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Color name
HEX #BF688D

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BF688D it is the complementary color #409772. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BF688D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BF688D shade: #C46888, #D57A9B, #E68CAE, #F79EC1 and #FFB0D4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BF688D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BF688D shade: #BF688D, #AE567A, #9D4467, #8C3254 and #7B2041

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BF688D shade: #BF698E, #BF6976 and #BF6969

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BF688D shade: #BF698E, #BF69A5, #BF69BC, #AB69BF and #9469BF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BF688D shade matches the following richer shades: #BF698E, #D0588B, #E14688 and #F33586

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BF688D shade: #BF698E, #AD7A90, #9C8C93, #8B9D95 and #79AE98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BF688D shade: #BF69BC, #BF69A5, #BF698E, #BF6977 and #BF7269

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BF688D shade: #954064, #B24C78, #BF698E, #CB86A3 and #D7A3B9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BF688D shade: #BF688D, #BFAB69 and #69B0BF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BF688D shade: #BF688D, #8EBF69 and #698EBF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BF688D shade: #BF688D, #BFAB69, #69BF9A and #697DBF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BF688D shade: #BF688D, #B9BF69, #69BF9A and #6F69BF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 26 / 25

HEX #BF688D

RGB 191 104 141

HSL 334.48, 0.4%, 0.58%

LAB 54.97, 39.17, -4.78

 

Complementary color

CMYK 58 / 0 / 25 / 41

HEX #409772

RGB 64 151 114

HSL 154.48, 0.4%, 0.42%

LAB 56.52, -35.28, 11.77

 

CMYK 0 / 47 / 31 / 23

HEX #C46888

RGB 196 104 136

HSL 339.13, 0.44%, 0.59%

LAB 55.5, 40.24, -1

 

CMYK 0 / 43 / 27 / 16

HEX #D57A9B

RGB 213 122 155

HSL 338.24, 0.52%, 0.66%

LAB 62.02, 39.37, -2.16

 

CMYK 0 / 39 / 24 / 10

HEX #E68CAE

RGB 230 140 174

HSL 337.33, 0.64%, 0.73%

LAB 68.49, 38.52, -3.18

 

CMYK 0 / 36 / 22 / 3

HEX #F79EC1

RGB 247 158 193

HSL 336.4, 0.85%, 0.79%

LAB 74.87, 37.72, -4.09

 

CMYK 0 / 31 / 17 / 0

HEX #FFB0D4

RGB 255 176 212

HSL 332.66, 1%, 0.85%

LAB 80.22, 33.89, -6.46

 

CMYK 0 / 46 / 26 / 25

HEX #BF688D

RGB 191 104 141

HSL 334.48, 0.4%, 0.58%

LAB 54.97, 39.17, -4.78

 

CMYK 0 / 51 / 30 / 32

HEX #AE567A

RGB 174 86 122

HSL 335.45, 0.35%, 0.51%

LAB 48.33, 40.02, -3.57

 

CMYK 0 / 57 / 34 / 38

HEX #9D4467

RGB 157 68 103

HSL 336.4, 0.4%, 0.44%

LAB 41.66, 40.81, -2.08

 

CMYK 0 / 64 / 40 / 45

HEX #8C3254

RGB 140 50 84

HSL 337.33, 0.47%, 0.37%

LAB 35, 41.42, -0.19

 

CMYK 0 / 74 / 47 / 52

HEX #7B2041

RGB 123 32 65

HSL 338.24, 0.59%, 0.3%

LAB 28.45, 41.58, 2.35

 

CMYK 0 / 45 / 26 / 25

HEX #BF698E

RGB 191 105 142

HSL 334.19, 0.4%, 0.58%

LAB 55.21, 38.79, -5.01

 

CMYK 0 / 45 / 38 / 25

HEX #BF6976

RGB 191 105 118

HSL 350.93, 0.4%, 0.58%

LAB 54.54, 35.65, 8.1

 

CMYK 0 / 45 / 45 / 25

HEX #BF6969

RGB 191 105 105

HSL 0, 0.4%, 0.58%

LAB 54.24, 34.19, 15.3

 

CMYK 0 / 45 / 26 / 25

HEX #BF698E

RGB 191 105 142

HSL 334.19, 0.4%, 0.58%

LAB 55.21, 38.79, -5.01

 

CMYK 0 / 45 / 14 / 25

HEX #BF69A5

RGB 191 105 165

HSL 318.14, 0.4%, 0.58%

LAB 55.98, 42.31, -17.26

 

CMYK 0 / 45 / 2 / 25

HEX #BF69BC

RGB 191 105 188

HSL 302.09, 0.4%, 0.58%

LAB 56.89, 46.29, -29.13

 

CMYK 10 / 45 / 0 / 25

HEX #AB69BF

RGB 171 105 191

HSL 286.05, 0.4%, 0.58%

LAB 54.58, 40.88, -34.64

 

CMYK 23 / 45 / 0 / 25

HEX #9469BF

RGB 148 105 191

HSL 270, 0.4%, 0.58%

LAB 52.02, 34.15, -38.83

 

CMYK 0 / 45 / 26 / 25

HEX #BF698E

RGB 191 105 142

HSL 334.19, 0.4%, 0.58%

LAB 55.21, 38.79, -5.01

 

CMYK 0 / 58 / 33 / 18

HEX #D0588B

RGB 208 88 139

HSL 334.5, 0.56%, 0.58%

LAB 54.29, 52.51, -4.33

 

CMYK 0 / 69 / 40 / 12

HEX #E14688

RGB 225 70 136

HSL 334.45, 0.72%, 0.58%

LAB 54.2, 64.73, -2.38

 

CMYK 0 / 78 / 45 / 5

HEX #F33586

RGB 243 53 134

HSL 334.42, 0.89%, 0.58%

LAB 55.4, 74.69, 0.94

 

CMYK 0 / 45 / 26 / 25

HEX #BF698E

RGB 191 105 142

HSL 334.19, 0.4%, 0.58%

LAB 55.21, 38.79, -5.01

 

CMYK 0 / 29 / 17 / 32

HEX #AD7A90

RGB 173 122 144

HSL 334.12, 0.24%, 0.58%

LAB 56.9, 23.27, -3.93

 

CMYK 0 / 10 / 6 / 39

HEX #9C8C93

RGB 156 140 147

HSL 333.75, 0.07%, 0.58%

LAB 59.83, 7.26, -1.54

 

CMYK 11 / 0 / 5 / 38

HEX #8B9D95

RGB 139 157 149

HSL 153.33, 0.08%, 0.58%

LAB 63.15, -7.98, 2.02

 

CMYK 30 / 0 / 13 / 32

HEX #79AE98

RGB 121 174 152

HSL 155.09, 0.25%, 0.58%

LAB 66.98, -22.27, 5.73

 

CMYK 0 / 45 / 2 / 25

HEX #BF69BC

RGB 191 105 188

HSL 302.09, 0.4%, 0.58%

LAB 56.89, 46.29, -29.13

 

CMYK 0 / 45 / 14 / 25

HEX #BF69A5

RGB 191 105 165

HSL 318.14, 0.4%, 0.58%

LAB 55.98, 42.31, -17.26

 

CMYK 0 / 45 / 26 / 25

HEX #BF698E

RGB 191 105 142

HSL 334.19, 0.4%, 0.58%

LAB 55.21, 38.79, -5.01

 

CMYK 0 / 45 / 38 / 25

HEX #BF6977

RGB 191 105 119

HSL 350.23, 0.4%, 0.58%

LAB 54.57, 35.77, 7.55

 

CMYK 0 / 40 / 45 / 25

HEX #BF7269

RGB 191 114 105

HSL 6.28, 0.4%, 0.58%

LAB 56.22, 29.35, 18.02

 

CMYK 0 / 57 / 33 / 42

HEX #954064

RGB 149 64 100

HSL 334.59, 0.4%, 0.42%

LAB 39.54, 39.68, -3.48

 

CMYK 0 / 57 / 33 / 30

HEX #B24C78

RGB 178 76 120

HSL 334.12, 0.4%, 0.5%

LAB 46.96, 46.11, -4.32

 

CMYK 0 / 45 / 26 / 25

HEX #BF698E

RGB 191 105 142

HSL 334.19, 0.4%, 0.58%

LAB 55.21, 38.79, -5.01

 

CMYK 0 / 34 / 20 / 20

HEX #CB86A3

RGB 203 134 163

HSL 334.78, 0.4%, 0.66%

LAB 63.66, 30.58, -4.45

 

CMYK 0 / 24 / 14 / 16

HEX #D7A3B9

RGB 215 163 185

HSL 334.62, 0.39%, 0.74%

LAB 72.32, 22.59, -3.84

 

CMYK 0 / 46 / 26 / 25

HEX #BF688D

RGB 191 104 141

HSL 334.48, 0.4%, 0.58%

LAB 54.97, 39.17, -4.78

 

CMYK 0 / 10 / 45 / 25

HEX #BFAB69

RGB 191 171 105

HSL 46.05, 0.4%, 0.58%

LAB 70.33, -1.85, 36.53

 

CMYK 45 / 8 / 0 / 25

HEX #69B0BF

RGB 105 176 191

HSL 190.47, 0.4%, 0.58%

LAB 67.88, -18.31, -14.62

 

CMYK 0 / 46 / 26 / 25

HEX #BF688D

RGB 191 104 141

HSL 334.48, 0.4%, 0.58%

LAB 54.97, 39.17, -4.78

 

CMYK 26 / 0 / 45 / 25

HEX #8EBF69

RGB 142 191 105

HSL 94.19, 0.4%, 0.58%

LAB 72.25, -31.34, 38.16

 

CMYK 45 / 26 / 0 / 25

HEX #698EBF

RGB 105 142 191

HSL 214.19, 0.4%, 0.58%

LAB 58.14, 0.36, -29.51

 

CMYK 0 / 46 / 26 / 25

HEX #BF688D

RGB 191 104 141

HSL 334.48, 0.4%, 0.58%

LAB 54.97, 39.17, -4.78

 

CMYK 0 / 10 / 45 / 25

HEX #BFAB69

RGB 191 171 105

HSL 46.05, 0.4%, 0.58%

LAB 70.33, -1.85, 36.53

 

CMYK 45 / 0 / 19 / 25

HEX #69BF9A

RGB 105 191 154

HSL 154.19, 0.4%, 0.58%

LAB 71.28, -34.69, 10.67

 

CMYK 45 / 35 / 0 / 25

HEX #697DBF

RGB 105 125 191

HSL 226.05, 0.4%, 0.58%

LAB 53.42, 10.37, -36.88

 

CMYK 0 / 46 / 26 / 25

HEX #BF688D

RGB 191 104 141

HSL 334.48, 0.4%, 0.58%

LAB 54.97, 39.17, -4.78

 

CMYK 3 / 0 / 45 / 25

HEX #B9BF69

RGB 185 191 105

HSL 64.19, 0.4%, 0.58%

LAB 75.2, -14.73, 42.47

 

CMYK 45 / 0 / 19 / 25

HEX #69BF9A

RGB 105 191 154

HSL 154.19, 0.4%, 0.58%

LAB 71.28, -34.69, 10.67

 

CMYK 42 / 45 / 0 / 25

HEX #6F69BF

RGB 111 105 191

HSL 244.19, 0.4%, 0.58%

LAB 48.57, 24.02, -44.52

 

Description

Color code: HEX #BF688D | qconv.com Color code: HEX #BF688D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 104 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 104 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 26 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 26% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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