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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BF7551 it is the complementary color #408AAE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BF7551. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BF7551 shade: #C4754C, #D5875F, #E69972, #F7AB85 and #FFBD98

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BF7551. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BF7551 shade: #BF7551, #AE633E, #9D512B, #8C3F18 and #7B2D05

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BF7551 shade: #BE7450, #BE5650 and #BE5050

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BF7551 shade: #BE7450, #BE9250, #BEB050, #AFBE50 and #92BE50

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BF7551 shade matches the following richer shades: #BE7450, #D26D3D, #E56729 and #F86016

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BF7551 shade: #BE7450, #AB7B63, #978277, #84888A and #718F9E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BF7551 shade: #BE5068, #BE5650, #BE7350, #BE9050 and #BEAE50

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BF7551 shade: #894F33, #A7603E, #BE7450, #C98C6E and #D5A48C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BF7551 shade: #BF7551, #85BE50 and #5059BE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BF7551 shade: #BF7551, #50BE73 and #7350BE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BF7551 shade: #BF7551, #85BE50, #509BBE and #8950BE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BF7551 shade: #BF7551, #64BE50, #509BBE and #AA50BE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 58 / 25

HEX #BF7551

RGB 191 117 81

HSL 19.64, 0.46%, 0.53%

LAB 56.48, 25.48, 31.97

 

Complementary color

CMYK 63 / 21 / 0 / 32

HEX #408AAE

RGB 64 138 174

HSL 199.64, 0.46%, 0.47%

LAB 54.37, -11.77, -25.82

 

CMYK 0 / 40 / 61 / 23

HEX #C4754C

RGB 196 117 76

HSL 20.5, 0.5%, 0.53%

LAB 57.06, 27.16, 35.56

 

CMYK 0 / 37 / 55 / 16

HEX #D5875F

RGB 213 135 95

HSL 20.34, 0.58%, 0.6%

LAB 63.59, 25.83, 33.82

 

CMYK 0 / 33 / 50 / 10

HEX #E69972

RGB 230 153 114

HSL 20.17, 0.7%, 0.67%

LAB 70.05, 24.66, 32.23

 

CMYK 0 / 31 / 46 / 3

HEX #F7AB85

RGB 247 171 133

HSL 20, 0.88%, 0.75%

LAB 76.43, 23.61, 30.77

 

CMYK 0 / 26 / 40 / 0

HEX #FFBD98

RGB 255 189 152

HSL 21.55, 1%, 0.8%

LAB 81.8, 19.22, 28

 

CMYK 0 / 39 / 58 / 25

HEX #BF7551

RGB 191 117 81

HSL 19.64, 0.46%, 0.53%

LAB 56.48, 25.48, 31.97

 

CMYK 0 / 43 / 64 / 32

HEX #AE633E

RGB 174 99 62

HSL 19.82, 0.47%, 0.46%

LAB 49.82, 26.9, 33.82

 

CMYK 0 / 48 / 73 / 38

HEX #9D512B

RGB 157 81 43

HSL 20, 0.57%, 0.39%

LAB 43.1, 28.51, 35.82

 

CMYK 0 / 55 / 83 / 45

HEX #8C3F18

RGB 140 63 24

HSL 20.17, 0.71%, 0.32%

LAB 36.36, 30.32, 37.8

 

CMYK 0 / 63 / 96 / 52

HEX #7B2D05

RGB 123 45 5

HSL 20.34, 0.92%, 0.25%

LAB 29.66, 32.21, 39.13

 

CMYK 0 / 39 / 58 / 25

HEX #BE7450

RGB 190 116 80

HSL 19.64, 0.46%, 0.53%

LAB 56.1, 25.53, 32.02

 

CMYK 0 / 55 / 58 / 25

HEX #BE5650

RGB 190 86 80

HSL 3.27, 0.46%, 0.53%

LAB 49.72, 41.36, 23.89

 

CMYK 0 / 58 / 58 / 25

HEX #BE5050

RGB 190 80 80

HSL 0, 0.46%, 0.53%

LAB 48.59, 44.29, 22.42

 

CMYK 0 / 39 / 58 / 25

HEX #BE7450

RGB 190 116 80

HSL 19.64, 0.46%, 0.53%

LAB 56.1, 25.53, 32.02

 

CMYK 0 / 23 / 58 / 25

HEX #BE9250

RGB 190 146 80

HSL 36, 0.46%, 0.53%

LAB 63.41, 8.99, 40.91

 

CMYK 0 / 7 / 58 / 25

HEX #BEB050

RGB 190 176 80

HSL 52.36, 0.46%, 0.53%

LAB 71.27, -7.14, 50.01

 

CMYK 8 / 0 / 58 / 25

HEX #AFBE50

RGB 175 190 80

HSL 68.18, 0.46%, 0.53%

LAB 73.88, -20.57, 52.62

 

CMYK 23 / 0 / 58 / 25

HEX #92BE50

RGB 146 190 80

HSL 84, 0.46%, 0.53%

LAB 71.9, -32.1, 49.86

 

CMYK 0 / 39 / 58 / 25

HEX #BE7450

RGB 190 116 80

HSL 19.64, 0.46%, 0.53%

LAB 56.1, 25.53, 32.02

 

CMYK 0 / 48 / 71 / 18

HEX #D26D3D

RGB 210 109 61

HSL 19.33, 0.62%, 0.53%

LAB 57.05, 36.15, 43.96

 

CMYK 0 / 55 / 82 / 10

HEX #E56729

RGB 229 103 41

HSL 19.79, 0.78%, 0.53%

LAB 58.53, 45.69, 55.76

 

CMYK 0 / 61 / 91 / 3

HEX #F86016

RGB 248 96 22

HSL 19.65, 0.94%, 0.53%

LAB 60.23, 55.37, 65.12

 

CMYK 0 / 39 / 58 / 25

HEX #BE7450

RGB 190 116 80

HSL 19.64, 0.46%, 0.53%

LAB 56.1, 25.53, 32.02

 

CMYK 0 / 28 / 42 / 33

HEX #AB7B63

RGB 171 123 99

HSL 20, 0.3%, 0.53%

LAB 55.81, 15.58, 20.5

 

CMYK 0 / 14 / 21 / 41

HEX #978277

RGB 151 130 119

HSL 20.63, 0.13%, 0.53%

LAB 55.96, 6.17, 8.9

 

CMYK 4 / 1 / 0 / 46

HEX #84888A

RGB 132 136 138

HSL 200, 0.02%, 0.53%

LAB 56.44, -1.06, -1.59

 

CMYK 28 / 9 / 0 / 38

HEX #718F9E

RGB 113 143 158

HSL 200, 0.19%, 0.53%

LAB 57.68, -6.89, -11.38

 

CMYK 0 / 58 / 45 / 25

HEX #BE5068

RGB 190 80 104

HSL 346.91, 0.46%, 0.53%

LAB 49.11, 46.41, 8.72

 

CMYK 0 / 55 / 58 / 25

HEX #BE5650

RGB 190 86 80

HSL 3.27, 0.46%, 0.53%

LAB 49.72, 41.36, 23.89

 

CMYK 0 / 39 / 58 / 25

HEX #BE7350

RGB 190 115 80

HSL 19.09, 0.46%, 0.53%

LAB 55.87, 26.08, 31.74

 

CMYK 0 / 24 / 58 / 25

HEX #BE9050

RGB 190 144 80

HSL 34.91, 0.46%, 0.53%

LAB 62.9, 10.09, 40.31

 

CMYK 0 / 8 / 58 / 25

HEX #BEAE50

RGB 190 174 80

HSL 51.27, 0.46%, 0.53%

LAB 70.73, -6.09, 49.41

 

CMYK 0 / 42 / 63 / 46

HEX #894F33

RGB 137 79 51

HSL 19.53, 0.46%, 0.37%

LAB 39.83, 21.57, 26.8

 

CMYK 0 / 43 / 63 / 35

HEX #A7603E

RGB 167 96 62

HSL 19.43, 0.46%, 0.45%

LAB 48.17, 25.62, 31.61

 

CMYK 0 / 39 / 58 / 25

HEX #BE7450

RGB 190 116 80

HSL 19.64, 0.46%, 0.53%

LAB 56.1, 25.53, 32.02

 

CMYK 0 / 30 / 45 / 21

HEX #C98C6E

RGB 201 140 110

HSL 19.78, 0.46%, 0.61%

LAB 63.59, 19.64, 25.32

 

CMYK 0 / 23 / 34 / 16

HEX #D5A48C

RGB 213 164 140

HSL 19.73, 0.46%, 0.69%

LAB 71.28, 14.8, 19.42

 

CMYK 0 / 39 / 58 / 25

HEX #BF7551

RGB 191 117 81

HSL 19.64, 0.46%, 0.53%

LAB 56.48, 25.48, 31.97

 

CMYK 30 / 0 / 58 / 25

HEX #85BE50

RGB 133 190 80

HSL 91.09, 0.46%, 0.53%

LAB 71.14, -36.95, 48.78

 

CMYK 58 / 53 / 0 / 25

HEX #5059BE

RGB 80 89 190

HSL 235.09, 0.46%, 0.53%

LAB 42.1, 26.63, -54.42

 

CMYK 0 / 39 / 58 / 25

HEX #BF7551

RGB 191 117 81

HSL 19.64, 0.46%, 0.53%

LAB 56.48, 25.48, 31.97

 

CMYK 58 / 0 / 39 / 25

HEX #50BE73

RGB 80 190 115

HSL 139.09, 0.46%, 0.53%

LAB 69.31, -48.12, 28.68

 

CMYK 39 / 58 / 0 / 25

HEX #7350BE

RGB 115 80 190

HSL 259.09, 0.46%, 0.53%

LAB 42.91, 39.61, -52.96

 

CMYK 0 / 39 / 58 / 25

HEX #BF7551

RGB 191 117 81

HSL 19.64, 0.46%, 0.53%

LAB 56.48, 25.48, 31.97

 

CMYK 30 / 0 / 58 / 25

HEX #85BE50

RGB 133 190 80

HSL 91.09, 0.46%, 0.53%

LAB 71.14, -36.95, 48.78

 

CMYK 58 / 18 / 0 / 25

HEX #509BBE

RGB 80 155 190

HSL 199.09, 0.46%, 0.53%

LAB 60.66, -13, -25.15

 

CMYK 28 / 58 / 0 / 25

HEX #8950BE

RGB 137 80 190

HSL 271.09, 0.46%, 0.53%

LAB 45.32, 44.89, -48.96

 

CMYK 0 / 39 / 58 / 25

HEX #BF7551

RGB 191 117 81

HSL 19.64, 0.46%, 0.53%

LAB 56.48, 25.48, 31.97

 

CMYK 47 / 0 / 58 / 25

HEX #64BE50

RGB 100 190 80

HSL 109.09, 0.46%, 0.53%

LAB 69.55, -47.9, 46.54

 

CMYK 58 / 18 / 0 / 25

HEX #509BBE

RGB 80 155 190

HSL 199.09, 0.46%, 0.53%

LAB 60.66, -13, -25.15

 

CMYK 11 / 58 / 0 / 25

HEX #AA50BE

RGB 170 80 190

HSL 289.09, 0.46%, 0.53%

LAB 49.5, 53.28, -42.06

 

Description

Color code: HEX #BF7551 | qconv.com Color code: HEX #BF7551 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 117 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 117 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 58 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 58% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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