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Color name
HEX #BF6917

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BF6917 it is the complementary color #4096E8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BF6917. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BF6917 shade: #C46912, #D57B25, #E68D38, #F79F4B and #FFB15E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BF6917. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BF6917 shade: #BF6917, #AE5704, #9D4500, #8C3300 and #7B2100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BF6917 shade: #C06916, #C03B16 and #C01616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BF6917 shade: #C06916, #C09716, #BBC016, #8DC016 and #60C016

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BF6917 shade matches the following richer shades: #C06916 and #D16905

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BF6917 shade: #C06916, #AE6A28, #9D6A39, #8C6A4A and #7A6B5C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BF6917 shade: #C0161F, #C03B16, #C06816, #C09516 and #BDC016

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BF6917 shade: #76410E, #9B5512, #C06916, #E47D1B and #E99240

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BF6917 shade: #BF6917, #4CC016 and #2516C0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BF6917 shade: #BF6917, #16C068 and #6816C0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BF6917 shade: #BF6917, #4CC016, #166EC0 and #8A16C0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BF6917 shade: #BF6917, #19C016, #166EC0 and #BD16C0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 88 / 25

HEX #BF6917

RGB 191 105 23

HSL 29.29, 0.79%, 0.42%

LAB 53.21, 29.1, 55.72

 

Complementary color

CMYK 72 / 35 / 0 / 9

HEX #4096E8

RGB 64 150 232

HSL 209.29, 0.79%, 0.58%

LAB 60.54, 1.12, -48.83

 

CMYK 0 / 46 / 91 / 23

HEX #C46912

RGB 196 105 18

HSL 29.33, 0.83%, 0.42%

LAB 53.9, 31.1, 58.01

 

CMYK 0 / 42 / 83 / 16

HEX #D57B25

RGB 213 123 37

HSL 29.32, 0.7%, 0.49%

LAB 60.29, 29.06, 58.04

 

CMYK 0 / 39 / 76 / 10

HEX #E68D38

RGB 230 141 56

HSL 29.31, 0.78%, 0.56%

LAB 66.64, 27.25, 57.14

 

CMYK 0 / 36 / 70 / 3

HEX #F79F4B

RGB 247 159 75

HSL 29.3, 0.91%, 0.63%

LAB 72.94, 25.63, 55.85

 

CMYK 0 / 31 / 63 / 0

HEX #FFB15E

RGB 255 177 94

HSL 30.93, 1%, 0.68%

LAB 78.18, 20.55, 53

 

CMYK 0 / 45 / 88 / 25

HEX #BF6917

RGB 191 105 23

HSL 29.29, 0.79%, 0.42%

LAB 53.21, 29.1, 55.72

 

CMYK 0 / 50 / 98 / 32

HEX #AE5704

RGB 174 87 4

HSL 29.29, 0.96%, 0.35%

LAB 46.74, 31.28, 54.81

 

CMYK 0 / 56 / 100 / 38

HEX #9D4500

RGB 157 69 0

HSL 26.37, 1%, 0.31%

LAB 40.29, 33.65, 50.64

 

CMYK 0 / 64 / 100 / 45

HEX #8C3300

RGB 140 51 0

HSL 21.86, 1%, 0.27%

LAB 33.86, 35.89, 45.5

 

CMYK 0 / 73 / 100 / 52

HEX #7B2100

RGB 123 33 0

HSL 16.1, 1%, 0.24%

LAB 27.57, 37.64, 39.47

 

CMYK 0 / 45 / 89 / 25

HEX #C06916

RGB 192 105 22

HSL 29.29, 0.79%, 0.42%

LAB 53.35, 29.5, 56.2

 

CMYK 0 / 69 / 89 / 25

HEX #C03B16

RGB 192 59 22

HSL 13.06, 0.79%, 0.42%

LAB 44.79, 51.56, 49.51

 

CMYK 0 / 89 / 89 / 25

HEX #C01616

RGB 192 22 22

HSL 0, 0.79%, 0.42%

LAB 40.96, 62.28, 46.55

 

CMYK 0 / 45 / 89 / 25

HEX #C06916

RGB 192 105 22

HSL 29.29, 0.79%, 0.42%

LAB 53.35, 29.5, 56.2

 

CMYK 0 / 21 / 89 / 25

HEX #C09716

RGB 192 151 22

HSL 45.53, 0.79%, 0.42%

LAB 64.48, 4.34, 64.97

 

CMYK 3 / 0 / 89 / 25

HEX #BBC016

RGB 187 192 22

HSL 61.76, 0.79%, 0.42%

LAB 75.03, -19.27, 73.16

 

CMYK 27 / 0 / 89 / 25

HEX #8DC016

RGB 141 192 22

HSL 78, 0.79%, 0.42%

LAB 71.84, -38.26, 69.24

 

CMYK 50 / 0 / 89 / 25

HEX #60C016

RGB 96 192 22

HSL 93.88, 0.79%, 0.42%

LAB 69.64, -53.92, 66.52

 

CMYK 0 / 45 / 89 / 25

HEX #C06916

RGB 192 105 22

HSL 29.29, 0.79%, 0.42%

LAB 53.35, 29.5, 56.2

 

CMYK 0 / 50 / 98 / 18

HEX #D16905

RGB 209 105 5

HSL 29.41, 0.95%, 0.42%

LAB 55.76, 36.26, 62.92

 

CMYK 0 / 45 / 89 / 25

HEX #C06916

RGB 192 105 22

HSL 29.29, 0.79%, 0.42%

LAB 53.35, 29.5, 56.2

 

CMYK 0 / 39 / 77 / 32

HEX #AE6A28

RGB 174 106 40

HSL 29.55, 0.63%, 0.42%

LAB 51.22, 21.8, 46.49

 

CMYK 0 / 32 / 64 / 38

HEX #9D6A39

RGB 157 106 57

HSL 29.4, 0.47%, 0.42%

LAB 49.22, 15.27, 35.26

 

CMYK 0 / 24 / 47 / 45

HEX #8C6A4A

RGB 140 106 74

HSL 29.09, 0.31%, 0.42%

LAB 47.47, 9.28, 23.17

 

CMYK 0 / 12 / 25 / 52

HEX #7A6B5C

RGB 122 107 92

HSL 30, 0.14%, 0.42%

LAB 46.21, 3.33, 10.58

 

CMYK 0 / 89 / 84 / 25

HEX #C0161F

RGB 192 22 31

HSL 356.82, 0.79%, 0.42%

LAB 41.02, 62.47, 42.12

 

CMYK 0 / 69 / 89 / 25

HEX #C03B16

RGB 192 59 22

HSL 13.06, 0.79%, 0.42%

LAB 44.79, 51.56, 49.51

 

CMYK 0 / 46 / 89 / 25

HEX #C06816

RGB 192 104 22

HSL 28.94, 0.79%, 0.42%

LAB 53.13, 30.03, 56.02

 

CMYK 0 / 22 / 89 / 25

HEX #C09516

RGB 192 149 22

HSL 44.82, 0.79%, 0.42%

LAB 63.97, 5.43, 64.56

 

CMYK 2 / 0 / 89 / 25

HEX #BDC016

RGB 189 192 22

HSL 61.06, 0.79%, 0.42%

LAB 75.19, -18.41, 73.35

 

CMYK 0 / 45 / 88 / 54

HEX #76410E

RGB 118 65 14

HSL 29.42, 0.79%, 0.26%

LAB 33.27, 19.18, 38.13

 

CMYK 0 / 45 / 88 / 39

HEX #9B5512

RGB 155 85 18

HSL 29.34, 0.79%, 0.34%

LAB 43.52, 24.47, 47.41

 

CMYK 0 / 45 / 89 / 25

HEX #C06916

RGB 192 105 22

HSL 29.29, 0.79%, 0.42%

LAB 53.35, 29.5, 56.2

 

CMYK 0 / 45 / 88 / 11

HEX #E47D1B

RGB 228 125 27

HSL 29.25, 0.79%, 0.5%

LAB 62.71, 33.94, 64.17

 

CMYK 0 / 37 / 73 / 9

HEX #E99240

RGB 233 146 64

HSL 29.11, 0.79%, 0.58%

LAB 68.21, 26.19, 55.33

 

CMYK 0 / 45 / 88 / 25

HEX #BF6917

RGB 191 105 23

HSL 29.29, 0.79%, 0.42%

LAB 53.21, 29.1, 55.72

 

CMYK 60 / 0 / 89 / 25

HEX #4CC016

RGB 76 192 22

HSL 100.94, 0.79%, 0.42%

LAB 68.96, -59.34, 65.67

 

CMYK 81 / 89 / 0 / 25

HEX #2516C0

RGB 37 22 192

HSL 245.29, 0.79%, 0.42%

LAB 26.08, 59.03, -81.99

 

CMYK 0 / 45 / 88 / 25

HEX #BF6917

RGB 191 105 23

HSL 29.29, 0.79%, 0.42%

LAB 53.21, 29.1, 55.72

 

CMYK 89 / 0 / 46 / 25

HEX #16C068

RGB 22 192 104

HSL 148.94, 0.79%, 0.42%

LAB 68.66, -59.4, 33.31

 

CMYK 46 / 89 / 0 / 25

HEX #6816C0

RGB 104 22 192

HSL 268.94, 0.79%, 0.42%

LAB 32.53, 64.05, -71.1

 

CMYK 0 / 45 / 88 / 25

HEX #BF6917

RGB 191 105 23

HSL 29.29, 0.79%, 0.42%

LAB 53.21, 29.1, 55.72

 

CMYK 60 / 0 / 89 / 25

HEX #4CC016

RGB 76 192 22

HSL 100.94, 0.79%, 0.42%

LAB 68.96, -59.34, 65.67

 

CMYK 89 / 43 / 0 / 25

HEX #166EC0

RGB 22 110 192

HSL 208.94, 0.79%, 0.42%

LAB 45.81, 6.29, -49.74

 

CMYK 28 / 89 / 0 / 25

HEX #8A16C0

RGB 138 22 192

HSL 280.94, 0.79%, 0.42%

LAB 37.45, 68.4, -62.85

 

CMYK 0 / 45 / 88 / 25

HEX #BF6917

RGB 191 105 23

HSL 29.29, 0.79%, 0.42%

LAB 53.21, 29.1, 55.72

 

CMYK 87 / 0 / 89 / 25

HEX #19C016

RGB 25 192 22

HSL 118.94, 0.79%, 0.42%

LAB 67.99, -67.68, 64.45

 

CMYK 89 / 43 / 0 / 25

HEX #166EC0

RGB 22 110 192

HSL 208.94, 0.79%, 0.42%

LAB 45.81, 6.29, -49.74

 

CMYK 2 / 89 / 0 / 25

HEX #BD16C0

RGB 189 22 192

HSL 298.94, 0.79%, 0.42%

LAB 45.9, 76.56, -48.77

 

Description

Color code: HEX #BF6917 | qconv.com Color code: HEX #BF6917 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 105 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 105 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 88 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 88% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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