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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BF8564 it is the complementary color #407A9B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BF8564. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BF8564 shade: #C4855F, #D59772, #E6A985, #F7BB98 and #FFCDAB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BF8564. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BF8564 shade: #BF8564, #AE7351, #9D613E, #8C4F2B and #7B3D18

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BF8564 shade: #BF8563, #BF6C63 and #BF6363

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BF8564 shade: #BF8563, #BF9E63, #BFB663, #B0BF63 and #97BF63

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BF8564 shade matches the following richer shades: #BF8563, #D18052, #E37B40 and #F5762E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BF8564 shade: #BF8563, #AE8A75, #9C8E87, #8A9399 and #7898AA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BF8564 shade: #BF6374, #BF6B63, #BF8463, #BF9C63 and #BFB563

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BF8564 shade: #945C3C, #B16E48, #BF8563, #CB9C81 and #D7B39E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BF8564 shade: #BF8564, #8DBF63 and #6368BF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BF8564 shade: #BF8564, #63BF84 and #8463BF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BF8564 shade: #BF8564, #8DBF63, #639FBF and #9663BF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BF8564 shade: #BF8564, #71BF63, #639FBF and #B263BF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 48 / 25

HEX #BF8564

RGB 191 133 100

HSL 21.76, 0.42%, 0.57%

LAB 60.58, 18.38, 26.68

 

Complementary color

CMYK 59 / 21 / 0 / 39

HEX #407A9B

RGB 64 122 155

HSL 201.76, 0.42%, 0.43%

LAB 48.73, -8.86, -23.51

 

CMYK 0 / 32 / 52 / 23

HEX #C4855F

RGB 196 133 95

HSL 22.57, 0.46%, 0.57%

LAB 61.08, 19.96, 30.2

 

CMYK 0 / 29 / 46 / 16

HEX #D59772

RGB 213 151 114

HSL 22.42, 0.54%, 0.64%

LAB 67.65, 18.91, 28.72

 

CMYK 0 / 27 / 42 / 10

HEX #E6A985

RGB 230 169 133

HSL 22.27, 0.66%, 0.71%

LAB 74.12, 17.99, 27.37

 

CMYK 0 / 24 / 38 / 3

HEX #F7BB98

RGB 247 187 152

HSL 22.11, 0.86%, 0.78%

LAB 80.51, 17.18, 26.12

 

CMYK 0 / 20 / 33 / 0

HEX #FFCDAB

RGB 255 205 171

HSL 24.29, 1%, 0.84%

LAB 85.94, 13.05, 23.63

 

CMYK 0 / 30 / 48 / 25

HEX #BF8564

RGB 191 133 100

HSL 21.76, 0.42%, 0.57%

LAB 60.58, 18.38, 26.68

 

CMYK 0 / 34 / 53 / 32

HEX #AE7351

RGB 174 115 81

HSL 21.94, 0.36%, 0.5%

LAB 53.87, 19.49, 28.23

 

CMYK 0 / 38 / 61 / 38

HEX #9D613E

RGB 157 97 62

HSL 22.11, 0.43%, 0.43%

LAB 47.06, 20.79, 29.94

 

CMYK 0 / 44 / 69 / 45

HEX #8C4F2B

RGB 140 79 43

HSL 22.27, 0.53%, 0.36%

LAB 40.15, 22.33, 31.83

 

CMYK 0 / 50 / 80 / 52

HEX #7B3D18

RGB 123 61 24

HSL 22.42, 0.67%, 0.29%

LAB 33.17, 24.13, 33.76

 

CMYK 0 / 30 / 48 / 25

HEX #BF8563

RGB 191 133 99

HSL 22.17, 0.42%, 0.57%

LAB 60.56, 18.28, 27.22

 

CMYK 0 / 43 / 48 / 25

HEX #BF6C63

RGB 191 108 99

HSL 5.87, 0.42%, 0.57%

LAB 54.76, 31.98, 19.52

 

CMYK 0 / 48 / 48 / 25

HEX #BF6363

RGB 191 99 99

HSL 0, 0.42%, 0.57%

LAB 52.84, 36.75, 16.91

 

CMYK 0 / 30 / 48 / 25

HEX #BF8563

RGB 191 133 99

HSL 22.17, 0.42%, 0.57%

LAB 60.56, 18.28, 27.22

 

CMYK 0 / 17 / 48 / 25

HEX #BF9E63

RGB 191 158 99

HSL 38.48, 0.42%, 0.57%

LAB 66.85, 4.54, 35.27

 

CMYK 0 / 5 / 48 / 25

HEX #BFB663

RGB 191 182 99

HSL 54.13, 0.42%, 0.57%

LAB 73.18, -8.24, 43.1

 

CMYK 8 / 0 / 48 / 25

HEX #B0BF63

RGB 176 191 99

HSL 69.78, 0.42%, 0.57%

LAB 74.44, -18.96, 44.35

 

CMYK 21 / 0 / 48 / 25

HEX #97BF63

RGB 151 191 99

HSL 86.09, 0.42%, 0.57%

LAB 72.72, -28.72, 41.86

 

CMYK 0 / 30 / 48 / 25

HEX #BF8563

RGB 191 133 99

HSL 22.17, 0.42%, 0.57%

LAB 60.56, 18.28, 27.22

 

CMYK 0 / 39 / 61 / 18

HEX #D18052

RGB 209 128 82

HSL 21.73, 0.58%, 0.57%

LAB 61.31, 26.97, 37.88

 

CMYK 0 / 46 / 72 / 11

HEX #E37B40

RGB 227 123 64

HSL 21.72, 0.74%, 0.57%

LAB 62.4, 35.8, 48.97

 

CMYK 0 / 52 / 81 / 4

HEX #F5762E

RGB 245 118 46

HSL 21.71, 0.91%, 0.57%

LAB 63.81, 44.62, 59.36

 

CMYK 0 / 30 / 48 / 25

HEX #BF8563

RGB 191 133 99

HSL 22.17, 0.42%, 0.57%

LAB 60.56, 18.28, 27.22

 

CMYK 0 / 21 / 33 / 32

HEX #AE8A75

RGB 174 138 117

HSL 22.11, 0.26%, 0.57%

LAB 60.3, 10.61, 16.45

 

CMYK 0 / 9 / 13 / 39

HEX #9C8E87

RGB 156 142 135

HSL 20, 0.1%, 0.57%

LAB 60.04, 3.98, 5.61

 

CMYK 10 / 4 / 0 / 40

HEX #8A9399

RGB 138 147 153

HSL 204, 0.07%, 0.57%

LAB 60.4, -2, -4.29

 

CMYK 29 / 11 / 0 / 33

HEX #7898AA

RGB 120 152 170

HSL 201.6, 0.23%, 0.57%

LAB 61.09, -6.76, -13.03

 

CMYK 0 / 48 / 39 / 25

HEX #BF6374

RGB 191 99 116

HSL 348.91, 0.42%, 0.57%

LAB 53.23, 38.57, 7.42

 

CMYK 0 / 44 / 48 / 25

HEX #BF6B63

RGB 191 107 99

HSL 5.22, 0.42%, 0.57%

LAB 54.55, 32.51, 19.22

 

CMYK 0 / 31 / 48 / 25

HEX #BF8463

RGB 191 132 99

HSL 21.52, 0.42%, 0.57%

LAB 60.32, 18.83, 26.9

 

CMYK 0 / 18 / 48 / 25

HEX #BF9C63

RGB 191 156 99

HSL 37.17, 0.42%, 0.57%

LAB 66.33, 5.63, 34.62

 

CMYK 0 / 5 / 48 / 25

HEX #BFB563

RGB 191 181 99

HSL 53.48, 0.42%, 0.57%

LAB 72.91, -7.72, 42.77

 

CMYK 0 / 38 / 59 / 42

HEX #945C3C

RGB 148 92 60

HSL 21.82, 0.42%, 0.41%

LAB 44.63, 19.59, 27.82

 

CMYK 0 / 38 / 59 / 31

HEX #B16E48

RGB 177 110 72

HSL 21.71, 0.42%, 0.49%

LAB 52.91, 22.79, 32.13

 

CMYK 0 / 30 / 48 / 25

HEX #BF8563

RGB 191 133 99

HSL 22.17, 0.42%, 0.57%

LAB 60.56, 18.28, 27.22

 

CMYK 0 / 23 / 36 / 20

HEX #CB9C81

RGB 203 156 129

HSL 21.89, 0.42%, 0.65%

LAB 68.06, 13.84, 20.89

 

CMYK 0 / 17 / 27 / 16

HEX #D7B39E

RGB 215 179 158

HSL 22.11, 0.42%, 0.73%

LAB 75.55, 9.87, 15.58

 

CMYK 0 / 30 / 48 / 25

HEX #BF8564

RGB 191 133 100

HSL 21.76, 0.42%, 0.57%

LAB 60.58, 18.38, 26.68

 

CMYK 26 / 0 / 48 / 25

HEX #8DBF63

RGB 141 191 99

HSL 92.61, 0.42%, 0.57%

LAB 72.11, -32.44, 40.98

 

CMYK 48 / 46 / 0 / 25

HEX #6368BF

RGB 99 104 191

HSL 236.74, 0.42%, 0.57%

LAB 47.38, 21.68, -46.45

 

CMYK 0 / 30 / 48 / 25

HEX #BF8564

RGB 191 133 100

HSL 21.76, 0.42%, 0.57%

LAB 60.58, 18.38, 26.68

 

CMYK 48 / 0 / 31 / 25

HEX #63BF84

RGB 99 191 132

HSL 141.52, 0.42%, 0.57%

LAB 70.58, -40.73, 21.52

 

CMYK 31 / 48 / 0 / 25

HEX #8463BF

RGB 132 99 191

HSL 261.52, 0.42%, 0.57%

LAB 49, 33.14, -43.72

 

CMYK 0 / 30 / 48 / 25

HEX #BF8564

RGB 191 133 100

HSL 21.76, 0.42%, 0.57%

LAB 60.58, 18.38, 26.68

 

CMYK 26 / 0 / 48 / 25

HEX #8DBF63

RGB 141 191 99

HSL 92.61, 0.42%, 0.57%

LAB 72.11, -32.44, 40.98

 

CMYK 48 / 17 / 0 / 25

HEX #639FBF

RGB 99 159 191

HSL 200.87, 0.42%, 0.57%

LAB 62.68, -10.69, -22.54

 

CMYK 21 / 48 / 0 / 25

HEX #9663BF

RGB 150 99 191

HSL 273.26, 0.42%, 0.57%

LAB 50.88, 38.11, -40.61

 

CMYK 0 / 30 / 48 / 25

HEX #BF8564

RGB 191 133 100

HSL 21.76, 0.42%, 0.57%

LAB 60.58, 18.38, 26.68

 

CMYK 41 / 0 / 48 / 25

HEX #71BF63

RGB 113 191 99

HSL 110.87, 0.42%, 0.57%

LAB 70.64, -42, 38.84

 

CMYK 48 / 17 / 0 / 25

HEX #639FBF

RGB 99 159 191

HSL 200.87, 0.42%, 0.57%

LAB 62.68, -10.69, -22.54

 

CMYK 7 / 48 / 0 / 25

HEX #B263BF

RGB 178 99 191

HSL 291.52, 0.42%, 0.57%

LAB 54.19, 46.13, -35.19

 

Description

Color code: HEX #BF8564 | qconv.com Color code: HEX #BF8564 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 133 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 133 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 48 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 48% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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