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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BF9F90 it is the complementary color #40606F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BF9F90. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BF9F90 shade: #C49F8B, #D5B19E, #E6C3B1, #F7D5C4 and #FFE7D7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BF9F90. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BF9F90 shade: #BF9F90, #AE8D7D, #9D7B6A, #8C6957 and #7B5744

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BF9F90 shade: #BF9F90, #BF9390 and #BF9090

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BF9F90 shade: #BF9F90, #BFAC90, #BFB990, #B9BF90 and #ADBF90

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BF9F90 shade matches the following richer shades: #BF9F90, #CD9A82, #DB9574, #E99066 and #F78B58

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BF9F90 shade: #BF9F90, #B1A49E, #A3A9AC, #95AFBA and #87B4C9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BF9F90 shade: #BF909B, #BF9390, #BF9F90, #BFAC90 and #BFB890

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BF9F90 shade: #A1725C, #B08976, #BF9F90, #CEB6AB and #DDCDC5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BF9F90 shade: #BF9F90, #A7BF90 and #9094BF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BF9F90 shade: #BF9F90, #90BF9F and #9F90BF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BF9F90 shade: #BF9F90, #A7BF90, #90B0BF and #A990BF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BF9F90 shade: #BF9F90, #99BF90, #90B0BF and #B790BF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 25 / 25

HEX #BF9F90

RGB 191 159 144

HSL 19.15, 0.27%, 0.66%

LAB 67.94, 9.49, 12.24

 

Complementary color

CMYK 42 / 14 / 0 / 56

HEX #40606F

RGB 64 96 111

HSL 199.15, 0.27%, 0.34%

LAB 38.9, -7.36, -12.19

 

CMYK 0 / 19 / 29 / 23

HEX #C49F8B

RGB 196 159 139

HSL 21.05, 0.33%, 0.66%

LAB 68.31, 10.73, 15.6

 

CMYK 0 / 17 / 26 / 16

HEX #D5B19E

RGB 213 177 158

HSL 20.73, 0.4%, 0.73%

LAB 74.86, 10.18, 14.59

 

CMYK 0 / 15 / 23 / 10

HEX #E6C3B1

RGB 230 195 177

HSL 20.38, 0.51%, 0.8%

LAB 81.31, 9.69, 13.65

 

CMYK 0 / 14 / 21 / 3

HEX #F7D5C4

RGB 247 213 196

HSL 20, 0.76%, 0.87%

LAB 87.65, 9.25, 12.77

 

CMYK 0 / 9 / 16 / 0

HEX #FFE7D7

RGB 255 231 215

HSL 24, 1%, 0.92%

LAB 93.15, 5.66, 10.75

 

CMYK 0 / 17 / 25 / 25

HEX #BF9F90

RGB 191 159 144

HSL 19.15, 0.27%, 0.66%

LAB 67.94, 9.49, 12.24

 

CMYK 0 / 19 / 28 / 32

HEX #AE8D7D

RGB 174 141 125

HSL 19.59, 0.23%, 0.59%

LAB 61.25, 10.04, 13.24

 

CMYK 0 / 22 / 32 / 38

HEX #9D7B6A

RGB 157 123 106

HSL 20, 0.21%, 0.52%

LAB 54.42, 10.67, 14.34

 

CMYK 0 / 25 / 38 / 45

HEX #8C6957

RGB 140 105 87

HSL 20.38, 0.23%, 0.45%

LAB 47.45, 11.42, 15.55

 

CMYK 0 / 29 / 45 / 52

HEX #7B5744

RGB 123 87 68

HSL 20.73, 0.29%, 0.37%

LAB 40.32, 12.32, 16.93

 

CMYK 0 / 17 / 25 / 25

HEX #BF9F90

RGB 191 159 144

HSL 19.15, 0.27%, 0.66%

LAB 67.94, 9.49, 12.24

 

CMYK 0 / 23 / 25 / 25

HEX #BF9390

RGB 191 147 144

HSL 3.83, 0.27%, 0.66%

LAB 64.93, 16.1, 7.97

 

CMYK 0 / 25 / 25 / 25

HEX #BF9090

RGB 191 144 144

HSL 0, 0.27%, 0.66%

LAB 64.19, 17.76, 6.92

 

CMYK 0 / 17 / 25 / 25

HEX #BF9F90

RGB 191 159 144

HSL 19.15, 0.27%, 0.66%

LAB 67.94, 9.49, 12.24

 

CMYK 0 / 10 / 25 / 25

HEX #BFAC90

RGB 191 172 144

HSL 35.74, 0.27%, 0.66%

LAB 71.28, 2.42, 16.91

 

CMYK 0 / 3 / 25 / 25

HEX #BFB990

RGB 191 185 144

HSL 52.34, 0.27%, 0.66%

LAB 74.69, -4.5, 21.62

 

CMYK 3 / 0 / 25 / 25

HEX #B9BF90

RGB 185 191 144

HSL 67.66, 0.27%, 0.66%

LAB 75.82, -9.93, 23.08

 

CMYK 9 / 0 / 25 / 25

HEX #ADBF90

RGB 173 191 144

HSL 82.98, 0.27%, 0.66%

LAB 74.93, -14.44, 21.72

 

CMYK 0 / 17 / 25 / 25

HEX #BF9F90

RGB 191 159 144

HSL 19.15, 0.27%, 0.66%

LAB 67.94, 9.49, 12.24

 

CMYK 0 / 25 / 37 / 20

HEX #CD9A82

RGB 205 154 130

HSL 19.2, 0.43%, 0.66%

LAB 67.8, 15.85, 20.01

 

CMYK 0 / 32 / 47 / 14

HEX #DB9574

RGB 219 149 116

HSL 19.22, 0.59%, 0.66%

LAB 67.88, 22.6, 28.08

 

CMYK 0 / 38 / 56 / 9

HEX #E99066

RGB 233 144 102

HSL 19.24, 0.75%, 0.66%

LAB 68.19, 29.61, 36.36

 

CMYK 0 / 44 / 64 / 3

HEX #F78B58

RGB 247 139 88

HSL 19.25, 0.91%, 0.66%

LAB 68.71, 36.74, 44.75

 

CMYK 0 / 17 / 25 / 25

HEX #BF9F90

RGB 191 159 144

HSL 19.15, 0.27%, 0.66%

LAB 67.94, 9.49, 12.24

 

CMYK 0 / 7 / 11 / 31

HEX #B1A49E

RGB 177 164 158

HSL 18.95, 0.11%, 0.66%

LAB 68.29, 3.66, 4.8

 

CMYK 5 / 2 / 0 / 33

HEX #A3A9AC

RGB 163 169 172

HSL 200, 0.05%, 0.66%

LAB 68.85, -1.53, -2.29

 

CMYK 20 / 6 / 0 / 27

HEX #95AFBA

RGB 149 175 186

HSL 197.84, 0.21%, 0.66%

LAB 69.89, -6.5, -8.6

 

CMYK 33 / 10 / 0 / 21

HEX #87B4C9

RGB 135 180 201

HSL 199.09, 0.38%, 0.66%

LAB 70.88, -9.87, -15.47

 

CMYK 0 / 25 / 19 / 25

HEX #BF909B

RGB 191 144 155

HSL 345.96, 0.27%, 0.66%

LAB 64.48, 19.44, 1.12

 

CMYK 0 / 23 / 25 / 25

HEX #BF9390

RGB 191 147 144

HSL 3.83, 0.27%, 0.66%

LAB 64.93, 16.1, 7.97

 

CMYK 0 / 17 / 25 / 25

HEX #BF9F90

RGB 191 159 144

HSL 19.15, 0.27%, 0.66%

LAB 67.94, 9.49, 12.24

 

CMYK 0 / 10 / 25 / 25

HEX #BFAC90

RGB 191 172 144

HSL 35.74, 0.27%, 0.66%

LAB 71.28, 2.42, 16.91

 

CMYK 0 / 4 / 25 / 25

HEX #BFB890

RGB 191 184 144

HSL 51.06, 0.27%, 0.66%

LAB 74.43, -3.98, 21.26

 

CMYK 0 / 29 / 43 / 37

HEX #A1725C

RGB 161 114 92

HSL 19.13, 0.27%, 0.5%

LAB 52.27, 15.71, 19.56

 

CMYK 0 / 22 / 33 / 31

HEX #B08976

RGB 176 137 118

HSL 19.66, 0.27%, 0.58%

LAB 60.27, 12.12, 15.88

 

CMYK 0 / 17 / 25 / 25

HEX #BF9F90

RGB 191 159 144

HSL 19.15, 0.27%, 0.66%

LAB 67.94, 9.49, 12.24

 

CMYK 0 / 12 / 17 / 19

HEX #CEB6AB

RGB 206 182 171

HSL 18.86, 0.26%, 0.74%

LAB 75.77, 6.79, 8.73

 

CMYK 0 / 7 / 11 / 13

HEX #DDCDC5

RGB 221 205 197

HSL 20, 0.26%, 0.82%

LAB 83.48, 4.22, 5.97

 

CMYK 0 / 17 / 25 / 25

HEX #BF9F90

RGB 191 159 144

HSL 19.15, 0.27%, 0.66%

LAB 67.94, 9.49, 12.24

 

CMYK 13 / 0 / 25 / 25

HEX #A7BF90

RGB 167 191 144

HSL 90.64, 0.27%, 0.66%

LAB 74.5, -16.65, 21.07

 

CMYK 25 / 23 / 0 / 25

HEX #9094BF

RGB 144 148 191

HSL 234.89, 0.27%, 0.66%

LAB 62.4, 8.07, -22.74

 

CMYK 0 / 17 / 25 / 25

HEX #BF9F90

RGB 191 159 144

HSL 19.15, 0.27%, 0.66%

LAB 67.94, 9.49, 12.24

 

CMYK 25 / 0 / 17 / 25

HEX #90BF9F

RGB 144 191 159

HSL 139.15, 0.27%, 0.66%

LAB 73.35, -22.05, 11.16

 

CMYK 17 / 25 / 0 / 25

HEX #9F90BF

RGB 159 144 191

HSL 259.15, 0.27%, 0.66%

LAB 62.57, 15.12, -22.36

 

CMYK 0 / 17 / 25 / 25

HEX #BF9F90

RGB 191 159 144

HSL 19.15, 0.27%, 0.66%

LAB 67.94, 9.49, 12.24

 

CMYK 13 / 0 / 25 / 25

HEX #A7BF90

RGB 167 191 144

HSL 90.64, 0.27%, 0.66%

LAB 74.5, -16.65, 21.07

 

CMYK 25 / 8 / 0 / 25

HEX #90B0BF

RGB 144 176 191

HSL 199.15, 0.27%, 0.66%

LAB 69.99, -7.46, -11.24

 

CMYK 12 / 25 / 0 / 25

HEX #A990BF

RGB 169 144 191

HSL 271.91, 0.27%, 0.66%

LAB 63.46, 18.38, -20.93

 

CMYK 0 / 17 / 25 / 25

HEX #BF9F90

RGB 191 159 144

HSL 19.15, 0.27%, 0.66%

LAB 67.94, 9.49, 12.24

 

CMYK 20 / 0 / 25 / 25

HEX #99BF90

RGB 153 191 144

HSL 108.51, 0.27%, 0.66%

LAB 73.58, -21.68, 19.65

 

CMYK 25 / 8 / 0 / 25

HEX #90B0BF

RGB 144 176 191

HSL 199.15, 0.27%, 0.66%

LAB 69.99, -7.46, -11.24

 

CMYK 4 / 25 / 0 / 25

HEX #B790BF

RGB 183 144 191

HSL 289.79, 0.27%, 0.66%

LAB 64.78, 23.04, -18.79

 

Description

Color code: HEX #BF9F90 | qconv.com Color code: HEX #BF9F90 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 159 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 159 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 25 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 25% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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