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Color name
HEX #BF9752

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BF9752 it is the complementary color #4068AD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BF9752. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BF9752 shade: #C4974D, #D5A960, #E6BB73, #F7CD86 and #FFDF99

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BF9752. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BF9752 shade: #BF9752, #AE853F, #9D732C, #8C6119 and #7B4F06

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BF9752 shade: #BF9853, #BF7A53, #BF5D53 and #BF5353

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BF9752 shade: #BF9853, #BFB553, #ADBF53, #8FBF53 and #72BF53

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BF9752 shade matches the following richer shades: #BF9853, #D29D40, #E5A22D and #F8A71A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BF9752 shade: #BF9853, #AC9366, #998D79, #86888C and #73839F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BF9752 shade: #BF5C53, #BF7953, #BF9653, #BFB353 and #AFBF53

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BF9752 shade: #8C6C34, #AA833F, #BF9853, #CAAA71 and #D5BC8F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BF9752 shade: #BF9752, #67BF53 and #6B53BF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BF9752 shade: #BF9752, #53BF96 and #9653BF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BF9752 shade: #BF9752, #67BF53, #537DBF and #AB53BF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BF9752 shade: #BF9752, #53BF60, #537DBF and #BF53B3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 57 / 25

HEX #BF9752

RGB 191 151 82

HSL 37.98, 0.46%, 0.54%

LAB 64.82, 6.84, 41.59

 

Complementary color

CMYK 63 / 40 / 0 / 32

HEX #4068AD

RGB 64 104 173

HSL 217.98, 0.46%, 0.46%

LAB 44.24, 8.15, -41.1

 

CMYK 0 / 23 / 61 / 23

HEX #C4974D

RGB 196 151 77

HSL 37.31, 0.5%, 0.54%

LAB 65.28, 8.61, 44.77

 

CMYK 0 / 21 / 55 / 16

HEX #D5A960

RGB 213 169 96

HSL 37.44, 0.58%, 0.61%

LAB 71.8, 7.56, 43.41

 

CMYK 0 / 19 / 50 / 10

HEX #E6BB73

RGB 230 187 115

HSL 37.57, 0.7%, 0.68%

LAB 78.23, 6.67, 42.08

 

CMYK 0 / 17 / 46 / 3

HEX #F7CD86

RGB 247 205 134

HSL 37.7, 0.88%, 0.75%

LAB 84.57, 5.9, 40.79

 

CMYK 0 / 13 / 40 / 0

HEX #FFDF99

RGB 255 223 153

HSL 41.18, 1%, 0.8%

LAB 90.01, 1.72, 38.36

 

CMYK 0 / 21 / 57 / 25

HEX #BF9752

RGB 191 151 82

HSL 37.98, 0.46%, 0.54%

LAB 64.82, 6.84, 41.59

 

CMYK 0 / 24 / 64 / 32

HEX #AE853F

RGB 174 133 63

HSL 37.84, 0.47%, 0.46%

LAB 58.16, 7.96, 42.94

 

CMYK 0 / 27 / 72 / 38

HEX #9D732C

RGB 157 115 44

HSL 37.7, 0.56%, 0.39%

LAB 51.39, 9.31, 44.16

 

CMYK 0 / 31 / 82 / 45

HEX #8C6119

RGB 140 97 25

HSL 37.57, 0.7%, 0.32%

LAB 44.51, 10.96, 44.91

 

CMYK 0 / 36 / 95 / 52

HEX #7B4F06

RGB 123 79 6

HSL 37.44, 0.91%, 0.25%

LAB 37.51, 12.99, 44.45

 

CMYK 0 / 20 / 57 / 25

HEX #BF9853

RGB 191 152 83

HSL 38.33, 0.46%, 0.54%

LAB 65.09, 6.38, 41.4

 

CMYK 0 / 36 / 57 / 25

HEX #BF7A53

RGB 191 122 83

HSL 21.67, 0.46%, 0.54%

LAB 57.67, 22.9, 32.36

 

CMYK 0 / 51 / 57 / 25

HEX #BF5D53

RGB 191 93 83

HSL 5.56, 0.46%, 0.54%

LAB 51.3, 38.44, 24.23

 

CMYK 0 / 57 / 57 / 25

HEX #BF5353

RGB 191 83 83

HSL 0, 0.46%, 0.54%

LAB 49.36, 43.44, 21.68

 

CMYK 0 / 20 / 57 / 25

HEX #BF9853

RGB 191 152 83

HSL 38.33, 0.46%, 0.54%

LAB 65.09, 6.38, 41.4

 

CMYK 0 / 5 / 57 / 25

HEX #BFB553

RGB 191 181 83

HSL 54.44, 0.46%, 0.54%

LAB 72.73, -9.09, 50.29

 

CMYK 9 / 0 / 57 / 25

HEX #ADBF53

RGB 173 191 83

HSL 70, 0.46%, 0.54%

LAB 74.04, -21.64, 51.41

 

CMYK 25 / 0 / 57 / 25

HEX #8FBF53

RGB 143 191 83

HSL 86.67, 0.46%, 0.54%

LAB 72.04, -33.42, 48.59

 

CMYK 40 / 0 / 57 / 25

HEX #72BF53

RGB 114 191 83

HSL 102.78, 0.46%, 0.54%

LAB 70.5, -43.63, 46.4

 

CMYK 0 / 20 / 57 / 25

HEX #BF9853

RGB 191 152 83

HSL 38.33, 0.46%, 0.54%

LAB 65.09, 6.38, 41.4

 

CMYK 0 / 25 / 70 / 18

HEX #D29D40

RGB 210 157 64

HSL 38.22, 0.62%, 0.54%

LAB 68.16, 10.57, 54.46

 

CMYK 0 / 29 / 80 / 10

HEX #E5A22D

RGB 229 162 45

HSL 38.15, 0.78%, 0.54%

LAB 71.34, 15.25, 65.74

 

CMYK 0 / 33 / 90 / 3

HEX #F8A71A

RGB 248 167 26

HSL 38.11, 0.94%, 0.54%

LAB 74.62, 20.23, 74.62

 

CMYK 0 / 20 / 57 / 25

HEX #BF9853

RGB 191 152 83

HSL 38.33, 0.46%, 0.54%

LAB 65.09, 6.38, 41.4

 

CMYK 0 / 15 / 41 / 33

HEX #AC9366

RGB 172 147 102

HSL 38.57, 0.3%, 0.54%

LAB 62.17, 2.92, 27.28

 

CMYK 0 / 8 / 21 / 40

HEX #998D79

RGB 153 141 121

HSL 37.5, 0.14%, 0.54%

LAB 59.16, 1.07, 12.29

 

CMYK 4 / 3 / 0 / 45

HEX #86888C

RGB 134 136 140

HSL 220, 0.03%, 0.54%

LAB 56.65, 0.07, -2.4

 

CMYK 28 / 18 / 0 / 38

HEX #73839F

RGB 115 131 159

HSL 218.18, 0.19%, 0.54%

LAB 54.43, 0.82, -16.86

 

CMYK 0 / 52 / 57 / 25

HEX #BF5C53

RGB 191 92 83

HSL 5, 0.46%, 0.54%

LAB 51.1, 38.95, 23.97

 

CMYK 0 / 37 / 57 / 25

HEX #BF7953

RGB 191 121 83

HSL 21.11, 0.46%, 0.54%

LAB 57.44, 23.45, 32.06

 

CMYK 0 / 21 / 57 / 25

HEX #BF9653

RGB 191 150 83

HSL 37.22, 0.46%, 0.54%

LAB 64.57, 7.47, 40.79

 

CMYK 0 / 6 / 57 / 25

HEX #BFB353

RGB 191 179 83

HSL 53.33, 0.46%, 0.54%

LAB 72.19, -8.05, 49.68

 

CMYK 8 / 0 / 57 / 25

HEX #AFBF53

RGB 175 191 83

HSL 68.89, 0.46%, 0.54%

LAB 74.19, -20.82, 51.61

 

CMYK 0 / 23 / 63 / 45

HEX #8C6C34

RGB 140 108 52

HSL 38.18, 0.46%, 0.38%

LAB 47.69, 6.08, 35.61

 

CMYK 0 / 23 / 63 / 33

HEX #AA833F

RGB 170 131 63

HSL 38.13, 0.46%, 0.46%

LAB 57.21, 7.31, 41.74

 

CMYK 0 / 20 / 57 / 25

HEX #BF9853

RGB 191 152 83

HSL 38.33, 0.46%, 0.54%

LAB 65.09, 6.38, 41.4

 

CMYK 0 / 16 / 44 / 21

HEX #CAAA71

RGB 202 170 113

HSL 38.43, 0.46%, 0.62%

LAB 71.21, 4.05, 33.67

 

CMYK 0 / 12 / 33 / 16

HEX #D5BC8F

RGB 213 188 143

HSL 38.57, 0.45%, 0.7%

LAB 77.34, 2.33, 26.06

 

CMYK 0 / 21 / 57 / 25

HEX #BF9752

RGB 191 151 82

HSL 37.98, 0.46%, 0.54%

LAB 64.82, 6.84, 41.59

 

CMYK 46 / 0 / 57 / 25

HEX #67BF53

RGB 103 191 83

HSL 108.89, 0.46%, 0.54%

LAB 70.01, -47.07, 45.71

 

CMYK 44 / 57 / 0 / 25

HEX #6B53BF

RGB 107 83 191

HSL 253.33, 0.46%, 0.54%

LAB 42.87, 36.31, -53.65

 

CMYK 0 / 21 / 57 / 25

HEX #BF9752

RGB 191 151 82

HSL 37.98, 0.46%, 0.54%

LAB 64.82, 6.84, 41.59

 

CMYK 57 / 0 / 21 / 25

HEX #53BF96

RGB 83 191 150

HSL 157.22, 0.46%, 0.54%

LAB 70.39, -40.85, 11.46

 

CMYK 21 / 57 / 0 / 25

HEX #9653BF

RGB 150 83 191

HSL 277.22, 0.46%, 0.54%

LAB 47.54, 46.82, -45.92

 

CMYK 0 / 21 / 57 / 25

HEX #BF9752

RGB 191 151 82

HSL 37.98, 0.46%, 0.54%

LAB 64.82, 6.84, 41.59

 

CMYK 46 / 0 / 57 / 25

HEX #67BF53

RGB 103 191 83

HSL 108.89, 0.46%, 0.54%

LAB 70.01, -47.07, 45.71

 

CMYK 57 / 35 / 0 / 25

HEX #537DBF

RGB 83 125 191

HSL 216.67, 0.46%, 0.54%

LAB 52.14, 5.2, -38.98

 

CMYK 10 / 57 / 0 / 25

HEX #AB53BF

RGB 171 83 191

HSL 288.89, 0.46%, 0.54%

LAB 50.22, 52.29, -41.49

 

CMYK 0 / 21 / 57 / 25

HEX #BF9752

RGB 191 151 82

HSL 37.98, 0.46%, 0.54%

LAB 64.82, 6.84, 41.59

 

CMYK 57 / 0 / 50 / 25

HEX #53BF60

RGB 83 191 96

HSL 127.22, 0.46%, 0.54%

LAB 69.43, -50.85, 38.56

 

CMYK 57 / 35 / 0 / 25

HEX #537DBF

RGB 83 125 191

HSL 216.67, 0.46%, 0.54%

LAB 52.14, 5.2, -38.98

 

CMYK 0 / 57 / 6 / 25

HEX #BF53B3

RGB 191 83 179

HSL 306.67, 0.46%, 0.54%

LAB 52.42, 55.51, -30.89

 

Description

Color code: HEX #BF9752 | qconv.com Color code: HEX #BF9752 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 151 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 151 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 57 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 57% 25% C M Y K

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Provide designers and agencies with accurate color values.

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