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Color name
HEX #BF6F5E

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BF6F5E it is the complementary color #4090A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BF6F5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BF6F5E shade: #C46F59, #D5816C, #E6937F, #F7A592 and #FFB7A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BF6F5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BF6F5E shade: #BF6F5E, #AE5D4B, #9D4B38, #8C3925 and #7B2712

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BF6F5E shade: #BF6F5F and #BF5F5F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BF6F5E shade: #BF6F5F, #BF895F, #BFA45F, #BFBE5F and #A7BF5F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BF6F5E shade matches the following richer shades: #BF6F5F, #D1644C, #E3583A and #F64C28

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BF6F5E shade: #BF6F5F, #AD7B71, #9B8783, #899395 and #769FA7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BF6F5E shade: #BF5F82, #BF5F68, #BF6F5F, #BF885F and #BFA25F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BF6F5E shade: #91493A, #AF5846, #BF6F5F, #CB8A7C and #D7A49A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BF6F5E shade: #BF6F5E, #9CBF5F and #5F75BF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BF6F5E shade: #BF6F5E, #5FBF6F and #6F5FBF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BF6F5E shade: #BF6F5E, #9CBF5F, #5FAFBF and #825FBF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BF6F5E shade: #BF6F5E, #7FBF5F, #5FAFBF and #9F5FBF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 51 / 25

HEX #BF6F5E

RGB 191 111 94

HSL 10.52, 0.43%, 0.56%

LAB 55.33, 29.88, 23.16

 

Complementary color

CMYK 60 / 11 / 0 / 37

HEX #4090A1

RGB 64 144 161

HSL 190.52, 0.43%, 0.44%

LAB 55.69, -19.16, -16.33

 

CMYK 0 / 43 / 55 / 23

HEX #C46F59

RGB 196 111 89

HSL 12.34, 0.48%, 0.56%

LAB 55.91, 31.41, 26.9

 

CMYK 0 / 39 / 49 / 16

HEX #D5816C

RGB 213 129 108

HSL 12, 0.56%, 0.63%

LAB 62.45, 30.2, 25.18

 

CMYK 0 / 36 / 45 / 10

HEX #E6937F

RGB 230 147 127

HSL 11.65, 0.67%, 0.7%

LAB 68.91, 29.1, 23.64

 

CMYK 0 / 33 / 41 / 3

HEX #F7A592

RGB 247 165 146

HSL 11.29, 0.86%, 0.77%

LAB 75.3, 28.11, 22.26

 

CMYK 0 / 28 / 35 / 0

HEX #FFB7A5

RGB 255 183 165

HSL 12, 1%, 0.82%

LAB 80.65, 23.83, 19.52

 

CMYK 0 / 42 / 51 / 25

HEX #BF6F5E

RGB 191 111 94

HSL 10.52, 0.43%, 0.56%

LAB 55.33, 29.88, 23.16

 

CMYK 0 / 47 / 57 / 32

HEX #AE5D4B

RGB 174 93 75

HSL 10.91, 0.4%, 0.49%

LAB 48.68, 31.15, 25.02

 

CMYK 0 / 52 / 64 / 38

HEX #9D4B38

RGB 157 75 56

HSL 11.29, 0.47%, 0.42%

LAB 41.98, 32.55, 27.18

 

CMYK 0 / 59 / 74 / 45

HEX #8C3925

RGB 140 57 37

HSL 11.65, 0.58%, 0.35%

LAB 35.27, 34.03, 29.7

 

CMYK 0 / 68 / 85 / 52

HEX #7B2712

RGB 123 39 18

HSL 12, 0.74%, 0.28%

LAB 28.66, 35.43, 32.5

 

CMYK 0 / 42 / 50 / 25

HEX #BF6F5F

RGB 191 111 95

HSL 10, 0.43%, 0.56%

LAB 55.35, 29.97, 22.61

 

CMYK 0 / 50 / 50 / 25

HEX #BF5F5F

RGB 191 95 95

HSL 0, 0.43%, 0.56%

LAB 51.94, 38.45, 18.03

 

CMYK 0 / 42 / 50 / 25

HEX #BF6F5F

RGB 191 111 95

HSL 10, 0.43%, 0.56%

LAB 55.35, 29.97, 22.61

 

CMYK 0 / 28 / 50 / 25

HEX #BF895F

RGB 191 137 95

HSL 26.25, 0.43%, 0.56%

LAB 61.48, 15.68, 30.6

 

CMYK 0 / 14 / 50 / 25

HEX #BFA45F

RGB 191 164 95

HSL 43.13, 0.43%, 0.56%

LAB 68.35, 0.92, 39.22

 

CMYK 0 / 1 / 50 / 25

HEX #BFBE5F

RGB 191 190 95

HSL 59.38, 0.43%, 0.56%

LAB 75.28, -12.73, 47.58

 

CMYK 13 / 0 / 50 / 25

HEX #A7BF5F

RGB 167 191 95

HSL 75, 0.43%, 0.56%

LAB 73.74, -22.95, 45.3

 

CMYK 0 / 42 / 50 / 25

HEX #BF6F5F

RGB 191 111 95

HSL 10, 0.43%, 0.56%

LAB 55.35, 29.97, 22.61

 

CMYK 0 / 52 / 64 / 18

HEX #D1644C

RGB 209 100 76

HSL 10.83, 0.59%, 0.56%

LAB 55.27, 41.21, 33.8

 

CMYK 0 / 61 / 74 / 11

HEX #E3583A

RGB 227 88 58

HSL 10.65, 0.75%, 0.56%

LAB 55.7, 52.48, 44.79

 

CMYK 0 / 69 / 84 / 4

HEX #F64C28

RGB 246 76 40

HSL 10.49, 0.92%, 0.56%

LAB 56.99, 63.09, 55.91

 

CMYK 0 / 42 / 50 / 25

HEX #BF6F5F

RGB 191 111 95

HSL 10, 0.43%, 0.56%

LAB 55.35, 29.97, 22.61

 

CMYK 0 / 29 / 35 / 32

HEX #AD7B71

RGB 173 123 113

HSL 10, 0.27%, 0.56%

LAB 56.33, 18.12, 13.21

 

CMYK 0 / 13 / 15 / 39

HEX #9B8783

RGB 155 135 131

HSL 10, 0.11%, 0.56%

LAB 57.98, 6.87, 4.92

 

CMYK 8 / 1 / 0 / 42

HEX #899395

RGB 137 147 149

HSL 190, 0.05%, 0.56%

LAB 60.21, -3.18, -2.3

 

CMYK 29 / 5 / 0 / 35

HEX #769FA7

RGB 118 159 167

HSL 189.8, 0.22%, 0.56%

LAB 62.88, -11.93, -8.68

 

CMYK 0 / 50 / 32 / 25

HEX #BF5F82

RGB 191 95 130

HSL 338.13, 0.43%, 0.56%

LAB 52.81, 42.35, -1.48

 

CMYK 0 / 50 / 46 / 25

HEX #BF5F68

RGB 191 95 104

HSL 354.38, 0.43%, 0.56%

LAB 52.13, 39.33, 12.98

 

CMYK 0 / 42 / 50 / 25

HEX #BF6F5F

RGB 191 111 95

HSL 10, 0.43%, 0.56%

LAB 55.35, 29.97, 22.61

 

CMYK 0 / 29 / 50 / 25

HEX #BF885F

RGB 191 136 95

HSL 25.63, 0.43%, 0.56%

LAB 61.23, 16.23, 30.28

 

CMYK 0 / 15 / 50 / 25

HEX #BFA25F

RGB 191 162 95

HSL 41.88, 0.43%, 0.56%

LAB 67.83, 2, 38.58

 

CMYK 0 / 50 / 60 / 43

HEX #91493A

RGB 145 73 58

HSL 10.34, 0.43%, 0.4%

LAB 39.73, 28.91, 22.78

 

CMYK 0 / 50 / 60 / 31

HEX #AF5846

RGB 175 88 70

HSL 10.29, 0.43%, 0.48%

LAB 47.67, 33.83, 26.67

 

CMYK 0 / 42 / 50 / 25

HEX #BF6F5F

RGB 191 111 95

HSL 10, 0.43%, 0.56%

LAB 55.35, 29.97, 22.61

 

CMYK 0 / 32 / 39 / 20

HEX #CB8A7C

RGB 203 138 124

HSL 10.63, 0.43%, 0.64%

LAB 63.61, 23.08, 17.57

 

CMYK 0 / 24 / 28 / 16

HEX #D7A49A

RGB 215 164 154

HSL 9.84, 0.43%, 0.72%

LAB 71.78, 17.4, 12.47

 

CMYK 0 / 42 / 51 / 25

HEX #BF6F5E

RGB 191 111 94

HSL 10.52, 0.43%, 0.56%

LAB 55.33, 29.88, 23.16

 

CMYK 18 / 0 / 50 / 25

HEX #9CBF5F

RGB 156 191 95

HSL 81.88, 0.43%, 0.56%

LAB 72.99, -27.25, 44.23

 

CMYK 50 / 39 / 0 / 25

HEX #5F75BF

RGB 95 117 191

HSL 226.25, 0.43%, 0.56%

LAB 50.59, 12.75, -41.38

 

CMYK 0 / 42 / 51 / 25

HEX #BF6F5E

RGB 191 111 94

HSL 10.52, 0.43%, 0.56%

LAB 55.33, 29.88, 23.16

 

CMYK 50 / 0 / 42 / 25

HEX #5FBF6F

RGB 95 191 111

HSL 130, 0.43%, 0.56%

LAB 70.07, -45.49, 31.85

 

CMYK 42 / 50 / 0 / 25

HEX #6F5FBF

RGB 111 95 191

HSL 250, 0.43%, 0.56%

LAB 46.08, 30.08, -48.49

 

CMYK 0 / 42 / 51 / 25

HEX #BF6F5E

RGB 191 111 94

HSL 10.52, 0.43%, 0.56%

LAB 55.33, 29.88, 23.16

 

CMYK 18 / 0 / 50 / 25

HEX #9CBF5F

RGB 156 191 95

HSL 81.88, 0.43%, 0.56%

LAB 72.99, -27.25, 44.23

 

CMYK 50 / 8 / 0 / 25

HEX #5FAFBF

RGB 95 175 191

HSL 190, 0.43%, 0.56%

LAB 67.17, -20.13, -15.75

 

CMYK 32 / 50 / 0 / 25

HEX #825FBF

RGB 130 95 191

HSL 261.88, 0.43%, 0.56%

LAB 47.87, 34.93, -45.52

 

CMYK 0 / 42 / 51 / 25

HEX #BF6F5E

RGB 191 111 94

HSL 10.52, 0.43%, 0.56%

LAB 55.33, 29.88, 23.16

 

CMYK 34 / 0 / 50 / 25

HEX #7FBF5F

RGB 127 191 95

HSL 100, 0.43%, 0.56%

LAB 71.28, -37.88, 41.75

 

CMYK 50 / 8 / 0 / 25

HEX #5FAFBF

RGB 95 175 191

HSL 190, 0.43%, 0.56%

LAB 67.17, -20.13, -15.75

 

CMYK 17 / 50 / 0 / 25

HEX #9F5FBF

RGB 159 95 191

HSL 280, 0.43%, 0.56%

LAB 51.06, 42.84, -40.27

 

Description

Color code: HEX #BF6F5E | qconv.com Color code: HEX #BF6F5E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 111 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 111 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 51 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 51% 25% C M Y K

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Provide designers and agencies with accurate color values.

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