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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BF93FE it is the complementary color #406C01. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BF93FE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BF93FE shade: #C493F9, #D5A5FF, #E6B7FF, #F7C9FF and #FFDBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BF93FE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BF93FE shade: #BF93FE, #AE81EB, #9D6FD8, #8C5DC5 and #7B4BB2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BF93FE shade: #C095FE, #DC95FE, #F995FE, #FE95E7 and #FE95CB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BF93FE shade: #C095FE, #A495FE and #9595FE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BF93FE shade matches the following richer shades: #C095FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BF93FE shade: #C095FE, #C29EF5, #C3A6ED, #C5AFE4 and #C6B8DB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BF93FE shade: #95A3FE, #A395FE, #BF95FE, #DB95FE and #F795FE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BF93FE shade: #9043FD, #A86CFE, #C095FE, #D8BEFE and #F1E7FF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BF93FE shade: #BF93FE, #FE95BF and #95FE95

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BF93FE shade: #BF93FE, #FEBF95 and #95FEBF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BF93FE shade: #BF93FE, #FE95BF, #D4FE95 and #95FED4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BF93FE shade: #BF93FE, #FE959F, #D4FE95 and #95FEF3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 42 / 0 / 0

HEX #BF93FE

RGB 191 147 254

HSL 264.67, 0.98%, 0.79%

LAB 68.82, 37.49, -47.3

 

Complementary color

CMYK 41 / 0 / 99 / 58

HEX #406C01

RGB 64 108 1

HSL 84.67, 0.98%, 0.21%

LAB 40.92, -31.07, 46.13

 

CMYK 21 / 41 / 0 / 2

HEX #C493F9

RGB 196 147 249

HSL 268.82, 0.89%, 0.78%

LAB 69.07, 37.74, -44.16

 

CMYK 16 / 35 / 0 / 0

HEX #D5A5FF

RGB 213 165 255

HSL 272, 1%, 0.82%

LAB 75, 34.15, -38.04

 

CMYK 10 / 28 / 0 / 0

HEX #E6B7FF

RGB 230 183 255

HSL 279.17, 1%, 0.86%

LAB 80.69, 29.59, -29.13

 

CMYK 3 / 21 / 0 / 0

HEX #F7C9FF

RGB 247 201 255

HSL 291.11, 1%, 0.89%

LAB 86.39, 25.37, -20.31

 

CMYK 0 / 14 / 0 / 0

HEX #FFDBFF

RGB 255 219 255

HSL 300, 1%, 0.93%

LAB 91.3, 18.51, -12.86

 

CMYK 25 / 42 / 0 / 0

HEX #BF93FE

RGB 191 147 254

HSL 264.67, 0.98%, 0.79%

LAB 68.82, 37.49, -47.3

 

CMYK 26 / 45 / 0 / 8

HEX #AE81EB

RGB 174 129 235

HSL 265.47, 0.73%, 0.71%

LAB 62.25, 38.34, -47.34

 

CMYK 27 / 49 / 0 / 15

HEX #9D6FD8

RGB 157 111 216

HSL 266.29, 0.57%, 0.64%

LAB 55.58, 39.25, -47.39

 

CMYK 29 / 53 / 0 / 23

HEX #8C5DC5

RGB 140 93 197

HSL 267.12, 0.47%, 0.57%

LAB 48.8, 40.21, -47.44

 

CMYK 31 / 58 / 0 / 30

HEX #7B4BB2

RGB 123 75 178

HSL 267.96, 0.41%, 0.5%

LAB 41.93, 41.2, -47.46

 

CMYK 24 / 41 / 0 / 0

HEX #C095FE

RGB 192 149 254

HSL 264.57, 0.98%, 0.79%

LAB 69.37, 36.67, -46.44

 

CMYK 13 / 41 / 0 / 0

HEX #DC95FE

RGB 220 149 254

HSL 280.57, 0.98%, 0.79%

LAB 72.14, 44.56, -41.9

 

CMYK 2 / 41 / 0 / 0

HEX #F995FE

RGB 249 149 254

HSL 297.14, 0.98%, 0.79%

LAB 75.32, 52.92, -36.71

 

CMYK 0 / 41 / 9 / 0

HEX #FE95E7

RGB 254 149 231

HSL 313.14, 0.98%, 0.79%

LAB 75.04, 50.47, -24.6

 

CMYK 0 / 41 / 20 / 0

HEX #FE95CB

RGB 254 149 203

HSL 329.14, 0.98%, 0.79%

LAB 74.11, 46.15, -10.64

 

CMYK 24 / 41 / 0 / 0

HEX #C095FE

RGB 192 149 254

HSL 264.57, 0.98%, 0.79%

LAB 69.37, 36.67, -46.44

 

CMYK 35 / 41 / 0 / 0

HEX #A495FE

RGB 164 149 254

HSL 248.57, 0.98%, 0.79%

LAB 66.93, 29.16, -50.44

 

CMYK 41 / 41 / 0 / 0

HEX #9595FE

RGB 149 149 254

HSL 240, 0.98%, 0.79%

LAB 65.78, 25.39, -52.34

 

CMYK 24 / 41 / 0 / 0

HEX #C095FE

RGB 192 149 254

HSL 264.57, 0.98%, 0.79%

LAB 69.37, 36.67, -46.44

 

CMYK 24 / 41 / 0 / 0

HEX #C095FE

RGB 192 149 254

HSL 264.57, 0.98%, 0.79%

LAB 69.37, 36.67, -46.44

 

CMYK 21 / 36 / 0 / 4

HEX #C29EF5

RGB 194 158 245

HSL 264.83, 0.81%, 0.79%

LAB 71.22, 30.21, -38.63

 

CMYK 18 / 30 / 0 / 7

HEX #C3A6ED

RGB 195 166 237

HSL 264.51, 0.66%, 0.79%

LAB 72.88, 24.31, -31.69

 

CMYK 14 / 23 / 0 / 11

HEX #C5AFE4

RGB 197 175 228

HSL 264.91, 0.5%, 0.79%

LAB 74.91, 18.03, -23.68

 

CMYK 10 / 16 / 0 / 14

HEX #C6B8DB

RGB 198 184 219

HSL 264, 0.33%, 0.79%

LAB 76.92, 11.58, -15.74

 

CMYK 41 / 36 / 0 / 0

HEX #95A3FE

RGB 149 163 254

HSL 232, 0.98%, 0.79%

LAB 69.28, 17.36, -46.81

 

CMYK 36 / 41 / 0 / 0

HEX #A395FE

RGB 163 149 254

HSL 248, 0.98%, 0.79%

LAB 66.85, 28.91, -50.58

 

CMYK 25 / 41 / 0 / 0

HEX #BF95FE

RGB 191 149 254

HSL 264, 0.98%, 0.79%

LAB 69.27, 36.39, -46.6

 

CMYK 14 / 41 / 0 / 0

HEX #DB95FE

RGB 219 149 254

HSL 280, 0.98%, 0.79%

LAB 72.03, 44.27, -42.07

 

CMYK 3 / 41 / 0 / 0

HEX #F795FE

RGB 247 149 254

HSL 296, 0.98%, 0.79%

LAB 75.09, 52.34, -37.08

 

CMYK 43 / 74 / 0 / 1

HEX #9043FD

RGB 144 67 253

HSL 264.84, 0.98%, 0.63%

LAB 48.3, 67.88, -79.95

 

CMYK 34 / 57 / 0 / 0

HEX #A86CFE

RGB 168 108 254

HSL 264.66, 0.99%, 0.71%

LAB 58.23, 52.85, -64.29

 

CMYK 24 / 41 / 0 / 0

HEX #C095FE

RGB 192 149 254

HSL 264.57, 0.98%, 0.79%

LAB 69.37, 36.67, -46.44

 

CMYK 15 / 25 / 0 / 0

HEX #D8BEFE

RGB 216 190 254

HSL 264.38, 0.97%, 0.87%

LAB 81.06, 21.29, -28.13

 

CMYK 5 / 9 / 0 / 0

HEX #F1E7FF

RGB 241 231 255

HSL 265, 1%, 0.95%

LAB 93.05, 7.7, -10.38

 

CMYK 25 / 42 / 0 / 0

HEX #BF93FE

RGB 191 147 254

HSL 264.67, 0.98%, 0.79%

LAB 68.82, 37.49, -47.3

 

CMYK 0 / 41 / 25 / 0

HEX #FE95BF

RGB 254 149 191

HSL 336, 0.98%, 0.79%

LAB 73.76, 44.46, -4.54

 

CMYK 41 / 0 / 41 / 0

HEX #95FE95

RGB 149 254 149

HSL 120, 0.98%, 0.79%

LAB 91.43, -50.86, 40.85

 

CMYK 25 / 42 / 0 / 0

HEX #BF93FE

RGB 191 147 254

HSL 264.67, 0.98%, 0.79%

LAB 68.82, 37.49, -47.3

 

CMYK 0 / 25 / 41 / 0

HEX #FEBF95

RGB 254 191 149

HSL 24, 0.98%, 0.79%

LAB 82.11, 17.46, 29.98

 

CMYK 41 / 0 / 25 / 0

HEX #95FEBF

RGB 149 254 191

HSL 144, 0.98%, 0.79%

LAB 92.15, -43.91, 20.77

 

CMYK 25 / 42 / 0 / 0

HEX #BF93FE

RGB 191 147 254

HSL 264.67, 0.98%, 0.79%

LAB 68.82, 37.49, -47.3

 

CMYK 0 / 41 / 25 / 0

HEX #FE95BF

RGB 254 149 191

HSL 336, 0.98%, 0.79%

LAB 73.76, 44.46, -4.54

 

CMYK 17 / 0 / 41 / 0

HEX #D4FE95

RGB 212 254 149

HSL 84, 0.98%, 0.79%

LAB 94.76, -30.18, 45.78

 

CMYK 41 / 0 / 17 / 0

HEX #95FED4

RGB 149 254 212

HSL 156, 0.98%, 0.79%

LAB 92.59, -39.8, 10.61

 

CMYK 25 / 42 / 0 / 0

HEX #BF93FE

RGB 191 147 254

HSL 264.67, 0.98%, 0.79%

LAB 68.82, 37.49, -47.3

 

CMYK 0 / 41 / 37 / 0

HEX #FE959F

RGB 254 149 159

HSL 354.29, 0.98%, 0.79%

LAB 72.94, 40.45, 11.98

 

CMYK 17 / 0 / 41 / 0

HEX #D4FE95

RGB 212 254 149

HSL 84, 0.98%, 0.79%

LAB 94.76, -30.18, 45.78

 

CMYK 41 / 0 / 4 / 0

HEX #95FEF3

RGB 149 254 243

HSL 173.71, 0.98%, 0.79%

LAB 93.34, -33.01, -4.31

 

Description

Color code: HEX #BF93FE | qconv.com Color code: HEX #BF93FE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 147 green and 254 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 147 254 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 42 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 42% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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