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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BF8C81 it is the complementary color #40737E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BF8C81. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BF8C81 shade: #C48C7C, #D59E8F, #E6B0A2, #F7C2B5 and #FFD4C8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BF8C81. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BF8C81 shade: #BF8C81, #AE7A6E, #9D685B, #8C5648 and #7B4435

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BF8C81 shade: #BF8C81 and #BF8181

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BF8C81 shade: #BF8C81, #BF9D81, #BFAE81, #BFBE81 and #AFBF81

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BF8C81 shade matches the following richer shades: #BF8C81, #CF8272, #DE7862, #ED6F53 and #FC6544

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BF8C81 shade: #BF8C81, #B09690, #A1A0A0, #91AAAF and #82B3BE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BF8C81 shade: #BF8198, #BF8187, #BF8B81, #BF9C81 and #BFAD81

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BF8C81 shade: #9E5D4F, #B17366, #BF8C81, #CDA59C and #DBBEB8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BF8C81 shade: #BF8C81, #A8BF81 and #8190BF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BF8C81 shade: #BF8C81, #81BF8B and #8B81BF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BF8C81 shade: #BF8C81, #A8BF81, #81B5BF and #9881BF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BF8C81 shade: #BF8C81, #96BF81, #81B5BF and #AB81BF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 32 / 25

HEX #BF8C81

RGB 191 140 129

HSL 10.65, 0.33%, 0.63%

LAB 62.86, 17.88, 13.5

 

Complementary color

CMYK 49 / 9 / 0 / 51

HEX #40737E

RGB 64 115 126

HSL 190.65, 0.33%, 0.37%

LAB 45.44, -13.91, -11.38

 

CMYK 0 / 29 / 37 / 23

HEX #C48C7C

RGB 196 140 124

HSL 13.33, 0.38%, 0.63%

LAB 63.3, 19.22, 17.01

 

CMYK 0 / 26 / 33 / 16

HEX #D59E8F

RGB 213 158 143

HSL 12.86, 0.45%, 0.7%

LAB 69.88, 18.43, 15.84

 

CMYK 0 / 23 / 30 / 10

HEX #E6B0A2

RGB 230 176 162

HSL 12.35, 0.58%, 0.77%

LAB 76.36, 17.72, 14.77

 

CMYK 0 / 21 / 27 / 3

HEX #F7C2B5

RGB 247 194 181

HSL 11.82, 0.8%, 0.84%

LAB 82.75, 17.09, 13.78

 

CMYK 0 / 17 / 22 / 0

HEX #FFD4C8

RGB 255 212 200

HSL 13.09, 1%, 0.89%

LAB 88.22, 13.26, 11.56

 

CMYK 0 / 27 / 32 / 25

HEX #BF8C81

RGB 191 140 129

HSL 10.65, 0.33%, 0.63%

LAB 62.86, 17.88, 13.5

 

CMYK 0 / 30 / 37 / 32

HEX #AE7A6E

RGB 174 122 110

HSL 11.25, 0.28%, 0.56%

LAB 56.13, 18.7, 14.68

 

CMYK 0 / 34 / 42 / 38

HEX #9D685B

RGB 157 104 91

HSL 11.82, 0.27%, 0.49%

LAB 49.28, 19.65, 16.02

 

CMYK 0 / 39 / 49 / 45

HEX #8C5648

RGB 140 86 72

HSL 12.35, 0.32%, 0.42%

LAB 42.31, 20.75, 17.55

 

CMYK 0 / 45 / 57 / 52

HEX #7B4435

RGB 123 68 53

HSL 12.86, 0.4%, 0.35%

LAB 35.21, 22.04, 19.37

 

CMYK 0 / 27 / 32 / 25

HEX #BF8C81

RGB 191 140 129

HSL 10.65, 0.33%, 0.63%

LAB 62.86, 17.88, 13.5

 

CMYK 0 / 32 / 32 / 25

HEX #BF8181

RGB 191 129 129

HSL 0, 0.33%, 0.63%

LAB 60.21, 23.97, 9.78

 

CMYK 0 / 27 / 32 / 25

HEX #BF8C81

RGB 191 140 129

HSL 10.65, 0.33%, 0.63%

LAB 62.86, 17.88, 13.5

 

CMYK 0 / 18 / 32 / 25

HEX #BF9D81

RGB 191 157 129

HSL 27.1, 0.33%, 0.63%

LAB 67.11, 8.51, 19.38

 

CMYK 0 / 9 / 32 / 25

HEX #BFAE81

RGB 191 174 129

HSL 43.55, 0.33%, 0.63%

LAB 71.51, -0.69, 25.36

 

CMYK 0 / 1 / 32 / 25

HEX #BFBE81

RGB 191 190 129

HSL 59.03, 0.33%, 0.63%

LAB 75.75, -9.11, 31

 

CMYK 8 / 0 / 32 / 25

HEX #AFBF81

RGB 175 191 129

HSL 75.48, 0.33%, 0.63%

LAB 74.8, -15.84, 29.51

 

CMYK 0 / 27 / 32 / 25

HEX #BF8C81

RGB 191 140 129

HSL 10.65, 0.33%, 0.63%

LAB 62.86, 17.88, 13.5

 

CMYK 0 / 37 / 45 / 19

HEX #CF8272

RGB 207 130 114

HSL 10.32, 0.49%, 0.63%

LAB 62.04, 27.9, 21.12

 

CMYK 0 / 46 / 56 / 13

HEX #DE7862

RGB 222 120 98

HSL 10.65, 0.65%, 0.63%

LAB 61.52, 37.55, 29.77

 

CMYK 0 / 53 / 65 / 7

HEX #ED6F53

RGB 237 111 83

HSL 10.91, 0.81%, 0.63%

LAB 61.65, 46.64, 38.66

 

CMYK 0 / 60 / 73 / 1

HEX #FC6544

RGB 252 101 68

HSL 10.76, 0.97%, 0.63%

LAB 62.02, 55.84, 47.63

 

CMYK 0 / 27 / 32 / 25

HEX #BF8C81

RGB 191 140 129

HSL 10.65, 0.33%, 0.63%

LAB 62.86, 17.88, 13.5

 

CMYK 0 / 15 / 18 / 31

HEX #B09690

RGB 176 150 144

HSL 11.25, 0.17%, 0.63%

LAB 64.21, 8.68, 6.74

 

CMYK 0 / 1 / 1 / 37

HEX #A1A0A0

RGB 161 160 160

HSL 0, 0.01%, 0.63%

LAB 65.95, 0.36, 0.12

 

CMYK 17 / 3 / 0 / 31

HEX #91AAAF

RGB 145 170 175

HSL 190, 0.16%, 0.63%

LAB 67.92, -7.52, -5.47

 

CMYK 32 / 6 / 0 / 25

HEX #82B3BE

RGB 130 179 190

HSL 191, 0.32%, 0.63%

LAB 69.97, -13.47, -10.82

 

CMYK 0 / 32 / 20 / 25

HEX #BF8198

RGB 191 129 152

HSL 337.74, 0.33%, 0.63%

LAB 60.82, 27.27, -2.52

 

CMYK 0 / 32 / 29 / 25

HEX #BF8187

RGB 191 129 135

HSL 354.19, 0.33%, 0.63%

LAB 60.36, 24.78, 6.55

 

CMYK 0 / 27 / 32 / 25

HEX #BF8B81

RGB 191 139 129

HSL 9.68, 0.33%, 0.63%

LAB 62.61, 18.43, 13.16

 

CMYK 0 / 18 / 32 / 25

HEX #BF9C81

RGB 191 156 129

HSL 26.13, 0.33%, 0.63%

LAB 66.85, 9.06, 19.04

 

CMYK 0 / 9 / 32 / 25

HEX #BFAD81

RGB 191 173 129

HSL 42.58, 0.33%, 0.63%

LAB 71.25, -0.15, 25

 

CMYK 0 / 41 / 50 / 38

HEX #9E5D4F

RGB 158 93 79

HSL 10.63, 0.33%, 0.46%

LAB 46.53, 25, 19.43

 

CMYK 0 / 35 / 42 / 31

HEX #B17366

RGB 177 115 102

HSL 10.4, 0.32%, 0.55%

LAB 54.62, 22.88, 17.29

 

CMYK 0 / 27 / 32 / 25

HEX #BF8C81

RGB 191 140 129

HSL 10.65, 0.33%, 0.63%

LAB 62.86, 17.88, 13.5

 

CMYK 0 / 20 / 24 / 20

HEX #CDA59C

RGB 205 165 156

HSL 11.02, 0.33%, 0.71%

LAB 71.07, 13.33, 10.23

 

CMYK 0 / 13 / 16 / 14

HEX #DBBEB8

RGB 219 190 184

HSL 10.29, 0.33%, 0.79%

LAB 79.24, 9.34, 6.82

 

CMYK 0 / 27 / 32 / 25

HEX #BF8C81

RGB 191 140 129

HSL 10.65, 0.33%, 0.63%

LAB 62.86, 17.88, 13.5

 

CMYK 12 / 0 / 32 / 25

HEX #A8BF81

RGB 168 191 129

HSL 82.26, 0.33%, 0.63%

LAB 74.3, -18.5, 28.76

 

CMYK 32 / 25 / 0 / 25

HEX #8190BF

RGB 129 144 191

HSL 225.48, 0.33%, 0.63%

LAB 60.23, 5.83, -26.17

 

CMYK 0 / 27 / 32 / 25

HEX #BF8C81

RGB 191 140 129

HSL 10.65, 0.33%, 0.63%

LAB 62.86, 17.88, 13.5

 

CMYK 32 / 0 / 27 / 25

HEX #81BF8B

RGB 129 191 139

HSL 129.68, 0.33%, 0.63%

LAB 72.09, -30.62, 20.06

 

CMYK 27 / 32 / 0 / 25

HEX #8B81BF

RGB 139 129 191

HSL 249.68, 0.33%, 0.63%

LAB 57.03, 17.53, -31.06

 

CMYK 0 / 27 / 32 / 25

HEX #BF8C81

RGB 191 140 129

HSL 10.65, 0.33%, 0.63%

LAB 62.86, 17.88, 13.5

 

CMYK 12 / 0 / 32 / 25

HEX #A8BF81

RGB 168 191 129

HSL 82.26, 0.33%, 0.63%

LAB 74.3, -18.5, 28.76

 

CMYK 32 / 5 / 0 / 25

HEX #81B5BF

RGB 129 181 191

HSL 189.68, 0.33%, 0.63%

LAB 70.51, -14.56, -10.56

 

CMYK 20 / 32 / 0 / 25

HEX #9881BF

RGB 152 129 191

HSL 262.26, 0.33%, 0.63%

LAB 58.17, 21.51, -29.2

 

CMYK 0 / 27 / 32 / 25

HEX #BF8C81

RGB 191 140 129

HSL 10.65, 0.33%, 0.63%

LAB 62.86, 17.88, 13.5

 

CMYK 21 / 0 / 32 / 25

HEX #96BF81

RGB 150 191 129

HSL 99.68, 0.33%, 0.63%

LAB 73.11, -25.13, 26.96

 

CMYK 32 / 5 / 0 / 25

HEX #81B5BF

RGB 129 181 191

HSL 189.68, 0.33%, 0.63%

LAB 70.51, -14.56, -10.56

 

CMYK 10 / 32 / 0 / 25

HEX #AB81BF

RGB 171 129 191

HSL 280.65, 0.33%, 0.63%

LAB 60, 27.53, -26.22

 

Description

Color code: HEX #BF8C81 | qconv.com Color code: HEX #BF8C81 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 140 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 140 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 32 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 32% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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