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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BF9A8D it is the complementary color #406572. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BF9A8D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BF9A8D shade: #C49A88, #D5AC9B, #E6BEAE, #F7D0C1 and #FFE2D4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BF9A8D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BF9A8D shade: #BF9A8D, #AE887A, #9D7667, #8C6454 and #7B5241

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BF9A8D shade: #BE998C and #BE8C8C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BF9A8D shade: #BE998C, #BEA78C, #BEB48C, #BBBE8C and #ADBE8C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BF9A8D shade matches the following richer shades: #BE998C, #CD927E, #DB8B6F, #EA8461 and #F87E52

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BF9A8D shade: #BE998C, #B0A09B, #A1A7A9, #93AEB8 and #84B5C6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BF9A8D shade: #BE8C9A, #BE8C8D, #BE998C, #BEA68C and #BEB38C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BF9A8D shade: #9F6B59, #AF8272, #BE998C, #CDB1A7 and #DCC8C1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BF9A8D shade: #BF9A8D, #A8BE8C and #8C94BE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BF9A8D shade: #BF9A8D, #8CBE99 and #998CBE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BF9A8D shade: #BF9A8D, #A8BE8C, #8CB2BE and #A38CBE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BF9A8D shade: #BF9A8D, #99BE8C, #8CB2BE and #B28CBE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 26 / 25

HEX #BF9A8D

RGB 191 154 141

HSL 15.6, 0.28%, 0.65%

LAB 66.6, 11.8, 12.03

 

Complementary color

CMYK 44 / 11 / 0 / 55

HEX #406572

RGB 64 101 114

HSL 195.6, 0.28%, 0.35%

LAB 40.59, -9.44, -11.46

 

CMYK 0 / 21 / 31 / 23

HEX #C49A88

RGB 196 154 136

HSL 18, 0.34%, 0.65%

LAB 66.99, 13.06, 15.43

 

CMYK 0 / 19 / 27 / 16

HEX #D5AC9B

RGB 213 172 155

HSL 17.59, 0.41%, 0.72%

LAB 73.56, 12.45, 14.4

 

CMYK 0 / 17 / 24 / 10

HEX #E6BEAE

RGB 230 190 174

HSL 17.14, 0.53%, 0.79%

LAB 80.01, 11.91, 13.44

 

CMYK 0 / 16 / 22 / 3

HEX #F7D0C1

RGB 247 208 193

HSL 16.67, 0.77%, 0.86%

LAB 86.37, 11.43, 12.54

 

CMYK 0 / 11 / 17 / 0

HEX #FFE2D4

RGB 255 226 212

HSL 19.53, 1%, 0.92%

LAB 91.87, 7.77, 10.47

 

CMYK 0 / 19 / 26 / 25

HEX #BF9A8D

RGB 191 154 141

HSL 15.6, 0.28%, 0.65%

LAB 66.6, 11.8, 12.03

 

CMYK 0 / 22 / 30 / 32

HEX #AE887A

RGB 174 136 122

HSL 16.15, 0.24%, 0.58%

LAB 59.9, 12.42, 13.06

 

CMYK 0 / 25 / 34 / 38

HEX #9D7667

RGB 157 118 103

HSL 16.67, 0.22%, 0.51%

LAB 53.06, 13.13, 14.19

 

CMYK 0 / 29 / 40 / 45

HEX #8C6454

RGB 140 100 84

HSL 17.14, 0.25%, 0.44%

LAB 46.08, 13.96, 15.46

 

CMYK 0 / 33 / 47 / 52

HEX #7B5241

RGB 123 82 65

HSL 17.59, 0.31%, 0.37%

LAB 38.95, 14.97, 16.92

 

CMYK 0 / 19 / 26 / 25

HEX #BE998C

RGB 190 153 140

HSL 15.6, 0.28%, 0.65%

LAB 66.23, 11.82, 12.04

 

CMYK 0 / 26 / 26 / 25

HEX #BE8C8C

RGB 190 140 140

HSL 0, 0.28%, 0.65%

LAB 63.01, 19.01, 7.47

 

CMYK 0 / 19 / 26 / 25

HEX #BE998C

RGB 190 153 140

HSL 15.6, 0.28%, 0.65%

LAB 66.23, 11.82, 12.04

 

CMYK 0 / 12 / 26 / 25

HEX #BEA78C

RGB 190 167 140

HSL 32.4, 0.28%, 0.65%

LAB 69.81, 4.16, 17.05

 

CMYK 0 / 5 / 26 / 25

HEX #BEB48C

RGB 190 180 140

HSL 48, 0.28%, 0.65%

LAB 73.21, -2.81, 21.73

 

CMYK 2 / 0 / 26 / 25

HEX #BBBE8C

RGB 187 190 140

HSL 63.6, 0.28%, 0.65%

LAB 75.63, -9.22, 24.98

 

CMYK 9 / 0 / 26 / 25

HEX #ADBE8C

RGB 173 190 140

HSL 80.4, 0.28%, 0.65%

LAB 74.57, -14.53, 23.37

 

CMYK 0 / 19 / 26 / 25

HEX #BE998C

RGB 190 153 140

HSL 15.6, 0.28%, 0.65%

LAB 66.23, 11.82, 12.04

 

CMYK 0 / 29 / 39 / 20

HEX #CD927E

RGB 205 146 126

HSL 15.19, 0.44%, 0.65%

LAB 65.78, 19.74, 19.46

 

CMYK 0 / 37 / 49 / 14

HEX #DB8B6F

RGB 219 139 111

HSL 15.56, 0.6%, 0.65%

LAB 65.49, 27.49, 27.67

 

CMYK 0 / 44 / 59 / 8

HEX #EA8461

RGB 234 132 97

HSL 15.33, 0.77%, 0.65%

LAB 65.64, 35.9, 35.88

 

CMYK 0 / 49 / 67 / 3

HEX #F87E52

RGB 248 126 82

HSL 15.9, 0.92%, 0.65%

LAB 66.13, 43.33, 44.87

 

CMYK 0 / 19 / 26 / 25

HEX #BE998C

RGB 190 153 140

HSL 15.6, 0.28%, 0.65%

LAB 66.23, 11.82, 12.04

 

CMYK 0 / 9 / 12 / 31

HEX #B0A09B

RGB 176 160 155

HSL 14.29, 0.12%, 0.65%

LAB 67.08, 4.97, 4.71

 

CMYK 5 / 1 / 0 / 34

HEX #A1A7A9

RGB 161 167 169

HSL 195, 0.04%, 0.65%

LAB 68.08, -1.73, -1.78

 

CMYK 20 / 5 / 0 / 28

HEX #93AEB8

RGB 147 174 184

HSL 196.22, 0.21%, 0.65%

LAB 69.42, -7.05, -8.21

 

CMYK 33 / 9 / 0 / 22

HEX #84B5C6

RGB 132 181 198

HSL 195.45, 0.37%, 0.65%

LAB 70.89, -11.99, -13.82

 

CMYK 0 / 26 / 19 / 25

HEX #BE8C9A

RGB 190 140 154

HSL 343.2, 0.28%, 0.65%

LAB 63.37, 21.13, 0.06

 

CMYK 0 / 26 / 26 / 25

HEX #BE8C8D

RGB 190 140 141

HSL 358.8, 0.28%, 0.65%

LAB 63.03, 19.15, 6.94

 

CMYK 0 / 19 / 26 / 25

HEX #BE998C

RGB 190 153 140

HSL 15.6, 0.28%, 0.65%

LAB 66.23, 11.82, 12.04

 

CMYK 0 / 13 / 26 / 25

HEX #BEA68C

RGB 190 166 140

HSL 31.2, 0.28%, 0.65%

LAB 69.55, 4.71, 16.69

 

CMYK 0 / 6 / 26 / 25

HEX #BEB38C

RGB 190 179 140

HSL 46.8, 0.28%, 0.65%

LAB 72.95, -2.28, 21.37

 

CMYK 0 / 33 / 44 / 38

HEX #9F6B59

RGB 159 107 89

HSL 15.43, 0.28%, 0.49%

LAB 50.22, 18.53, 18.51

 

CMYK 0 / 26 / 35 / 31

HEX #AF8272

RGB 175 130 114

HSL 15.74, 0.28%, 0.57%

LAB 58.32, 15.11, 15.43

 

CMYK 0 / 19 / 26 / 25

HEX #BE998C

RGB 190 153 140

HSL 15.6, 0.28%, 0.65%

LAB 66.23, 11.82, 12.04

 

CMYK 0 / 14 / 19 / 20

HEX #CDB1A7

RGB 205 177 167

HSL 15.79, 0.28%, 0.73%

LAB 74.33, 8.49, 8.83

 

CMYK 0 / 9 / 12 / 14

HEX #DCC8C1

RGB 220 200 193

HSL 15.56, 0.28%, 0.81%

LAB 82.04, 5.84, 6.03

 

CMYK 0 / 19 / 26 / 25

HEX #BF9A8D

RGB 191 154 141

HSL 15.6, 0.28%, 0.65%

LAB 66.6, 11.8, 12.03

 

CMYK 12 / 0 / 26 / 25

HEX #A8BE8C

RGB 168 190 140

HSL 86.4, 0.28%, 0.65%

LAB 74.22, -16.39, 22.83

 

CMYK 26 / 22 / 0 / 25

HEX #8C94BE

RGB 140 148 190

HSL 230.4, 0.28%, 0.65%

LAB 62.06, 6.59, -22.72

 

CMYK 0 / 19 / 26 / 25

HEX #BF9A8D

RGB 191 154 141

HSL 15.6, 0.28%, 0.65%

LAB 66.6, 11.8, 12.03

 

CMYK 26 / 0 / 19 / 25

HEX #8CBE99

RGB 140 190 153

HSL 135.6, 0.28%, 0.65%

LAB 72.7, -24, 13.46

 

CMYK 19 / 26 / 0 / 25

HEX #998CBE

RGB 153 140 190

HSL 255.6, 0.28%, 0.65%

LAB 61, 15.25, -24.26

 

CMYK 0 / 19 / 26 / 25

HEX #BF9A8D

RGB 191 154 141

HSL 15.6, 0.28%, 0.65%

LAB 66.6, 11.8, 12.03

 

CMYK 12 / 0 / 26 / 25

HEX #A8BE8C

RGB 168 190 140

HSL 86.4, 0.28%, 0.65%

LAB 74.22, -16.39, 22.83

 

CMYK 26 / 6 / 0 / 25

HEX #8CB2BE

RGB 140 178 190

HSL 194.4, 0.28%, 0.65%

LAB 70.27, -9.99, -10.3

 

CMYK 14 / 26 / 0 / 25

HEX #A38CBE

RGB 163 140 190

HSL 267.6, 0.28%, 0.65%

LAB 61.88, 18.47, -22.83

 

CMYK 0 / 19 / 26 / 25

HEX #BF9A8D

RGB 191 154 141

HSL 15.6, 0.28%, 0.65%

LAB 66.6, 11.8, 12.03

 

CMYK 19 / 0 / 26 / 25

HEX #99BE8C

RGB 153 190 140

HSL 104.4, 0.28%, 0.65%

LAB 73.22, -21.84, 21.29

 

CMYK 26 / 6 / 0 / 25

HEX #8CB2BE

RGB 140 178 190

HSL 194.4, 0.28%, 0.65%

LAB 70.27, -9.99, -10.3

 

CMYK 6 / 26 / 0 / 25

HEX #B28CBE

RGB 178 140 190

HSL 285.6, 0.28%, 0.65%

LAB 63.29, 23.41, -20.54

 

Description

Color code: HEX #BF9A8D | qconv.com Color code: HEX #BF9A8D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 154 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 154 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 26 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 26% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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