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Color name
HEX #BF6717

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BF6717 it is the complementary color #4098E8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BF6717. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BF6717 shade: #C46712, #D57925, #E68B38, #F79D4B and #FFAF5E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BF6717. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BF6717 shade: #BF6717, #AE5504, #9D4300, #8C3100 and #7B1F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BF6717 shade: #C06716, #C03916 and #C01616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BF6717 shade: #C06716, #C09516, #BDC016, #8FC016 and #62C016

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BF6717 shade matches the following richer shades: #C06716 and #D16605

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BF6717 shade: #C06716, #AE6828, #9D6939, #8C6A4A and #7A6A5C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BF6717 shade: #C01622, #C03816, #C06516, #C09316 and #C0C016

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BF6717 shade: #763F0E, #9B5312, #C06716, #E47B1B and #E99040

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BF6717 shade: #BF6717, #4FC016 and #2216C0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BF6717 shade: #BF6717, #16C065 and #6516C0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BF6717 shade: #BF6717, #4FC016, #1671C0 and #8716C0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BF6717 shade: #BF6717, #1CC016, #1671C0 and #BA16C0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 88 / 25

HEX #BF6717

RGB 191 103 23

HSL 28.57, 0.79%, 0.42%

LAB 52.77, 30.17, 55.37

 

Complementary color

CMYK 72 / 34 / 0 / 9

HEX #4098E8

RGB 64 152 232

HSL 208.57, 0.79%, 0.58%

LAB 61.11, -0.04, -47.93

 

CMYK 0 / 47 / 91 / 23

HEX #C46712

RGB 196 103 18

HSL 28.65, 0.83%, 0.42%

LAB 53.47, 32.15, 57.69

 

CMYK 0 / 43 / 83 / 16

HEX #D57925

RGB 213 121 37

HSL 28.64, 0.7%, 0.49%

LAB 59.85, 30.12, 57.65

 

CMYK 0 / 40 / 76 / 10

HEX #E68B38

RGB 230 139 56

HSL 28.62, 0.78%, 0.56%

LAB 66.19, 28.3, 56.69

 

CMYK 0 / 36 / 70 / 3

HEX #F79D4B

RGB 247 157 75

HSL 28.6, 0.91%, 0.63%

LAB 72.49, 26.68, 55.37

 

CMYK 0 / 31 / 63 / 0

HEX #FFAF5E

RGB 255 175 94

HSL 30.19, 1%, 0.68%

LAB 77.71, 21.59, 52.47

 

CMYK 0 / 46 / 88 / 25

HEX #BF6717

RGB 191 103 23

HSL 28.57, 0.79%, 0.42%

LAB 52.77, 30.17, 55.37

 

CMYK 0 / 51 / 98 / 32

HEX #AE5504

RGB 174 85 4

HSL 28.59, 0.96%, 0.35%

LAB 46.32, 32.34, 54.54

 

CMYK 0 / 57 / 100 / 38

HEX #9D4300

RGB 157 67 0

HSL 25.61, 1%, 0.31%

LAB 39.89, 34.68, 50.41

 

CMYK 0 / 65 / 100 / 45

HEX #8C3100

RGB 140 49 0

HSL 21, 1%, 0.27%

LAB 33.5, 36.85, 45.29

 

CMYK 0 / 75 / 100 / 52

HEX #7B1F00

RGB 123 31 0

HSL 15.12, 1%, 0.24%

LAB 27.27, 38.46, 39.22

 

CMYK 0 / 46 / 89 / 25

HEX #C06716

RGB 192 103 22

HSL 28.59, 0.79%, 0.42%

LAB 52.91, 30.57, 55.85

 

CMYK 0 / 70 / 89 / 25

HEX #C03916

RGB 192 57 22

HSL 12.35, 0.79%, 0.42%

LAB 44.51, 52.34, 49.29

 

CMYK 0 / 89 / 89 / 25

HEX #C01616

RGB 192 22 22

HSL 0, 0.79%, 0.42%

LAB 40.96, 62.28, 46.55

 

CMYK 0 / 46 / 89 / 25

HEX #C06716

RGB 192 103 22

HSL 28.59, 0.79%, 0.42%

LAB 52.91, 30.57, 55.85

 

CMYK 0 / 22 / 89 / 25

HEX #C09516

RGB 192 149 22

HSL 44.82, 0.79%, 0.42%

LAB 63.97, 5.43, 64.56

 

CMYK 2 / 0 / 89 / 25

HEX #BDC016

RGB 189 192 22

HSL 61.06, 0.79%, 0.42%

LAB 75.19, -18.41, 73.35

 

CMYK 26 / 0 / 89 / 25

HEX #8FC016

RGB 143 192 22

HSL 77.29, 0.79%, 0.42%

LAB 71.96, -37.48, 69.39

 

CMYK 49 / 0 / 89 / 25

HEX #62C016

RGB 98 192 22

HSL 93.18, 0.79%, 0.42%

LAB 69.72, -53.32, 66.61

 

CMYK 0 / 46 / 89 / 25

HEX #C06716

RGB 192 103 22

HSL 28.59, 0.79%, 0.42%

LAB 52.91, 30.57, 55.85

 

CMYK 0 / 51 / 98 / 18

HEX #D16605

RGB 209 102 5

HSL 28.53, 0.95%, 0.42%

LAB 55.14, 37.79, 62.53

 

CMYK 0 / 46 / 89 / 25

HEX #C06716

RGB 192 103 22

HSL 28.59, 0.79%, 0.42%

LAB 52.91, 30.57, 55.85

 

CMYK 0 / 40 / 77 / 32

HEX #AE6828

RGB 174 104 40

HSL 28.66, 0.63%, 0.42%

LAB 50.75, 22.91, 46.02

 

CMYK 0 / 33 / 64 / 38

HEX #9D6939

RGB 157 105 57

HSL 28.8, 0.47%, 0.42%

LAB 48.97, 15.85, 34.97

 

CMYK 0 / 24 / 47 / 45

HEX #8C6A4A

RGB 140 106 74

HSL 29.09, 0.31%, 0.42%

LAB 47.47, 9.28, 23.17

 

CMYK 0 / 13 / 25 / 52

HEX #7A6A5C

RGB 122 106 92

HSL 28, 0.14%, 0.42%

LAB 45.93, 3.92, 10.19

 

CMYK 0 / 89 / 82 / 25

HEX #C01622

RGB 192 22 34

HSL 355.76, 0.79%, 0.42%

LAB 41.05, 62.54, 40.52

 

CMYK 0 / 71 / 89 / 25

HEX #C03816

RGB 192 56 22

HSL 12, 0.79%, 0.42%

LAB 44.37, 52.72, 49.18

 

CMYK 0 / 47 / 89 / 25

HEX #C06516

RGB 192 101 22

HSL 27.88, 0.79%, 0.42%

LAB 52.48, 31.63, 55.51

 

CMYK 0 / 23 / 89 / 25

HEX #C09316

RGB 192 147 22

HSL 44.12, 0.79%, 0.42%

LAB 63.45, 6.52, 64.16

 

CMYK 0 / 0 / 89 / 25

HEX #C0C016

RGB 192 192 22

HSL 60, 0.79%, 0.42%

LAB 75.43, -17.12, 73.65

 

CMYK 0 / 47 / 88 / 54

HEX #763F0E

RGB 118 63 14

HSL 28.27, 0.79%, 0.26%

LAB 32.78, 20.35, 37.71

 

CMYK 0 / 46 / 88 / 39

HEX #9B5312

RGB 155 83 18

HSL 28.47, 0.79%, 0.34%

LAB 43.06, 25.58, 47.04

 

CMYK 0 / 46 / 89 / 25

HEX #C06716

RGB 192 103 22

HSL 28.59, 0.79%, 0.42%

LAB 52.91, 30.57, 55.85

 

CMYK 0 / 46 / 88 / 11

HEX #E47B1B

RGB 228 123 27

HSL 28.66, 0.79%, 0.5%

LAB 62.29, 34.98, 63.84

 

CMYK 0 / 38 / 73 / 9

HEX #E99040

RGB 233 144 64

HSL 28.4, 0.79%, 0.58%

LAB 67.75, 27.25, 54.87

 

CMYK 0 / 46 / 88 / 25

HEX #BF6717

RGB 191 103 23

HSL 28.57, 0.79%, 0.42%

LAB 52.77, 30.17, 55.37

 

CMYK 59 / 0 / 89 / 25

HEX #4FC016

RGB 79 192 22

HSL 99.88, 0.79%, 0.42%

LAB 69.05, -58.6, 65.78

 

CMYK 82 / 89 / 0 / 25

HEX #2216C0

RGB 34 22 192

HSL 244.24, 0.79%, 0.42%

LAB 25.92, 58.92, -82.26

 

CMYK 0 / 46 / 88 / 25

HEX #BF6717

RGB 191 103 23

HSL 28.57, 0.79%, 0.42%

LAB 52.77, 30.17, 55.37

 

CMYK 89 / 0 / 47 / 25

HEX #16C065

RGB 22 192 101

HSL 147.88, 0.79%, 0.42%

LAB 68.61, -59.92, 34.78

 

CMYK 47 / 89 / 0 / 25

HEX #6516C0

RGB 101 22 192

HSL 267.88, 0.79%, 0.42%

LAB 32.14, 63.72, -71.76

 

CMYK 0 / 46 / 88 / 25

HEX #BF6717

RGB 191 103 23

HSL 28.57, 0.79%, 0.42%

LAB 52.77, 30.17, 55.37

 

CMYK 59 / 0 / 89 / 25

HEX #4FC016

RGB 79 192 22

HSL 99.88, 0.79%, 0.42%

LAB 69.05, -58.6, 65.78

 

CMYK 89 / 41 / 0 / 25

HEX #1671C0

RGB 22 113 192

HSL 207.88, 0.79%, 0.42%

LAB 46.69, 4.4, -48.33

 

CMYK 30 / 89 / 0 / 25

HEX #8716C0

RGB 135 22 192

HSL 279.88, 0.79%, 0.42%

LAB 36.99, 67.98, -63.63

 

CMYK 0 / 46 / 88 / 25

HEX #BF6717

RGB 191 103 23

HSL 28.57, 0.79%, 0.42%

LAB 52.77, 30.17, 55.37

 

CMYK 85 / 0 / 89 / 25

HEX #1CC016

RGB 28 192 22

HSL 117.88, 0.79%, 0.42%

LAB 68.02, -67.41, 64.49

 

CMYK 89 / 41 / 0 / 25

HEX #1671C0

RGB 22 113 192

HSL 207.88, 0.79%, 0.42%

LAB 46.69, 4.4, -48.33

 

CMYK 3 / 89 / 0 / 25

HEX #BA16C0

RGB 186 22 192

HSL 297.88, 0.79%, 0.42%

LAB 45.38, 76.04, -49.63

 

Description

Color code: HEX #BF6717 | qconv.com Color code: HEX #BF6717 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 103 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 103 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 88 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 88% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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