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Color name
HEX #BF6A0C

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BF6A0C it is the complementary color #4095F3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BF6A0C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BF6A0C shade: #C46A07, #D57C1A, #E68E2D, #F7A040 and #FFB253

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BF6A0C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BF6A0C shade: #BF6A0C, #AE5800, #9D4600, #8C3400 and #7B2200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BF6A0C shade: #C06B0C, #C03A0C and #C00C0C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BF6A0C shade: #C06B0C, #C09B0C, #B4C00C, #84C00C and #53C00C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BF6A0C shade matches the following richer shades: #C06B0C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BF6A0C shade: #C06B0C, #AF6A1D, #9F692D, #8E683E and #7E674E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BF6A0C shade: #C00C0F, #C0390C, #C0690C, #C0990C and #B7C00C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BF6A0C shade: #723F07, #99550A, #C06B0C, #E7800F and #F2942D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BF6A0C shade: #BF6A0C, #3FC00C and #210CC0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BF6A0C shade: #BF6A0C, #0CC069 and #690CC0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BF6A0C shade: #BF6A0C, #3FC00C, #0C63C0 and #8D0CC0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BF6A0C shade: #BF6A0C, #0CC00F, #0C63C0 and #C00CBD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 94 / 25

HEX #BF6A0C

RGB 191 106 12

HSL 31.51, 0.88%, 0.4%

LAB 53.4, 28.37, 58.76

 

Complementary color

CMYK 74 / 39 / 0 / 5

HEX #4095F3

RGB 64 149 243

HSL 211.51, 0.88%, 0.6%

LAB 60.83, 5.59, -54.44

 

CMYK 0 / 46 / 96 / 23

HEX #C46A07

RGB 196 106 7

HSL 31.43, 0.93%, 0.4%

LAB 54.09, 30.41, 60.54

 

CMYK 0 / 42 / 88 / 16

HEX #D57C1A

RGB 213 124 26

HSL 31.44, 0.78%, 0.47%

LAB 60.46, 28.25, 61.82

 

CMYK 0 / 38 / 80 / 10

HEX #E68E2D

RGB 230 142 45

HSL 31.46, 0.79%, 0.54%

LAB 66.79, 26.31, 61.7

 

CMYK 0 / 35 / 74 / 3

HEX #F7A040

RGB 247 160 64

HSL 31.48, 0.92%, 0.61%

LAB 73.08, 24.59, 60.84

 

CMYK 0 / 30 / 67 / 0

HEX #FFB253

RGB 255 178 83

HSL 33.14, 1%, 0.66%

LAB 78.3, 19.38, 58.25

 

CMYK 0 / 45 / 94 / 25

HEX #BF6A0C

RGB 191 106 12

HSL 31.51, 0.88%, 0.4%

LAB 53.4, 28.37, 58.76

 

CMYK 0 / 49 / 100 / 32

HEX #AE5800

RGB 174 88 0

HSL 30.34, 1%, 0.34%

LAB 46.95, 30.69, 55.93

 

CMYK 0 / 55 / 100 / 38

HEX #9D4600

RGB 157 70 0

HSL 26.75, 1%, 0.31%

LAB 40.49, 33.13, 50.76

 

CMYK 0 / 63 / 100 / 45

HEX #8C3400

RGB 140 52 0

HSL 22.29, 1%, 0.27%

LAB 34.05, 35.41, 45.61

 

CMYK 0 / 72 / 100 / 52

HEX #7B2200

RGB 123 34 0

HSL 16.59, 1%, 0.24%

LAB 27.72, 37.22, 39.6

 

CMYK 0 / 44 / 94 / 25

HEX #C06B0C

RGB 192 107 12

HSL 31.67, 0.88%, 0.4%

LAB 53.76, 28.25, 59.08

 

CMYK 0 / 70 / 94 / 25

HEX #C03A0C

RGB 192 58 12

HSL 15.33, 0.88%, 0.4%

LAB 44.6, 51.79, 52.88

 

CMYK 0 / 94 / 94 / 25

HEX #C00C0C

RGB 192 12 12

HSL 0, 0.88%, 0.4%

LAB 40.4, 63.58, 50.27

 

CMYK 0 / 44 / 94 / 25

HEX #C06B0C

RGB 192 107 12

HSL 31.67, 0.88%, 0.4%

LAB 53.76, 28.25, 59.08

 

CMYK 0 / 19 / 94 / 25

HEX #C09B0C

RGB 192 155 12

HSL 47.67, 0.88%, 0.4%

LAB 65.5, 2.01, 67.6

 

CMYK 6 / 0 / 94 / 25

HEX #B4C00C

RGB 180 192 12

HSL 64, 0.88%, 0.4%

LAB 74.46, -22.43, 73.94

 

CMYK 31 / 0 / 94 / 25

HEX #84C00C

RGB 132 192 12

HSL 80, 0.88%, 0.4%

LAB 71.3, -41.92, 70.11

 

CMYK 57 / 0 / 94 / 25

HEX #53C00C

RGB 83 192 12

HSL 96.33, 0.88%, 0.4%

LAB 69.16, -57.84, 67.48

 

CMYK 0 / 44 / 94 / 25

HEX #C06B0C

RGB 192 107 12

HSL 31.67, 0.88%, 0.4%

LAB 53.76, 28.25, 59.08

 

CMYK 0 / 44 / 94 / 25

HEX #C06B0C

RGB 192 107 12

HSL 31.67, 0.88%, 0.4%

LAB 53.76, 28.25, 59.08

 

CMYK 0 / 39 / 83 / 31

HEX #AF6A1D

RGB 175 106 29

HSL 31.64, 0.72%, 0.4%

LAB 51.28, 21.83, 51.14

 

CMYK 0 / 34 / 72 / 38

HEX #9F692D

RGB 159 105 45

HSL 31.58, 0.56%, 0.4%

LAB 49.09, 15.98, 41.33

 

CMYK 0 / 27 / 56 / 44

HEX #8E683E

RGB 142 104 62

HSL 31.5, 0.39%, 0.4%

LAB 46.97, 10.14, 29.42

 

CMYK 0 / 18 / 38 / 51

HEX #7E674E

RGB 126 103 78

HSL 31.25, 0.24%, 0.4%

LAB 45.2, 5.38, 17.56

 

CMYK 0 / 94 / 92 / 25

HEX #C00C0F

RGB 192 12 15

HSL 359, 0.88%, 0.4%

LAB 40.42, 63.62, 49.16

 

CMYK 0 / 70 / 94 / 25

HEX #C0390C

RGB 192 57 12

HSL 15, 0.88%, 0.4%

LAB 44.46, 52.18, 52.78

 

CMYK 0 / 45 / 94 / 25

HEX #C0690C

RGB 192 105 12

HSL 31, 0.88%, 0.4%

LAB 53.32, 29.33, 58.76

 

CMYK 0 / 20 / 94 / 25

HEX #C0990C

RGB 192 153 12

HSL 47, 0.88%, 0.4%

LAB 64.97, 3.09, 67.22

 

CMYK 5 / 0 / 94 / 25

HEX #B7C00C

RGB 183 192 12

HSL 63, 0.88%, 0.4%

LAB 74.69, -21.15, 74.22

 

CMYK 0 / 45 / 94 / 55

HEX #723F07

RGB 114 63 7

HSL 31.4, 0.88%, 0.24%

LAB 32.14, 18.31, 39.52

 

CMYK 0 / 44 / 93 / 40

HEX #99550A

RGB 153 85 10

HSL 31.47, 0.88%, 0.32%

LAB 43.2, 23.42, 49.42

 

CMYK 0 / 44 / 94 / 25

HEX #C06B0C

RGB 192 107 12

HSL 31.67, 0.88%, 0.4%

LAB 53.76, 28.25, 59.08

 

CMYK 0 / 45 / 94 / 9

HEX #E7800F

RGB 231 128 15

HSL 31.39, 0.88%, 0.48%

LAB 63.72, 33.42, 67.95

 

CMYK 0 / 39 / 81 / 5

HEX #F2942D

RGB 242 148 45

HSL 31.37, 0.88%, 0.56%

LAB 69.64, 28.13, 64.82

 

CMYK 0 / 45 / 94 / 25

HEX #BF6A0C

RGB 191 106 12

HSL 31.51, 0.88%, 0.4%

LAB 53.4, 28.37, 58.76

 

CMYK 67 / 0 / 94 / 25

HEX #3FC00C

RGB 63 192 12

HSL 103, 0.88%, 0.4%

LAB 68.59, -62.52, 66.78

 

CMYK 83 / 94 / 0 / 25

HEX #210CC0

RGB 33 12 192

HSL 247, 0.88%, 0.4%

LAB 24.93, 61.76, -83.92

 

CMYK 0 / 45 / 94 / 25

HEX #BF6A0C

RGB 191 106 12

HSL 31.51, 0.88%, 0.4%

LAB 53.4, 28.37, 58.76

 

CMYK 94 / 0 / 45 / 25

HEX #0CC069

RGB 12 192 105

HSL 151, 0.88%, 0.4%

LAB 68.6, -59.78, 32.72

 

CMYK 45 / 94 / 0 / 25

HEX #690CC0

RGB 105 12 192

HSL 271, 0.88%, 0.4%

LAB 31.97, 66.24, -72.02

 

CMYK 0 / 45 / 94 / 25

HEX #BF6A0C

RGB 191 106 12

HSL 31.51, 0.88%, 0.4%

LAB 53.4, 28.37, 58.76

 

CMYK 67 / 0 / 94 / 25

HEX #3FC00C

RGB 63 192 12

HSL 103, 0.88%, 0.4%

LAB 68.59, -62.52, 66.78

 

CMYK 94 / 48 / 0 / 25

HEX #0C63C0

RGB 12 99 192

HSL 211, 0.88%, 0.4%

LAB 42.47, 12.83, -55.11

 

CMYK 27 / 94 / 0 / 25

HEX #8D0CC0

RGB 141 12 192

HSL 283, 0.88%, 0.4%

LAB 37.36, 70.5, -62.98

 

CMYK 0 / 45 / 94 / 25

HEX #BF6A0C

RGB 191 106 12

HSL 31.51, 0.88%, 0.4%

LAB 53.4, 28.37, 58.76

 

CMYK 94 / 0 / 92 / 25

HEX #0CC00F

RGB 12 192 15

HSL 121, 0.88%, 0.4%

LAB 67.88, -68.76, 65.49

 

CMYK 94 / 48 / 0 / 25

HEX #0C63C0

RGB 12 99 192

HSL 211, 0.88%, 0.4%

LAB 42.47, 12.83, -55.11

 

CMYK 0 / 94 / 2 / 25

HEX #C00CBD

RGB 192 12 189

HSL 301, 0.88%, 0.4%

LAB 45.83, 77.87, -47.11

 

Description

Color code: HEX #BF6A0C | qconv.com Color code: HEX #BF6A0C | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 106 green and 12 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 106 12 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 94 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 94% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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