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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BF792B it is the complementary color #4086D4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BF792B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BF792B shade: #C47926, #D58B39, #E69D4C, #F7AF5F and #FFC172

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BF792B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BF792B shade: #BF792B, #AE6718, #9D5505, #8C4300 and #7B3100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BF792B shade: #BF792B, #BF512B and #BF2B2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BF792B shade: #BF792B, #BFA12B, #B5BF2B, #8EBF2B and #66BF2B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BF792B shade matches the following richer shades: #BF792B, #D27A18 and #E57B05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BF792B shade: #BF792B, #AC783E, #997751, #867664 and #737577

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BF792B shade: #BF2B2E, #BF502B, #BF782B, #BF9F2B and #B8BF2B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BF792B shade: #7C4F1C, #9E6424, #BF792B, #D48E40 and #DBA262

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BF792B shade: #BF792B, #55BF2B and #3D2BBF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BF792B shade: #BF792B, #2BBF78 and #782BBF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BF792B shade: #BF792B, #55BF2B, #2B73BF and #952BBF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BF792B shade: #BF792B, #2BBF2E, #2B73BF and #BF2BBD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 77 / 25

HEX #BF792B

RGB 191 121 43

HSL 31.62, 0.63%, 0.46%

LAB 57, 21.01, 51.57

 

Complementary color

CMYK 70 / 37 / 0 / 17

HEX #4086D4

RGB 64 134 212

HSL 211.62, 0.63%, 0.54%

LAB 54.96, 3.54, -46.5

 

CMYK 0 / 38 / 81 / 23

HEX #C47926

RGB 196 121 38

HSL 31.52, 0.68%, 0.46%

LAB 57.61, 22.98, 54.41

 

CMYK 0 / 35 / 73 / 16

HEX #D58B39

RGB 213 139 57

HSL 31.54, 0.65%, 0.53%

LAB 64.09, 21.24, 53.45

 

CMYK 0 / 32 / 67 / 10

HEX #E69D4C

RGB 230 157 76

HSL 31.56, 0.75%, 0.6%

LAB 70.5, 19.72, 52.15

 

CMYK 0 / 29 / 62 / 3

HEX #F7AF5F

RGB 247 175 95

HSL 31.58, 0.9%, 0.67%

LAB 76.84, 18.39, 50.74

 

CMYK 0 / 24 / 55 / 0

HEX #FFC172

RGB 255 193 114

HSL 33.62, 1%, 0.72%

LAB 82.17, 13.6, 47.98

 

CMYK 0 / 37 / 77 / 25

HEX #BF792B

RGB 191 121 43

HSL 31.62, 0.63%, 0.46%

LAB 57, 21.01, 51.57

 

CMYK 0 / 41 / 86 / 32

HEX #AE6718

RGB 174 103 24

HSL 31.6, 0.76%, 0.39%

LAB 50.41, 22.91, 52.13

 

CMYK 0 / 46 / 97 / 38

HEX #9D5505

RGB 157 85 5

HSL 31.58, 0.94%, 0.32%

LAB 43.76, 25.1, 51.37

 

CMYK 0 / 52 / 100 / 45

HEX #8C4300

RGB 140 67 0

HSL 28.71, 1%, 0.27%

LAB 37.1, 27.58, 47.35

 

CMYK 0 / 60 / 100 / 52

HEX #7B3100

RGB 123 49 0

HSL 23.9, 1%, 0.24%

LAB 30.42, 30.05, 41.74

 

CMYK 0 / 37 / 77 / 25

HEX #BF792B

RGB 191 121 43

HSL 31.62, 0.63%, 0.46%

LAB 57, 21.01, 51.57

 

CMYK 0 / 58 / 77 / 25

HEX #BF512B

RGB 191 81 43

HSL 15.41, 0.63%, 0.46%

LAB 48.43, 42.06, 43.07

 

CMYK 0 / 77 / 77 / 25

HEX #BF2B2B

RGB 191 43 43

HSL 0, 0.63%, 0.46%

LAB 42.73, 57.46, 37.13

 

CMYK 0 / 37 / 77 / 25

HEX #BF792B

RGB 191 121 43

HSL 31.62, 0.63%, 0.46%

LAB 57, 21.01, 51.57

 

CMYK 0 / 16 / 77 / 25

HEX #BFA12B

RGB 191 161 43

HSL 47.84, 0.63%, 0.46%

LAB 67.08, -0.87, 61.08

 

CMYK 5 / 0 / 77 / 25

HEX #B5BF2B

RGB 181 191 43

HSL 64.05, 0.63%, 0.46%

LAB 74.36, -20.72, 67.4

 

CMYK 26 / 0 / 77 / 25

HEX #8EBF2B

RGB 142 191 43

HSL 79.86, 0.63%, 0.46%

LAB 71.68, -36.67, 63.96

 

CMYK 47 / 0 / 77 / 25

HEX #66BF2B

RGB 102 191 43

HSL 96.08, 0.63%, 0.46%

LAB 69.65, -50.79, 61.33

 

CMYK 0 / 37 / 77 / 25

HEX #BF792B

RGB 191 121 43

HSL 31.62, 0.63%, 0.46%

LAB 57, 21.01, 51.57

 

CMYK 0 / 42 / 89 / 18

HEX #D27A18

RGB 210 122 24

HSL 31.61, 0.79%, 0.46%

LAB 59.6, 28.02, 61.56

 

CMYK 0 / 46 / 98 / 10

HEX #E57B05

RGB 229 123 5

HSL 31.61, 0.96%, 0.46%

LAB 62.37, 35.09, 68.53

 

CMYK 0 / 37 / 77 / 25

HEX #BF792B

RGB 191 121 43

HSL 31.62, 0.63%, 0.46%

LAB 57, 21.01, 51.57

 

CMYK 0 / 30 / 64 / 33

HEX #AC783E

RGB 172 120 62

HSL 31.64, 0.47%, 0.46%

LAB 54.61, 14.3, 39.34

 

CMYK 0 / 22 / 47 / 40

HEX #997751

RGB 153 119 81

HSL 31.67, 0.31%, 0.46%

LAB 52.46, 8.21, 25.94

 

CMYK 0 / 12 / 25 / 47

HEX #867664

RGB 134 118 100

HSL 31.76, 0.15%, 0.46%

LAB 50.62, 3.17, 12.19

 

CMYK 3 / 2 / 0 / 53

HEX #737577

RGB 115 117 119

HSL 210, 0.02%, 0.46%

LAB 49.13, -0.34, -1.37

 

CMYK 0 / 77 / 76 / 25

HEX #BF2B2E

RGB 191 43 46

HSL 358.78, 0.63%, 0.46%

LAB 42.77, 57.57, 35.45

 

CMYK 0 / 58 / 77 / 25

HEX #BF502B

RGB 191 80 43

HSL 15, 0.63%, 0.46%

LAB 48.25, 42.54, 42.88

 

CMYK 0 / 37 / 77 / 25

HEX #BF782B

RGB 191 120 43

HSL 31.22, 0.63%, 0.46%

LAB 56.77, 21.56, 51.35

 

CMYK 0 / 17 / 77 / 25

HEX #BF9F2B

RGB 191 159 43

HSL 47.03, 0.63%, 0.46%

LAB 66.56, 0.2, 60.59

 

CMYK 4 / 0 / 77 / 25

HEX #B8BF2B

RGB 184 191 43

HSL 62.84, 0.63%, 0.46%

LAB 74.59, -19.45, 67.7

 

CMYK 0 / 36 / 77 / 51

HEX #7C4F1C

RGB 124 79 28

HSL 31.88, 0.63%, 0.3%

LAB 37.77, 14.21, 36.44

 

CMYK 0 / 37 / 77 / 38

HEX #9E6424

RGB 158 100 36

HSL 31.48, 0.63%, 0.38%

LAB 47.64, 17.93, 44.04

 

CMYK 0 / 37 / 77 / 25

HEX #BF792B

RGB 191 121 43

HSL 31.62, 0.63%, 0.46%

LAB 57, 21.01, 51.57

 

CMYK 0 / 33 / 70 / 17

HEX #D48E40

RGB 212 142 64

HSL 31.62, 0.63%, 0.54%

LAB 64.73, 19.54, 50.9

 

CMYK 0 / 26 / 55 / 14

HEX #DBA262

RGB 219 162 98

HSL 31.74, 0.63%, 0.62%

LAB 70.72, 13.98, 41.23

 

CMYK 0 / 37 / 77 / 25

HEX #BF792B

RGB 191 121 43

HSL 31.62, 0.63%, 0.46%

LAB 57, 21.01, 51.57

 

CMYK 55 / 0 / 77 / 25

HEX #55BF2B

RGB 85 191 43

HSL 102.97, 0.63%, 0.46%

LAB 69.02, -55.72, 60.5

 

CMYK 68 / 77 / 0 / 25

HEX #3D2BBF

RGB 61 43 191

HSL 247.3, 0.63%, 0.46%

LAB 30.6, 51.32, -73.86

 

CMYK 0 / 37 / 77 / 25

HEX #BF792B

RGB 191 121 43

HSL 31.62, 0.63%, 0.46%

LAB 57, 21.01, 51.57

 

CMYK 77 / 0 / 37 / 25

HEX #2BBF78

RGB 43 191 120

HSL 151.22, 0.63%, 0.46%

LAB 68.85, -54.06, 25.29

 

CMYK 37 / 77 / 0 / 25

HEX #782BBF

RGB 120 43 191

HSL 271.22, 0.63%, 0.46%

LAB 36.9, 59.2, -63.27

 

CMYK 0 / 37 / 77 / 25

HEX #BF792B

RGB 191 121 43

HSL 31.62, 0.63%, 0.46%

LAB 57, 21.01, 51.57

 

CMYK 55 / 0 / 77 / 25

HEX #55BF2B

RGB 85 191 43

HSL 102.97, 0.63%, 0.46%

LAB 69.02, -55.72, 60.5

 

CMYK 77 / 40 / 0 / 25

HEX #2B73BF

RGB 43 115 191

HSL 210.81, 0.63%, 0.46%

LAB 47.67, 4.65, -46.16

 

CMYK 22 / 77 / 0 / 25

HEX #952BBF

RGB 149 43 191

HSL 282.97, 0.63%, 0.46%

LAB 41.02, 64.26, -56.38

 

CMYK 0 / 37 / 77 / 25

HEX #BF792B

RGB 191 121 43

HSL 31.62, 0.63%, 0.46%

LAB 57, 21.01, 51.57

 

CMYK 77 / 0 / 76 / 25

HEX #2BBF2E

RGB 43 191 46

HSL 121.22, 0.63%, 0.46%

LAB 68, -64.08, 58.18

 

CMYK 77 / 40 / 0 / 25

HEX #2B73BF

RGB 43 115 191

HSL 210.81, 0.63%, 0.46%

LAB 47.67, 4.65, -46.16

 

CMYK 0 / 77 / 1 / 25

HEX #BF2BBD

RGB 191 43 189

HSL 300.81, 0.63%, 0.46%

LAB 47.6, 72.02, -44.3

 

Description

Color code: HEX #BF792B | qconv.com Color code: HEX #BF792B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 121 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 121 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 77 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 77% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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