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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BF6FD4 it is the complementary color #40902B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BF6FD4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BF6FD4 shade: #C46FCF, #D581E2, #E693F5, #F7A5FF and #FFB7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BF6FD4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BF6FD4 shade: #BF6FD4, #AE5DC1, #9D4BAE, #8C399B and #7B2788

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BF6FD4 shade: #BE6ED4, #D46ECD, #D46EB2, #D46E96 and #D46E7B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BF6FD4 shade: #BE6ED4, #A36ED4, #876ED4 and #6E6ED4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BF6FD4 shade matches the following richer shades: #BE6ED4, #C75EE3 and #D04FF2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BF6FD4 shade: #BE6ED4, #B57DC4, #AD8CB5, #A49BA6 and #9BAB97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BF6FD4 shade: #876ED4, #A26ED4, #BE6ED4, #D46ECF and #D46EB3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BF6FD4 shade: #9D37B8, #B04ECA, #BE6ED4, #CD8DDD and #DBADE7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BF6FD4 shade: #BF6FD4, #D46E6F and #6ED495

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BF6FD4 shade: #BF6FD4, #D4BE6E and #6ED4BE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BF6FD4 shade: #BF6FD4, #D46E6F, #84D46E and #6ED4D2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BF6FD4 shade: #BF6FD4, #D48B6E, #84D46E and #6EB7D4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 48 / 0 / 17

HEX #BF6FD4

RGB 191 111 212

HSL 287.52, 0.54%, 0.63%

LAB 59.16, 47.76, -39.23

 

Complementary color

CMYK 56 / 0 / 70 / 44

HEX #40902B

RGB 64 144 43

HSL 107.52, 0.54%, 0.37%

LAB 53.18, -43.76, 44.37

 

CMYK 5 / 46 / 0 / 19

HEX #C46FCF

RGB 196 111 207

HSL 293.13, 0.5%, 0.62%

LAB 59.53, 48.21, -35.78

 

CMYK 6 / 43 / 0 / 11

HEX #D581E2

RGB 213 129 226

HSL 291.96, 0.63%, 0.7%

LAB 66.01, 47.47, -36.16

 

CMYK 6 / 40 / 0 / 4

HEX #E693F5

RGB 230 147 245

HSL 290.82, 0.83%, 0.77%

LAB 72.42, 46.73, -36.49

 

CMYK 3 / 35 / 0 / 0

HEX #F7A5FF

RGB 247 165 255

HSL 294.67, 1%, 0.82%

LAB 78.41, 44.32, -32.5

 

CMYK 0 / 28 / 0 / 0

HEX #FFB7FF

RGB 255 183 255

HSL 300, 1%, 0.86%

LAB 83.1, 37.39, -25.23

 

CMYK 10 / 48 / 0 / 17

HEX #BF6FD4

RGB 191 111 212

HSL 287.52, 0.54%, 0.63%

LAB 59.16, 47.76, -39.23

 

CMYK 10 / 52 / 0 / 24

HEX #AE5DC1

RGB 174 93 193

HSL 288.6, 0.45%, 0.56%

LAB 52.59, 48.49, -38.87

 

CMYK 10 / 57 / 0 / 32

HEX #9D4BAE

RGB 157 75 174

HSL 289.7, 0.4%, 0.49%

LAB 45.98, 49.13, -38.4

 

CMYK 10 / 63 / 0 / 39

HEX #8C399B

RGB 140 57 155

HSL 290.82, 0.46%, 0.42%

LAB 39.36, 49.55, -37.73

 

CMYK 10 / 71 / 0 / 47

HEX #7B2788

RGB 123 39 136

HSL 291.96, 0.55%, 0.34%

LAB 32.79, 49.54, -36.74

 

CMYK 10 / 48 / 0 / 17

HEX #BE6ED4

RGB 190 110 212

HSL 287.06, 0.54%, 0.63%

LAB 58.84, 48, -39.74

 

CMYK 0 / 48 / 3 / 17

HEX #D46ECD

RGB 212 110 205

HSL 304.12, 0.54%, 0.63%

LAB 61.27, 52.99, -31.79

 

CMYK 0 / 48 / 16 / 17

HEX #D46EB2

RGB 212 110 178

HSL 320, 0.54%, 0.63%

LAB 60.22, 48.55, -18.06

 

CMYK 0 / 48 / 29 / 17

HEX #D46E96

RGB 212 110 150

HSL 336.47, 0.54%, 0.63%

LAB 59.3, 44.53, -3.31

 

CMYK 0 / 48 / 42 / 17

HEX #D46E7B

RGB 212 110 123

HSL 352.35, 0.54%, 0.63%

LAB 58.58, 41.3, 11.31

 

CMYK 10 / 48 / 0 / 17

HEX #BE6ED4

RGB 190 110 212

HSL 287.06, 0.54%, 0.63%

LAB 58.84, 48, -39.74

 

CMYK 23 / 48 / 0 / 17

HEX #A36ED4

RGB 163 110 212

HSL 271.18, 0.54%, 0.63%

LAB 55.78, 40.48, -44.77

 

CMYK 36 / 48 / 0 / 17

HEX #876ED4

RGB 135 110 212

HSL 254.71, 0.54%, 0.63%

LAB 53.01, 33.04, -49.34

 

CMYK 48 / 48 / 0 / 17

HEX #6E6ED4

RGB 110 110 212

HSL 240, 0.54%, 0.63%

LAB 50.94, 26.99, -52.76

 

CMYK 10 / 48 / 0 / 17

HEX #BE6ED4

RGB 190 110 212

HSL 287.06, 0.54%, 0.63%

LAB 58.84, 48, -39.74

 

CMYK 12 / 59 / 0 / 11

HEX #C75EE3

RGB 199 94 227

HSL 287.37, 0.7%, 0.63%

LAB 57.75, 61.21, -49.84

 

CMYK 14 / 67 / 0 / 5

HEX #D04FF2

RGB 208 79 242

HSL 287.48, 0.86%, 0.63%

LAB 57.48, 72.52, -58.58

 

CMYK 10 / 48 / 0 / 17

HEX #BE6ED4

RGB 190 110 212

HSL 287.06, 0.54%, 0.63%

LAB 58.84, 48, -39.74

 

CMYK 8 / 36 / 0 / 23

HEX #B57DC4

RGB 181 125 196

HSL 287.32, 0.38%, 0.63%

LAB 60.32, 33.99, -28.47

 

CMYK 4 / 23 / 0 / 29

HEX #AD8CB5

RGB 173 140 181

HSL 288.29, 0.22%, 0.63%

LAB 62.49, 19.91, -16.74

 

CMYK 1 / 7 / 0 / 35

HEX #A49BA6

RGB 164 155 166

HSL 289.09, 0.06%, 0.63%

LAB 65.03, 5.36, -4.56

 

CMYK 9 / 0 / 12 / 33

HEX #9BAB97

RGB 155 171 151

HSL 108, 0.11%, 0.63%

LAB 68.26, -9.43, 8.4

 

CMYK 36 / 48 / 0 / 17

HEX #876ED4

RGB 135 110 212

HSL 254.71, 0.54%, 0.63%

LAB 53.01, 33.04, -49.34

 

CMYK 24 / 48 / 0 / 17

HEX #A26ED4

RGB 162 110 212

HSL 270.59, 0.54%, 0.63%

LAB 55.67, 40.21, -44.95

 

CMYK 10 / 48 / 0 / 17

HEX #BE6ED4

RGB 190 110 212

HSL 287.06, 0.54%, 0.63%

LAB 58.84, 48, -39.74

 

CMYK 0 / 48 / 2 / 17

HEX #D46ECF

RGB 212 110 207

HSL 302.94, 0.54%, 0.63%

LAB 61.35, 53.34, -32.79

 

CMYK 0 / 48 / 16 / 17

HEX #D46EB3

RGB 212 110 179

HSL 319.41, 0.54%, 0.63%

LAB 60.25, 48.7, -18.58

 

CMYK 15 / 70 / 0 / 28

HEX #9D37B8

RGB 157 55 184

HSL 287.44, 0.54%, 0.47%

LAB 43.3, 60.08, -48.55

 

CMYK 13 / 61 / 0 / 21

HEX #B04ECA

RGB 176 78 202

HSL 287.42, 0.54%, 0.55%

LAB 50.62, 58.08, -47.16

 

CMYK 10 / 48 / 0 / 17

HEX #BE6ED4

RGB 190 110 212

HSL 287.06, 0.54%, 0.63%

LAB 58.84, 48, -39.74

 

CMYK 7 / 36 / 0 / 13

HEX #CD8DDD

RGB 205 141 221

HSL 288, 0.54%, 0.71%

LAB 67.46, 37.73, -31.21

 

CMYK 5 / 25 / 0 / 9

HEX #DBADE7

RGB 219 173 231

HSL 287.59, 0.55%, 0.79%

LAB 76.51, 26.77, -22.69

 

CMYK 10 / 48 / 0 / 17

HEX #BF6FD4

RGB 191 111 212

HSL 287.52, 0.54%, 0.63%

LAB 59.16, 47.76, -39.23

 

CMYK 0 / 48 / 48 / 17

HEX #D46E6F

RGB 212 110 111

HSL 359.41, 0.54%, 0.63%

LAB 58.32, 40.07, 17.89

 

CMYK 48 / 0 / 30 / 17

HEX #6ED495

RGB 110 212 149

HSL 142.94, 0.54%, 0.63%

LAB 77.62, -43.8, 22.21

 

CMYK 10 / 48 / 0 / 17

HEX #BF6FD4

RGB 191 111 212

HSL 287.52, 0.54%, 0.63%

LAB 59.16, 47.76, -39.23

 

CMYK 0 / 10 / 48 / 17

HEX #D4BE6E

RGB 212 190 110

HSL 47.06, 0.54%, 0.63%

LAB 77.25, -2.72, 43.01

 

CMYK 48 / 0 / 10 / 17

HEX #6ED4BE

RGB 110 212 190

HSL 167.06, 0.54%, 0.63%

LAB 78.53, -35.07, 1.71

 

CMYK 10 / 48 / 0 / 17

HEX #BF6FD4

RGB 191 111 212

HSL 287.52, 0.54%, 0.63%

LAB 59.16, 47.76, -39.23

 

CMYK 0 / 48 / 48 / 17

HEX #D46E6F

RGB 212 110 111

HSL 359.41, 0.54%, 0.63%

LAB 58.32, 40.07, 17.89

 

CMYK 38 / 0 / 48 / 17

HEX #84D46E

RGB 132 212 110

HSL 107.06, 0.54%, 0.63%

LAB 77.94, -43.59, 42.67

 

CMYK 48 / 0 / 1 / 17

HEX #6ED4D2

RGB 110 212 210

HSL 178.82, 0.54%, 0.63%

LAB 79.07, -30.15, -8.21

 

CMYK 10 / 48 / 0 / 17

HEX #BF6FD4

RGB 191 111 212

HSL 287.52, 0.54%, 0.63%

LAB 59.16, 47.76, -39.23

 

CMYK 0 / 34 / 48 / 17

HEX #D48B6E

RGB 212 139 110

HSL 17.06, 0.54%, 0.63%

LAB 64.63, 24.61, 26.93

 

CMYK 38 / 0 / 48 / 17

HEX #84D46E

RGB 132 212 110

HSL 107.06, 0.54%, 0.63%

LAB 77.94, -43.59, 42.67

 

CMYK 48 / 14 / 0 / 17

HEX #6EB7D4

RGB 110 183 212

HSL 197.06, 0.54%, 0.63%

LAB 70.83, -15.03, -21.69

 

Description

Color code: HEX #BF6FD4 | qconv.com Color code: HEX #BF6FD4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 111 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 111 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 48 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 48% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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