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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BF9F9C it is the complementary color #406063. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BF9F9C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BF9F9C shade: #C49F97, #D5B1AA, #E6C3BD, #F7D5D0 and #FFE7E3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BF9F9C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BF9F9C shade: #BF9F9C, #AE8D89, #9D7B76, #8C6963 and #7B5750

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BF9F9C shade: #BF9F9C and #BF9C9C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BF9F9C shade: #BF9F9C, #BFA89C, #BFB29C, #BFBB9C and #B9BF9C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BF9F9C shade matches the following richer shades: #BF9F9C, #CC948F, #D98982, #E67E75 and #F37367

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BF9F9C shade: #BF9F9C, #B1AAA9, #A4B5B7, #97C0C4 and #8ACBD1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BF9F9C shade: #BF9CAC, #BF9CA3, #BF9F9C, #BFA89C and #BFB19C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BF9F9C shade: #9E6F6A, #AE8783, #BF9F9C, #CFB7B5 and #DFD0CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BF9F9C shade: #BF9F9C, #B5BF9C and #9CA7BF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BF9F9C shade: #BF9F9C, #9CBF9F and #9F9CBF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BF9F9C shade: #BF9F9C, #B5BF9C, #9CBCBF and #A69CBF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BF9F9C shade: #BF9F9C, #ABBF9C, #9CBCBF and #B09CBF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 18 / 25

HEX #BF9F9C

RGB 191 159 156

HSL 5.14, 0.21%, 0.68%

LAB 68.22, 11.31, 5.97

 

Complementary color

CMYK 35 / 3 / 0 / 61

HEX #406063

RGB 64 96 99

HSL 185.14, 0.21%, 0.32%

LAB 38.47, -10.78, -5.44

 

CMYK 0 / 19 / 23 / 23

HEX #C49F97

RGB 196 159 151

HSL 10.67, 0.28%, 0.68%

LAB 68.58, 12.44, 9.33

 

CMYK 0 / 17 / 20 / 16

HEX #D5B1AA

RGB 213 177 170

HSL 9.77, 0.34%, 0.75%

LAB 75.13, 11.93, 8.45

 

CMYK 0 / 15 / 18 / 10

HEX #E6C3BD

RGB 230 195 189

HSL 8.78, 0.45%, 0.82%

LAB 81.58, 11.47, 7.62

 

CMYK 0 / 14 / 16 / 3

HEX #F7D5D0

RGB 247 213 208

HSL 7.69, 0.71%, 0.89%

LAB 87.93, 11.05, 6.84

 

CMYK 0 / 9 / 11 / 0

HEX #FFE7E3

RGB 255 231 227

HSL 8.57, 1%, 0.95%

LAB 93.43, 7.53, 4.91

 

CMYK 0 / 17 / 18 / 25

HEX #BF9F9C

RGB 191 159 156

HSL 5.14, 0.21%, 0.68%

LAB 68.22, 11.31, 5.97

 

CMYK 0 / 19 / 21 / 32

HEX #AE8D89

RGB 174 141 137

HSL 6.49, 0.19%, 0.61%

LAB 61.53, 11.82, 6.84

 

CMYK 0 / 22 / 25 / 38

HEX #9D7B76

RGB 157 123 118

HSL 7.69, 0.17%, 0.54%

LAB 54.7, 12.41, 7.77

 

CMYK 0 / 25 / 29 / 45

HEX #8C6963

RGB 140 105 99

HSL 8.78, 0.17%, 0.47%

LAB 47.73, 13.08, 8.81

 

CMYK 0 / 29 / 35 / 52

HEX #7B5750

RGB 123 87 80

HSL 9.77, 0.21%, 0.4%

LAB 40.58, 13.88, 9.98

 

CMYK 0 / 17 / 18 / 25

HEX #BF9F9C

RGB 191 159 156

HSL 5.14, 0.21%, 0.68%

LAB 68.22, 11.31, 5.97

 

CMYK 0 / 18 / 18 / 25

HEX #BF9C9C

RGB 191 156 156

HSL 0, 0.21%, 0.68%

LAB 67.47, 12.96, 4.89

 

CMYK 0 / 17 / 18 / 25

HEX #BF9F9C

RGB 191 159 156

HSL 5.14, 0.21%, 0.68%

LAB 68.22, 11.31, 5.97

 

CMYK 0 / 12 / 18 / 25

HEX #BFA89C

RGB 191 168 156

HSL 20.57, 0.21%, 0.68%

LAB 70.51, 6.39, 9.25

 

CMYK 0 / 7 / 18 / 25

HEX #BFB29C

RGB 191 178 156

HSL 37.71, 0.21%, 0.68%

LAB 73.1, 0.99, 12.92

 

CMYK 0 / 2 / 18 / 25

HEX #BFBB9C

RGB 191 187 156

HSL 53.14, 0.21%, 0.68%

LAB 75.46, -3.8, 16.23

 

CMYK 3 / 0 / 18 / 25

HEX #B9BF9C

RGB 185 191 156

HSL 70.29, 0.21%, 0.68%

LAB 76.05, -8.13, 16.99

 

CMYK 0 / 17 / 18 / 25

HEX #BF9F9C

RGB 191 159 156

HSL 5.14, 0.21%, 0.68%

LAB 68.22, 11.31, 5.97

 

CMYK 0 / 27 / 30 / 20

HEX #CC948F

RGB 204 148 143

HSL 4.92, 0.37%, 0.68%

LAB 66.52, 20.4, 10.98

 

CMYK 0 / 37 / 40 / 15

HEX #D98982

RGB 217 137 130

HSL 4.83, 0.53%, 0.68%

LAB 65.16, 29.75, 16.6

 

CMYK 0 / 45 / 49 / 10

HEX #E67E75

RGB 230 126 117

HSL 4.78, 0.69%, 0.68%

LAB 64.18, 39.12, 22.84

 

CMYK 0 / 53 / 58 / 5

HEX #F37367

RGB 243 115 103

HSL 5.14, 0.85%, 0.68%

LAB 63.59, 48.21, 30.23

 

CMYK 0 / 17 / 18 / 25

HEX #BF9F9C

RGB 191 159 156

HSL 5.14, 0.21%, 0.68%

LAB 68.22, 11.31, 5.97

 

CMYK 0 / 4 / 5 / 31

HEX #B1AAA9

RGB 177 170 169

HSL 7.5, 0.05%, 0.68%

LAB 70.15, 2.32, 1.4

 

CMYK 10 / 1 / 0 / 28

HEX #A4B5B7

RGB 164 181 183

HSL 186.32, 0.12%, 0.68%

LAB 72.47, -5.45, -3.03

 

CMYK 23 / 2 / 0 / 23

HEX #97C0C4

RGB 151 192 196

HSL 185.33, 0.28%, 0.68%

LAB 74.99, -12.65, -6.49

 

CMYK 34 / 3 / 0 / 18

HEX #8ACBD1

RGB 138 203 209

HSL 185.07, 0.44%, 0.68%

LAB 77.71, -19.05, -9.57

 

CMYK 0 / 18 / 10 / 25

HEX #BF9CAC

RGB 191 156 172

HSL 332.57, 0.21%, 0.68%

LAB 67.9, 15.62, -3.42

 

CMYK 0 / 18 / 15 / 25

HEX #BF9CA3

RGB 191 156 163

HSL 348, 0.21%, 0.68%

LAB 67.65, 14.09, 1.24

 

CMYK 0 / 17 / 18 / 25

HEX #BF9F9C

RGB 191 159 156

HSL 5.14, 0.21%, 0.68%

LAB 68.22, 11.31, 5.97

 

CMYK 0 / 12 / 18 / 25

HEX #BFA89C

RGB 191 168 156

HSL 20.57, 0.21%, 0.68%

LAB 70.51, 6.39, 9.25

 

CMYK 0 / 7 / 18 / 25

HEX #BFB19C

RGB 191 177 156

HSL 36, 0.21%, 0.68%

LAB 72.84, 1.53, 12.55

 

CMYK 0 / 30 / 33 / 38

HEX #9E6F6A

RGB 158 111 106

HSL 5.77, 0.21%, 0.52%

LAB 51.47, 17.96, 10.24

 

CMYK 0 / 22 / 25 / 32

HEX #AE8783

RGB 174 135 131

HSL 5.58, 0.21%, 0.6%

LAB 59.86, 14.28, 7.87

 

CMYK 0 / 17 / 18 / 25

HEX #BF9F9C

RGB 191 159 156

HSL 5.14, 0.21%, 0.68%

LAB 68.22, 11.31, 5.97

 

CMYK 0 / 12 / 13 / 19

HEX #CFB7B5

RGB 207 183 181

HSL 4.62, 0.21%, 0.76%

LAB 76.36, 8.23, 4.15

 

CMYK 0 / 7 / 8 / 13

HEX #DFD0CE

RGB 223 208 206

HSL 7.06, 0.21%, 0.84%

LAB 84.62, 4.85, 2.85

 

CMYK 0 / 17 / 18 / 25

HEX #BF9F9C

RGB 191 159 156

HSL 5.14, 0.21%, 0.68%

LAB 68.22, 11.31, 5.97

 

CMYK 5 / 0 / 18 / 25

HEX #B5BF9C

RGB 181 191 156

HSL 77.14, 0.21%, 0.68%

LAB 75.75, -9.61, 16.52

 

CMYK 18 / 13 / 0 / 25

HEX #9CA7BF

RGB 156 167 191

HSL 221.14, 0.21%, 0.68%

LAB 68.36, 1.23, -13.6

 

CMYK 0 / 17 / 18 / 25

HEX #BF9F9C

RGB 191 159 156

HSL 5.14, 0.21%, 0.68%

LAB 68.22, 11.31, 5.97

 

CMYK 18 / 0 / 17 / 25

HEX #9CBF9F

RGB 156 191 159

HSL 125.14, 0.21%, 0.68%

LAB 74.08, -18.02, 12.31

 

CMYK 17 / 18 / 0 / 25

HEX #9F9CBF

RGB 159 156 191

HSL 245.14, 0.21%, 0.68%

LAB 65.68, 8.33, -17.63

 

CMYK 0 / 17 / 18 / 25

HEX #BF9F9C

RGB 191 159 156

HSL 5.14, 0.21%, 0.68%

LAB 68.22, 11.31, 5.97

 

CMYK 5 / 0 / 18 / 25

HEX #B5BF9C

RGB 181 191 156

HSL 77.14, 0.21%, 0.68%

LAB 75.75, -9.61, 16.52

 

CMYK 18 / 2 / 0 / 25

HEX #9CBCBF

RGB 156 188 191

HSL 185.14, 0.21%, 0.68%

LAB 74.06, -10.1, -5.12

 

CMYK 13 / 18 / 0 / 25

HEX #A69CBF

RGB 166 156 191

HSL 257.14, 0.21%, 0.68%

LAB 66.25, 10.62, -16.72

 

CMYK 0 / 17 / 18 / 25

HEX #BF9F9C

RGB 191 159 156

HSL 5.14, 0.21%, 0.68%

LAB 68.22, 11.31, 5.97

 

CMYK 10 / 0 / 18 / 25

HEX #ABBF9C

RGB 171 191 156

HSL 94.29, 0.21%, 0.68%

LAB 75.03, -13.26, 15.4

 

CMYK 18 / 2 / 0 / 25

HEX #9CBCBF

RGB 156 188 191

HSL 185.14, 0.21%, 0.68%

LAB 74.06, -10.1, -5.12

 

CMYK 8 / 18 / 0 / 25

HEX #B09CBF

RGB 176 156 191

HSL 274.29, 0.21%, 0.68%

LAB 67.1, 13.97, -15.34

 

Description

Color code: HEX #BF9F9C | qconv.com Color code: HEX #BF9F9C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 159 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 159 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 18 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 18% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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