDE6 and #E7DBF1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BF9FDB shade: #BF9FDB, #DB9FAF and #9FDBA7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BF9FDB shade: #BF9FDB, #DBBF9F and #9FDBBF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BF9FDB shade: #BF9FDB, #DB9FAF, #BBDB9F and #9FDBCB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BF9FDB shade: #BF9FDB, #DBA19F, #BBDB9F and #9FD9DB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 27 / 0 / 14

HEX #BF9FDB

RGB 191 159 219

HSL 272, 0.45%, 0.74%

LAB 70.17, 23.05, -26.06

 

Complementary color

CMYK 33 / 0 / 63 / 62

HEX #406024

RGB 64 96 36

HSL 92, 0.45%, 0.26%

LAB 37.08, -23.13, 30

 

CMYK 8 / 26 / 0 / 16

HEX #C49FD6

RGB 196 159 214

HSL 280.36, 0.4%, 0.73%

LAB 70.45, 23.62, -22.84

 

CMYK 9 / 24 / 0 / 9

HEX #D5B1E9

RGB 213 177 233

HSL 278.57, 0.56%, 0.8%

LAB 76.97, 23.07, -23.13

 

CMYK 9 / 23 / 0 / 1

HEX #E6C3FC

RGB 230 195 252

HSL 276.84, 0.9%, 0.88%

LAB 83.38, 22.57, -23.42

 

CMYK 3 / 16 / 0 / 0

HEX #F7D5FF

RGB 247 213 255

HSL 288.57, 1%, 0.92%

LAB 89.2, 19.05, -16.08

 

CMYK 0 / 9 / 0 / 0

HEX #FFE7FF

RGB 255 231 255

HSL 300, 1%, 0.95%

LAB 94.15, 12.27, -8.61

 

CMYK 13 / 27 / 0 / 14

HEX #BF9FDB

RGB 191 159 219

HSL 272, 0.45%, 0.74%

LAB 70.17, 23.05, -26.06

 

CMYK 13 / 30 / 0 / 22

HEX #AE8DC8

RGB 174 141 200

HSL 273.56, 0.35%, 0.67%

LAB 63.52, 23.64, -25.84

 

CMYK 13 / 32 / 0 / 29

HEX #9D7BB5

RGB 157 123 181

HSL 275.17, 0.28%, 0.6%

LAB 56.75, 24.28, -25.64

 

CMYK 14 / 35 / 0 / 36

HEX #8C69A2

RGB 140 105 162

HSL 276.84, 0.23%, 0.52%

LAB 49.84, 24.99, -25.45

 

CMYK 14 / 39 / 0 / 44

HEX #7B578F

RGB 123 87 143

HSL 278.57, 0.24%, 0.45%

LAB 42.78, 25.76, -25.27

 

CMYK 13 / 27 / 0 / 14

HEX #BF9FDB

RGB 191 159 219

HSL 272, 0.45%, 0.74%

LAB 70.17, 23.05, -26.06

 

CMYK 5 / 27 / 0 / 14

HEX #CF9FDB

RGB 207 159 219

HSL 288, 0.45%, 0.74%

LAB 71.67, 28.17, -23.62

 

CMYK 0 / 27 / 2 / 14

HEX #DB9FD6

RGB 219 159 214

HSL 305, 0.45%, 0.74%

LAB 72.7, 31.14, -19.2

 

CMYK 0 / 27 / 10 / 14

HEX #DB9FC6

RGB 219 159 198

HSL 321, 0.45%, 0.74%

LAB 72.18, 28.32, -11.17

 

CMYK 0 / 27 / 17 / 14

HEX #DB9FB6

RGB 219 159 182

HSL 337, 0.45%, 0.74%

LAB 71.71, 25.7, -3.03

 

CMYK 13 / 27 / 0 / 14

HEX #BF9FDB

RGB 191 159 219

HSL 272, 0.45%, 0.74%

LAB 70.17, 23.05, -26.06

 

CMYK 20 / 27 / 0 / 14

HEX #AF9FDB

RGB 175 159 219

HSL 256, 0.45%, 0.74%

LAB 68.77, 18.05, -28.32

 

CMYK 27 / 27 / 0 / 14

HEX #9F9FDB

RGB 159 159 219

HSL 240, 0.45%, 0.74%

LAB 67.49, 13.21, -30.41

 

CMYK 13 / 27 / 0 / 14

HEX #BF9FDB

RGB 191 159 219

HSL 272, 0.45%, 0.74%

LAB 70.17, 23.05, -26.06

 

CMYK 17 / 35 / 0 / 10

HEX #BF94E5

RGB 191 148 229

HSL 271.85, 0.61%, 0.74%

LAB 67.96, 31.3, -34.97

 

CMYK 20 / 43 / 0 / 6

HEX #C089F0

RGB 192 137 240

HSL 272.04, 0.77%, 0.74%

LAB 66.05, 40.07, -44

 

CMYK 23 / 49 / 0 / 2

HEX #C17FFB

RGB 193 127 251

HSL 271.94, 0.94%, 0.74%

LAB 64.55, 48.18, -52.4

 

CMYK 13 / 27 / 0 / 14

HEX #BF9FDB

RGB 191 159 219

HSL 272, 0.45%, 0.74%

LAB 70.17, 23.05, -26.06

 

CMYK 9 / 18 / 0 / 18

HEX #BEAAD0

RGB 190 170 208

HSL 271.58, 0.29%, 0.74%

LAB 72.4, 14.36, -16.63

 

CMYK 4 / 9 / 0 / 23

HEX #BDB4C5

RGB 189 180 197

HSL 271.76, 0.13%, 0.74%

LAB 74.5, 6.36, -7.46

 

CMYK 1 / 0 / 3 / 25

HEX #BDBFBA

RGB 189 191 186

HSL 84, 0.04%, 0.74%

LAB 77.06, -1.61, 2.27

 

CMYK 7 / 0 / 13 / 21

HEX #BCCAB0

RGB 188 202 176

HSL 92.31, 0.2%, 0.74%

LAB 79.65, -9.49, 11.36

 

CMYK 27 / 27 / 0 / 14

HEX #9F9FDB

RGB 159 159 219

HSL 240, 0.45%, 0.74%

LAB 67.49, 13.21, -30.41

 

CMYK 20 / 27 / 0 / 14

HEX #AF9FDB

RGB 175 159 219

HSL 256, 0.45%, 0.74%

LAB 68.77, 18.05, -28.32

 

CMYK 13 / 27 / 0 / 14

HEX #BF9FDB

RGB 191 159 219

HSL 272, 0.45%, 0.74%

LAB 70.17, 23.05, -26.06

 

CMYK 5 / 27 / 0 / 14

HEX #CF9FDB

RGB 207 159 219

HSL 288, 0.45%, 0.74%

LAB 71.67, 28.17, -23.62

 

CMYK 0 / 27 / 2 / 14

HEX #DB9FD7

RGB 219 159 215

HSL 304, 0.45%, 0.74%

LAB 72.74, 31.32, -19.7

 

CMYK 23 / 49 / 0 / 23

HEX #9763C4

RGB 151 99 196

HSL 272.16, 0.45%, 0.58%

LAB 51.25, 39.56, -42.89

 

CMYK 17 / 38 / 0 / 19

HEX #AB81CF

RGB 171 129 207

HSL 272.31, 0.45%, 0.66%

LAB 60.66, 31.02, -34.23

 

CMYK 13 / 27 / 0 / 14

HEX #BF9FDB

RGB 191 159 219

HSL 272, 0.45%, 0.74%

LAB 70.17, 23.05, -26.06

 

CMYK 8 / 18 / 0 / 10

HEX #D3BDE6

RGB 211 189 230

HSL 272.2, 0.45%, 0.82%

LAB 79.59, 15.33, -17.55

 

CMYK 4 / 9 / 0 / 5

HEX #E7DBF1

RGB 231 219 241

HSL 272.73, 0.44%, 0.9%

LAB 88.92, 8.06, -9.26

 

CMYK 13 / 27 / 0 / 14

HEX #BF9FDB

RGB 191 159 219

HSL 272, 0.45%, 0.74%

LAB 70.17, 23.05, -26.06

 

CMYK 0 / 27 / 20 / 14

HEX #DB9FAF

RGB 219 159 175

HSL 344, 0.45%, 0.74%

LAB 71.52, 24.62, 0.56

 

CMYK 27 / 0 / 24 / 14

HEX #9FDBA7

RGB 159 219 167

HSL 128, 0.45%, 0.74%

LAB 82.28, -29.36, 19.56

 

CMYK 13 / 27 / 0 / 14

HEX #BF9FDB

RGB 191 159 219

HSL 272, 0.45%, 0.74%

LAB 70.17, 23.05, -26.06

 

CMYK 0 / 13 / 27 / 14

HEX #DBBF9F

RGB 219 191 159

HSL 32, 0.45%, 0.74%

LAB 78.94, 5.15, 19.82

 

CMYK 27 / 0 / 13 / 14

HEX #9FDBBF

RGB 159 219 191

HSL 152, 0.45%, 0.74%

LAB 82.8, -24.87, 7.64

 

CMYK 13 / 27 / 0 / 14

HEX #BF9FDB

RGB 191 159 219

HSL 272, 0.45%, 0.74%

LAB 70.17, 23.05, -26.06

 

CMYK 0 / 27 / 20 / 14

HEX #DB9FAF

RGB 219 159 175

HSL 344, 0.45%, 0.74%

LAB 71.52, 24.62, 0.56

 

CMYK 15 / 0 / 27 / 14

HEX #BBDB9F

RGB 187 219 159

HSL 92, 0.45%, 0.74%

LAB 83.83, -21.13, 26.11

 

CMYK 27 / 0 / 7 / 14

HEX #9FDBCB

RGB 159 219 203

HSL 164, 0.45%, 0.74%

LAB 83.1, -22.42, 1.7

 

CMYK 13 / 27 / 0 / 14

HEX #BF9FDB

RGB 191 159 219

HSL 272, 0.45%, 0.74%

LAB 70.17, 23.05, -26.06

 

CMYK 0 / 26 / 27 / 14

HEX #DBA19F

RGB 219 161 159

HSL 2, 0.45%, 0.74%

LAB 71.59, 21.22, 9.51

 

CMYK 15 / 0 / 27 / 14

HEX #BBDB9F

RGB 187 219 159

HSL 92, 0.45%, 0.74%

LAB 83.83, -21.13, 26.11

 

CMYK 27 / 1 / 0 / 14

HEX #9FD9DB

RGB 159 217 219

HSL 182, 0.45%, 0.74%

LAB 82.97, -17.94, -6.98

 

Description

Color code: HEX #BF9FDB | qconv.com Color code: HEX #BF9FDB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 159 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 159 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 27 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 27% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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