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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BF8A8F it is the complementary color #407570. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BF8A8F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BF8A8F shade: #C48A8A, #D59C9D, #E6AEB0, #F7C0C3 and #FFD2D6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BF8A8F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BF8A8F shade: #BF8A8F, #AE787C, #9D6669, #8C5456 and #7B4243

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BF8A8F shade: #C08C91 and #C08C8C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BF8A8F shade: #C08C91, #C08C9F, #C08CAD, #C08CBB and #B78CC0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BF8A8F shade matches the following richer shades: #C08C91, #CE7D85, #DD6F79, #EB616E and #F95262

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BF8A8F shade: #C08C91, #B19A9C, #A3A9A8, #94B7B4 and #86C6C0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BF8A8F shade: #C08CAD, #C08C9F, #C08C91, #C0948C and #C0A28C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BF8A8F shade: #A1585F, #B17177, #C08C91, #CEA6AA and #DDC1C4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BF8A8F shade: #BF8A8F, #BAC08C and #8CA6C0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BF8A8F shade: #BF8A8F, #91C08C and #8C91C0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BF8A8F shade: #BF8A8F, #BAC08C, #8CC0BA and #918CC0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BF8A8F shade: #BF8A8F, #ABC08C, #8CC0BA and #A18CC0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 25 / 25

HEX #BF8A8F

RGB 191 138 143

HSL 354.34, 0.29%, 0.65%

LAB 62.71, 20.94, 5.35

 

Complementary color

CMYK 45 / 0 / 4 / 54

HEX #407570

RGB 64 117 112

HSL 174.34, 0.29%, 0.35%

LAB 45.61, -18.98, -2.76

 

CMYK 0 / 30 / 30 / 23

HEX #C48A8A

RGB 196 138 138

HSL 0, 0.33%, 0.65%

LAB 63.13, 22.14, 8.87

 

CMYK 0 / 27 / 26 / 16

HEX #D59C9D

RGB 213 156 157

HSL 358.95, 0.4%, 0.72%

LAB 69.72, 21.39, 7.86

 

CMYK 0 / 24 / 23 / 10

HEX #E6AEB0

RGB 230 174 176

HSL 357.86, 0.53%, 0.79%

LAB 76.21, 20.72, 6.94

 

CMYK 0 / 22 / 21 / 3

HEX #F7C0C3

RGB 247 192 195

HSL 356.73, 0.77%, 0.86%

LAB 82.6, 20.11, 6.08

 

CMYK 0 / 18 / 16 / 0

HEX #FFD2D6

RGB 255 210 214

HSL 354.67, 1%, 0.91%

LAB 88.07, 16.37, 3.96

 

CMYK 0 / 28 / 25 / 25

HEX #BF8A8F

RGB 191 138 143

HSL 354.34, 0.29%, 0.65%

LAB 62.71, 20.94, 5.35

 

CMYK 0 / 31 / 29 / 32

HEX #AE787C

RGB 174 120 124

HSL 355.56, 0.25%, 0.58%

LAB 55.97, 21.7, 6.36

 

CMYK 0 / 35 / 33 / 38

HEX #9D6669

RGB 157 102 105

HSL 356.73, 0.22%, 0.51%

LAB 49.12, 22.57, 7.48

 

CMYK 0 / 40 / 39 / 45

HEX #8C5456

RGB 140 84 86

HSL 357.86, 0.25%, 0.44%

LAB 42.14, 23.55, 8.79

 

CMYK 0 / 46 / 46 / 52

HEX #7B4243

RGB 123 66 67

HSL 358.95, 0.3%, 0.37%

LAB 35.03, 24.67, 10.35

 

CMYK 0 / 27 / 24 / 25

HEX #C08C91

RGB 192 140 145

HSL 354.23, 0.29%, 0.65%

LAB 63.35, 20.5, 5.16

 

CMYK 0 / 27 / 27 / 25

HEX #C08C8C

RGB 192 140 140

HSL 0, 0.29%, 0.65%

LAB 63.22, 19.78, 7.81

 

CMYK 0 / 27 / 24 / 25

HEX #C08C91

RGB 192 140 145

HSL 354.23, 0.29%, 0.65%

LAB 63.35, 20.5, 5.16

 

CMYK 0 / 27 / 17 / 25

HEX #C08C9F

RGB 192 140 159

HSL 338.08, 0.29%, 0.65%

LAB 63.73, 22.66, -2.23

 

CMYK 0 / 27 / 10 / 25

HEX #C08CAD

RGB 192 140 173

HSL 321.92, 0.29%, 0.65%

LAB 64.14, 25.01, -9.53

 

CMYK 0 / 27 / 3 / 25

HEX #C08CBB

RGB 192 140 187

HSL 305.77, 0.29%, 0.65%

LAB 64.6, 27.53, -16.73

 

CMYK 5 / 27 / 0 / 25

HEX #B78CC0

RGB 183 140 192

HSL 289.62, 0.29%, 0.65%

LAB 63.86, 25.48, -20.76

 

CMYK 0 / 27 / 24 / 25

HEX #C08C91

RGB 192 140 145

HSL 354.23, 0.29%, 0.65%

LAB 63.35, 20.5, 5.16

 

CMYK 0 / 39 / 35 / 19

HEX #CE7D85

RGB 206 125 133

HSL 354.07, 0.45%, 0.65%

LAB 61.21, 32.37, 9.14

 

CMYK 0 / 50 / 45 / 13

HEX #DD6F79

RGB 221 111 121

HSL 354.55, 0.62%, 0.65%

LAB 60, 43.82, 14.63

 

CMYK 0 / 59 / 53 / 8

HEX #EB616E

RGB 235 97 110

HSL 354.35, 0.78%, 0.65%

LAB 59.29, 54.36, 20.34

 

CMYK 0 / 67 / 61 / 2

HEX #F95262

RGB 249 82 98

HSL 354.25, 0.93%, 0.65%

LAB 59.03, 64.24, 27.36

 

CMYK 0 / 27 / 24 / 25

HEX #C08C91

RGB 192 140 145

HSL 354.23, 0.29%, 0.65%

LAB 63.35, 20.5, 5.16

 

CMYK 0 / 13 / 12 / 31

HEX #B19A9C

RGB 177 154 156

HSL 354.78, 0.13%, 0.65%

LAB 65.64, 8.82, 2.08

 

CMYK 4 / 0 / 1 / 34

HEX #A3A9A8

RGB 163 169 168

HSL 170, 0.03%, 0.65%

LAB 68.74, -2.31, -0.23

 

CMYK 19 / 0 / 2 / 28

HEX #94B7B4

RGB 148 183 180

HSL 174.86, 0.2%, 0.65%

LAB 71.86, -12.39, -2.39

 

CMYK 32 / 0 / 3 / 22

HEX #86C6C0

RGB 134 198 192

HSL 174.38, 0.36%, 0.65%

LAB 75.61, -21.64, -3.51

 

CMYK 0 / 27 / 10 / 25

HEX #C08CAD

RGB 192 140 173

HSL 321.92, 0.29%, 0.65%

LAB 64.14, 25.01, -9.53

 

CMYK 0 / 27 / 17 / 25

HEX #C08C9F

RGB 192 140 159

HSL 338.08, 0.29%, 0.65%

LAB 63.73, 22.66, -2.23

 

CMYK 0 / 27 / 24 / 25

HEX #C08C91

RGB 192 140 145

HSL 354.23, 0.29%, 0.65%

LAB 63.35, 20.5, 5.16

 

CMYK 0 / 23 / 27 / 25

HEX #C0948C

RGB 192 148 140

HSL 9.23, 0.29%, 0.65%

LAB 65.18, 15.35, 10.6

 

CMYK 0 / 16 / 27 / 25

HEX #C0A28C

RGB 192 162 140

HSL 25.38, 0.29%, 0.65%

LAB 68.71, 7.67, 15.54

 

CMYK 0 / 45 / 41 / 37

HEX #A1585F

RGB 161 88 95

HSL 354.25, 0.29%, 0.49%

LAB 46.15, 30.74, 9.37

 

CMYK 0 / 36 / 33 / 31

HEX #B17177

RGB 177 113 119

HSL 354.38, 0.29%, 0.57%

LAB 54.54, 26.1, 7.27

 

CMYK 0 / 27 / 24 / 25

HEX #C08C91

RGB 192 140 145

HSL 354.23, 0.29%, 0.65%

LAB 63.35, 20.5, 5.16

 

CMYK 0 / 19 / 17 / 19

HEX #CEA6AA

RGB 206 166 170

HSL 354, 0.29%, 0.73%

LAB 71.76, 15.29, 3.5

 

CMYK 0 / 13 / 11 / 13

HEX #DDC1C4

RGB 221 193 196

HSL 353.57, 0.29%, 0.81%

LAB 80.46, 10.4, 2.14

 

CMYK 0 / 28 / 25 / 25

HEX #BF8A8F

RGB 191 138 143

HSL 354.34, 0.29%, 0.65%

LAB 62.71, 20.94, 5.35

 

CMYK 3 / 0 / 27 / 25

HEX #BAC08C

RGB 186 192 140

HSL 66.92, 0.29%, 0.65%

LAB 76.09, -10.63, 25.58

 

CMYK 27 / 14 / 0 / 25

HEX #8CA6C0

RGB 140 166 192

HSL 210, 0.29%, 0.65%

LAB 67.02, -3.01, -16.3

 

CMYK 0 / 28 / 25 / 25

HEX #BF8A8F

RGB 191 138 143

HSL 354.34, 0.29%, 0.65%

LAB 62.71, 20.94, 5.35

 

CMYK 24 / 0 / 27 / 25

HEX #91C08C

RGB 145 192 140

HSL 114.23, 0.29%, 0.65%

LAB 73.29, -25.62, 21.32

 

CMYK 27 / 24 / 0 / 25

HEX #8C91C0

RGB 140 145 192

HSL 234.23, 0.29%, 0.65%

LAB 61.34, 8.8, -24.96

 

CMYK 0 / 28 / 25 / 25

HEX #BF8A8F

RGB 191 138 143

HSL 354.34, 0.29%, 0.65%

LAB 62.71, 20.94, 5.35

 

CMYK 3 / 0 / 27 / 25

HEX #BAC08C

RGB 186 192 140

HSL 66.92, 0.29%, 0.65%

LAB 76.09, -10.63, 25.58

 

CMYK 27 / 0 / 3 / 25

HEX #8CC0BA

RGB 140 192 186

HSL 173.08, 0.29%, 0.65%

LAB 74.07, -18.21, -2.48

 

CMYK 24 / 27 / 0 / 25

HEX #918CC0

RGB 145 140 192

HSL 245.77, 0.29%, 0.65%

LAB 60.41, 13.22, -26.35

 

CMYK 0 / 28 / 25 / 25

HEX #BF8A8F

RGB 191 138 143

HSL 354.34, 0.29%, 0.65%

LAB 62.71, 20.94, 5.35

 

CMYK 11 / 0 / 27 / 25

HEX #ABC08C

RGB 171 192 140

HSL 84.23, 0.29%, 0.65%

LAB 74.98, -16.3, 23.9

 

CMYK 27 / 0 / 3 / 25

HEX #8CC0BA

RGB 140 192 186

HSL 173.08, 0.29%, 0.65%

LAB 74.07, -18.21, -2.48

 

CMYK 16 / 27 / 0 / 25

HEX #A18CC0

RGB 161 140 192

HSL 264.23, 0.29%, 0.65%

LAB 61.77, 18.27, -24.13

 

Description

Color code: HEX #BF8A8F | qconv.com Color code: HEX #BF8A8F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 138 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 138 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 25 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 25% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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