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Color name
HEX #BF8D40

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BF8D40 it is the complementary color #4072BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BF8D40. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BF8D40 shade: #C48D3B, #D59F4E, #E6B161, #F7C374 and #FFD587

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BF8D40. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BF8D40 shade: #BF8D40, #AE7B2D, #9D691A, #8C5707 and #7B4500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BF8D40 shade: #BF8D40, #BF6B40, #BF4840 and #BF4040

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BF8D40 shade: #BF8D40, #BFAF40, #ADBF40, #8ABF40 and #68BF40

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BF8D40 shade matches the following richer shades: #BF8D40, #D4912B, #E99616 and #FD9A02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BF8D40 shade: #BF8D40, #AB8954, #968469, #81807E and #6D7C92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BF8D40 shade: #BF4840, #BF6A40, #BF8C40, #BFAE40 and #AEBF40

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BF8D40 shade: #815F2B, #A07635, #BF8D40, #CA9F5F and #D4B27E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BF8D40 shade: #BF8D40, #59BF40 and #5940BF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BF8D40 shade: #BF8D40, #40BF8C and #8C40BF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BF8D40 shade: #BF8D40, #59BF40, #4073BF and #A640BF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BF8D40 shade: #BF8D40, #40BF4D, #4073BF and #BF40B3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 66 / 25

HEX #BF8D40

RGB 191 141 64

HSL 36.38, 0.5%, 0.5%

LAB 62.08, 11.05, 47.33

 

Complementary color

CMYK 66 / 40 / 0 / 25

HEX #4072BF

RGB 64 114 191

HSL 216.38, 0.5%, 0.5%

LAB 48.12, 8.28, -45.41

 

CMYK 0 / 28 / 70 / 23

HEX #C48D3B

RGB 196 141 59

HSL 35.91, 0.54%, 0.5%

LAB 62.59, 12.94, 50.37

 

CMYK 0 / 25 / 63 / 16

HEX #D59F4E

RGB 213 159 78

HSL 36, 0.62%, 0.57%

LAB 69.11, 11.61, 49.12

 

CMYK 0 / 23 / 58 / 10

HEX #E6B161

RGB 230 177 97

HSL 36.09, 0.73%, 0.64%

LAB 75.53, 10.47, 47.78

 

CMYK 0 / 21 / 53 / 3

HEX #F7C374

RGB 247 195 116

HSL 36.18, 0.89%, 0.71%

LAB 81.87, 9.48, 46.44

 

CMYK 0 / 16 / 47 / 0

HEX #FFD587

RGB 255 213 135

HSL 39, 1%, 0.76%

LAB 87.29, 5.04, 43.89

 

CMYK 0 / 26 / 66 / 25

HEX #BF8D40

RGB 191 141 64

HSL 36.38, 0.5%, 0.5%

LAB 62.08, 11.05, 47.33

 

CMYK 0 / 29 / 74 / 32

HEX #AE7B2D

RGB 174 123 45

HSL 36.28, 0.59%, 0.43%

LAB 55.44, 12.5, 48.47

 

CMYK 0 / 33 / 83 / 38

HEX #9D691A

RGB 157 105 26

HSL 36.18, 0.72%, 0.36%

LAB 48.69, 14.23, 49.08

 

CMYK 0 / 38 / 95 / 45

HEX #8C5707

RGB 140 87 7

HSL 36.09, 0.9%, 0.29%

LAB 41.86, 16.31, 48.39

 

CMYK 0 / 44 / 100 / 52

HEX #7B4500

RGB 123 69 0

HSL 33.66, 1%, 0.24%

LAB 34.94, 18.79, 44.7

 

CMYK 0 / 26 / 66 / 25

HEX #BF8D40

RGB 191 141 64

HSL 36.38, 0.5%, 0.5%

LAB 62.08, 11.05, 47.33

 

CMYK 0 / 44 / 66 / 25

HEX #BF6B40

RGB 191 107 64

HSL 20.31, 0.5%, 0.5%

LAB 53.99, 29.71, 38.21

 

CMYK 0 / 62 / 66 / 25

HEX #BF4840

RGB 191 72 64

HSL 3.78, 0.5%, 0.5%

LAB 47.08, 47.3, 29.99

 

CMYK 0 / 66 / 66 / 25

HEX #BF4040

RGB 191 64 64

HSL 0, 0.5%, 0.5%

LAB 45.79, 50.77, 28.41

 

CMYK 0 / 26 / 66 / 25

HEX #BF8D40

RGB 191 141 64

HSL 36.38, 0.5%, 0.5%

LAB 62.08, 11.05, 47.33

 

CMYK 0 / 8 / 66 / 25

HEX #BFAF40

RGB 191 175 64

HSL 52.44, 0.5%, 0.5%

LAB 70.94, -7.26, 56.79

 

CMYK 9 / 0 / 66 / 25

HEX #ADBF40

RGB 173 191 64

HSL 68.5, 0.5%, 0.5%

LAB 73.88, -23.02, 59.37

 

CMYK 28 / 0 / 66 / 25

HEX #8ABF40

RGB 138 191 64

HSL 85.04, 0.5%, 0.5%

LAB 71.58, -36.92, 56.26

 

CMYK 46 / 0 / 66 / 25

HEX #68BF40

RGB 104 191 64

HSL 101.1, 0.5%, 0.5%

LAB 69.88, -48.67, 53.94

 

CMYK 0 / 26 / 66 / 25

HEX #BF8D40

RGB 191 141 64

HSL 36.38, 0.5%, 0.5%

LAB 62.08, 11.05, 47.33

 

CMYK 0 / 32 / 80 / 17

HEX #D4912B

RGB 212 145 43

HSL 36.21, 0.66%, 0.5%

LAB 65.3, 17, 60.27

 

CMYK 0 / 36 / 91 / 9

HEX #E99616

RGB 233 150 22

HSL 36.4, 0.83%, 0.5%

LAB 68.89, 22.79, 70.38

 

CMYK 0 / 39 / 99 / 1

HEX #FD9A02

RGB 253 154 2

HSL 36.33, 0.98%, 0.5%

LAB 72.23, 28.84, 76.84

 

CMYK 0 / 26 / 66 / 25

HEX #BF8D40

RGB 191 141 64

HSL 36.38, 0.5%, 0.5%

LAB 62.08, 11.05, 47.33

 

CMYK 0 / 20 / 51 / 33

HEX #AB8954

RGB 171 137 84

HSL 36.55, 0.34%, 0.5%

LAB 59.15, 6.14, 33.16

 

CMYK 0 / 12 / 30 / 41

HEX #968469

RGB 150 132 105

HSL 36, 0.18%, 0.5%

LAB 56.09, 2.53, 17.1

 

CMYK 0 / 1 / 2 / 49

HEX #81807E

RGB 129 128 126

HSL 40, 0.01%, 0.5%

LAB 53.61, -0.01, 1.21

 

CMYK 25 / 15 / 0 / 43

HEX #6D7C92

RGB 109 124 146

HSL 215.68, 0.15%, 0.5%

LAB 51.54, -0.32, -13.71

 

CMYK 0 / 62 / 66 / 25

HEX #BF4840

RGB 191 72 64

HSL 3.78, 0.5%, 0.5%

LAB 47.08, 47.3, 29.99

 

CMYK 0 / 45 / 66 / 25

HEX #BF6A40

RGB 191 106 64

HSL 19.84, 0.5%, 0.5%

LAB 53.77, 30.25, 37.95

 

CMYK 0 / 27 / 66 / 25

HEX #BF8C40

RGB 191 140 64

HSL 35.91, 0.5%, 0.5%

LAB 61.83, 11.6, 47.05

 

CMYK 0 / 9 / 66 / 25

HEX #BFAE40

RGB 191 174 64

HSL 51.97, 0.5%, 0.5%

LAB 70.68, -6.73, 56.51

 

CMYK 9 / 0 / 66 / 25

HEX #AEBF40

RGB 174 191 64

HSL 68.03, 0.5%, 0.5%

LAB 73.95, -22.61, 59.47

 

CMYK 0 / 26 / 67 / 49

HEX #815F2B

RGB 129 95 43

HSL 36.28, 0.5%, 0.34%

LAB 42.8, 7.94, 34.44

 

CMYK 0 / 26 / 67 / 37

HEX #A07635

RGB 160 118 53

HSL 36.45, 0.5%, 0.42%

LAB 52.61, 9.49, 41.25

 

CMYK 0 / 26 / 66 / 25

HEX #BF8D40

RGB 191 141 64

HSL 36.38, 0.5%, 0.5%

LAB 62.08, 11.05, 47.33

 

CMYK 0 / 21 / 53 / 21

HEX #CA9F5F

RGB 202 159 95

HSL 35.89, 0.5%, 0.58%

LAB 68.15, 8.25, 39.22

 

CMYK 0 / 16 / 41 / 17

HEX #D4B27E

RGB 212 178 126

HSL 36.28, 0.5%, 0.66%

LAB 74.41, 5.24, 31.15

 

CMYK 0 / 26 / 66 / 25

HEX #BF8D40

RGB 191 141 64

HSL 36.38, 0.5%, 0.5%

LAB 62.08, 11.05, 47.33

 

CMYK 53 / 0 / 66 / 25

HEX #59BF40

RGB 89 191 64

HSL 108.19, 0.5%, 0.5%

LAB 69.3, -53.05, 53.14

 

CMYK 53 / 66 / 0 / 25

HEX #5940BF

RGB 89 64 191

HSL 251.81, 0.5%, 0.5%

LAB 37.03, 43.77, -63.21

 

CMYK 0 / 26 / 66 / 25

HEX #BF8D40

RGB 191 141 64

HSL 36.38, 0.5%, 0.5%

LAB 62.08, 11.05, 47.33

 

CMYK 66 / 0 / 27 / 25

HEX #40BF8C

RGB 64 191 140

HSL 155.91, 0.5%, 0.5%

LAB 69.64, -46.76, 15.76

 

CMYK 27 / 66 / 0 / 25

HEX #8C40BF

RGB 140 64 191

HSL 275.91, 0.5%, 0.5%

LAB 42.77, 53.92, -53.63

 

CMYK 0 / 26 / 66 / 25

HEX #BF8D40

RGB 191 141 64

HSL 36.38, 0.5%, 0.5%

LAB 62.08, 11.05, 47.33

 

CMYK 53 / 0 / 66 / 25

HEX #59BF40

RGB 89 191 64

HSL 108.19, 0.5%, 0.5%

LAB 69.3, -53.05, 53.14

 

CMYK 66 / 40 / 0 / 25

HEX #4073BF

RGB 64 115 191

HSL 215.91, 0.5%, 0.5%

LAB 48.4, 7.66, -44.95

 

CMYK 13 / 66 / 0 / 25

HEX #A640BF

RGB 166 64 191

HSL 288.19, 0.5%, 0.5%

LAB 46.36, 59.75, -47.67

 

CMYK 0 / 26 / 66 / 25

HEX #BF8D40

RGB 191 141 64

HSL 36.38, 0.5%, 0.5%

LAB 62.08, 11.05, 47.33

 

CMYK 66 / 0 / 60 / 25

HEX #40BF4D

RGB 64 191 77

HSL 126.14, 0.5%, 0.5%

LAB 68.67, -57.57, 46.59

 

CMYK 66 / 40 / 0 / 25

HEX #4073BF

RGB 64 115 191

HSL 215.91, 0.5%, 0.5%

LAB 48.4, 7.66, -44.95

 

CMYK 0 / 66 / 6 / 25

HEX #BF40B3

RGB 191 64 179

HSL 305.67, 0.5%, 0.5%

LAB 49.49, 63.55, -35.46

 

Description

Color code: HEX #BF8D40 | qconv.com Color code: HEX #BF8D40 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 141 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 141 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 66 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 66% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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