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Color name
HEX #BF8812

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BF8812 it is the complementary color #4077ED. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BF8812. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BF8812 shade: #C4880D, #D59A20, #E6AC33, #F7BE46 and #FFD059

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BF8812. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BF8812 shade: #BF8812, #AE7600, #9D6400, #8C5200 and #7B4000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BF8812 shade: #BF8812, #BF5912, #BF2B12 and #BF1212

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BF8812 shade: #BF8812, #BFB712, #99BF12, #6ABF12 and #3BBF12

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BF8812 shade matches the following richer shades: #BF8812 and #D08E01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BF8812 shade: #BF8812, #AE8223, #9D7C34, #8D7645 and #7C7055

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BF8812 shade: #BF2912, #BF5712, #BF8512, #BFB412 and #9DBF12

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BF8812 shade: #74520B, #9A6D0E, #BF8812, #E5A315 and #ECB337

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BF8812 shade: #BF8812, #29BF12 and #4012BF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BF8812 shade: #BF8812, #12BF85 and #8512BF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BF8812 shade: #BF8812, #29BF12, #124CBF and #A812BF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BF8812 shade: #BF8812, #12BF2F, #124CBF and #BF12A2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 91 / 25

HEX #BF8812

RGB 191 136 18

HSL 40.92, 0.83%, 0.41%

LAB 60.54, 12.02, 62.74

 

Complementary color

CMYK 73 / 50 / 0 / 7

HEX #4077ED

RGB 64 119 237

HSL 220.92, 0.83%, 0.59%

LAB 52.28, 21.69, -64.82

 

CMYK 0 / 31 / 93 / 23

HEX #C4880D

RGB 196 136 13

HSL 40.33, 0.88%, 0.41%

LAB 61.11, 14.16, 64.41

 

CMYK 0 / 28 / 85 / 16

HEX #D59A20

RGB 213 154 32

HSL 40.44, 0.74%, 0.48%

LAB 67.55, 12.24, 65.85

 

CMYK 0 / 25 / 78 / 10

HEX #E6AC33

RGB 230 172 51

HSL 40.56, 0.78%, 0.55%

LAB 73.91, 10.57, 66.03

 

CMYK 0 / 23 / 72 / 3

HEX #F7BE46

RGB 247 190 70

HSL 40.68, 0.92%, 0.62%

LAB 80.2, 9.13, 65.52

 

CMYK 0 / 18 / 65 / 0

HEX #FFD059

RGB 255 208 89

HSL 43.01, 1%, 0.67%

LAB 85.55, 4.15, 63.44

 

CMYK 0 / 29 / 91 / 25

HEX #BF8812

RGB 191 136 18

HSL 40.92, 0.83%, 0.41%

LAB 60.54, 12.02, 62.74

 

CMYK 0 / 32 / 100 / 32

HEX #AE7600

RGB 174 118 0

HSL 40.69, 1%, 0.34%

LAB 53.98, 14.1, 60.41

 

CMYK 0 / 36 / 100 / 38

HEX #9D6400

RGB 157 100 0

HSL 38.22, 1%, 0.31%

LAB 47.34, 16.54, 54.99

 

CMYK 0 / 41 / 100 / 45

HEX #8C5200

RGB 140 82 0

HSL 35.14, 1%, 0.27%

LAB 40.59, 19.08, 49.5

 

CMYK 0 / 48 / 100 / 52

HEX #7B4000

RGB 123 64 0

HSL 31.22, 1%, 0.24%

LAB 33.73, 21.72, 43.94

 

CMYK 0 / 29 / 91 / 25

HEX #BF8812

RGB 191 136 18

HSL 40.92, 0.83%, 0.41%

LAB 60.54, 12.02, 62.74

 

CMYK 0 / 53 / 91 / 25

HEX #BF5912

RGB 191 89 18

HSL 24.62, 0.83%, 0.41%

LAB 49.82, 37.38, 54.64

 

CMYK 0 / 77 / 91 / 25

HEX #BF2B12

RGB 191 43 18

HSL 8.67, 0.83%, 0.41%

LAB 42.53, 56.82, 49.33

 

CMYK 0 / 91 / 91 / 25

HEX #BF1212

RGB 191 18 18

HSL 0, 0.83%, 0.41%

LAB 40.5, 62.6, 47.89

 

CMYK 0 / 29 / 91 / 25

HEX #BF8812

RGB 191 136 18

HSL 40.92, 0.83%, 0.41%

LAB 60.54, 12.02, 62.74

 

CMYK 0 / 4 / 91 / 25

HEX #BFB712

RGB 191 183 18

HSL 57.23, 0.83%, 0.41%

LAB 72.88, -13.08, 72.28

 

CMYK 20 / 0 / 91 / 25

HEX #99BF12

RGB 153 191 18

HSL 73.18, 0.83%, 0.41%

LAB 72.28, -33.13, 70.59

 

CMYK 45 / 0 / 91 / 25

HEX #6ABF12

RGB 106 191 18

HSL 89.48, 0.83%, 0.41%

LAB 69.73, -50.53, 67.45

 

CMYK 69 / 0 / 91 / 25

HEX #3BBF12

RGB 59 191 18

HSL 105.78, 0.83%, 0.41%

LAB 68.19, -62.84, 65.54

 

CMYK 0 / 29 / 91 / 25

HEX #BF8812

RGB 191 136 18

HSL 40.92, 0.83%, 0.41%

LAB 60.54, 12.02, 62.74

 

CMYK 0 / 32 / 100 / 18

HEX #D08E01

RGB 208 142 1

HSL 40.87, 0.99%, 0.41%

LAB 63.96, 16.05, 68.87

 

CMYK 0 / 29 / 91 / 25

HEX #BF8812

RGB 191 136 18

HSL 40.92, 0.83%, 0.41%

LAB 60.54, 12.02, 62.74

 

CMYK 0 / 25 / 80 / 32

HEX #AE8223

RGB 174 130 35

HSL 41.01, 0.67%, 0.41%

LAB 57.16, 8.16, 54.16

 

CMYK 0 / 21 / 67 / 38

HEX #9D7C34

RGB 157 124 52

HSL 41.14, 0.5%, 0.41%

LAB 53.85, 4.68, 43

 

CMYK 0 / 16 / 51 / 45

HEX #8D7645

RGB 141 118 69

HSL 40.83, 0.34%, 0.41%

LAB 50.74, 2.27, 30.17

 

CMYK 0 / 10 / 31 / 51

HEX #7C7055

RGB 124 112 85

HSL 41.54, 0.19%, 0.41%

LAB 47.66, 0.21, 16.74

 

CMYK 0 / 79 / 91 / 25

HEX #BF2912

RGB 191 41 18

HSL 7.98, 0.83%, 0.41%

LAB 42.32, 57.42, 49.18

 

CMYK 0 / 54 / 91 / 25

HEX #BF5712

RGB 191 87 18

HSL 23.93, 0.83%, 0.41%

LAB 49.42, 38.39, 54.35

 

CMYK 0 / 30 / 91 / 25

HEX #BF8512

RGB 191 133 18

HSL 39.88, 0.83%, 0.41%

LAB 59.79, 13.67, 62.17

 

CMYK 0 / 6 / 91 / 25

HEX #BFB412

RGB 191 180 18

HSL 56.18, 0.83%, 0.41%

LAB 72.07, -11.54, 71.64

 

CMYK 18 / 0 / 91 / 25

HEX #9DBF12

RGB 157 191 18

HSL 71.79, 0.83%, 0.41%

LAB 72.54, -31.5, 70.91

 

CMYK 0 / 29 / 91 / 55

HEX #74520B

RGB 116 82 11

HSL 40.57, 0.83%, 0.25%

LAB 37.43, 7.93, 42.52

 

CMYK 0 / 29 / 91 / 40

HEX #9A6D0E

RGB 154 109 14

HSL 40.71, 0.83%, 0.33%

LAB 49.3, 10.24, 53.11

 

CMYK 0 / 29 / 91 / 25

HEX #BF8812

RGB 191 136 18

HSL 40.92, 0.83%, 0.41%

LAB 60.54, 12.02, 62.74

 

CMYK 0 / 29 / 91 / 10

HEX #E5A315

RGB 229 163 21

HSL 40.96, 0.83%, 0.49%

LAB 71.49, 14.15, 72.32

 

CMYK 0 / 24 / 77 / 7

HEX #ECB337

RGB 236 179 55

HSL 41.1, 0.83%, 0.57%

LAB 76.28, 9.59, 67.04

 

CMYK 0 / 29 / 91 / 25

HEX #BF8812

RGB 191 136 18

HSL 40.92, 0.83%, 0.41%

LAB 60.54, 12.02, 62.74

 

CMYK 79 / 0 / 91 / 25

HEX #29BF12

RGB 41 191 18

HSL 112.02, 0.83%, 0.41%

LAB 67.86, -65.77, 65.12

 

CMYK 66 / 91 / 0 / 25

HEX #4012BF

RGB 64 18 191

HSL 255.95, 0.83%, 0.41%

LAB 27.53, 61.34, -78.93

 

CMYK 0 / 29 / 91 / 25

HEX #BF8812

RGB 191 136 18

HSL 40.92, 0.83%, 0.41%

LAB 60.54, 12.02, 62.74

 

CMYK 91 / 0 / 30 / 25

HEX #12BF85

RGB 18 191 133

HSL 159.88, 0.83%, 0.41%

LAB 68.81, -53.48, 18.27

 

CMYK 30 / 91 / 0 / 25

HEX #8512BF

RGB 133 18 191

HSL 279.88, 0.83%, 0.41%

LAB 36.33, 68.29, -64.12

 

CMYK 0 / 29 / 91 / 25

HEX #BF8812

RGB 191 136 18

HSL 40.92, 0.83%, 0.41%

LAB 60.54, 12.02, 62.74

 

CMYK 79 / 0 / 91 / 25

HEX #29BF12

RGB 41 191 18

HSL 112.02, 0.83%, 0.41%

LAB 67.86, -65.77, 65.12

 

CMYK 91 / 60 / 0 / 25

HEX #124CBF

RGB 18 76 191

HSL 219.88, 0.83%, 0.41%

LAB 36.1, 27.92, -64.88

 

CMYK 12 / 91 / 0 / 25

HEX #A812BF

RGB 168 18 191

HSL 292.02, 0.83%, 0.41%

LAB 42.03, 73.48, -54.61

 

CMYK 0 / 29 / 91 / 25

HEX #BF8812

RGB 191 136 18

HSL 40.92, 0.83%, 0.41%

LAB 60.54, 12.02, 62.74

 

CMYK 91 / 0 / 75 / 25

HEX #12BF2F

RGB 18 191 47

HSL 130.06, 0.83%, 0.41%

LAB 67.72, -66.51, 57.47

 

CMYK 91 / 60 / 0 / 25

HEX #124CBF

RGB 18 76 191

HSL 219.88, 0.83%, 0.41%

LAB 36.1, 27.92, -64.88

 

CMYK 0 / 91 / 15 / 25

HEX #BF12A2

RGB 191 18 162

HSL 310.06, 0.83%, 0.41%

LAB 44.4, 73.23, -33.41

 

Description

Color code: HEX #BF8812 | qconv.com Color code: HEX #BF8812 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 136 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 136 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 91 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 91% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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