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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BF78AA it is the complementary color #408755. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BF78AA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BF78AA shade: #C478A5, #D58AB8, #E69CCB, #F7AEDE and #FFC0F1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BF78AA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BF78AA shade: #BF78AA, #AE6697, #9D5484, #8C4271 and #7B305E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BF78AA shade: #BF78AA, #BF7897, #BF7884 and #BF7878

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BF78AA shade: #BF78AA, #BF78BD, #AE78BF, #9B78BF and #8778BF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BF78AA shade matches the following richer shades: #BF78AA, #CF68B1, #E058B7 and #F047BE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BF78AA shade: #BF78AA, #AF88A4, #9F989D, #8FA896 and #7FB890

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BF78AA shade: #AD78BF, #BF78BE, #BF78AB, #BF7898 and #BF7885

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BF78AA shade: #9B4983, #B25C99, #BF78AA, #CD94BC and #DAB0CD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BF78AA shade: #BF78AA, #BF9A78 and #78BFB7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BF78AA shade: #BF78AA, #ABBF78 and #78ABBF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BF78AA shade: #BF78AA, #BF9A78, #78BF8C and #789DBF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BF78AA shade: #BF78AA, #BFB078, #78BF8C and #7887BF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 11 / 25

HEX #BF78AA

RGB 191 120 170

HSL 317.75, 0.36%, 0.61%

LAB 59.35, 35.14, -15.03

 

Complementary color

CMYK 53 / 0 / 37 / 47

HEX #408755

RGB 64 135 85

HSL 137.75, 0.36%, 0.39%

LAB 50.77, -34.1, 20.26

 

CMYK 0 / 39 / 16 / 23

HEX #C478A5

RGB 196 120 165

HSL 324.47, 0.39%, 0.62%

LAB 59.78, 36.02, -11.45

 

CMYK 0 / 35 / 14 / 16

HEX #D58AB8

RGB 213 138 184

HSL 323.2, 0.47%, 0.69%

LAB 66.35, 35.24, -12.18

 

CMYK 0 / 32 / 12 / 10

HEX #E69CCB

RGB 230 156 203

HSL 321.89, 0.6%, 0.76%

LAB 72.83, 34.51, -12.83

 

CMYK 0 / 30 / 10 / 3

HEX #F7AEDE

RGB 247 174 222

HSL 320.55, 0.82%, 0.83%

LAB 79.23, 33.82, -13.44

 

CMYK 0 / 25 / 5 / 0

HEX #FFC0F1

RGB 255 192 241

HSL 313.33, 1%, 0.88%

LAB 84.64, 30.21, -15.43

 

CMYK 0 / 37 / 11 / 25

HEX #BF78AA

RGB 191 120 170

HSL 317.75, 0.36%, 0.61%

LAB 59.35, 35.14, -15.03

 

CMYK 0 / 41 / 13 / 32

HEX #AE6697

RGB 174 102 151

HSL 319.17, 0.31%, 0.54%

LAB 52.66, 35.93, -14.34

 

CMYK 0 / 46 / 16 / 38

HEX #9D5484

RGB 157 84 132

HSL 320.55, 0.3%, 0.47%

LAB 45.87, 36.73, -13.53

 

CMYK 0 / 53 / 19 / 45

HEX #8C4271

RGB 140 66 113

HSL 321.89, 0.36%, 0.4%

LAB 39.01, 37.49, -12.54

 

CMYK 0 / 61 / 24 / 52

HEX #7B305E

RGB 123 48 94

HSL 323.2, 0.44%, 0.34%

LAB 32.11, 38.1, -11.25

 

CMYK 0 / 37 / 11 / 25

HEX #BF78AA

RGB 191 120 170

HSL 317.75, 0.36%, 0.61%

LAB 59.35, 35.14, -15.03

 

CMYK 0 / 37 / 21 / 25

HEX #BF7897

RGB 191 120 151

HSL 333.8, 0.36%, 0.61%

LAB 58.74, 32.06, -5.02

 

CMYK 0 / 37 / 31 / 25

HEX #BF7884

RGB 191 120 132

HSL 349.86, 0.36%, 0.61%

LAB 58.2, 29.32, 5.18

 

CMYK 0 / 37 / 37 / 25

HEX #BF7878

RGB 191 120 120

HSL 0, 0.36%, 0.61%

LAB 57.91, 27.78, 11.7

 

CMYK 0 / 37 / 11 / 25

HEX #BF78AA

RGB 191 120 170

HSL 317.75, 0.36%, 0.61%

LAB 59.35, 35.14, -15.03

 

CMYK 0 / 37 / 1 / 25

HEX #BF78BD

RGB 191 120 189

HSL 301.69, 0.36%, 0.61%

LAB 60.05, 38.53, -24.81

 

CMYK 9 / 37 / 0 / 25

HEX #AE78BF

RGB 174 120 191

HSL 285.63, 0.36%, 0.61%

LAB 58.22, 33.54, -28.94

 

CMYK 19 / 37 / 0 / 25

HEX #9B78BF

RGB 155 120 191

HSL 269.58, 0.36%, 0.61%

LAB 56.25, 27.63, -32.15

 

CMYK 29 / 37 / 0 / 25

HEX #8778BF

RGB 135 120 191

HSL 252.68, 0.36%, 0.61%

LAB 54.39, 21.63, -35.19

 

CMYK 0 / 37 / 11 / 25

HEX #BF78AA

RGB 191 120 170

HSL 317.75, 0.36%, 0.61%

LAB 59.35, 35.14, -15.03

 

CMYK 0 / 50 / 14 / 19

HEX #CF68B1

RGB 207 104 177

HSL 317.48, 0.52%, 0.61%

LAB 58.36, 49.82, -20.38

 

CMYK 0 / 61 / 18 / 12

HEX #E058B7

RGB 224 88 183

HSL 318.09, 0.69%, 0.61%

LAB 58.27, 63.05, -23.75

 

CMYK 0 / 70 / 21 / 6

HEX #F047BE

RGB 240 71 190

HSL 317.75, 0.85%, 0.61%

LAB 58.74, 74.57, -26.84

 

CMYK 0 / 37 / 11 / 25

HEX #BF78AA

RGB 191 120 170

HSL 317.75, 0.36%, 0.61%

LAB 59.35, 35.14, -15.03

 

CMYK 0 / 22 / 6 / 31

HEX #AF88A4

RGB 175 136 164

HSL 316.92, 0.2%, 0.61%

LAB 61.14, 19.59, -9.1

 

CMYK 0 / 4 / 1 / 38

HEX #9F989D

RGB 159 152 157

HSL 317.14, 0.04%, 0.61%

LAB 63.56, 3.5, -1.71

 

CMYK 15 / 0 / 11 / 34

HEX #8FA896

RGB 143 168 150

HSL 136.8, 0.13%, 0.61%

LAB 66.56, -12.28, 6.4

 

CMYK 31 / 0 / 22 / 28

HEX #7FB890

RGB 127 184 144

HSL 137.89, 0.29%, 0.61%

LAB 70.04, -26.96, 14.5

 

CMYK 9 / 37 / 0 / 25

HEX #AD78BF

RGB 173 120 191

HSL 284.79, 0.36%, 0.61%

LAB 58.11, 33.23, -29.12

 

CMYK 0 / 37 / 1 / 25

HEX #BF78BE

RGB 191 120 190

HSL 300.85, 0.36%, 0.61%

LAB 60.09, 38.72, -25.32

 

CMYK 0 / 37 / 10 / 25

HEX #BF78AB

RGB 191 120 171

HSL 316.9, 0.36%, 0.61%

LAB 59.39, 35.31, -15.55

 

CMYK 0 / 37 / 20 / 25

HEX #BF7898

RGB 191 120 152

HSL 332.96, 0.36%, 0.61%

LAB 58.77, 32.21, -5.56

 

CMYK 0 / 37 / 30 / 25

HEX #BF7885

RGB 191 120 133

HSL 349.01, 0.36%, 0.61%

LAB 58.23, 29.46, 4.64

 

CMYK 0 / 53 / 15 / 39

HEX #9B4983

RGB 155 73 131

HSL 317.56, 0.36%, 0.45%

LAB 43.32, 41.69, -16.84

 

CMYK 0 / 48 / 14 / 30

HEX #B25C99

RGB 178 92 153

HSL 317.44, 0.36%, 0.53%

LAB 51.17, 42.9, -17.72

 

CMYK 0 / 37 / 11 / 25

HEX #BF78AA

RGB 191 120 170

HSL 317.75, 0.36%, 0.61%

LAB 59.35, 35.14, -15.03

 

CMYK 0 / 28 / 8 / 20

HEX #CD94BC

RGB 205 148 188

HSL 317.89, 0.36%, 0.69%

LAB 67.87, 27.76, -12.24

 

CMYK 0 / 19 / 6 / 15

HEX #DAB0CD

RGB 218 176 205

HSL 318.57, 0.36%, 0.77%

LAB 76.29, 20, -8.89

 

CMYK 0 / 37 / 11 / 25

HEX #BF78AA

RGB 191 120 170

HSL 317.75, 0.36%, 0.61%

LAB 59.35, 35.14, -15.03

 

CMYK 0 / 19 / 37 / 25

HEX #BF9A78

RGB 191 154 120

HSL 28.73, 0.36%, 0.61%

LAB 66.17, 9.02, 23.06

 

CMYK 37 / 0 / 4 / 25

HEX #78BFB7

RGB 120 191 183

HSL 173.24, 0.36%, 0.61%

LAB 72.68, -24.1, -3.02

 

CMYK 0 / 37 / 11 / 25

HEX #BF78AA

RGB 191 120 170

HSL 317.75, 0.36%, 0.61%

LAB 59.35, 35.14, -15.03

 

CMYK 10 / 0 / 37 / 25

HEX #ABBF78

RGB 171 191 120

HSL 76.9, 0.36%, 0.61%

LAB 74.37, -18.55, 33.58

 

CMYK 37 / 10 / 0 / 25

HEX #78ABBF

RGB 120 171 191

HSL 196.9, 0.36%, 0.61%

LAB 67.19, -11.77, -15.6

 

CMYK 0 / 37 / 11 / 25

HEX #BF78AA

RGB 191 120 170

HSL 317.75, 0.36%, 0.61%

LAB 59.35, 35.14, -15.03

 

CMYK 0 / 19 / 37 / 25

HEX #BF9A78

RGB 191 154 120

HSL 28.73, 0.36%, 0.61%

LAB 66.17, 9.02, 23.06

 

CMYK 37 / 0 / 27 / 25

HEX #78BF8C

RGB 120 191 140

HSL 136.9, 0.36%, 0.61%

LAB 71.66, -33.24, 18.85

 

CMYK 37 / 18 / 0 / 25

HEX #789DBF

RGB 120 157 191

HSL 208.73, 0.36%, 0.61%

LAB 63.23, -4.12, -21.6

 

CMYK 0 / 37 / 11 / 25

HEX #BF78AA

RGB 191 120 170

HSL 317.75, 0.36%, 0.61%

LAB 59.35, 35.14, -15.03

 

CMYK 0 / 8 / 37 / 25

HEX #BFB078

RGB 191 176 120

HSL 47.32, 0.36%, 0.61%

LAB 71.88, -2.86, 30.65

 

CMYK 37 / 0 / 27 / 25

HEX #78BF8C

RGB 120 191 140

HSL 136.9, 0.36%, 0.61%

LAB 71.66, -33.24, 18.85

 

CMYK 37 / 29 / 0 / 25

HEX #7887BF

RGB 120 135 191

HSL 227.32, 0.36%, 0.61%

LAB 57.16, 8.47, -30.97

 

Description

Color code: HEX #BF78AA | qconv.com Color code: HEX #BF78AA | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 120 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 120 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 11 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 11% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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