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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BF96CF it is the complementary color #406930. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BF96CF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BF96CF shade: #C496CA, #D5A8DD, #E6BAF0, #F7CCFF and #FFDEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BF96CF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BF96CF shade: #BF96CF, #AE84BC, #9D72A9, #8C6096 and #7B4E83

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BF96CF shade: #BF96CF, #CE96CF, #CF96C0, #CF96B1 and #CF96A2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BF96CF shade: #BF96CF, #B096CF, #A096CF and #9696CF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BF96CF shade matches the following richer shades: #BF96CF, #C48ADB, #CA7DE8 and #CF71F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BF96CF shade: #BF96CF, #B9A3C2, #B4AFB6, #AFBBAA and #A9C89D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BF96CF shade: #A196CF, #B096CF, #BF96CF, #CE96CF and #CF96C1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BF96CF shade: #9C5EB5, #AE7AC2, #BF96CF, #D0B2DC and #E1CFE9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BF96CF shade: #BF96CF, #CF969B and #96CFA8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BF96CF shade: #BF96CF, #CFBF96 and #96CFBF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BF96CF shade: #BF96CF, #CF969B, #A6CF96 and #96CFCA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BF96CF shade: #BF96CF, #CFA296, #A6CF96 and #96C3CF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 28 / 0 / 19

HEX #BF96CF

RGB 191 150 207

HSL 283.16, 0.37%, 0.7%

LAB 67.57, 25.55, -23.4

 

Complementary color

CMYK 39 / 0 / 54 / 59

HEX #406930

RGB 64 105 48

HSL 103.16, 0.37%, 0.3%

LAB 40.26, -26.14, 27.38

 

CMYK 3 / 26 / 0 / 21

HEX #C496CA

RGB 196 150 202

HSL 293.08, 0.33%, 0.69%

LAB 67.88, 26.2, -20.1

 

CMYK 4 / 24 / 0 / 13

HEX #D5A8DD

RGB 213 168 221

HSL 290.94, 0.44%, 0.76%

LAB 74.43, 25.6, -20.47

 

CMYK 4 / 23 / 0 / 6

HEX #E6BAF0

RGB 230 186 240

HSL 288.89, 0.64%, 0.84%

LAB 80.87, 25.05, -20.83

 

CMYK 3 / 20 / 0 / 0

HEX #F7CCFF

RGB 247 204 255

HSL 290.59, 1%, 0.9%

LAB 87.09, 23.79, -19.26

 

CMYK 0 / 13 / 0 / 0

HEX #FFDEFF

RGB 255 222 255

HSL 300, 1%, 0.94%

LAB 92.01, 16.95, -11.8

 

CMYK 8 / 28 / 0 / 19

HEX #BF96CF

RGB 191 150 207

HSL 283.16, 0.37%, 0.7%

LAB 67.57, 25.55, -23.4

 

CMYK 7 / 30 / 0 / 26

HEX #AE84BC

RGB 174 132 188

HSL 285, 0.29%, 0.63%

LAB 60.9, 26.19, -23.11

 

CMYK 7 / 33 / 0 / 34

HEX #9D72A9

RGB 157 114 169

HSL 286.91, 0.24%, 0.55%

LAB 54.1, 26.87, -22.82

 

CMYK 7 / 36 / 0 / 41

HEX #8C6096

RGB 140 96 150

HSL 288.89, 0.22%, 0.48%

LAB 47.16, 27.62, -22.52

 

CMYK 6 / 40 / 0 / 49

HEX #7B4E83

RGB 123 78 131

HSL 290.94, 0.25%, 0.41%

LAB 40.08, 28.42, -22.19

 

CMYK 8 / 28 / 0 / 19

HEX #BF96CF

RGB 191 150 207

HSL 283.16, 0.37%, 0.7%

LAB 67.57, 25.55, -23.4

 

CMYK 0 / 28 / 0 / 19

HEX #CE96CF

RGB 206 150 207

HSL 298.95, 0.37%, 0.7%

LAB 69.07, 30.45, -20.98

 

CMYK 0 / 28 / 7 / 19

HEX #CF96C0

RGB 207 150 192

HSL 315.79, 0.37%, 0.7%

LAB 68.67, 28.05, -13.25

 

CMYK 0 / 28 / 14 / 19

HEX #CF96B1

RGB 207 150 177

HSL 331.58, 0.37%, 0.7%

LAB 68.21, 25.51, -5.57

 

CMYK 0 / 28 / 22 / 19

HEX #CF96A2

RGB 207 150 162

HSL 347.37, 0.37%, 0.7%

LAB 67.79, 23.15, 2.21

 

CMYK 8 / 28 / 0 / 19

HEX #BF96CF

RGB 191 150 207

HSL 283.16, 0.37%, 0.7%

LAB 67.57, 25.55, -23.4

 

CMYK 15 / 28 / 0 / 19

HEX #B096CF

RGB 176 150 207

HSL 267.37, 0.37%, 0.7%

LAB 66.17, 20.73, -25.67

 

CMYK 23 / 28 / 0 / 19

HEX #A096CF

RGB 160 150 207

HSL 250.53, 0.37%, 0.7%

LAB 64.8, 15.72, -27.9

 

CMYK 28 / 28 / 0 / 19

HEX #9696CF

RGB 150 150 207

HSL 240, 0.37%, 0.7%

LAB 64, 12.69, -29.19

 

CMYK 8 / 28 / 0 / 19

HEX #BF96CF

RGB 191 150 207

HSL 283.16, 0.37%, 0.7%

LAB 67.57, 25.55, -23.4

 

CMYK 11 / 37 / 0 / 14

HEX #C48ADB

RGB 196 138 219

HSL 282.96, 0.53%, 0.7%

LAB 65.77, 36.2, -32.8

 

CMYK 13 / 46 / 0 / 9

HEX #CA7DE8

RGB 202 125 232

HSL 283.18, 0.7%, 0.7%

LAB 64.2, 47.6, -42.41

 

CMYK 15 / 54 / 0 / 4

HEX #CF71F4

RGB 207 113 244

HSL 283.05, 0.86%, 0.7%

LAB 63.02, 57.49, -50.88

 

CMYK 8 / 28 / 0 / 19

HEX #BF96CF

RGB 191 150 207

HSL 283.16, 0.37%, 0.7%

LAB 67.57, 25.55, -23.4

 

CMYK 5 / 16 / 0 / 24

HEX #B9A3C2

RGB 185 163 194

HSL 282.58, 0.2%, 0.7%

LAB 69.76, 13.73, -12.94

 

CMYK 1 / 4 / 0 / 29

HEX #B4AFB6

RGB 180 175 182

HSL 282.86, 0.05%, 0.7%

LAB 72.05, 3.08, -2.95

 

CMYK 6 / 0 / 9 / 27

HEX #AFBBAA

RGB 175 187 170

HSL 102.35, 0.11%, 0.7%

LAB 74.54, -7.32, 7.18

 

CMYK 16 / 0 / 22 / 22

HEX #A9C89D

RGB 169 200 157

HSL 103.26, 0.28%, 0.7%

LAB 77.39, -18.39, 18.13

 

CMYK 22 / 28 / 0 / 19

HEX #A196CF

RGB 161 150 207

HSL 251.58, 0.37%, 0.7%

LAB 64.88, 16.03, -27.76

 

CMYK 15 / 28 / 0 / 19

HEX #B096CF

RGB 176 150 207

HSL 267.37, 0.37%, 0.7%

LAB 66.17, 20.73, -25.67

 

CMYK 8 / 28 / 0 / 19

HEX #BF96CF

RGB 191 150 207

HSL 283.16, 0.37%, 0.7%

LAB 67.57, 25.55, -23.4

 

CMYK 0 / 28 / 0 / 19

HEX #CE96CF

RGB 206 150 207

HSL 298.95, 0.37%, 0.7%

LAB 69.07, 30.45, -20.98

 

CMYK 0 / 28 / 7 / 19

HEX #CF96C1

RGB 207 150 193

HSL 314.74, 0.37%, 0.7%

LAB 68.7, 28.23, -13.76

 

CMYK 14 / 48 / 0 / 29

HEX #9C5EB5

RGB 156 94 181

HSL 282.76, 0.37%, 0.54%

LAB 49.99, 40.36, -36.18

 

CMYK 10 / 37 / 0 / 24

HEX #AE7AC2

RGB 174 122 194

HSL 283.33, 0.37%, 0.62%

LAB 58.8, 33.05, -29.75

 

CMYK 8 / 28 / 0 / 19

HEX #BF96CF

RGB 191 150 207

HSL 283.16, 0.37%, 0.7%

LAB 67.57, 25.55, -23.4

 

CMYK 5 / 19 / 0 / 14

HEX #D0B2DC

RGB 208 178 220

HSL 282.86, 0.38%, 0.78%

LAB 76.33, 18.33, -17.1

 

CMYK 3 / 11 / 0 / 9

HEX #E1CFE9

RGB 225 207 233

HSL 281.54, 0.37%, 0.86%

LAB 85.26, 10.89, -10.53

 

CMYK 8 / 28 / 0 / 19

HEX #BF96CF

RGB 191 150 207

HSL 283.16, 0.37%, 0.7%

LAB 67.57, 25.55, -23.4

 

CMYK 0 / 28 / 25 / 19

HEX #CF969B

RGB 207 150 155

HSL 354.74, 0.37%, 0.7%

LAB 67.61, 22.12, 5.86

 

CMYK 28 / 0 / 19 / 19

HEX #96CFA8

RGB 150 207 168

HSL 138.95, 0.37%, 0.7%

LAB 78.42, -26.29, 13.56

 

CMYK 8 / 28 / 0 / 19

HEX #BF96CF

RGB 191 150 207

HSL 283.16, 0.37%, 0.7%

LAB 67.57, 25.55, -23.4

 

CMYK 0 / 8 / 28 / 19

HEX #CFBF96

RGB 207 191 150

HSL 43.16, 0.37%, 0.7%

LAB 77.71, -0.67, 22.77

 

CMYK 28 / 0 / 8 / 19

HEX #96CFBF

RGB 150 207 191

HSL 163.16, 0.37%, 0.7%

LAB 78.97, -21.69, 2.03

 

CMYK 8 / 28 / 0 / 19

HEX #BF96CF

RGB 191 150 207

HSL 283.16, 0.37%, 0.7%

LAB 67.57, 25.55, -23.4

 

CMYK 0 / 28 / 25 / 19

HEX #CF969B

RGB 207 150 155

HSL 354.74, 0.37%, 0.7%

LAB 67.61, 22.12, 5.86

 

CMYK 20 / 0 / 28 / 19

HEX #A6CF96

RGB 166 207 150

HSL 103.16, 0.37%, 0.7%

LAB 79, -24.05, 24.03

 

CMYK 28 / 0 / 2 / 19

HEX #96CFCA

RGB 150 207 202

HSL 174.74, 0.37%, 0.7%

LAB 79.26, -19.3, -3.44

 

CMYK 8 / 28 / 0 / 19

HEX #BF96CF

RGB 191 150 207

HSL 283.16, 0.37%, 0.7%

LAB 67.57, 25.55, -23.4

 

CMYK 0 / 22 / 28 / 19

HEX #CFA296

RGB 207 162 150

HSL 12.63, 0.37%, 0.7%

LAB 70.39, 14.87, 12.6

 

CMYK 20 / 0 / 28 / 19

HEX #A6CF96

RGB 166 207 150

HSL 103.16, 0.37%, 0.7%

LAB 79, -24.05, 24.03

 

CMYK 28 / 6 / 0 / 19

HEX #96C3CF

RGB 150 195 207

HSL 192.63, 0.37%, 0.7%

LAB 76.08, -12.01, -10.84

 

Description

Color code: HEX #BF96CF | qconv.com Color code: HEX #BF96CF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 150 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 150 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 28 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 28% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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