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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BF7B13 it is the complementary color #4084EC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BF7B13. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BF7B13 shade: #C47B0E, #D58D21, #E69F34, #F7B147 and #FFC35A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BF7B13. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BF7B13 shade: #BF7B13, #AE6900, #9D5700, #8C4500 and #7B3300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BF7B13 shade: #BE7A13, #BE4C13, #BE1E13 and #BE1313

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BF7B13 shade: #BE7A13, #BEA913, #A6BE13, #77BE13 and #49BE13

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BF7B13 shade matches the following richer shades: #BE7A13 and #CF7E02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BF7B13 shade: #BE7A13, #AD7724, #9C7335, #8C7046 and #7B6C56

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BF7B13 shade: #BE1E13, #BE4C13, #BE7A13, #BEA713 and #A7BE13

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BF7B13 shade: #734A0B, #99620F, #BE7A13, #E49317 and #EBA538

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BF7B13 shade: #BF7B13, #35BE13 and #3513BE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BF7B13 shade: #BF7B13, #13BE7A and #7A13BE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BF7B13 shade: #BF7B13, #35BE13, #1357BE and #9C13BE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BF7B13 shade: #BF7B13, #13BE24, #1357BE and #BE13AD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 36 / 90 / 25

HEX #BF7B13

RGB 191 123 19

HSL 36.28, 0.82%, 0.41%

LAB 57.36, 19.2, 60.07

 

Complementary color

CMYK 73 / 44 / 0 / 7

HEX #4084EC

RGB 64 132 236

HSL 216.28, 0.82%, 0.59%

LAB 55.73, 13.31, -58.71

 

CMYK 0 / 37 / 93 / 23

HEX #C47B0E

RGB 196 123 14

HSL 35.93, 0.87%, 0.41%

LAB 57.97, 21.3, 61.93

 

CMYK 0 / 34 / 85 / 16

HEX #D58D21

RGB 213 141 33

HSL 36, 0.73%, 0.48%

LAB 64.41, 19.29, 62.93

 

CMYK 0 / 31 / 77 / 10

HEX #E69F34

RGB 230 159 52

HSL 36.07, 0.78%, 0.55%

LAB 70.78, 17.52, 62.74

 

CMYK 0 / 28 / 71 / 3

HEX #F7B147

RGB 247 177 71

HSL 36.14, 0.92%, 0.62%

LAB 77.09, 15.98, 61.95

 

CMYK 0 / 24 / 65 / 0

HEX #FFC35A

RGB 255 195 90

HSL 38.18, 1%, 0.68%

LAB 82.39, 10.92, 59.57

 

CMYK 0 / 36 / 90 / 25

HEX #BF7B13

RGB 191 123 19

HSL 36.28, 0.82%, 0.41%

LAB 57.36, 19.2, 60.07

 

CMYK 0 / 40 / 100 / 32

HEX #AE6900

RGB 174 105 0

HSL 36.21, 1%, 0.34%

LAB 50.81, 21.38, 58.33

 

CMYK 0 / 45 / 100 / 38

HEX #9D5700

RGB 157 87 0

HSL 33.25, 1%, 0.31%

LAB 44.21, 23.9, 52.99

 

CMYK 0 / 51 / 100 / 45

HEX #8C4500

RGB 140 69 0

HSL 29.57, 1%, 0.27%

LAB 37.54, 26.47, 47.61

 

CMYK 0 / 59 / 100 / 52

HEX #7B3300

RGB 123 51 0

HSL 24.88, 1%, 0.24%

LAB 30.83, 28.99, 42.04

 

CMYK 0 / 36 / 90 / 25

HEX #BE7A13

RGB 190 122 19

HSL 36.14, 0.82%, 0.41%

LAB 56.99, 19.31, 59.74

 

CMYK 0 / 60 / 90 / 25

HEX #BE4C13

RGB 190 76 19

HSL 20, 0.82%, 0.41%

LAB 47.19, 43.39, 52.3

 

CMYK 0 / 84 / 90 / 25

HEX #BE1E13

RGB 190 30 19

HSL 3.86, 0.82%, 0.41%

LAB 41.09, 60.05, 47.8

 

CMYK 0 / 90 / 90 / 25

HEX #BE1313

RGB 190 19 19

HSL 0, 0.82%, 0.41%

LAB 40.34, 62.19, 47.25

 

CMYK 0 / 36 / 90 / 25

HEX #BE7A13

RGB 190 122 19

HSL 36.14, 0.82%, 0.41%

LAB 56.99, 19.31, 59.74

 

CMYK 0 / 11 / 90 / 25

HEX #BEA913

RGB 190 169 19

HSL 52.63, 0.82%, 0.41%

LAB 69.02, -6.24, 69.06

 

CMYK 13 / 0 / 90 / 25

HEX #A6BE13

RGB 166 190 19

HSL 68.42, 0.82%, 0.41%

LAB 72.88, -27.27, 71.28

 

CMYK 37 / 0 / 90 / 25

HEX #77BE13

RGB 119 190 19

HSL 84.91, 0.82%, 0.41%

LAB 70.03, -45.68, 67.78

 

CMYK 62 / 0 / 90 / 25

HEX #49BE13

RGB 73 190 19

HSL 101.05, 0.82%, 0.41%

LAB 68.23, -59.48, 65.55

 

CMYK 0 / 36 / 90 / 25

HEX #BE7A13

RGB 190 122 19

HSL 36.14, 0.82%, 0.41%

LAB 56.99, 19.31, 59.74

 

CMYK 0 / 39 / 99 / 19

HEX #CF7E02

RGB 207 126 2

HSL 36.29, 0.98%, 0.41%

LAB 60.06, 24.29, 66.08

 

CMYK 0 / 36 / 90 / 25

HEX #BE7A13

RGB 190 122 19

HSL 36.14, 0.82%, 0.41%

LAB 56.99, 19.31, 59.74

 

CMYK 0 / 31 / 79 / 32

HEX #AD7724

RGB 173 119 36

HSL 36.35, 0.66%, 0.41%

LAB 54.24, 13.91, 51.04

 

CMYK 0 / 26 / 66 / 39

HEX #9C7335

RGB 156 115 53

HSL 36.12, 0.49%, 0.41%

LAB 51.37, 9.4, 39.75

 

CMYK 0 / 20 / 50 / 45

HEX #8C7046

RGB 140 112 70

HSL 36, 0.33%, 0.41%

LAB 49.01, 5.37, 27.43

 

CMYK 0 / 12 / 30 / 52

HEX #7B6C56

RGB 123 108 86

HSL 35.68, 0.18%, 0.41%

LAB 46.46, 2.25, 14.49

 

CMYK 0 / 84 / 90 / 25

HEX #BE1E13

RGB 190 30 19

HSL 3.86, 0.82%, 0.41%

LAB 41.09, 60.05, 47.8

 

CMYK 0 / 60 / 90 / 25

HEX #BE4C13

RGB 190 76 19

HSL 20, 0.82%, 0.41%

LAB 47.19, 43.39, 52.3

 

CMYK 0 / 36 / 90 / 25

HEX #BE7A13

RGB 190 122 19

HSL 36.14, 0.82%, 0.41%

LAB 56.99, 19.31, 59.74

 

CMYK 0 / 12 / 90 / 25

HEX #BEA713

RGB 190 167 19

HSL 51.93, 0.82%, 0.41%

LAB 68.48, -5.19, 68.64

 

CMYK 12 / 0 / 90 / 25

HEX #A7BE13

RGB 167 190 19

HSL 68.07, 0.82%, 0.41%

LAB 72.95, -26.85, 71.37

 

CMYK 0 / 36 / 90 / 55

HEX #734A0B

RGB 115 74 11

HSL 36.35, 0.83%, 0.25%

LAB 35.14, 12.27, 40.59

 

CMYK 0 / 36 / 90 / 40

HEX #99620F

RGB 153 98 15

HSL 36.09, 0.82%, 0.33%

LAB 46.37, 16.11, 50.5

 

CMYK 0 / 36 / 90 / 25

HEX #BE7A13

RGB 190 122 19

HSL 36.14, 0.82%, 0.41%

LAB 56.99, 19.31, 59.74

 

CMYK 0 / 36 / 90 / 11

HEX #E49317

RGB 228 147 23

HSL 36.29, 0.82%, 0.49%

LAB 67.59, 22.28, 68.92

 

CMYK 0 / 30 / 76 / 8

HEX #EBA538

RGB 235 165 56

HSL 36.54, 0.82%, 0.57%

LAB 72.8, 16.61, 63.33

 

CMYK 0 / 36 / 90 / 25

HEX #BF7B13

RGB 191 123 19

HSL 36.28, 0.82%, 0.41%

LAB 57.36, 19.2, 60.07

 

CMYK 72 / 0 / 90 / 25

HEX #35BE13

RGB 53 190 19

HSL 108.07, 0.82%, 0.41%

LAB 67.75, -63.59, 64.94

 

CMYK 72 / 90 / 0 / 25

HEX #3513BE

RGB 53 19 190

HSL 251.93, 0.82%, 0.41%

LAB 26.56, 60.16, -79.97

 

CMYK 0 / 36 / 90 / 25

HEX #BF7B13

RGB 191 123 19

HSL 36.28, 0.82%, 0.41%

LAB 57.36, 19.2, 60.07

 

CMYK 90 / 0 / 36 / 25

HEX #13BE7A

RGB 19 190 122

HSL 156.14, 0.82%, 0.41%

LAB 68.29, -55.43, 23.44

 

CMYK 36 / 90 / 0 / 25

HEX #7A13BE

RGB 122 19 190

HSL 276.14, 0.82%, 0.41%

LAB 34.64, 66.45, -66.36

 

CMYK 0 / 36 / 90 / 25

HEX #BF7B13

RGB 191 123 19

HSL 36.28, 0.82%, 0.41%

LAB 57.36, 19.2, 60.07

 

CMYK 72 / 0 / 90 / 25

HEX #35BE13

RGB 53 190 19

HSL 108.07, 0.82%, 0.41%

LAB 67.75, -63.59, 64.94

 

CMYK 90 / 54 / 0 / 25

HEX #1357BE

RGB 19 87 190

HSL 216.14, 0.82%, 0.41%

LAB 39.02, 20.25, -59.53

 

CMYK 18 / 90 / 0 / 25

HEX #9C13BE

RGB 156 19 190

HSL 288.07, 0.82%, 0.41%

LAB 40, 71.26, -57.4

 

CMYK 0 / 36 / 90 / 25

HEX #BF7B13

RGB 191 123 19

HSL 36.28, 0.82%, 0.41%

LAB 57.36, 19.2, 60.07

 

CMYK 90 / 0 / 81 / 25

HEX #13BE24

RGB 19 190 36

HSL 125.96, 0.82%, 0.41%

LAB 67.35, -66.9, 60.54

 

CMYK 90 / 54 / 0 / 25

HEX #1357BE

RGB 19 87 190

HSL 216.14, 0.82%, 0.41%

LAB 39.02, 20.25, -59.53

 

CMYK 0 / 90 / 9 / 25

HEX #BE13AD

RGB 190 19 173

HSL 305.96, 0.82%, 0.41%

LAB 44.84, 74.39, -39.28

 

Description

Color code: HEX #BF7B13 | qconv.com Color code: HEX #BF7B13 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 123 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 123 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 36 magenta, 90 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 36% 90% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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