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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BF8ECE it is the complementary color #407131. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BF8ECE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BF8ECE shade: #C48EC9, #D5A0DC, #E6B2EF, #F7C4FF and #FFD6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BF8ECE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BF8ECE shade: #BF8ECE, #AE7CBB, #9D6AA8, #8C5895 and #7B4682

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BF8ECE shade: #BF8DCE, #CE8DCC, #CE8DBA, #CE8DA9 and #CE8D97

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BF8ECE shade: #BF8DCE, #AD8DCE, #9C8DCE and #8D8DCE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BF8ECE shade matches the following richer shades: #BF8DCE, #C680DB, #CD72E8 and #D465F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BF8ECE shade: #BF8DCE, #B89AC1, #B1A7B4, #AAB4A6 and #A3C299

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BF8ECE shade: #9B8DCE, #AC8DCE, #BE8DCE, #CE8DCD and #CE8DBC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BF8ECE shade: #9E53B5, #AE70C2, #BF8DCE, #CFAADA and #DFC7E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BF8ECE shade: #BF8ECE, #CE8D90 and #8DCEA4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BF8ECE shade: #BF8ECE, #CEBE8D and #8DCEBE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BF8ECE shade: #BF8ECE, #CE8D90, #9DCE8D and #8DCECB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BF8ECE shade: #BF8ECE, #CE9D8D, #9DCE8D and #8DBECE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 31 / 0 / 19

HEX #BF8ECE

RGB 191 142 206

HSL 285.94, 0.4%, 0.68%

LAB 65.65, 29.78, -25.78

 

Complementary color

CMYK 43 / 0 / 57 / 56

HEX #407131

RGB 64 113 49

HSL 105.94, 0.4%, 0.32%

LAB 42.95, -29.84, 30.08

 

CMYK 2 / 29 / 0 / 21

HEX #C48EC9

RGB 196 142 201

HSL 294.92, 0.35%, 0.67%

LAB 65.98, 30.41, -22.45

 

CMYK 3 / 27 / 0 / 14

HEX #D5A0DC

RGB 213 160 220

HSL 293, 0.46%, 0.75%

LAB 72.53, 29.76, -22.8

 

CMYK 4 / 26 / 0 / 6

HEX #E6B2EF

RGB 230 178 239

HSL 291.15, 0.66%, 0.82%

LAB 78.98, 29.15, -23.15

 

CMYK 3 / 23 / 0 / 0

HEX #F7C4FF

RGB 247 196 255

HSL 291.86, 1%, 0.88%

LAB 85.24, 28.01, -22.05

 

CMYK 0 / 16 / 0 / 0

HEX #FFD6FF

RGB 255 214 255

HSL 300, 1%, 0.92%

LAB 90.12, 21.12, -14.62

 

CMYK 7 / 31 / 0 / 19

HEX #BF8ECE

RGB 191 142 206

HSL 285.94, 0.4%, 0.68%

LAB 65.65, 29.78, -25.78

 

CMYK 7 / 34 / 0 / 27

HEX #AE7CBB

RGB 174 124 187

HSL 287.62, 0.32%, 0.61%

LAB 58.98, 30.48, -25.5

 

CMYK 7 / 37 / 0 / 34

HEX #9D6AA8

RGB 157 106 168

HSL 289.35, 0.26%, 0.54%

LAB 52.18, 31.23, -25.2

 

CMYK 6 / 41 / 0 / 42

HEX #8C5895

RGB 140 88 149

HSL 291.15, 0.26%, 0.46%

LAB 45.25, 32.02, -24.87

 

CMYK 5 / 46 / 0 / 49

HEX #7B4682

RGB 123 70 130

HSL 293, 0.3%, 0.39%

LAB 38.2, 32.84, -24.49

 

CMYK 7 / 32 / 0 / 19

HEX #BF8DCE

RGB 191 141 206

HSL 286.15, 0.4%, 0.68%

LAB 65.42, 30.34, -26.14

 

CMYK 0 / 32 / 1 / 19

HEX #CE8DCC

RGB 206 141 204

HSL 301.85, 0.4%, 0.68%

LAB 66.92, 34.78, -22.58

 

CMYK 0 / 32 / 10 / 19

HEX #CE8DBA

RGB 206 141 186

HSL 318.46, 0.4%, 0.68%

LAB 66.3, 31.57, -13.46

 

CMYK 0 / 32 / 18 / 19

HEX #CE8DA9

RGB 206 141 169

HSL 334.15, 0.4%, 0.68%

LAB 65.78, 28.77, -4.68

 

CMYK 0 / 32 / 27 / 19

HEX #CE8D97

RGB 206 141 151

HSL 350.77, 0.4%, 0.68%

LAB 65.28, 26.09, 4.75

 

CMYK 7 / 32 / 0 / 19

HEX #BF8DCE

RGB 191 141 206

HSL 286.15, 0.4%, 0.68%

LAB 65.42, 30.34, -26.14

 

CMYK 16 / 32 / 0 / 19

HEX #AD8DCE

RGB 173 141 206

HSL 269.54, 0.4%, 0.68%

LAB 63.66, 24.64, -28.99

 

CMYK 24 / 32 / 0 / 19

HEX #9C8DCE

RGB 156 141 206

HSL 253.85, 0.4%, 0.68%

LAB 62.15, 19.4, -31.46

 

CMYK 32 / 32 / 0 / 19

HEX #8D8DCE

RGB 141 141 206

HSL 240, 0.4%, 0.68%

LAB 60.93, 14.97, -33.45

 

CMYK 7 / 32 / 0 / 19

HEX #BF8DCE

RGB 191 141 206

HSL 286.15, 0.4%, 0.68%

LAB 65.42, 30.34, -26.14

 

CMYK 10 / 42 / 0 / 14

HEX #C680DB

RGB 198 128 219

HSL 286.15, 0.56%, 0.68%

LAB 63.8, 42.21, -35.84

 

CMYK 12 / 51 / 0 / 9

HEX #CD72E8

RGB 205 114 232

HSL 286.27, 0.72%, 0.68%

LAB 62.37, 54.07, -45.26

 

CMYK 14 / 59 / 0 / 4

HEX #D465F6

RGB 212 101 246

HSL 285.93, 0.89%, 0.68%

LAB 61.62, 64.82, -54.16

 

CMYK 7 / 32 / 0 / 19

HEX #BF8DCE

RGB 191 141 206

HSL 286.15, 0.4%, 0.68%

LAB 65.42, 30.34, -26.14

 

CMYK 5 / 20 / 0 / 24

HEX #B89AC1

RGB 184 154 193

HSL 286.15, 0.24%, 0.68%

LAB 67.39, 18.19, -15.95

 

CMYK 2 / 7 / 0 / 29

HEX #B1A7B4

RGB 177 167 180

HSL 286.15, 0.08%, 0.68%

LAB 69.67, 6.02, -5.39

 

CMYK 6 / 0 / 8 / 29

HEX #AAB4A6

RGB 170 180 166

HSL 102.86, 0.09%, 0.68%

LAB 72.19, -6.12, 5.93

 

CMYK 16 / 0 / 21 / 24

HEX #A3C299

RGB 163 194 153

HSL 105.37, 0.25%, 0.68%

LAB 75.25, -18.15, 17.23

 

CMYK 25 / 32 / 0 / 19

HEX #9B8DCE

RGB 155 141 206

HSL 252.92, 0.4%, 0.68%

LAB 62.06, 19.1, -31.6

 

CMYK 17 / 32 / 0 / 19

HEX #AC8DCE

RGB 172 141 206

HSL 268.62, 0.4%, 0.68%

LAB 63.57, 24.32, -29.14

 

CMYK 8 / 32 / 0 / 19

HEX #BE8DCE

RGB 190 141 206

HSL 285.23, 0.4%, 0.68%

LAB 65.32, 30.02, -26.3

 

CMYK 0 / 32 / 0 / 19

HEX #CE8DCD

RGB 206 141 205

HSL 300.92, 0.4%, 0.68%

LAB 66.96, 34.97, -23.09

 

CMYK 0 / 32 / 9 / 19

HEX #CE8DBC

RGB 206 141 188

HSL 316.62, 0.4%, 0.68%

LAB 66.37, 31.91, -14.48

 

CMYK 13 / 54 / 0 / 29

HEX #9E53B5

RGB 158 83 181

HSL 285.92, 0.4%, 0.52%

LAB 48, 46.78, -39.31

 

CMYK 10 / 42 / 0 / 24

HEX #AE70C2

RGB 174 112 194

HSL 285.37, 0.4%, 0.6%

LAB 56.57, 38.59, -33.22

 

CMYK 7 / 32 / 0 / 19

HEX #BF8DCE

RGB 191 141 206

HSL 286.15, 0.4%, 0.68%

LAB 65.42, 30.34, -26.14

 

CMYK 5 / 22 / 0 / 15

HEX #CFAADA

RGB 207 170 218

HSL 286.25, 0.39%, 0.76%

LAB 74.24, 21.97, -19.17

 

CMYK 3 / 14 / 0 / 9

HEX #DFC7E7

RGB 223 199 231

HSL 285, 0.4%, 0.84%

LAB 83.08, 14.1, -12.75

 

CMYK 7 / 31 / 0 / 19

HEX #BF8ECE

RGB 191 142 206

HSL 285.94, 0.4%, 0.68%

LAB 65.65, 29.78, -25.78

 

CMYK 0 / 32 / 30 / 19

HEX #CE8D90

RGB 206 141 144

HSL 357.23, 0.4%, 0.68%

LAB 65.11, 25.12, 8.45

 

CMYK 32 / 0 / 20 / 19

HEX #8DCEA4

RGB 141 206 164

HSL 141.23, 0.4%, 0.68%

LAB 77.57, -29.39, 14.41

 

CMYK 7 / 31 / 0 / 19

HEX #BF8ECE

RGB 191 142 206

HSL 285.94, 0.4%, 0.68%

LAB 65.65, 29.78, -25.78

 

CMYK 0 / 8 / 32 / 19

HEX #CEBE8D

RGB 206 190 141

HSL 45.23, 0.4%, 0.68%

LAB 77.2, -1.71, 26.84

 

CMYK 32 / 0 / 8 / 19

HEX #8DCEBE

RGB 141 206 190

HSL 165.23, 0.4%, 0.68%

LAB 78.18, -24.07, 1.37

 

CMYK 7 / 31 / 0 / 19

HEX #BF8ECE

RGB 191 142 206

HSL 285.94, 0.4%, 0.68%

LAB 65.65, 29.78, -25.78

 

CMYK 0 / 32 / 30 / 19

HEX #CE8D90

RGB 206 141 144

HSL 357.23, 0.4%, 0.68%

LAB 65.11, 25.12, 8.45

 

CMYK 24 / 0 / 32 / 19

HEX #9DCE8D

RGB 157 206 141

HSL 105.23, 0.4%, 0.68%

LAB 78.01, -28.1, 27.31

 

CMYK 32 / 0 / 1 / 19

HEX #8DCECB

RGB 141 206 203

HSL 177.23, 0.4%, 0.68%

LAB 78.53, -21.15, -5.1

 

CMYK 7 / 31 / 0 / 19

HEX #BF8ECE

RGB 191 142 206

HSL 285.94, 0.4%, 0.68%

LAB 65.65, 29.78, -25.78

 

CMYK 0 / 24 / 32 / 19

HEX #CE9D8D

RGB 206 157 141

HSL 14.77, 0.4%, 0.68%

LAB 68.87, 16, 15.42

 

CMYK 24 / 0 / 32 / 19

HEX #9DCE8D

RGB 157 206 141

HSL 105.23, 0.4%, 0.68%

LAB 78.01, -28.1, 27.31

 

CMYK 32 / 8 / 0 / 19

HEX #8DBECE

RGB 141 190 206

HSL 194.77, 0.4%, 0.68%

LAB 74.16, -12.23, -13.24

 

Description

Color code: HEX #BF8ECE | qconv.com Color code: HEX #BF8ECE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 142 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 142 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 31 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 31% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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