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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BF82EB it is the complementary color #407D14. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BF82EB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BF82EB shade: #C482E6, #D594F9, #E6A6FF, #F7B8FF and #FFCAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BF82EB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BF82EB shade: #BF82EB, #AE70D8, #9D5EC5, #8C4CB2 and #7B3A9F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BF82EB shade: #C084EB, #DC84EB, #EB84DF, #EB84C3 and #EB84A7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BF82EB shade: #C084EB, #A484EB, #8884EB and #8484EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BF82EB shade matches the following richer shades: #C084EB and #C279F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BF82EB shade: #C084EB, #BE90DF, #BC9BD4, #BAA7C8 and #B8B2BD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BF82EB shade: #8884EB, #A384EB, #BE84EB, #DA84EB and #EB84E1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BF82EB shade: #9B3DDF, #AE61E5, #C084EB, #D2A8F1 and #E4CBF7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BF82EB shade: #BF82EB, #EB849C and #84EB95

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BF82EB shade: #BF82EB, #EBBE84 and #84EBBE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BF82EB shade: #BF82EB, #EB849C, #B1EB84 and #84EBD3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BF82EB shade: #BF82EB, #EB8B84, #B1EB84 and #84E4EB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 45 / 0 / 8

HEX #BF82EB

RGB 191 130 235

HSL 274.86, 0.72%, 0.72%

LAB 64.19, 42.48, -44.16

 

Complementary color

CMYK 49 / 0 / 84 / 51

HEX #407D14

RGB 64 125 20

HSL 94.86, 0.72%, 0.28%

LAB 46.72, -37.71, 46.37

 

CMYK 15 / 43 / 0 / 10

HEX #C482E6

RGB 196 130 230

HSL 279.6, 0.67%, 0.71%

LAB 64.49, 42.83, -40.89

 

CMYK 14 / 41 / 0 / 2

HEX #D594F9

RGB 213 148 249

HSL 278.61, 0.89%, 0.78%

LAB 70.98, 42.05, -41.04

 

CMYK 10 / 35 / 0 / 0

HEX #E6A6FF

RGB 230 166 255

HSL 283.15, 1%, 0.83%

LAB 76.87, 38.67, -35.01

 

CMYK 3 / 28 / 0 / 0

HEX #F7B8FF

RGB 247 184 255

HSL 293.24, 1%, 0.86%

LAB 82.53, 34.35, -26.18

 

CMYK 0 / 21 / 0 / 0

HEX #FFCAFF

RGB 255 202 255

HSL 300, 1%, 0.9%

LAB 87.35, 27.42, -18.79

 

CMYK 19 / 45 / 0 / 8

HEX #BF82EB

RGB 191 130 235

HSL 274.86, 0.72%, 0.72%

LAB 64.19, 42.48, -44.16

 

CMYK 19 / 48 / 0 / 15

HEX #AE70D8

RGB 174 112 216

HSL 275.77, 0.57%, 0.64%

LAB 57.6, 43.32, -44.07

 

CMYK 20 / 52 / 0 / 23

HEX #9D5EC5

RGB 157 94 197

HSL 276.7, 0.47%, 0.57%

LAB 50.93, 44.16, -43.94

 

CMYK 21 / 57 / 0 / 30

HEX #8C4CB2

RGB 140 76 178

HSL 277.65, 0.4%, 0.5%

LAB 44.17, 44.98, -43.76

 

CMYK 23 / 64 / 0 / 38

HEX #7B3A9F

RGB 123 58 159

HSL 278.61, 0.47%, 0.43%

LAB 37.37, 45.68, -43.45

 

CMYK 18 / 44 / 0 / 8

HEX #C084EB

RGB 192 132 235

HSL 274.95, 0.72%, 0.72%

LAB 64.73, 41.68, -43.31

 

CMYK 6 / 44 / 0 / 8

HEX #DC84EB

RGB 220 132 235

HSL 291.26, 0.72%, 0.72%

LAB 67.81, 49.67, -38.27

 

CMYK 0 / 44 / 5 / 8

HEX #EB84DF

RGB 235 132 223

HSL 306.99, 0.72%, 0.72%

LAB 69.11, 51.91, -29.49

 

CMYK 0 / 44 / 17 / 8

HEX #EB84C3

RGB 235 132 195

HSL 323.3, 0.72%, 0.72%

LAB 68.1, 47.4, -15.46

 

CMYK 0 / 44 / 29 / 8

HEX #EB84A7

RGB 235 132 167

HSL 339.61, 0.72%, 0.72%

LAB 67.24, 43.44, -1

 

CMYK 18 / 44 / 0 / 8

HEX #C084EB

RGB 192 132 235

HSL 274.95, 0.72%, 0.72%

LAB 64.73, 41.68, -43.31

 

CMYK 30 / 44 / 0 / 8

HEX #A484EB

RGB 164 132 235

HSL 258.64, 0.72%, 0.72%

LAB 61.99, 33.96, -47.81

 

CMYK 42 / 44 / 0 / 8

HEX #8884EB

RGB 136 132 235

HSL 242.33, 0.72%, 0.72%

LAB 59.65, 26.76, -51.67

 

CMYK 44 / 44 / 0 / 8

HEX #8484EB

RGB 132 132 235

HSL 240, 0.72%, 0.72%

LAB 59.35, 25.8, -52.17

 

CMYK 18 / 44 / 0 / 8

HEX #C084EB

RGB 192 132 235

HSL 274.95, 0.72%, 0.72%

LAB 64.73, 41.68, -43.31

 

CMYK 21 / 51 / 0 / 3

HEX #C279F7

RGB 194 121 247

HSL 274.76, 0.89%, 0.72%

LAB 63.23, 50.71, -52.29

 

CMYK 18 / 44 / 0 / 8

HEX #C084EB

RGB 192 132 235

HSL 274.95, 0.72%, 0.72%

LAB 64.73, 41.68, -43.31

 

CMYK 15 / 35 / 0 / 13

HEX #BE90DF

RGB 190 144 223

HSL 274.94, 0.55%, 0.72%

LAB 66.69, 31.91, -33.64

 

CMYK 11 / 27 / 0 / 17

HEX #BC9BD4

RGB 188 155 212

HSL 274.74, 0.4%, 0.72%

LAB 68.67, 22.84, -24.51

 

CMYK 7 / 17 / 0 / 22

HEX #BAA7C8

RGB 186 167 200

HSL 274.55, 0.23%, 0.72%

LAB 71.04, 13.06, -14.31

 

CMYK 3 / 6 / 0 / 26

HEX #B8B2BD

RGB 184 178 189

HSL 272.73, 0.08%, 0.72%

LAB 73.35, 4.18, -4.84

 

CMYK 42 / 44 / 0 / 8

HEX #8884EB

RGB 136 132 235

HSL 242.33, 0.72%, 0.72%

LAB 59.65, 26.76, -51.67

 

CMYK 31 / 44 / 0 / 8

HEX #A384EB

RGB 163 132 235

HSL 258.06, 0.72%, 0.72%

LAB 61.9, 33.69, -47.96

 

CMYK 19 / 44 / 0 / 8

HEX #BE84EB

RGB 190 132 235

HSL 273.79, 0.72%, 0.72%

LAB 64.52, 41.12, -43.65

 

CMYK 7 / 44 / 0 / 8

HEX #DA84EB

RGB 218 132 235

HSL 290.1, 0.72%, 0.72%

LAB 67.58, 49.1, -38.64

 

CMYK 0 / 44 / 4 / 8

HEX #EB84E1

RGB 235 132 225

HSL 305.83, 0.72%, 0.72%

LAB 69.18, 52.25, -30.48

 

CMYK 30 / 73 / 0 / 13

HEX #9B3DDF

RGB 155 61 223

HSL 274.81, 0.72%, 0.56%

LAB 46.49, 65.33, -65.96

 

CMYK 24 / 58 / 0 / 10

HEX #AE61E5

RGB 174 97 229

HSL 275, 0.72%, 0.64%

LAB 55.28, 54.08, -55.07

 

CMYK 18 / 44 / 0 / 8

HEX #C084EB

RGB 192 132 235

HSL 274.95, 0.72%, 0.72%

LAB 64.73, 41.68, -43.31

 

CMYK 13 / 30 / 0 / 5

HEX #D2A8F1

RGB 210 168 241

HSL 274.52, 0.72%, 0.8%

LAB 74.86, 28.66, -30.7

 

CMYK 8 / 18 / 0 / 3

HEX #E4CBF7

RGB 228 203 247

HSL 274.09, 0.73%, 0.88%

LAB 84.96, 16.68, -18.4

 

CMYK 19 / 45 / 0 / 8

HEX #BF82EB

RGB 191 130 235

HSL 274.86, 0.72%, 0.72%

LAB 64.19, 42.48, -44.16

 

CMYK 0 / 44 / 34 / 8

HEX #EB849C

RGB 235 132 156

HSL 346.02, 0.72%, 0.72%

LAB 66.95, 42.05, 4.78

 

CMYK 44 / 0 / 37 / 8

HEX #84EB95

RGB 132 235 149

HSL 129.9, 0.72%, 0.72%

LAB 85.25, -47.73, 32.63

 

CMYK 19 / 45 / 0 / 8

HEX #BF82EB

RGB 191 130 235

HSL 274.86, 0.72%, 0.72%

LAB 64.19, 42.48, -44.16

 

CMYK 0 / 19 / 44 / 8

HEX #EBBE84

RGB 235 190 132

HSL 33.79, 0.72%, 0.72%

LAB 79.7, 8.74, 35.34

 

CMYK 44 / 0 / 19 / 8

HEX #84EBBE

RGB 132 235 190

HSL 153.79, 0.72%, 0.72%

LAB 86.03, -40.17, 12.59

 

CMYK 19 / 45 / 0 / 8

HEX #BF82EB

RGB 191 130 235

HSL 274.86, 0.72%, 0.72%

LAB 64.19, 42.48, -44.16

 

CMYK 0 / 44 / 34 / 8

HEX #EB849C

RGB 235 132 156

HSL 346.02, 0.72%, 0.72%

LAB 66.95, 42.05, 4.78

 

CMYK 25 / 0 / 44 / 8

HEX #B1EB84

RGB 177 235 132

HSL 93.79, 0.72%, 0.72%

LAB 87.21, -35.91, 44.03

 

CMYK 44 / 0 / 10 / 8

HEX #84EBD3

RGB 132 235 211

HSL 166.02, 0.72%, 0.72%

LAB 86.52, -35.63, 2.3

 

CMYK 19 / 45 / 0 / 8

HEX #BF82EB

RGB 191 130 235

HSL 274.86, 0.72%, 0.72%

LAB 64.19, 42.48, -44.16

 

CMYK 0 / 41 / 44 / 8

HEX #EB8B84

RGB 235 139 132

HSL 4.08, 0.72%, 0.72%

LAB 67.87, 35.73, 19.55

 

CMYK 25 / 0 / 44 / 8

HEX #B1EB84

RGB 177 235 132

HSL 93.79, 0.72%, 0.72%

LAB 87.21, -35.91, 44.03

 

CMYK 44 / 3 / 0 / 8

HEX #84E4EB

RGB 132 228 235

HSL 184.08, 0.72%, 0.72%

LAB 85.2, -26.58, -12.28

 

Description

Color code: HEX #BF82EB | qconv.com Color code: HEX #BF82EB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 130 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 130 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 45 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 45% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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