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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BF8124CE it is the complementary color #407EDBCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BF8124CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BF8124CE shade: #C4811FCE, #D59332CE, #E6A545CE, #F7B758CE and #FFC96BCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BF8124CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BF8124CE shade: #BF8124CE, #AE6F11CE, #9D5D00CE, #8C4B00CE and #7B3900CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BF8124CE shade: #C18225, #C15825, #C12E25 and #C12525

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BF8124CE shade: #C18225, #C1AC25, #ABC125, #81C125 and #57C125

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BF8124CE shade matches the following richer shades: #C18225 and #D38612

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BF8124CE shade: #C18225, #AE7F37, #9C7B4A, #89775C and #77746F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BF8124CE shade: #C12F25, #C15925, #C18225, #C1AC25 and #ACC125

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BF8124CE shade: #7B5318, #9E6B1E, #C18225, #D99836 and #DFA959

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BF8124CE shade: #BF8124, #44C125 and #4425C1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BF8124CE shade: #BF8124, #25C182 and #8225C1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BF8124CE shade: #BF8124, #44C125, #2563C1 and #A225C1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BF8124CE shade: #BF8124, #25C134, #2563C1 and #C125B1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 66 / 20

HEX #BF8124CE

RGBA 191 129 36 0.81

HSLA 36, 0.68%, 0.45%, 0.81

LABA 58.89, 16.34, 56.09, 0.81

 

Complementary color

CMYK 57 / 34 / 0 / 11

HEX #407EDBCE

RGBA 64 126 219 0.81

HSLA 216, 0.68%, 0.55%, 0.81

LABA 53.09, 10.88, -53.43, 0.81

 

CMYK 0 / 28 / 68 / 19

HEX #C4811FCE

RGBA 196 129 31 0.81

HSLA 35.64, 0.73%, 0.45%, 0.81

LABA 59.47, 18.38, 58.57, 0.81

 

CMYK 0 / 25 / 62 / 13

HEX #D59332CE

RGBA 213 147 50 0.81

HSLA 35.71, 0.66%, 0.52%, 0.81

LABA 65.94, 16.61, 58.23, 0.81

 

CMYK 0 / 23 / 57 / 8

HEX #E6A545CE

RGBA 230 165 69 0.81

HSLA 35.78, 0.76%, 0.59%, 0.81

LABA 72.34, 15.08, 57.31, 0.81

 

CMYK 0 / 21 / 52 / 3

HEX #F7B758CE

RGBA 247 183 88 0.81

HSLA 35.85, 0.91%, 0.66%, 0.81

LABA 78.66, 13.75, 56.12, 0.81

 

CMYK 0 / 17 / 47 / 0

HEX #FFC96BCE

RGBA 255 201 107 0.81

HSLA 38.11, 1%, 0.71%, 0.81

LABA 84.02, 8.92, 53.56, 0.81

 

CMYK 0 / 26 / 66 / 20

HEX #BF8124CE

RGBA 191 129 36 0.81

HSLA 36, 0.68%, 0.45%, 0.81

LABA 58.89, 16.34, 56.09, 0.81

 

CMYK 0 / 29 / 73 / 26

HEX #AE6F11CE

RGBA 174 111 17 0.81

HSLA 35.92, 0.82%, 0.37%, 0.81

LABA 52.3, 18.29, 55.75, 0.81

 

CMYK 0 / 33 / 81 / 31

HEX #9D5D00CE

RGBA 157 93 0 0.81

HSLA 35.54, 1%, 0.31%, 0.81

LABA 45.63, 20.52, 53.88, 0.81

 

CMYK 0 / 38 / 81 / 37

HEX #8C4B00CE

RGBA 140 75 0 0.81

HSLA 32.14, 1%, 0.27%, 0.81

LABA 38.91, 23.1, 48.44, 0.81

 

CMYK 0 / 43 / 81 / 42

HEX #7B3900CE

RGBA 123 57 0 0.81

HSLA 27.8, 1%, 0.24%, 0.81

LABA 32.12, 25.71, 42.93, 0.81

 

CMYK 0 / 33 / 81 / 24

HEX #C18225

RGB 193 130 37

HSL 35.77, 0.68%, 0.45%

LAB 59.38, 16.7, 56.26

 

CMYK 0 / 54 / 81 / 24

HEX #C15825

RGB 193 88 37

HSL 19.62, 0.68%, 0.45%

LAB 50.04, 39.16, 47.65

 

CMYK 0 / 76 / 81 / 24

HEX #C12E25

RGB 193 46 37

HSL 3.46, 0.68%, 0.45%

LAB 43.4, 56.92, 41.25

 

CMYK 0 / 81 / 81 / 24

HEX #C12525

RGB 193 37 37

HSL 0, 0.68%, 0.45%

LAB 42.45, 59.58, 40.32

 

CMYK 0 / 33 / 81 / 24

HEX #C18225

RGB 193 130 37

HSL 35.77, 0.68%, 0.45%

LAB 59.38, 16.7, 56.26

 

CMYK 0 / 11 / 81 / 24

HEX #C1AC25

RGB 193 172 37

HSL 51.92, 0.68%, 0.45%

LAB 70.16, -6.03, 65.83

 

CMYK 11 / 0 / 81 / 24

HEX #ABC125

RGB 171 193 37

HSL 68.46, 0.68%, 0.45%

LAB 74.15, -26.13, 68.62

 

CMYK 33 / 0 / 81 / 24

HEX #81C125

RGB 129 193 37

HSL 84.62, 0.68%, 0.45%

LAB 71.51, -42.72, 65.28

 

CMYK 55 / 0 / 81 / 24

HEX #57C125

RGB 87 193 37

HSL 100.77, 0.68%, 0.45%

LAB 69.68, -56.24, 62.93

 

CMYK 0 / 33 / 81 / 24

HEX #C18225

RGB 193 130 37

HSL 35.77, 0.68%, 0.45%

LAB 59.38, 16.7, 56.26

 

CMYK 0 / 36 / 91 / 17

HEX #D38612

RGB 211 134 18

HSL 36.06, 0.84%, 0.45%

LAB 62.46, 21.89, 65.25

 

CMYK 0 / 33 / 81 / 24

HEX #C18225

RGB 193 130 37

HSL 35.77, 0.68%, 0.45%

LAB 59.38, 16.7, 56.26

 

CMYK 0 / 27 / 68 / 32

HEX #AE7F37

RGB 174 127 55

HSL 36.3, 0.52%, 0.45%

LAB 56.54, 10.8, 45.03

 

CMYK 0 / 21 / 53 / 39

HEX #9C7B4A

RGB 156 123 74

HSL 35.85, 0.36%, 0.45%

LAB 53.74, 6.54, 31.5

 

CMYK 0 / 13 / 33 / 46

HEX #89775C

RGB 137 119 92

HSL 36, 0.2%, 0.45%

LAB 51.02, 2.68, 17.44

 

CMYK 0 / 3 / 7 / 53

HEX #77746F

RGB 119 116 111

HSL 37.5, 0.03%, 0.45%

LAB 48.96, 0.18, 3.16

 

CMYK 0 / 76 / 81 / 24

HEX #C12F25

RGB 193 47 37

HSL 3.85, 0.68%, 0.45%

LAB 43.51, 56.6, 41.36

 

CMYK 0 / 54 / 81 / 24

HEX #C15925

RGB 193 89 37

HSL 20, 0.68%, 0.45%

LAB 50.23, 38.66, 47.83

 

CMYK 0 / 33 / 81 / 24

HEX #C18225

RGB 193 130 37

HSL 35.77, 0.68%, 0.45%

LAB 59.38, 16.7, 56.26

 

CMYK 0 / 11 / 81 / 24

HEX #C1AC25

RGB 193 172 37

HSL 51.92, 0.68%, 0.45%

LAB 70.16, -6.03, 65.83

 

CMYK 11 / 0 / 81 / 24

HEX #ACC125

RGB 172 193 37

HSL 68.08, 0.68%, 0.45%

LAB 74.22, -25.72, 68.71

 

CMYK 0 / 33 / 80 / 52

HEX #7B5318

RGB 123 83 24

HSL 35.76, 0.67%, 0.29%

LAB 38.66, 11.16, 39.11

 

CMYK 0 / 32 / 81 / 38

HEX #9E6B1E

RGB 158 107 30

HSL 36.09, 0.68%, 0.37%

LAB 49.35, 13.69, 48.2

 

CMYK 0 / 33 / 81 / 24

HEX #C18225

RGB 193 130 37

HSL 35.77, 0.68%, 0.45%

LAB 59.38, 16.7, 56.26

 

CMYK 0 / 30 / 75 / 15

HEX #D99836

RGB 217 152 54

HSL 36.07, 0.68%, 0.53%

LAB 67.63, 15.8, 58.42

 

CMYK 0 / 24 / 60 / 13

HEX #DFA959

RGB 223 169 89

HSL 35.82, 0.68%, 0.61%

LAB 72.75, 11.22, 48.26

 

CMYK 0 / 32 / 81 / 25

HEX #BF8124

RGB 191 129 36

HSL 36, 0.68%, 0.45%

LAB 58.89, 16.34, 56.09

 

CMYK 65 / 0 / 81 / 24

HEX #44C125

RGB 68 193 37

HSL 108.08, 0.68%, 0.45%

LAB 69.11, -60.86, 62.2

 

CMYK 65 / 81 / 0 / 24

HEX #4425C1

RGB 68 37 193

HSL 251.92, 0.68%, 0.45%

LAB 30.41, 55.4, -75.33

 

CMYK 0 / 32 / 81 / 25

HEX #BF8124

RGB 191 129 36

HSL 36, 0.68%, 0.45%

LAB 58.89, 16.34, 56.09

 

CMYK 81 / 0 / 33 / 24

HEX #25C182

RGB 37 193 130

HSL 155.77, 0.68%, 0.45%

LAB 69.57, -53.42, 20.95

 

CMYK 33 / 81 / 0 / 24

HEX #8225C1

RGB 130 37 193

HSL 275.77, 0.68%, 0.45%

LAB 37.7, 63.41, -63.08

 

CMYK 0 / 32 / 81 / 25

HEX #BF8124

RGB 191 129 36

HSL 36, 0.68%, 0.45%

LAB 58.89, 16.34, 56.09

 

CMYK 65 / 0 / 81 / 24

HEX #44C125

RGB 68 193 37

HSL 108.08, 0.68%, 0.45%

LAB 69.11, -60.86, 62.2

 

CMYK 81 / 49 / 0 / 24

HEX #2563C1

RGB 37 99 193

HSL 216.15, 0.68%, 0.45%

LAB 43.01, 14.93, -54.79

 

CMYK 16 / 81 / 0 / 24

HEX #A225C1

RGB 162 37 193

HSL 288.08, 0.68%, 0.45%

LAB 42.54, 68.81, -55

 

CMYK 0 / 32 / 81 / 25

HEX #BF8124

RGB 191 129 36

HSL 36, 0.68%, 0.45%

LAB 58.89, 16.34, 56.09

 

CMYK 81 / 0 / 73 / 24

HEX #25C134

RGB 37 193 52

HSL 125.77, 0.68%, 0.45%

LAB 68.59, -65, 56.66

 

CMYK 81 / 49 / 0 / 24

HEX #2563C1

RGB 37 99 193

HSL 216.15, 0.68%, 0.45%

LAB 43.01, 14.93, -54.79

 

CMYK 0 / 81 / 8 / 24

HEX #C125B1

RGB 193 37 177

HSL 306.15, 0.68%, 0.45%

LAB 46.76, 72.14, -38.58

 

Description

Color code: HEX #BF8124CE | qconv.com Color code: HEX #BF8124CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 129 green and 36 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 129 36 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 66 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 66% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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