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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BF64C6 it is the complementary color #409B39. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BF64C6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BF64C6 shade: #C464C1, #D576D4, #E688E7, #F79AFA and #FFACFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BF64C6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BF64C6 shade: #BF64C6, #AE52B3, #9D40A0, #8C2E8D and #7B1C7A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BF64C6 shade: #BE63C5, #C563B2, #C56397, #C5637C and #C56363

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BF64C6 shade: #BE63C5, #A463C5, #8963C5, #6E63C5 and #6363C5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BF64C6 shade matches the following richer shades: #BE63C5, #CD51D6, #DC40E8 and #EB2FF9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BF64C6 shade: #BE63C5, #AF74B4, #A085A3, #929791 and #83A880

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BF64C6 shade: #8863C5, #A363C5, #BD63C5, #C563B3 and #C56399

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BF64C6 shade: #953A9C, #B145BA, #BE63C5, #CB81D0 and #D79FDB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BF64C6 shade: #BF64C6, #C56E63 and #63C596

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BF64C6 shade: #BF64C6, #C5BD63 and #63C5BD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BF64C6 shade: #BF64C6, #C56E63, #6BC563 and #63BAC5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BF64C6 shade: #BF64C6, #C58C63, #6BC563 and #639CC5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 49 / 0 / 22

HEX #BF64C6

RGB 191 100 198

HSL 295.71, 0.46%, 0.58%

LAB 56.36, 50.68, -35.68

 

Complementary color

CMYK 59 / 0 / 63 / 39

HEX #409B39

RGB 64 155 57

HSL 115.71, 0.46%, 0.42%

LAB 56.91, -46.64, 42.3

 

CMYK 0 / 49 / 2 / 23

HEX #C464C1

RGB 196 100 193

HSL 301.88, 0.45%, 0.58%

LAB 56.78, 51.19, -32.11

 

CMYK 0 / 45 / 0 / 16

HEX #D576D4

RGB 213 118 212

HSL 300.63, 0.53%, 0.65%

LAB 63.22, 50.52, -32.69

 

CMYK 0 / 41 / 0 / 9

HEX #E688E7

RGB 230 136 231

HSL 299.37, 0.66%, 0.72%

LAB 69.61, 49.8, -33.18

 

CMYK 1 / 38 / 0 / 2

HEX #F79AFA

RGB 247 154 250

HSL 298.13, 0.91%, 0.79%

LAB 75.94, 49.07, -33.6

 

CMYK 0 / 33 / 0 / 0

HEX #FFACFF

RGB 255 172 255

HSL 300, 1%, 0.84%

LAB 80.73, 43.12, -28.85

 

CMYK 4 / 49 / 0 / 22

HEX #BF64C6

RGB 191 100 198

HSL 295.71, 0.46%, 0.58%

LAB 56.36, 50.68, -35.68

 

CMYK 3 / 54 / 0 / 30

HEX #AE52B3

RGB 174 82 179

HSL 296.91, 0.39%, 0.51%

LAB 49.84, 51.28, -35.09

 

CMYK 2 / 60 / 0 / 37

HEX #9D40A0

RGB 157 64 160

HSL 298.13, 0.43%, 0.44%

LAB 43.32, 51.69, -34.3

 

CMYK 1 / 67 / 0 / 45

HEX #8C2E8D

RGB 140 46 141

HSL 299.37, 0.51%, 0.37%

LAB 36.84, 51.72, -33.21

 

CMYK 0 / 77 / 1 / 52

HEX #7B1C7A

RGB 123 28 122

HSL 300.63, 0.63%, 0.3%

LAB 30.51, 51.02, -31.61

 

CMYK 4 / 50 / 0 / 23

HEX #BE63C5

RGB 190 99 197

HSL 295.71, 0.46%, 0.58%

LAB 55.99, 50.71, -35.69

 

CMYK 0 / 50 / 10 / 23

HEX #C563B2

RGB 197 99 178

HSL 311.63, 0.46%, 0.58%

LAB 56.1, 49.4, -24.54

 

CMYK 0 / 50 / 23 / 23

HEX #C56397

RGB 197 99 151

HSL 328.16, 0.46%, 0.58%

LAB 55.1, 45.21, -10.36

 

CMYK 0 / 50 / 37 / 23

HEX #C5637C

RGB 197 99 124

HSL 344.69, 0.46%, 0.58%

LAB 54.29, 41.66, 4.33

 

CMYK 0 / 50 / 50 / 23

HEX #C56363

RGB 197 99 99

HSL 0, 0.46%, 0.58%

LAB 53.7, 39.01, 18.22

 

CMYK 4 / 50 / 0 / 23

HEX #BE63C5

RGB 190 99 197

HSL 295.71, 0.46%, 0.58%

LAB 55.99, 50.71, -35.69

 

CMYK 17 / 50 / 0 / 23

HEX #A463C5

RGB 164 99 197

HSL 279.8, 0.46%, 0.58%

LAB 52.78, 43.39, -40.96

 

CMYK 30 / 50 / 0 / 23

HEX #8963C5

RGB 137 99 197

HSL 263.27, 0.46%, 0.58%

LAB 49.83, 36.01, -45.83

 

CMYK 44 / 50 / 0 / 23

HEX #6E63C5

RGB 110 99 197

HSL 246.73, 0.46%, 0.58%

LAB 47.33, 29.17, -49.96

 

CMYK 50 / 50 / 0 / 23

HEX #6363C5

RGB 99 99 197

HSL 240, 0.46%, 0.58%

LAB 46.46, 26.62, -51.4

 

CMYK 4 / 50 / 0 / 23

HEX #BE63C5

RGB 190 99 197

HSL 295.71, 0.46%, 0.58%

LAB 55.99, 50.71, -35.69

 

CMYK 4 / 62 / 0 / 16

HEX #CD51D6

RGB 205 81 214

HSL 295.94, 0.62%, 0.58%

LAB 55.81, 65.99, -45.52

 

CMYK 5 / 72 / 0 / 9

HEX #DC40E8

RGB 220 64 232

HSL 295.71, 0.79%, 0.58%

LAB 56.79, 78.57, -53.98

 

CMYK 6 / 81 / 0 / 2

HEX #EB2FF9

RGB 235 47 249

HSL 295.84, 0.94%, 0.58%

LAB 58.54, 88.62, -60.55

 

CMYK 4 / 50 / 0 / 23

HEX #BE63C5

RGB 190 99 197

HSL 295.71, 0.46%, 0.58%

LAB 55.99, 50.71, -35.69

 

CMYK 3 / 36 / 0 / 29

HEX #AF74B4

RGB 175 116 180

HSL 295.31, 0.3%, 0.58%

LAB 56.98, 33.86, -24.56

 

CMYK 2 / 18 / 0 / 36

HEX #A085A3

RGB 160 133 163

HSL 294, 0.14%, 0.58%

LAB 58.88, 15.78, -12.07

 

CMYK 3 / 0 / 4 / 41

HEX #929791

RGB 146 151 145

HSL 110, 0.03%, 0.58%

LAB 61.9, -2.97, 2.52

 

CMYK 22 / 0 / 24 / 34

HEX #83A880

RGB 131 168 128

HSL 115.5, 0.19%, 0.58%

LAB 65.27, -20.57, 16.64

 

CMYK 31 / 50 / 0 / 23

HEX #8863C5

RGB 136 99 197

HSL 262.65, 0.46%, 0.58%

LAB 49.72, 35.75, -45.99

 

CMYK 17 / 50 / 0 / 23

HEX #A363C5

RGB 163 99 197

HSL 279.18, 0.46%, 0.58%

LAB 52.67, 43.11, -41.15

 

CMYK 4 / 50 / 0 / 23

HEX #BD63C5

RGB 189 99 197

HSL 295.1, 0.46%, 0.58%

LAB 55.86, 50.43, -35.9

 

CMYK 0 / 50 / 9 / 23

HEX #C563B3

RGB 197 99 179

HSL 311.02, 0.46%, 0.58%

LAB 56.14, 49.57, -25.06

 

CMYK 0 / 50 / 22 / 23

HEX #C56399

RGB 197 99 153

HSL 326.94, 0.46%, 0.58%

LAB 55.17, 45.5, -11.42

 

CMYK 4 / 63 / 0 / 39

HEX #953A9C

RGB 149 58 156

HSL 295.71, 0.46%, 0.42%

LAB 40.92, 51.59, -35.77

 

CMYK 5 / 63 / 0 / 27

HEX #B145BA

RGB 177 69 186

HSL 295.38, 0.46%, 0.5%

LAB 48.45, 59.29, -41.34

 

CMYK 4 / 50 / 0 / 23

HEX #BE63C5

RGB 190 99 197

HSL 295.71, 0.46%, 0.58%

LAB 55.99, 50.71, -35.69

 

CMYK 2 / 38 / 0 / 18

HEX #CB81D0

RGB 203 129 208

HSL 296.2, 0.46%, 0.66%

LAB 64.12, 41.04, -29.15

 

CMYK 2 / 27 / 0 / 14

HEX #D79FDB

RGB 215 159 219

HSL 296, 0.45%, 0.74%

LAB 72.47, 30.76, -22.34

 

CMYK 4 / 49 / 0 / 22

HEX #BF64C6

RGB 191 100 198

HSL 295.71, 0.46%, 0.58%

LAB 56.36, 50.68, -35.68

 

CMYK 0 / 44 / 50 / 23

HEX #C56E63

RGB 197 110 99

HSL 6.73, 0.46%, 0.58%

LAB 56.01, 33.24, 21.33

 

CMYK 50 / 0 / 24 / 23

HEX #63C596

RGB 99 197 150

HSL 151.22, 0.46%, 0.58%

LAB 72.75, -39.8, 14.87

 

CMYK 4 / 49 / 0 / 22

HEX #BF64C6

RGB 191 100 198

HSL 295.71, 0.46%, 0.58%

LAB 56.36, 50.68, -35.68

 

CMYK 0 / 4 / 50 / 23

HEX #C5BD63

RGB 197 189 99

HSL 55.1, 0.46%, 0.58%

LAB 75.55, -9.39, 46.08

 

CMYK 50 / 0 / 4 / 23

HEX #63C5BD

RGB 99 197 189

HSL 175.1, 0.46%, 0.58%

LAB 73.71, -30.73, -4.86

 

CMYK 4 / 49 / 0 / 22

HEX #BF64C6

RGB 191 100 198

HSL 295.71, 0.46%, 0.58%

LAB 56.36, 50.68, -35.68

 

CMYK 0 / 44 / 50 / 23

HEX #C56E63

RGB 197 110 99

HSL 6.73, 0.46%, 0.58%

LAB 56.01, 33.24, 21.33

 

CMYK 46 / 0 / 50 / 23

HEX #6BC563

RGB 107 197 99

HSL 115.1, 0.46%, 0.58%

LAB 72.2, -46.37, 40.7

 

CMYK 50 / 6 / 0 / 23

HEX #63BAC5

RGB 99 186 197

HSL 186.73, 0.46%, 0.58%

LAB 70.73, -23.21, -13.66

 

CMYK 4 / 49 / 0 / 22

HEX #BF64C6

RGB 191 100 198

HSL 295.71, 0.46%, 0.58%

LAB 56.36, 50.68, -35.68

 

CMYK 0 / 29 / 50 / 23

HEX #C58C63

RGB 197 140 99

HSL 25.1, 0.46%, 0.58%

LAB 62.95, 16.9, 30.44

 

CMYK 46 / 0 / 50 / 23

HEX #6BC563

RGB 107 197 99

HSL 115.1, 0.46%, 0.58%

LAB 72.2, -46.37, 40.7

 

CMYK 50 / 21 / 0 / 23

HEX #639CC5

RGB 99 156 197

HSL 205.1, 0.46%, 0.58%

LAB 62.05, -7.28, -26.88

 

Description

Color code: HEX #BF64C6 | qconv.com Color code: HEX #BF64C6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 100 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 100 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 49 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 49% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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